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Findus goes Fishing by Sven Nordqvist, translated by Nathan Large is a book for anyone who’s ever got out of bed the wrong side and felt like nothing at all could improve their day, and also for all those who’ve spent time with someone they love who’s under a dark cloud. It’s a story of patience, love, empathy and one crazy cat.

It’s a gloomy autumn day and old farmer Pettson is down in the dumps. He doesn’t feel like doing any of the jobs he knows he needs to do. He’s blue and stuck in a funk. But his loyal and very dear friend, a kittenish cat called Findus is full of beans and just wants to play. Pettson is having none of it and snaps. “I AM IN A BAD MOOD AND I WANT TO BE LEFT ALONE!”

How can you bring a little happiness back to someone who is feeling unhappy and depressed? What can you do to bring them a small ray of sunshine when all they have above their heads is a dark cloud? Findus may want to have some fun, but he also really wants to make his good friend feel better and so with a little bit of patience, a lot of thoughtfulness and – because Findus is a bit of a rascal – a dash of mischief, Findus cleverly finds a way to help Pettson back on to his feet.

It’s not sugar coated. It’s not all sweetness and light. There is grunting and gloom aplenty. But there’s also a cat with a very big heart who’s not afraid of persevering even when he’s told to scram. Findus helps us all to find a bit of loyalty and kindness in the face of rejection.

This hugely reassuring story is a relatively quiet affair (certainly by the madcap standards of earlier Findus and Pettson escapades), with muted illustrations in browns and greys perfectly matching the moody atmosphere. But Findus goes Fishing is far from downbeat. There are still many moments to spark giggles (all I’ll say is: Who hasn’t known a child who loves to rock chairs onto their back legs?), and the detailed, rich illustrations are a full of cameos worthy of a spotlight on their own.

An excerpt from Findus Goes Fishing written and illustrated by Sven Nordqvist, translated by Nathan Large

I’m a strong contender for the the UK’s No. 1 Findus and Pettson fan, such is my love for these characters and the stories Sven Nordqvist writes. Findus goes Fishing is yet another wonderfully enjoyable, funny-yet-not-afraid-of-being-serious story really all about that most important of things: love and how we share it.

To celebrate the publication next week of Findus goes Fishing I interviewed the book’s UK English translator, Nathan Large and started by asking him a little about his background and how he became a translator. “I come from Gloucestershire and live in Stockholm, the home town of my partner, Emilie. I started translating while working as a linguist on a project developing machine translation tools. At first this was for research reasons, to explore patterns that our software could use. But gradually the translating branched out and found a life of its own.”

Having briefly worked as a translator myself many years ago I wondered what Nathan found particularly enjoyable about the work and his reply really resonated with me. “If you love language for its own sake, there’s always something to discover or enjoy in the work. If you are a curious person, translation also gives you the excuse to read about all sorts of subjects, making you among other things (un)popular at pub quizzes. Generally speaking, it is no bad thing to help people share their stories across languages.” I couldn’t agree more and this is certainly one of the reason’s I’m so grateful to translators, and publishing houses who seek out books in translation.

So how do the nuts and bolts of translation fit together for Nathan? Where does he begin? “It depends. Sven Nordqvist’s stories are pure fun. I read the book, then translate it the old-fashioned way, page by page. I check the draft against the original to see if I’ve missed anything, then put the Swedish to one side and focus on the English. Reading aloud is the best way to do this — the tongue trips over what the eye ignores.” This idea of reading aloud is really interesting – I’ve heard many authors use exactly the same technique, especially with picture book texts, and perhaps this shared approach is no surprise, as translators really are authors in disguise; translators, particularly literary translators, have to be great writers in their own language before sensitivity to a second language can come in to it.

Looking at the Findus and Pettson stories in particular, I love how they are universal – about deep friendship and kindness – but without losing their particular Swedish identity. What is it, however, that Nathan enjoys about these stories? “I like the interplay between words and images, but most of all I like the friendship between the two characters. This comes out particularly well in the latest book, which of course isn’t really about fishing at all but about Findus trying to get Pettson out from under his cloud.

Hawthorn Press wants to stay close to Nordqvist’s voice and the Swedish setting is largely left intact, lutefisk and all. However, observant readers may notice that Pettson and Findus drink tea in one of the books, I won’t say which one. Naturally it should have been coffee.

