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Book: Happy Birdday, Tacky!
Author: Helen Lester
Illustrator: Lynn Munsinger
Pages: 32
Age Range: 3-8

I love Tacky the Penguin. The board book was one of my favorites to read to Baby Bookworm when she was a little bit younger. I've not read all of Helen Lester and Lynn Munsinger's books about Tacky, but I did quite enjoy the latest one, Happy Birdday, Tacky!
Tacky the Penguin is a quirky bird who lives in Nice Icy Land with his companions, Goodly, Lovely, Angel, Neatly, and Perfect. The companions are all calm and orderly, but Tacky always keeps things interesting. In Happy Birdday, Tacky!, Goodly, Lovely, Angel, Neatly and Perfect spend weeks planning the perfect birthday party for Tacky. But when the big day arrives, things don't go exactly as planned (they never do, when Tacky is around). But, of course, it all turns out ok in the end.
I think it helps, in appreciating Happy Birdday, Tacky!, to have read at least the first Tacky book. For example, the other penguins make birthday cards for Tacky, "but since Tacky was an odd bird with an odd way of counting, it only made sense that he had told them odd things about how old he was." This odd way of counting is straight out of the first book, and a nice nod back to the launch of the series.
I love the vocabulary in this book. Tacky is "quite busy flippiting about". He then pauses in "mid-flapwaddle." And of course "birdday" instead of "birthday". There's enough of this sort of thing to make Happy Birthday, Tacky! fun to read aloud, but not so much as to be confusing. Here are a couple of bits that made me laugh:
""Everything's perfect!" declared Perfect.
(This confused his companions, for as far they knew, Perfect was Perfect. But never mind.) "
Guest dancer Twinklewebs announces:
""I vant to perform for you a denz peez from Swan Frozen-Body-of-Water."
OK, kids might not get that one, but I thought it was funny. And finally:
"They hovered over Twinklewebs, writing their flippers and becoming covered with perspiration icicles.
What a dreadful end for their Perfect Party.
They were ready to tear their hair, if only they had any."
As you can see, this is not a book that offers a sophisticated humor. But I think it's perfect for three to five year olds. There is perhaps an implied message about going with the flow, but it's otherwise just pure, silly fun. There should be more picture books like that.
Munsinger's illustrations add to the fun. The last quote above is accompanied by a picture of Tacky with a smushed cake on his head (and feet), surrounded by the other penguins. Twinklewebs, a penguin in a pink tutu and feathers, is priceless. There is, as befitting a book set in a nice, icy land, plenty of white space. And step by step vignettes showing Tacky's latest dance will have four year olds everywhere performing on makeshift stages.
I'm a long-time Tacky fan, and I found Happy Birdday, Tacky! to be an enjoyable addition to the series. A must-purchase for libraries, and a fine choice for anyone who could benefit from taking a less rigid approach to life. Recommended!
Publisher: Houghton Mifflin Books for Children (@hmhkids)
Publication Date: May 14, 2013
Source of Book: Review copy from the publisher
FTC Required Disclosure:
This site is an Amazon affiliate, and purchases made through Amazon links (including linked book covers) may result in my receiving a small commission (at no additional cost to you).
© 2013 by Jennifer Robinson of Jen Robinson's Book Page. All rights reserved. You can also follow me @JensBookPage or at my Growing Bookworms page on Facebook.
This clever rhyming picture book will have you jumping along too! Each little animal is just minding their own business, when along comes a bigger animal that makes them JUMP! Well, wouldn’t you jump if you were a cat, a fat little cat and were sleeping on a mat, and then you see a hound?? – wouldn’t you JUMP? The simple sing-songy rhythm of the story is infectious, and I think little kids and grown-ups will love it!
Posted by: Mary
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20 Big Trucks in the Middle of the Street, written by Mark Lee and illustrated by Kurt Cyrus, is the straightforward kind truck book that
Book: Nighty-Night, Sleep Tight
Author: Jennifer Berne
Illustrator: David Walker
Pages: 24
Age Range: 2-5

Nighty-Night, Sleep Tight, written by Jennifer Berne and illustrated by David Walker, is, as you might expect from the title, a bedtime picture book. Written in the vein of Somewhere So Sleepy (and doubtless many others), Nighty-Night, Sleep Tight follows a child as she visits, in her imagination, a variety of animals from around the world sleeping. Like this:
"As a whispering wind
stirs a misty Maine fog,
a moose family sleeps
by the edge of a bog.
Dreaming dreams under blankets of stars.
Sweet dreams under blankets of stars."
That last couplet, about blankets of stars, is repeated after every second or third type of animal. This bothered me a bit. It seems like it would have been more soothing to have it included every time. Or at least to have used the regular spacing of every other time. Including it at irregular intervals seemed odd to me, particularly in a bedtime book.
Still, I did like the variety of animal examples that Berne included, and the seamless way she incorporates tidbits of information. Like this:
"Beneath deserts of Utah,
in underground towns,
little prairie dogs snooze
in beds fourteen feet down."
Walker's pencil and acrylic illustrations lend a cozy feel to the book. The little girl, in pink footie pajamas, is shown interacting with the animals on each page. A page depicting Galapagos turtles, for example, has the girl drawling along, with a beach bucket on her back like a shell. She curls up with the tigers, and joins a Bahama iguana by perching on a palm frond. Both girl and animals are depicted without excessive detail, and with a mix of cheerful and sleepy expressions.
For those looking for a soothing bedtime book, one that includes a bit of information about animals from around the world, Nighty-Night, Sleep Tight is well worth a look. While not groundbreaking, it's a comforting read, with gentle illustrations that will make young listeners smile.
Publisher: Sterling Children's Books (@SterlingKids)
Publication Date: March 5, 2013
Source of Book: Review copy from the publisher
FTC Required Disclosure:
This site is an Amazon affiliate, and purchases made through Amazon links (including linked book covers) may result in my receiving a small commission (at no additional cost to you).
© 2013 by Jennifer Robinson of Jen Robinson's Book Page. All rights reserved. You can also follow me @JensBookPage or at my Growing Bookworms page on Facebook.
Book: Hands Off My Honey!
Author: Jane Chapman
Illustrator: Tim Warnes
Pages: 32
Age Range: 3-6