So occasionally there might be textual changes, and this leads me to wondering about changes made in the illustrations. At the moment I’m working with a colleague on a close comparison of a French book, which has been translated quite differently into US and UK Englishes. That different words are chosen (in essentially the same language) is interesting, but what has really startled us is that some of the illustrations have been significantly altered. I’m delighted to hear that this doesn’t happen with with Findus and Pettson stories, other than occasionally translating text that appears as part of a picture.

An excerpt from Findus Goes Fishing written and illustrated by Sven Nordqvist, translated by Nathan Large

Our experience with the French book makes me curious about other translations of the Findus and Pettson stories. Hawthorn Press (the UK publishers of Findus and Pettson) has a policy of letting the Swedish character shine threw their texts, but this isn’t the case with all versions of these stories. “It can be interesting to see what other people do with the same source material. The older US versions take quite a different approach, changing all the names and omitting much of the text. Hawthorn’s editions of Findus and the Fox and Pancakes for Findus are actually slightly edited Gecko translations, so there’s some continuity there.”

Ah! Changing names! This is a pet-hate of mine in translated stories, even if in theory I can understand the rationale that sometimes lies behind it (I can see why lovely – but typographically terrifying looking – Nijntje became Miffy for example) but why Findus and Pettson were renamed Mercury and Festus in the US I’d love to know. As to cutting the text, shortening the story, I wonder if this has something to do with different cultural expectations about illustrated books. Those who know different markets would probably agree with Charlotte Berry from the University of Edinburgh that “picture books on the continent tend to be aimed at older children than is generally accepted in the UK and the US and often contain a much higher proportion of text to image” and certainly Findus and Pettson do stand out here in the UK for looking like picture books in size and richness of illustration, but having the length of text at least sometimes associated with fiction for younger readers.

The idea about helping people share their stories across languages and cultures is still swirling in my head, so I can’t resist asking Nathan about Swedish children’s books which haven’t yet been translated into English but which he thinks would bring joy and delight to new readers. “Barbro Lindgren’s books about Loranga, Masarin och Dartanjang: a young boy, his gleefully irresponsible father and a grandfather who lives in the woodshed. First published in 1969-70, the stories are based — give or take the occasional bed-eating giraffe — on Lindgren’s own experiences raising her young family. They are quite unlike anything I have read before. English readers might recognize in Loranga the very opposite of the helicopter parent. With their surreal humour, the books are perfect for reading aloud — to children and grown-ups alike.”

I love the sound of these stories… let’s hope a publisher is listening and gives Nathan a call!

My thanks go to Nathan for giving us an insight into how he works, and most especially for bringing us Sven Nordqvist’s brilliant, delightful, heartwarming big hugs which look like books, filled with Findus and Pettson stories. All power to translators and the publishing houses who support them!

If you’d like to find out about other Findus and Pettson stories here are all my reviews:
Pancakes for Findus and When Findus was Little and Disappeared
Findus and the fox
Findus at Christmas
Findus Moves Out
Findus Plants Meatballs
Findus, Food and Fun – Seasonal crafts and nature activities

Last week I wrote about books where there have been many years between sequels, and today’s post is also about sequels in a way, but this time about sequels creating a series of books which have grown up apace with their readers.

Perhaps the most famous example of this for a certain generation are the Harry Potter novels; many a child (and a fair few adults) grew up in parallel with the Harry Potter books as they each came out over a 10 year period. Other series which I know have done something similar for kids more recently are the Clarice Bean (and Ruby Redfort) stories by Lauren Child, the Claude stories by Alex T. Smith, the Captain Flinn books Giles Andreae and Russell Ayto and also the Albie books created by Caryl Hart and Ed Eaves. For my kids the Findus and Pettson books by Sven Nordqvist and the Eddie books by Sarah Garland have done something similar.

Eddie’s Garden was first published in 2004, the year M (now 10) was born. I wish I remembered how we discovered it because it is one of those books which almost defines my early parenthood and time with my first child. The slightly chaotic home felt oh-so-recognisable. That Eddie’s messy but warm home was full of kindness and playfulness was something I aspired to as I tried to work out how to be a half-way ok parent. 2007 saw the arrival of Eddie’s Kitchen, followed by Eddie’s Toolbox in 2010, each book being greeted with glee by us all in the family.

11 years after Eddie first appeared, this year sees a new story about him: Eddie’s Tent and How to go Camping.

Eddie and his family are off to the seaside for a short camping holiday. He has fun helping to set up their pitch, building a fire, tying guy ropes and making it homely. He even builds his own play tent out of branches and a blanket. As happens so often on family camping trips, the kids make friends with other children nearby, but when a pet dog goes missing, it looks like Eddie and his new friend Max could end up in trouble. Thanks, however, to Eddie’s ingenuity all ends well with new friendships formed and sausages eaten around the campfire.

Like all the Eddie stories, this one mixes very practical information – elements almost of non-fiction – with adventures any child could recognize from their own life. The mixture of fact (both in the illustrations and often in endnotes at the back of the book), with hugely reassuring and yet realistic family life experiences is a winning formula. Eddie’s Tent includes great advice on building campfires, cooking on them as well as how to tie useful knots. In many respects I think it pairs brilliantly with Mick Manning and Brita Granström’s (non-fiction title) Wild Adventures. What it offers, however, over and above anything any non-fiction book can do, is a cast of characters you care about, who make you smile, who you’re only too glad you know.

There’s lovable Lily, Eddie’s mischievous little sister, their Mum who hangs out in joggers and baggy jumpers and is immensely practical as well as kind (Hurrah for a fictional mum who can build and fix things as well as nurture and play with her kids.) By this fourth book, they’re joined by Eddie’s mum’s new partner Tom, and his lovely daughter Tilly (another Hurrah – for a mixed race family that’s just part of the mix). Down to earth, generous, relaxed and yet lively, they make a super family that’s a delight to read about.

Eddie’s Tent is a marvellous continuation of Eddie’s story, once again perfectly pitching learning hand-on skills with fun storytelling. Fingers crossed another Eddie story is in the pipeline – even if my kids are in their teens when it appears, I know we’ll be all reading it together!

Now, can you believe it – as a family we’ve barely ever camped. Our only time under canvas was a few years back in a rather luxurious yurt with futons and duvets and good coffee on tap nearby but with the arrival of Eddie’s Tent I was DETERMINED to give more traditional camping a go with the girls. They were extremely excited at the prospect, and with the wonderful support of their Grandparents we were able to spend a night camping last last month.

We pitched our tent where X marked the spot.

We did a bit of on location reading.

We made damper bread.

We baked cake in hollowed out orange skins (ready mix cake mixture poured into scooped out orange halves, re-assembled, wrapped in foil and then baked in the ashes for 20 minutes or so).

We had rather a lot of fun.

The three of us squeezed into the tent and our sleep was sweet (but short). Would we do it all again? Most definitely. Roll on the summer holidays I say!

Tent and camping themed music for a playlist could include:

For further activities to try alongside reading Eddie’s Tent why not:

What book series have you and your family grown up with? What are your favourite family books about camping?

Disclosure: I received a free review copy of this book from the publisher.

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First published by Izaak Walton in 1653, The Compleat Angler remains one of the most original and influential books about the environment ever written in the English language. Walton’s narrative depicts a group of urbanites whose appreciation of the natural world deepens as they go fishing in the countryside north of London. In honor of Earth Day, here are some interesting facts about The Compleat Angler as an environmental text.

By Marjorie Swann

(1)   Before The Compleat Angler, fishermen were regarded as loners, but Walton’s book transformed angling into a sociable activity that draws men together through their shared experiences of the natural world.

(2)   Walton champions core principles of wildlife management, including closed seasons, size limits, and restrictions on fishing methods.

(3)   For Walton, outdoor recreation enhances spirituality:

“So when I would beget content, and increase confidence in the Power, and Wisdom, and Providence of Almighty God, I will walk the Meadows by some gliding stream, and there contemplate the Lillies that take no care, and those very many other various little living creatures, that are not only created but fed (man knows not how) by the goodness of the God of Nature, and therefore trust in him.”

(4)   Walton was an early advocate of food security. Without environmental laws to guarantee sustainable food production, Walton argues, fish stocks will drop so precipitously that the population of England “will be forced to eat flesh.”

(5)   As Londoners visiting rural Hertfordshire, Walton’s anglers are exemplary ecotourists. They treat the natural environment they visit respectfully and take care to compensate fairly the local inhabitants who provide their food and lodging.

Otter in Southwold, Suffolk, England. By Catherine Trigg (Flickr) via Wikimedia Commons.

(6)   Walton censures “conservators of the waters”—officials charged with overseeing rivers and their fisheries—who turn a blind eye to illegal (and environmentally harmful) fishing practices.

(7)   Walton’s anglers practice environmental justice by giving financial donations and most of the fish they catch to poor residents of the countryside.