I'm not sure why it is that preschoolers have an insatiable appetite for picture books about bears, but it does seem to be true. Hands Off My Honey!, by Jane Chapman and her husband Tim Warnes, is a fun addition to the genre.
The book begins as Bear stomps, stamps, and bellows his way to a hollow, honey jar in hand, shouting out things like:
"Don't even try to take a pawful! I am the scariest bear in the forest and I won't share a single drop."
As Bear settles in to enjoy his honey, Mouse, the Rabbit Brothers, and Mole decide that they love honey, too, and are going to try to sneak some out of Bear's jar. A mostly stealthy adventure follows (Mole has a bit of difficulty keeping quiet), with a surprise at the end.
Hands Off My Honey! is read-aloud friendly, with lots of exclamations and sound effects ("Ooops!", "Flump!", etc.). It uses bold text and varied font sizes to encourage dramatic reading. I especially like Chapman's use of strong verbs ("rumbled", "trembled", "bellowed", "whizzed", etc.). Not fancy verbs necessarily, but strong, descriptive verbs. Like this:
"Mouse zipped to the left and right,
keeping to the shadows. The rabbits
raced behind, shivering excitedly.
Mouse waved to Mole, but as
he dodged a stinging nettle,
he tripped over a root,
"Oooops!"
he squeaked."
OK, there's a vague antecedent in that last example (the picture makes it clear that Mole tripped). But still, it's a book that I look forward to reading aloud to my daughter, for sheer enjoyment of the language.
Warnes' illustrations are kid-friendly. Bear is shown larger than life, scowling as he yells, but smiling as he licks his honey. The smaller animals are cute, with expressive faces (usually smiling). The later illustrations, with honey everywhere are particularly funny. The fonts are sometimes large enough to factor in as part of the illustrations, too. In general, like the text, the pictures are full of action.
Hands Off My Honey! is a fun read-aloud with a surprise twist at the end. And it features a bear. I expect this one to become a family favorite. It's probably optimal for three to five year olds. Recommended!
Publisher: Tiger Tales Books (@TigerTalesBooks)
Publication Date: March 1, 2013
Source of Book: Review copy from the publisher
FTC Required Disclosure:
This site is an Amazon affiliate, and purchases made through Amazon links (including linked book covers) may result in my receiving a small commission (at no additional cost to you).
© 2013 by Jennifer Robinson of Jen Robinson's Book Page. All rights reserved. You can also follow me @JensBookPage or at my Growing Bookworms page on Facebook.
2013 GradeReading.NET Summer Reading Lists

Keep your students reading all summer! The lists for 2nd, 3rd and 4th, include 10 recommended fiction titles and 10 recommended nonfiction titles. Printed double-sided, these one-page flyers are perfect to hand out to students, teachers, or parents. Great for PTA meetings, have on hand in the library, or to send home with students for the summer. FREE Pdf or infographic jpeg.
See the Summer Lists Now!
I’ve written before about writing a children’s picture book in this 30 Days to a Stronger Picture Book Series and the basics remain true. However, nonfiction picture books are currently getting a fresh look, mostly because of the education reforms known as Common Core. It requires elementary students to read 50% nonfiction, 50% fiction. That percentage of nonfiction rises to 70% in high school, which impacts longer nonfiction. But today, I’ll concentrate on the impact on picture books.
One of the more interesting developments is that educators, publishers and writers are looking at nonfiction in seven new ways.
- Narrative Nonfiction. The last 25 years has seen the rise of narrative nonfiction, or nonfiction that is told with fiction techniques. Sometimes called creative nonfiction, this genre emphasizes the story embedded in the search for information. Nonfiction writers use scenes, sensory details, and work for a traditional story arc with a problem that is resolved in a climax. This type story has been popular because it readily engages readers.
Examples of narrative nonfiction picture books:

Turtle Tide: The Ways of Sea Turtles This book is one that has you hanging on the edge, waiting to see if any of the 100 sea turtle babies will survive. Fantastic build to a satisfying climax.
- Wisdom, the Midway Albatross. My own picture book about the oldest known wild bird in the world uses a series of vignettes that climaxes with the Japanese tsunami overrunning Midway Island.
- Data (Facts First). Let’s face it: some kids just like facts. Browseable books like the Dorling Kindersley books (white background with stunning photos and related facts) are filled with data. It’s rather like flipping through an encyclopedia of a certain topic until you find the information that fascinates you, stopping to read, then flipping on. It’s the Guiness Book of World Records. Just the facts, Ma’am.
- Expository (Facts Plus). Taking it a step farther are nonfiction books that give facts but connect them in some way. It’s an explanation of some kind, but doesn’t have to have the story. Often in a picture book, the author reaches for a poetic voice, but the intent is still just an explanation. For an example, look at Frogs by Nic Bishop
- Books in the Disciplinary Thinking or Experts at Work are nonfiction books that ask how scientists and historians ask questions, evaluate research and develop theories. Sometimes these are biographies of a scientist or historian.
The Scientists in the Field Series from Houghton Mifflin is the perfect example of this type books. See the 2011 Siebert Winner Kakapo Rescue: Saving the World’s Strangest Parrot , written by Sy Montgomery, photographs by Nic Bishop.
- In Inquiry (Ask and Answer) Books, the author begins mimics the process of scientific discovery by asking a question and then allowing the readers to follow the process of finding the answers.
The Elephant Scientist is one of the Scientists in the Field Series from Houghton Mifflin, and a 2012 Siebert Honor book. Unlike some of the other book in the series, this one begins with a question: how do elephants hear? Is it possible that they hear sounds through their feet? This leading question is woven throughout the book and indeed, gives it even more of a narrative nonfiction feel. It’s easy to from this book that the subgenres will be hard to tease out. Is this book narrative nonfiction, Experts at Work, or Inquiry? It’s all three. Still, even thinking about it in this way means that we, as writers, have more choices, even when we choose to cross subgenres.
- Interpretation or Point of View nonfiction titles are not popular right now, but may become a stronger subgenre under the Common Core, as it asks students to do analytical thinking. Here, an author researches a subject in detail, then provides an interpretation of the information. Such books would model what students are required to produce in their own essays.
- Action Books invite kids do more than sit in a chair and read. Some include activities or experiments, and some are a call to action. They encourage kids to go out and do something that will make a difference in the world.
I Love Dirt! 52 Activities to Help you and your Kid Discover the Wonders of Nature asks kids and parents get outdoors and do something.
Writing the Nonfiction Picture Book
When you look at a topic—maybe Dads in nature—there are multiple slants you could take on the subject. And now, there are multiple ways to approach the research and writing.
Narrative nonfiction. For this category, there’s no book without a storyline. As you research, you are looking for the story embedded in the details.
Data/Facts. Here, you are looking for solid, reliable, verifiable facts. Of course, you are in any of these categories, but for this category, it is the facts that shine. You will have to organize the book in some way, but the natural divisions in the data will determine the book’s structure.
Expository. Explanations include facts that back up a certain premise or statement. As you research, you are looking for an overarching idea that the facts will explain. Sometimes you’ll start with what needs explanation but sometimes, it will emerge from the research and writing.
Experts at Work. This is a fun category because it means you must seek out experts and follow them around. Writer George Plimpton, who recently passed away, if famous for joining the Detroit Lions American football team in order to give his readers the most intimate sense of playing in this team. This type of immersive journalism may be an extreme example of Experts at Work, but it certainly fits the goals. The story here (and it is often a narrative) is about the expert not necessarily about what the expert is studying or doing.
Interpretation or Point of View. In some ways, picture book biographies are an interpretation of a person’s life. Because the space is limited, these biographies can only cover a portion of a person’s life and by necessity become an interpretation. Dizzy, by Jonah Winters, is about Dizzy Gillespie, the famous Be-pop trumpeter. It leaves out many issues of his family and uses literary techniques to create a sense of what be-pop music is like. It’s a definite point of view. When you write this type story, look for what grabs you personally in a story or set of facts; how can you bring that to the forefront? Are these popular? Dizzy got starred reviews in five different review journals.
Action Books. While facts inform the action book category, it’s what the reader does with those facts that matters. In fact, the emotions evoked by the facts are as important as the facts themselves. It turns into a sort of persuasion essay, using facts to back up the need to do something. Look for facts that back up the actions you want readers to take. Build a strong, emotional case for that action.
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The Library is celebrating its 100th Anniversary this year and we are doing it up big this summer with our Summer Reading Club, “Celebrate 100 Years of Reading.” When I was trying to think of books that fit the summer theme this book jumped into my head and would not jump out. It combines everything that I love about celebrations; big parties, delicious cake, and most importantly, a good story.
Jack is delighted when he receives an invitation to the princess’s birthday party until his mother reminds him that they do not have any money to purchase the princess a birthday present. That doesn’t stop Jack though. Living up to his name, the clever boy trades and sweet talks his way through the village collecting the ingredients to make a wonderful cake for the princess. He even kisses the cow on her nose for a pail of her sweetest milk.
Alas, the cake is not the happy conclusion one would hope for Jack and the princess. As he walks to the palace he must fight off a series of hungry villains that each eat a part of the princess’s cake. In fact, when Jack reaches the princess, there is nothing left of the cake to give the princess. As Jack explains what happened, the princess’s eyes grow wide and when his explanation is done the princess claps with delight because Jack gave her something no one else did, a wonderful adventure story.
You can find Clever Jack Takes the Cake and more stories, adventures and even cake this summer at the Library as we “Celebrate 100 Years of Reading!” The Summer Reading Club runs from June 7th to August 18th. Come in and sign up today!
Posted by: Kelly
STEP 1: OPEN YOUR MIND...THEN CLOSE IT
First you need a great idea, and anything and everything can be turned into a great picture book, amIright?
Noooooope.
If you answered otherwise, you might want to take some more time to better acquaint yourself with the children's book industry. Inspiration is everywhere, but good ideas take hard work and proper filtration. It is essential that you feel completely intimidated by your own high standards before you even attempt to latch on to a potential picture book idea.
STEP 2: LET FEAR TAKE HOLD
Ponder your ideas sporadically for at least two, maybe three years. Write NOTHING down. You must earn the right to write by spending as much time as possible being terrified and mystified by the entire writing process. DO NOT attempt to alleviate this panicked state by trying to actually write something. That would be highly logical and therefore completely detrimental to your irrational fear.
STEP 3: CRUSH YOUR EGO
Continue to overwhelm yourself with feelings of inadequacy by reading so many books by authors you admire that you feel like you could never, ever, never ever in a million years actually create something worthy of being read by other people--especially those small humans called children.
STEP 4: GIVE IN
If, after all your self-confidence-diminishing reading and research, your original sprout of a kidlit idea STILL continues to haunt your memory like a forgotten plant on the window sill slowly withering to death, you might actually have a decent idea for a children's book. And against all odds, you may just have to succumb to writing it down after all.
STEP 5: FORM SENTENCES
Spend one fine spring day in May (but no more than 2 hours) at your computer typing out the first draft of your first manuscript. After all, it's only 500 words - it shouldn't take you all afternoon...
VOILA! Two years of thought and two hours of actual writing and you've finally done it. You've written the first draft of your first ever picture book (apart from that one in college, which doesn't count). Now, whether your manuscript is good or embarrassingly bad remains to be seen. But you did it!
Congratulations!
You may now proceed to STEP 6:
Creating Your First Picture Book Dummy In 150 Agonizing Steps
TO BE CONTINUED....
P.S. Here's the proof!
I’ve been flipping a coin, trying to decide if I should post this. The coin rolled into my bathroom, spun beneath the toilet tank, and landed on tails, but I decided to post anyway.
THE MONSTORE has not been ordered by Barnes & Noble. And it’s supposed to hit shelves TOMORROW.
There. I’ve said it.
Simon and Schuster and Barnes & Noble continue their dispute over ebook pricing and in-store promotions, so the bookseller has cut back on orders from my publisher. Drastically.
I will say something else. It totally sucks. I don’t blame either party; it’s just business negotiations and it happens. BUT, we new authors are caught in the crosshairs. It ain’t fun. (See, it’s deteriorating my English!)
\
So…what does this mean for my debut book?
It means the savvy kidlit readers will still know my book. They’ll find it at their local indie. They’ll order it online. They’ll laugh. They’ll cry. They’ll say it’s much better than “Cats”. (Nod to SNL there.)
However, it means the general public might not know my book even exists. Sales may suffer. Hope of a sequel will grow dim. I’ve worked four long years to get this book into readers’ hands. FOUR YEARS. And now because of this dispute’s timing, well, I can’t say it. I can’t. It’s not nice. And I’m a nice girl.
So this means I need you, my blog readers, more than ever.
If you have enjoyed this blog, participated in PiBoIdMo, or just have a heart of gold, I ask if you can help me get the word out about THE MONSTORE. I would be forever grateful. Together, we can make up for some of the loss the book will suffer for not being in America’s only national book chain.
Some things you can do to help:
- Blog about THE MONSTORE. (Many of you already are. I’m so appreciative.)
- Order it from places that already have it: IndieBound, Amazon, BN.com
- Call my local indie, The Bookworm, and order a signed copy to be shipped to you: 908-766-4599
- Visit/call your local B&N and ask them to order the book for in-store pick-up.
- Visit/call your local indie and ask them to order the book. They may already have it!
- Review THE MONSTORE on any book site.
- Mark it “want to read” on GoodReads.
- Let your local librarian(s) know about the book.
- Set your Facebook cover/banner to this image (click for full-size, then right-click to save):

But I’m also open to your ideas. Heck, I NEED your ideas. So hit me with them.
HIT ME HARD.
And THANK YOU.
Wow, we had a lot of giveaways recently…so I’ve grouped all the winners into one fireworks bonanza of a post!

OK everyone, check your tickets! Drumroll please…
.
The winner of Farhana Zia & Ken Min’s HOT HOT ROTI FOR DADA-JI is:
Cathy Biggerstaff!
.
The winner of PENGUIN ON VACATION by Salina Yoon is:
Michelle Levin!
.
The winner of Dan Krall’s THE GREAT LOLLIPOP CAPER is:
Aimee!
.
And the three winners of Charise Mericle Harper’s BEAN DOG AND NUGGET prize packs are:
Terri, Dawnyelle Moore and MegWrites!
.
Be on the lookout for an email from me.
Congrats, everyone! And don’t worry if you didn’t win…more giveaways are coming soon!
I was one of the fortunate 100 who recently received a brown paper packages tied up with string and was completely charmed by both the handmade nature of the mailing and the enclosed book, Matthew Loshan and Sophie Blackall‘s The Mighty Lalouche. A longtime fan of Blackall (going all the way back to her hilarious collaboration with Meg Rosoff, Meet Wild Boars) I was delighted with this elegant Cinderella story of a mild mailman who became a celebrated boxer.
Yesterday I read it aloud to my 4th grade class and was pleased that they enjoyed it too. So first of all, to those who wonder if it is a book with a too adult sensibility, I can say that these ten-year-olds were captivated by the story and the art. But sometime else occurred to us as we enjoyed the story — something no doubt very particular to us. And that is how much the images and verbal descriptions of the small and speedy boxer Lalouche reminded us of Charlie Chaplin (with whom, for those who don’t know, I’m a bit…er.. obsessed). Chaplin was incredibly capable on his feet too. He could dodge, feint, and dance around his opponents with an elegance and speed that seems not unlike that of the Lalouche of Blackall and Loshan. Not only did he do that in just about every one of his silent comedies, but he actually ended up in a few boxing rings. Perhaps most famously in City Lights, but also in an earlier short, The Champion. Take a look below and see if you can see any similarities between the Little Tramp and the Little Lalouche.
Book: When No One Is Watching
Author: Eileen Spinelli
Illustrator: David A. Johnson
Pages: 26
Age Range: 4-8
When No One Is Watching is pretty much exactly what the title promises. It's a picture book about a girl who can only be brave and boisterous (dancing, cheering, scoring baskets, etc.) when she's by herself. When other people are there, she tends to hide, or lean against the wall, or pass the ball instead of shooting.
I was a bit worried as I was reading this book that it would be one of those issue books with a facile or heavy-handed solution to the problem. But I should have trusted Eileen Spinelli. The unnamed girl doesn't change overnight, or have some elaborate intervention. Instead, she finds one friend. Her friend, Loretta, is also shy, and the two girls are able to do things (reading, going to the zoo, "splashing in the summer", together). So, there's a solution, yes. But it's a small, quiet, plausible solution, one that suits the tenor of the book. I was pleased with it.
I still don't think that I would go out of my way to introduce this book to my daughter, unless I thought that she was having problems with shyness (right now she's not old enough to understand it anyway). No point in raising as an issue something that might not be an issue. I don't need her wondering "Should I be hiding when people come over?" or whatever. But I do think that this would be an excellent book for libraries to have on hand for those families struggling with this issue.
When No One Is Watching does work as a bouncy read-aloud. Like this:
"When no one is watching,
I cheer.
I cheer for myself
as I race near the hoop.
I soar and I score
with a dunk and a whoop!
When no one is watching,
I cheer.
But...
When everyone's watching,
I pass.
I pass the b-ball
to my classmate Tamar.
Tamar makes the basket --
she's always the star.
When everyone's watching,
I pass.
There's a poetry to the repetition, and I like the double-meaning of "pass" in this example (a literal pass of the ball, and a pass on being actively engaged). A lot of thought has gone into this book.
David A. Johnson's digitally manipulated ink and watercolor illustrations suit the tone of the book. On the pages where the girl is not being watched, he includes a series of slightly grayed out images of her doing things, together with one brightly colored image. On the pages where she is being watched, she only appears once, still brightly colored, while the others in the picture are shown grayed out. So, even when she's trying not to be watched, to the reader, she's still at the heart of the image. It's a nice, relatively subtle technique. She wears the same outfit in all of the pictures, with bright red and white squares, which also makes it easier to always really see her. She also has delightfully out of control curly black hair.
When No One Is Watching is a picture book that addresses the things that are easier to do "when no one is watching" (dancing, playing sport, etc.). For kids who are shy, or have experienced stage fright of one form or another, it's a nice, accepting sort of book. It's one that I plan to keep at hand, just in case... Recommended, particularly for elementary school libraries.
Publisher: Eerdmans Books for Young Readers (@EerdmansBooks)
Publication Date: February 7, 2013
Source of Book: Review copy from the publisher
FTC Required Disclosure:
This site is an Amazon affiliate, and purchases made through Amazon links (including linked book covers) may result in my receiving a small commission (at no additional cost to you).
© 2013 by Jennifer Robinson of Jen Robinson's Book Page. All rights reserved. You can also follow me @JensBookPage or at my Growing Bookworms page on Facebook.
By: Kathy Temean,
on 5/25/2013
Blog:
Writing and Illustrating
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Cartwheel imprint is open until Fri July 19th, 2013 to submit unagented picture books and younger manuscripts, so if you have a submission geared for 0-5 year-olds (board book, novelty, or picture book), now is your chance to get it considered.
Please snail mail your manuscript to:
Scholastic Inc.
Attention: Cartwheel Inkygirl Submissions
557 Broadway
New York, NY 10012
Scholastic Inc.
Please include a SASE.
Debbie Ridpath Ohi over at Inky Girl interviewed Celia Lee, Assistant Editor at Cartwheel if she’d be the person who would be reviewing submissions and what kind of submissions was she especially looking for/not looking for, plus if she was open to submissions from illustrators who are NOT writers. Celia says that she’ll be the primary reviewer though other editors may also take a look. From Celia:
“In terms of what we’re on the lookout for: holiday; tried-and-true subjects like transportation, community, or new experiences; interesting novelty formats; and new ways of addressing core concepts. Things that we’re not looking for are nonfiction, anything older than 1st Grade, and “love” books. And we can certainly take a look at illustrators who aren’t writers! They can send a postcard with their url to their portfolio.”
USE THIS LINK TO READ THE FULL INTERVIEW DEBBIE HAD WITH CELCIA AND DON’T LET THIS OPPORTUNITY DEBBIE HAS FOR YOU.
Talk tomorrow,
Kathy
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By: a bad case of books,
on 5/25/2013
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The Very Lazy Ladybug by Isobel Finn & illustrated by Jack Tickle Most ladybugs fly from place to place – but not the Very Lazy Ladybug! She would rather sleep all day and all night. But when she decides it’s time to move to a more comfortable place, she has to find some way to …
By: Kathy Temean,
on 5/24/2013
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John Manders was educated at the Art Institute of Pittsburgh and later took courses at the School of Visual Arts and the Fashion Institute of Technology in New York, where he studied children’s illustration, animation, and life drawing. His interests include puppetry (he studied that at Syracuse University College) and trying to speak Italian.
John’s work is featured in over 30 children’s books and gazillions of children’s magazines. He’s a member of the Society of Illustrators, the Society of Children’s Book Writers & Illustrators, and is a founding member of the Pittsburgh Society of Illustrators. John was also their first president.
A pet lover, John organized the successful Bow Wow Meow art auction that benefited the Animal Rescue League of Western PA, and the PSI scholarship fund. He also curated Illustration: The Process, an educational exhibit of fourteen illustrators and their working methods.
John’s incredible work has been exhibited at the Art Institute of Pittsburgh gallery, the Pittsburgh Children’s Museum, and he was honored in the 25-year retrospective of Cricket magazine covers, held at the Art Institute of Chicago in 1999. That year, he was also a participant at the Children’s Book Fair in Bologna, Italy. In May, 2006 he was named Outstanding Illustrator/Author by the Pennsylvania School Librarian’s Association.

This John’s latest book. You can see his process in the following interior spreads in the book.

This is a glimpse of John’s work-in-progress shots from Finnegan and Fox: The Ten-Foot Cop. This scene shows a crowded sidewalk next to a construction site. The lady next to Finnegan is upset because a mouse ran over her foot!
This is thumbnail sketch (very small).,and final painting. With crowd scenes, I’m always looking for people to include in the scene. It’s hard to make up all those characters.
This is the rough sketch.

Tight sketch (half-size of the painting). Using 2B pencils on layout bond paper, he transfers the drawings onto Arches 300 lb hot press watercolor paper.

Next is an ‘underpainting’ in neutral tones with Winsor & Newton Designers gouache.

The color is painted on top of that. Starting to lay in gouache layers.

Painting in progress. More details added.

Continuing to add layers of detail. Prismacolor pencils are used for highlights and accents.

Getting a closer look below.