(8)   Reading The Compleat Angler can also help us to appreciate how our attitudes toward the environment have changed over time. Walton regarded otters as pests that should be controlled in order to protect fish populations and in The Compleat Angler, Walton’s fishermen join an otter hunt at Amwell Hill in Hertfordshire. Otters became extinct in Hertfordshire in the 1970s, but in the 1990s, the Otter Trust successfully reintroduced otters to the Amwell Nature Reserve. The Herts and Middlesex Wildlife Trust is now working to improve otter habitat in the Amwell Nature Reserve by creating “fish refuges.”

(9)   In the 1890s, the Pullman Company created a special railway car for American sportsmen called the “Izaak Walton.” Staffed by both a cook and a waiter, the car could hold twelve passengers and was fitted out with dog kennels, gun racks, an ammunition room, an ice-chest for game, and a wine closet.

(10)   Walton’s depiction of a “brotherhood” of environmentally-conscious anglers inspired the creation of the Izaak Walton League of America, a mass-membership conservation organization founded in 1922 that now has more than 43,000 members in the United States and Britain.

Marjorie Swann, Associate Professor of English at Southern Methodist University, is the author of Curiosities and Texts: The Culture of Collecting in Early Modern England. She has edited a new edition of The Compleat Angler by Izaak Walton and Charles Cotton for Oxford World’s Classics and is now writing a book about Walton’s Angler and its post-seventeenth-century afterlives.

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“We’ll eat like kings tonight, Blotch!” Orville shouted excitedly to his trusty pooch.

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Illustration Friday theme this week is “underwater,” and although this may not be the most original solution for the prompt, I just had to get this image out of my system.

In true Irish fashion my Dad passed away Sunday morning. The prior Sunday he suffered a massive heart attack. As a result his brain was damaged and, reluctantly, we had no choice but to let him go. After a very long night he finally passed on. It turns out that the last story he needed to tell was that he passed away on Saint Patrick's Day.

My Dad taught me many, many valuable things. Among them his great sense of humor, gift of story telling and love of the outdoors.

He never missed an opportunity to tell someone that I was a "cartoonist"- something he was very proud of and, admittedly, could never quite understand. I can remember many times, at his request, drawing eagles on cocktail napkins for all of his friends- my first art commissions as I was often given quarters or dollars for the drawings. As I was growing up he would take me on fishing trips from the far north of Quebec, New Brunswick, Ontario, to northern Maine, as close as our own Pennsylvania and, of course, his beloved Delaware River. Those are some of the most cherished memories I have to this day.

Anyone who knew him will miss him dearly. Thank you so very much for all of the prayers and notes of kindness. With Daisy away in Switzerland last week I have no doubt that it was God's answer to your prayers that held me together.

These Highlights illustration clippings are just some of many that I have drawn my Dad in.

Image: be_khe

Yes, I know it’s not Easter, but I have two lovely egg themed books that deserve to be read NOW, not only in 9 months time so please go and scrabble in the back of your kitchen cupboards to find that secret stash of chocolate I won’t tell anyone about, break off a piece and enjoy whilst I tell about these two egg-tastic picture books.

Croc and Bird by Alexis Deacon explores how very different two friends can be (so different they come from quite separate species), and yet, how they can still be the best of friends if they listen to their own hearts, and are not forced into conformity by others. If you like, it’s a reworking of the themes explored in Stellaluna by Janell Cannon, but this time with a crocodile instead of a bat.

It asks questions about who your family is. Can long lasting ties only be based on shared customs and cultures, or can friendship and love transcend such differences?

Deacon’s illustrations have a magical and somewhat mysterious air about them; indeed they reminded me of William Blake‘s paintings. Unlike Deacon’s earlier Beegu, the characters in this book are not so cute. The young bird is as ugly as they come – and this too says something about friendship and brotherly love.

Croc and Bird is not a sugary, all sweetness-and-light picture book. I think its themes and images are somewhat more challenging and thought provoking than you’ll find in many books on the kids’ bestseller list, but its is not without humour and it’s certainly full of hope.

The Fishing Trip by Béatrice Rodriguez (sold in the US under a different title – Fox and Hen Together) is also about cross-species friendship, this time between a chicken and a fox.