Final below.
The next scene shows New York’s Finest organizing a search for a lost little girl. My cousin’s son is a NYC cop, so naturally I had to put him in this picture or be kicked out of the family. You can see him at the bottom of the page. And here is a photo that includes his loving parents. As always: thumbnail sketch, tight pencil sketch, work-in-progress and final painting. Sorry the final looks so washed out. It looks much better in the book!

Thumbnail Sketch.

Refined larger sketch.

John always does research. You can see photos of New York City police cars taped to the side for reference.


The policeman in the picture is John’s cousin’s son. Family comes in handy sometimes.




Final spread.

Cover Sketch.

Final cover art.

Cover Art above – Interior Art below.
Video below.
TIP FROM JOHN:
Masking fluid (or liquid frisket) is a pretty handy item to have around. Many of the scenes in Jack and the Giant Barbecue have characters in front of the big, wild & woolly American West. I like to spread out and paint that kind of backdrop with equally wild brush strokes. That’s a whole lot easier if you don’t have to carefully paint around the characters.
Masking fluid is kind of a rubbery syrup that you paint on your paper wherever you don’t want watercolor. It dries to a water-repellant film. As you see in the pictures, I masked out Jack and his faithful pony (also using bits of masking tape) so I could slather on the paint with abandon. When I finished painting the background, I peeled away the mask using a rubber cement pickup.
Use the link below to see John’s technique.
http://johnmanders.wordpress.com/2012/04/18/masking-fluid/

Due to a mix up, I will be posting John’s interview questions later and will announce it when I post it, so you don’t miss anything.









John’s picture book Jack and the Giant Barbecue has been dominated by National Cartoonist Society for the Reuben Award. The winners will be announced Saturday, May 25th at the Reuben Awards dinner in Pittsburgh, PA.

Check back to find out if John wins? Is he in the poster? We’ll find out when John sends me the answers to the interview questions.
















Hope you enjoyed getting to see John’s illustrations. I will post the interview questions as soon as I receive them from John.
You can visit John at www.johnmanders.com And as always I love when you leave a comment. Hope you still will even with the glitch with the interview questions.
Talk tomorrow,
Kathy
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Last week, Jeanne Marie kicked off Children's Book Week by introducing our series of posts about beloved children's books we've lost and miss. Before I share my own lost-book story, I want to congratulate the winners of the Sixth Annual Children's Choice Book Awards. According to this press release, over 1,000,000 votes were cast! How cool is that? You can see the list of finalists and winners here.
Now my lost-book story is nowhere near as intriguing as April's. (If you haven't read her post yet, go do so now. I'll wait.) My story starts some years back, when I created a new one-day workshop for College of DuPage called "Writing for Children and Young Adults: From Goodnight Moon to Harry Potter," designed to introduce students to the field of writing for children and teens. As part of the class, I planned to give an overview of the "ages and stages" of children's literature, sharing examples of a variety of genres and formats, classics and contemporary works.
Margaret Wise Brown's Goodnight Moon was one of my son's favorite picture books as a child, especially at bedtime. We read the marvelously lyrical, calming text so many times that I memorized it. But when I went to prepare for the class, I couldn't find our copy anywhere. It wasn't in my son's bookcase (he was away at college); it wasn't in his closet; it wasn't in my office. I finally gave up and borrowed a copy from the public library to use in my class.
I taught the class multiple times, and each time I looked for our copy of Goodnight Moon. No luck. Finally, my husband reminded me that I had packed away some of my son's books and baby things in a box that sits in the attic of our garage. Not wanting to ask my husband to drag out the box, I bought a used, paperback copy of Goodnight Moon for class. If my son eventually has children of his own, we'll get that box down from the attic. When we do, I'm hoping to find that it contains not only Goodnight Moon, but also another Margaret Wise Brown/Clement Hurd classic I've been missing for many years--The Runaway Bunny, the story of "a bunny's imaginary game of hide-and-seek and the lovingly steadfast mother who finds him every time." As a first-time mom, reading that book to my son was my way of saying that I would always be there for him. But even now I'm not sure who found the book more comforting, my son or me.

By the way, in case any of you who live in the Chicago area are interested, I'll be teaching my workshop "
Writing for Children and Young Adults: From Goodnight Moon to Harry Potter" at College of DuPage again this summer. See
my website for details. And I'm thinking it may be time to update the class name, perhaps to "
Writing for Children and Young Adults: From Goodnight Moon to Hunger Games." Or if you have any other suggestions, let me know. :-)
And don't forget to enter our current giveaway for a chance to win an autographed copy of Nancy Cavanaugh's debut novel for middle-graders,
This Journal Belongs to Ratchet (Sourcebooks/Jabberwocky). See Esther's
Student Success Story interview with Nancy for details.

When you're done, head on over to
Jama's Alphabet Soup for
today's Poetry Friday round-up.
Happy writing!
Carmela
Although it might not feel like it, spring is here. One of my favorite springtime stories to share is Fran’s Flower. In this story, a little girl finds a plant and decides she wants to make it grow. Unfortunately, she decides it needs food and feeds it a piece of cheeseburger, some spaghetti, ice cream and even a chocolate chip cookie. Of course, this doesn’t help the plant grow and fed up with the flower she throws it out the door. Once outside, the flower gets all the things it needs, and it grows! The colorful illustrations add to the fun. Before you start planting, share this one along with The Carrot Seed by Krauss.
Posted by: Liz
Our children are fascinated by the world around them, soaking up information about so many different things. I clearly remember how excited my daughter was to learn that birds, snakes and crocodiles are all oviparous, or egg-bearing animals. We can foster this sort of enthusiasm by reading aloud picture books that delve into different nonfiction topics. As the Common Core standards state in ELA Standard 10,
"Children in the early grades (particularly K–2) should participate in rich, structured conversations with an adult in response to the written texts that are read aloud, orally comparing and contrasting as well as analyzing and synthesizing, in the manner called for by the Standards."
Lucy Calkins develops this idea further, writing in her
Curricular Plan for the Reading Workshop,
"One cannot stress enough the importance of reading aloud. You will want to read aloud to teach children discipline-based concepts that are integral to social studies and science.You’ll also read aloud to create a sense of community and to show children why people love to read. And you’ll read aloud to teach children vocabulary and higher-level comprehension skills. As you conduct a read-aloud session be sure that it includes opportunities for accountable talk." grade 2, page 6
As part of our new series the
Common Core IRL: In Real Libraries, we would like to suggest two excellent nonfiction picture books all about frogs that we like to read aloud to students. These books will have different language and text features than those we provide to children to read independently. They might use more figurative language, longer sentences, higher vocabulary. But they will engage students, laying important background for their own reading, and lead to many discussions about these interesting animals.
Frog Song
by Brenda Guiberson
illustrated by Gennady Spirin
Henry Holt / Macmillan, 2013
read aloud: grades 1-3
independent reading: grades 4-5
Lexile 950 AD (adult directed)
Amazon
your local library
This gorgeous picture book explores eleven different frog species from around the world, from Australia to Borneo to Chile. Each spread focuses on a different species, with a wonderful illustration and an engaging description that focuses on one interesting aspect of that species. Guiberson uses descriptive text to hook readers:
"In Chile, the Darwin's frog sings in the beech forest. Chirp-Chweet! The male guards 30 eggs in the damp leaves for three weeks. When the tadpoles wiggle, he scoops them into his mouth. Slurp! They slither into his vocal sacs, where he keeps them safe and moist for 7 weeks. Then he gives a big yawn, and little froglets pop out."
This book would work very well as a read aloud for 1st through 3rd grade, either to a whole class or a small group. Older children might love reading this as they explore different types of frogs, but I really see this as working best as a read aloud. Guiberson ends the book with an interesting summary of the different species, and a note about how frogs are in trouble from environmental pressures or pollution. I do wish that she included a map identifying where the different species live, providing that geographical context for young readers.
Teachers and school librarians will be interested in this helpful
reading guide for
Frog Song. Another book for reading aloud that would complement
Frog Song is
Hip-Pocket Papa, by Sandra Markle.
Hip-Pocket Papa
by Sandra Markle
illustrated by Alan Marks
Charlesbridge, 2010
read aloud: grades 2-4
independent reading: grades 4-5
Lexile 1060 AD (adult directed)
Amazon
your public library
Sandra Markle and
Alan Marks have teamed up to write several engaging narrative nonfiction books about animals throughout the world. These books follow one animal, telling the story of that animal's life. Readers can clearly identify the beginning, middle and end of the story, much like they do in fiction.
Set in an Australian rain forest, Hip-Pocket Papa follows this tiny frog as they watch over and protect their eggs, and then the babies from tadpoles through maturity. Once the eggs hatch, the male scoops the tadpoles up and keeps them safe in hip pockets until they have developed lungs and turned into froglets. The text is both poetic and fascinating, as it follows one father's hazardous journey raising his young. Markle uses long sentences with complex vocabulary to paint a picture with her words:
"Finally, the eggs hatch!The jelly surrounding them turns to liquid -- a birth puddle for the twelve teeny, tiny tadpoles, swimming up and out onto the surface of the forest floor. Her job done, the female crawls away. The male stays. He has an even bigger job to do."
Alan Marks' detailed, realistic watercolor-and-pencil illustrations are perfect for showing to a whole group. The rich colors and close-up scenes draw readers into the forest setting, focusing close up on the tiny frogs and the miniature drama happening each moment. The only problem I had is really getting a sense of the true size of the frogs. Since narrative nonfiction books usually do not have text features like diagrams or labeled illustrations, readers must use the descriptive text to figure out this information.
Check out this preview of Hip-Pocket Papa available through Google Books:
Common Core StandardsBelow you can see how standard 3 for reading informational text develops from 1st grade through 3rd grade, as students describe a process like the metamorphosis of a frog, or comparing two different frog species. Both of these books could be used to have students delve into a discussion about frogs' development, either examining the development of one species step-by-step, or comparing and contrasting different species.
CCSS.ELA-Literacy.RI.1.3 Describe the connection between two individuals, events, ideas, or pieces of information in a text.
CCSS.ELA-Literacy.RI.2.3 Describe the connection between a series of historical events, scientific ideas or concepts, or steps in technical procedures in a text.
CCSS.ELA-Literacy.RI.3.3 Describe the relationship between a series of historical events, scientific ideas or concepts, or steps in technical procedures in a text, using language that pertains to time, sequence, and cause/effect.
This post is part our first feature the
Common Core IRL: In Real Libraries, we're focusing on frogs. Frogs are fascinating animals, from their amazing metamorphosis as they turn from tadpole to frog, to the sheer variety in their colors, habitats and sizes. Head over to these blogs to read about:
The review copies come from my school library. Many thanks to Travis Jonker, Cathy Potter, Alyson Beecher, and Louise Capizzo for taking this journey to talk about what the Common Core means for us in real life! We look forward to this recurring series.
Review ©2013 Mary Ann Scheuer, Great Kid Books
By:
Carmela Martino and 5 other authors,
on 5/16/2013
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Howdy, Campers!
And Happy
Children's Book Week!
Jeanne Marie introduced our current topic:
In honor of Children’s Book Week, share the title of
the book we wish we still had or are sorry we loaned (and never got back) or
one we (god forbid) threw away.
Heavens to Betsy! The search for my cherished book turned into a detective story.
The first thing I did was to ask God...errr...Google for the title of the book about a surprise birthday party for an old woman named Lisette. Bello, her dog, directs the other animals while Lizette is at the market--he tells the goats to get apples, the ducks to get candles, etc. He and Lisette's two cats (Molly and...Ruly?) bake a bundt cake that burns on top, so they put powdered sugar on it at the last minute to hide the burned part.
But who was the marvelous author/illustrator and what was the name of the book????
In the course of my search, I found a site called Old Children's Books which has a page called "Looking for a Book?"
I searched and searched and searched...with binoculars, with a flashlight, with a light on my miner's helmet...
(me...but my search was not as grim as pictured)
Finally, I remembered that at the end of the book was a little kitten. And I remembered that the author/illustrator wrote another book about him. In fact, the cat's name was the title of the other book. So if I could just remember the name of the cat...it was...Pitchie!
But I couldn't find a book called Pitchie. Or Pitchy. Stumbling down the corridors of the internet, bumping into walls, I finally found the other book! It was called PITSCHI (published in 1948). I now knew the name of the author/illustrator: Hans Fischer. Which meant I was close to finding the book I was actually looking for!
But first, let's take a detour. Click here to enjoy Hans Fischer's fantastic lithographs in Pitschi "the kitten who always wanted to be something else. A sad story, but one which ends well."
All the same characters are in the book I have been looking for...and now I can plug in Hans' name and come up with THE BOOK--right?
Yes! On Worldcat.org I found it--The Birthday: a Merry Tale with Many Pictures (1954)! Worldcat summarizes the story: "In a clearing in the forest lived old Lisette with her animals. On
her seventy-sixth birthday, Lisette went off to the village, and while
she was gone the animals prepared a wonderful birthday surprise for her."
This is the book from my childhood that still makes my heart sing.
With all the searching, I learned a few things about my
good friend Hans from
Children's Books and Their Creators, edited by
Anita Silvey. He was Swiss, he lived from 1909-1958 (only 49 years?). And he studied under the artist
Paul Klee who taught him how to use color. No wonder I fell in love with Fischer's style--I love Klee!
Klee said,
"It is not my task to reproduce appearances...for that there is the photographic plate. I want to reach the heart."
And isn't that what we want from books we read...and those we create? (Actually, I wouldn't mind if large corporations took that as their company motto...)
Legendary editor Margaret McElderry discovered his work, bought the US rights to Pitschi, and went on to publish his other books, including The Birthday.
So here's my song to Hans Fischer and The Birthday.
SEARCHING FOR A BOOK
by April Halprin Wayland
What's the title?
Can't remember.
And the plot?
It was so tender…
Why is this your favorite book?
It lit a spark, it fanned an ember…
The book was in her skin, her cells,
she turned each page and oh! the smell…
At every page
I looked and listened,
the little kitten on a mission,
delicately, in pastel.
He was drawn and he was written
to cast a purring lifetime spell.
What's the title?
Can't remember.
And the plot?
It was so tender…
Why is this your favorite book?
It lit a spark, it fanned an ember…
poem & drawing © 2013 April Halprin Wayland. All rights reserved
What's the book you wish you still owned? Why not write a poem about it?
Remember that our blogiversary contest runs through May 19th--there's still time to be a winner!
See
Carmela's post for all the details.
by April Halprin Wayland, who is grateful that you've read to the end ~ :-)
When you find a best friend, you want to hold on to him! And anyway, life is sooo… much better with a friend – you can play together and swim together, swimming over and under and all around. Such is the life of two happy friends, Nugget a minnow, and Fang a shark, until Nugget goes off to school. Then, everything is different for Fang and Nugget. At school, Nugget learns lots of new things about the world and his place in it, including the unsettling fact that sharks EAT minnows!!! Nugget cannot believe this and tries to convince his schoolmates that his friend Fang could never hurt anyone.
Eventually though, Nugget does start to believe the rumors and reluctantly lets go of his friendship with Fang. Of course Fang is lost without his best friend and tries everything he can think of to win his friend back. Sadly though, nothing works, until a giant net captures Nugget and the other little fish, and Fang must come to their rescue. In the end, everyone lets go of their old ideas about their shark friend, and the ELEVEN friends live happily ever after, swimming over and under and all around. This book would make a good read-aloud, and there are some wonderful lessons to be learned as well. The illustrations are very colorful and appealing. Really fun!
Posted by: Mary
After seeing many tantalizing mentions of Tara Books over the last few years, I was delighted to receive Joydeb Chitrakar and Gita Wolf’s The Enduring Ark and get a firsthand look at one of their creations.
They say that from time to time, the world must be made all over again. Ancient stories remember from an age when a huge flood destroyed the earth. Almost everything as we know it disappeared under water, and it was only later, in the course of time, that new life emerged again from the remains of the old. You may have heard this story before, but great tales deserve to be repeated — and so let me tell it here again, in my way.
So begins Gita Wolf in her version of that old story in The Enduring Ark, but even before we read this text we’ve seen a huge eye seemingly merging into water signaling to us that this will be a retelling like no other. That is because of the unique accordian-style book making and Joydeb Chitrakar’s vivid illustrations done in the West Bengali Patua style of scroll painting. Readers can immerse themselves in Wolf and Chitrakar’s intertwined words and art by conventionally turning the pages or by opening the book to view them all at once. Water flows through the book from that first enormous eye of warning, tinkling through the gentle stream at Noah’s home, on as he collects his creatures, rising with the flood, and ending with the water merging with a rainbow of hope. The Enduring Ark is a spectacularly gorgeous book, one well worth reading again and again.