In this wordless story Chicken entrusts the care of her Egg to Fox (it is clear they have set up home together), whilst Chicken goes off to bring food home for them all. The fishing trip referred to in the title turns out to be a rather hair-raising, risky experience, but

 4 stars Elliot Stone’s summer is ruined! Not only will he be away from his best friend Jake, but he’ll have to miss Cassie’s graduation party of the century while he spends an entire month in a Vermont cabin on Lake Bomoseen.  After Elliot’s dad shares the legend of the Loch Ness Monster, a month [...]

Some small paintings I created for a Memory-style card game that appeared in this past January's issue of Spider magazine. Each one is available for purchase in my Etsy shop:

Here’s the last lot of session plans for our day off-timetable as part of Children’s Book Week next week. These sessions are for year 2 studens (6-7 year olds) and are based on their current topic “Oceans and Seas”.

Session 1

Book: The fantastic undersea life of Jacques Cousteau by Dan Yaccarino
Follow up book: Manfish: The Story of Jacques Cousteau by Jennifer Berne and Eric Puybaret
Focus activity: Watching a short video of Jacques Cousteau then creating a porthole through which creatures of the deep can be viewed.
Resources required: paper plates, strips of tissue paper in shades of blue, glue, permanent pens/crayons (make sure whatever you use does not run when glue is painted over it, and that the colours are strong enough to be visible through the tissue paper), scissors, grey paint (optional – for painting the plates to make them look more like portholes).
Independent activities: Set of ocean factfiles with colouring in and also some maths-based, ocean-themed activities all from learningpage.com (you need to sign up for access to these, but sign up is quick, easy and free)
Additional books: Down, Down, Down: A Journey to the Bottom of the Sea by Steve Jenkins, Star of the Sea: A Day in the Life of a Starfish by Janet Halfmann and Joan Paley

A porthole made from paper plates

1. Take one plate and draw a creature of the deep in the centre of the plate.
2. Glue strips of tissue paper across your plate (this will look best if the tissue paper has previously been scrunched up and is then smoothed out again)
3. Take your second plate and cut out the central circle. Optionally paint this plate gray.
4. Put glue around the rim of the first plate and stick the second plate on top to create your porthole
5. Trim away any excess tissue paper left hanging out between the plates.

Random House has produced a Teacher’s Sheet for The fantastic undersea life of Jacques Cousteau which contains lots of discussion prompts (opens as a pdf document).

Session 2

Book: Immi by Ka

Here’s a little something for your weekend–some physics, some time travel, a little fish-licking (that part is based on my own dog’s peculiar habit)–give it a try. (The story, not the fish-licking.)

Here’s the link to the story. Use coupon code JR93U to get it for free all weekend long! Enjoy!

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A few posts ago I mentioned British illustrator Karin Littlewood’s latest book – Immi, as something I was looking forward to reading. Having typed those original words I was overcome by temptation and bought us a copy on spec – we’ve loved all of the books we’ve seen where Karin Littlewood has been the illustrator and that was good enough reason to take a punt on Immi. And Wow! wow! wow! Immi has immediately become my favourite new book! Here are some of the reasons why….

Photo: Margrét G.J.

Immi, an Inuit girl, catches fish through a hole in the ice. One day instead of fish she finds a small trinket, a little wooden bird, on the end of her line and is amazed by its beauty and colours.

As each day passes she catches another wonderful curio and so she starts to use them to decorate her igloo. Her home becomes a thing of wonder and animals from far and wide come to visit.

They always stayed for supper,
and they filled those long dark nights
with stories of faraway lands.

And Immi’s world seemed a brighter
and more colourful place.

In the closing pages of this stunning book the mystery of the source of the treasures adorning Immi’s igloo is revealed and the generosity is reciprocated, leaving readers feeling both in awe at the beauty and diversity of the world, at the same time feeling touched by the possibility of being able to reach out across oceans and cultures to share something special.

This respect of and faith in humanity is a theme close to my heart, and then add to that the thread in this book of how sharing stories can move us and enrich our lives… well you can see why I love the tale told in Immi.

If the beliefs at the heart of this book weren’t enough to persuade me to encourage you to find this lovely book to read with your own children, then the illustrations would clinch it.

The watercolour and pencil illustrations sing out throughout this book. The brightly coloured treasures Immi catches glow like jewels against the icy, dark backdrop of a polar landscape, and yet their vibrancy never swamps the sense of peacefulness that the landscapes and night skies exude.

Immi reminds me of two other books I love – The Red Book by Barbara Lehman, (which I reviewed here) and Polly and the North Star by Polly Horner (which I reviewed 4 Comments on The ability of stories to transport us, last added: 11/11/2010