And Tara Books is a remarkable publisher, a co-operative founded by writers and designers and committed to feminist and egalitarian principles and gorgeous visual bookmaking. Based in Chennai, South India, many of their books are completely handmade and they are focused on celebrating the range of Indian art. For a fascinating look at how their books are made and more I recommend taking a look at their blog.
By: Kathy Temean,
on 5/20/2013
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What is the Katherine Paterson Prize for YA and Children’s Writing?
An annual prize for Young Adult and Children’s Literature. A chance for your YA and Children’s Lit to be read by Hunger Mountain editors and guest judges!
What will the winner receive?
One overall first place winner receives $1,000 and publication! Three category winners receive $100 each and publication. The categories are
- Young Adult (YA)
- Middle Grade (MG)
- Picture Book or Writing for Young Children
Who can enter the contest?
Anyone! Everyone!
Is there a fee to enter?
Yes, the fee is $20.
Do you have a word limit on what you submit?
Yes, it is 10,000 words. Your entry may be a short story or a novel excerpt, but if it’s a novel excerpt it should really stand alone.
Who is this year’s judge?
The 2013 judge is Rebecca Stead, author of Liar and Spy and When You Reach Me, which won the Newbery Medal in 2010.
When is the deadline?
The postmark deadline is June 30th
Where is last year’s winning entry?
The 2012 first place winner, “Crabcake Charlie,” a Middle Grade story by Sally Derby was published in Hunger Mountain 17: Labyrinths. (Order a copy here).
Other winners:
- In Your Head by ZP Heller, selected by Kathi Appelt, winner of YA category, 2012
- The Flood, by Kathleen Forrester, winner of MG category, 2012
- Sybilla Under the Bones by Barbara Lowell, winner of PB/writing for younger children category, 2012
- Him by Heather Smith Meloche, selected by Kimberly Willis Holt, overall winner, 2011
- Forty Thieves and a Green-Eyed Girl by Christy Lenzi, winner of MG category, 2011
- Cesar by Betty Yee, winner of the Picture Book/Writing for Young Children category, 2011
- Steve by Jaramy Conners, overall winner 2010, chosen by Holly Black.
- Chasing Shadows by S.E. Sinkhorn, winner of YA category, 2010
- The Ugliest Dog in the World by Marcia Popp, winner of the MG category, 2010
- Something at the Hill by Jane Kohuth, winner of the Picture Book/Writing for Young Children category, 2010
- Crazy Cat by Liz Cook, overall winner2009, chosen by Katherine Paterson
- Tornado by Susan Hill Long, winner of the MG category, 2009
- No Mistake by Tricia Springstubb,winner of the Picture Book/Writing for Young Children category, 2009
Does Hunger Mountain accept electronic entries?
Yes! Please enter your original, unpublished piece under 10,000 words. Your entry may be a short story or a novel excerpt, but if it’s a novel excerpt it should really stand alone. Feel free to include a brief synopsis if your entry is a novel excerpt. Your name and address should not appear on the story; we read contest entries blind. Click the link below to access our online submission system. Once in the submission manager, you’ll need to choose “Katherine Paterson Prize” (scroll all the way to the bottom to find it!) Pay the $20.00 entry fee and upload your entry. Please include a cover letter in the comments section, letting us know what age group your piece is intended for: Enter the Katherine Paterson Prize
Does Hunger Mountain still accept Snail Mail entries?
Yes! Please send one original, unpublished piece under 10,000 words. Your entry may be a short story or a novel excerpt, but if it’s a novel excerpt it should stand on its own. Feel free to include a brief synopsis along with your novel excerpt. Include a $20 entry fee. Make checks payable to “Vermont College of Fine Arts.” Entries should be postmarked by June 30th. Your name or address should not appear anywhere on the story itself (we read entries blind.) Instead, enclose an index card with story title, intended age group (YA? MG?), your name, address, phone number, and email address. You may also enclose an SASE (self addressed stamped envelope) for notification of winners. Entries should be typed, and on one side of the paper only. No staples please! Send entries to:
KPP Hunger Mountain Vermont College of Fine Arts 36 College Street Montpelier, VT 05602
May I include illustrations with my Picture Book manuscript?
Yes. This year for the first time, we’re allowing illustrations along with picture book manuscripts. These should be copies/pdfs only. PLEASE DO NOT SEND ORIGINAL ART! We’ll consider illustrated and unillustrated text for picture book entries.
If you submit by mail, send copies of art only. If you submit through Submittable, your entry should be a pdf.
Will my entry be considered for general publication as as well as for the Katherine Paterson Prize?
Yes, it will. Several stories we publish have come from the Katherine Paterson Prize entries.
May I enter more than one story in this prize?
Yes. Enter as many as you like! But each entry needs its own entry fee.
Are simultaneous submissions okay?
Yes, but please let us know right away if your work is accepted elsewhere. And unfortunately we can’t refund entry fees if the work is accepted somewhere else.
I’m a child or a teenager. May I enter this prize?
You may. But your work will be evaluated alongside adult work. If you’re a serious writer, it’s okay with us if you enter the prize, just know this prize isn’t intended for teenagers or for children.
What if I have questions that aren’t answered here?
Email us at hungermtn@vcfa.edu
Maybe this is the year your manuscript will be ready to enter. If so, Good Luck!
Talk tomorrow,
Kathy
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Book: 1, 2, 3 ... By the Sea: A Counting Book
Author: Dianne Moritz
Illustrator: Hazel Mitchell
Pages: 36
Age Range: 3-6

1, 2, 3 ... By the Sea is a nice little counting book written by Dianne Moritz and illustrated by Hazel Mitchell. The story is a bit more advanced than that of many counting books, making this more a book for preschoolers and kindergartners than for babies and toddlers.
A boy, his mother, and his dog bike to the beach for the day. As the day progresses, they count things. Like this:
"Big waves tumble onto shore...
crashing,
splashing.
We chase FOUR."
The "FOUR" is shown spelled out, but partially overlaid with a big number 4.
I also liked:
"Surfers surf and do surf tricks...
lunging,
plunging.
We watch SIX."
I like when books for young children use strong, descriptive verbs.
Mitchell's illustrations bring the oceanside setting to life. They remind me a bit of Marla Frazee's illustrations in All the World (and that is a huge compliment), with a similar color palette and level of detail (though without the poetry of Liz Garton Scanlon's text). Mitchell doesn't convey quite the same diversity in characters that Frazee does, but some of that is due to differences in subject matter.
The beach in 1, 2, 3 ... By the Sea evokes small-town, coastal Maine to me, with shingled homes nearby, and a crusty fisherman teasing the boy with a lobster. (Although you'd have to be on a pretty serious peninsula to get a perfect sunset over the water in Maine.)
If you have a child who loves beaches (and what child doesn't), and is learning to count, 1, 2, 3 ... By the Sea would be an excellent choice. If you can find it, anyway. It's available from the publisher, but otherwise not all that widely distributed. Which is too bad, because this slim paperback would slip quite easily into one's beach bag this summer.
Publisher: Kane/Miller Book Publishers
Publication Date: January 2013
Source of Book: Review copy from the publisher
FTC Required Disclosure:
This site is an Amazon affiliate, and purchases made through Amazon links (including linked book covers) may result in my receiving a small commission (at no additional cost to you).
© 2013 by Jennifer Robinson of Jen Robinson's Book Page. All rights reserved. You can also follow me @JensBookPage or at my Growing Bookworms page on Facebook.
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Line 135 is by Germano Zullo and Albertine, the European duo who brought us Little Bird, which is translated by Claudia Zoe Bedrick of Enchanted Lion Books. Line 135
An essential role for school libraries is providing developing readers with increasingly complex books that build on their previous knowledge. We want to help young readers discover that books can feed their natural curiosity, providing them with more and more information as they become experts on their chosen interests. Common Core IRL will highlight books that ladder up in text complexity on a high interest topic.
For our first feature the
Common Core IRL: In Real Libraries, we're focusing on frogs. Frogs are fascinating animals, from their amazing metamorphosis as they turn from tadpole to frog, to the sheer variety in their colors, habitats and sizes. Head over to these blogs today to read about:
For 3rd and 4th grade readers who are fascinated by frogs, I would suggest a combination of interesting just-right books to read by themselves and some engaging read-aloud books that provide even more information. Today, I'll share two books to read on their own. Tomorrow, I'll share two wonderful books to read aloud.
Frogs
by Gail Gibbons
Holiday House, 1993
3rd grade, 600 Lexile
your local library
Amazon
Gail Gibbons is one of my go-to authors for clear nonfiction for newly independent readers. She clearly explains how frog spawn changes to embryos, then to tadpoles, young frogs, and finally, mature amphibians. Short sentences are easy to read, and yet she provides plenty of details to fascinate young readers:
"These eggs do not have shells. They are inside jellylike coverings. As they float, the jelly lets the sun's warmth come through to the eggs inside."
The text is clearly easy to read, but detailed enough to make it appropriate for a 3rd grader. The book is designed with relatively large font and plenty of white space. Readers will be engaged by the details Gibbons provides. For example, the section on frogs enemies explains different ways frogs ward off predators:
"A sudden leap is a quick escape from danger. For protection, some frogs have skin glands that make them taste bad or make them poisonous. Sometimes their skin color hides them from enemies. This is called camouflage."
Gibbon's distinctive watercolor and ink illustrations are appealing and clearly labeled. The illustrations are closely connected with the text, providing clear explanations for the main ideas and important terms. A double-page spread at the end presents a labeled illustration comparing frogs and toads. Kids will find it interesting to draw the comparisons themselves.
Tell me the difference between a
Frog and a Toad
by Leigh Rockwood
PowerKids Press / Rosen, 2013
4th grade
your local library
Amazon
Have you ever wondered what makes the difference between a frog and a toad? Is it just that a toad's skin is dry and bumpy and a frog's is smooth and moist? Did you know that a frog has teeth in its upper jaw, but a toad has no teeth? I particularly like the way that Rockwood frames this book around a central, interesting question.
Rockwood addresses a slightly older audience, beginning right away with an explanation of the scientific classification of frogs and toads. You'll notice that the sentences are longer than in Gibbon's book, and the vocabulary is more complex.
"Frogs and toads are amphibians that belong to a scientific order, or grouping, called Anura. This is the most widespread order of amphibians. There are around 4,000 species of amphibians in this order."
I was particularly fascinated by the way that frogs' and toads' legs are similar and different. While both have hind legs that are built for jumping and are longer than their front legs, frogs jump much farther. In fact, some frogs can jump 20 times their body length! Toads, on the other hand, have shorter legs designed for walking, with occasional short hops.
Kids will be drawn in by the colorful, sharply focused photographs of many frogs and toads. The photographs are accompanied by detailed captions, but are not labeled in the same way as Gibbon's book. A table of contents, glossary and index provide children with experience using these important text features to access information.
PowerKids provides a website with links for further reading.
Take a look at this preview through
Google Books:
Common Core Standards:CCSS.ELA-Literacy.RI.3.7 Use information gained from illustrations (e.g., maps, photographs) and the words in a text to demonstrate understanding of the text (e.g., where, when, why, and how key events occur).
CCSS.ELA-Literacy.RI.3.8 Describe the logical connection between particular sentences and paragraphs in a text (e.g., comparison, cause/effect, first/second/third in a sequence).
CCSS.ELA-Literacy.RI.4.2 Determine the main idea of a text and explain how it is supported by key details; summarize the text.
Please check out the other
Common Core IRL: In Real Libraries posts to see how you would ladder up to these books, and what you might follow them with. Tomorrow, I will share two wonderful books to read aloud to students who are fascinated by frogs.
The review copies come from my school library. Many thanks to Travis Jonker, Cathy Potter, Alyson Beecher, and Louise Capizzo for taking this journey to talk about what the Common Core means for us in real life! We look forward to this recurring series.
Review ©2013 Mary Ann Scheuer, Great Kid Books
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Trucks + ice cream + bike ... sounds pretty perfect for my kid. Thank you!
I know! A really good truck book is a wonderful thing - and kind of rare. Enjoy!