This just in from Jez Burrows and friends:
A limited set of prints by five designers, illustrators, and artists, inspired by—and for the benefit of—WNYC’s Radiolab. Limited to an edition of just 100, In Radiolab We Trust is a set of five B5 two-colour Gocco prints, packaged in specially produced spot-colour wrapping paper. All proceeds after printing costs will go to Radiolab. (via In Radiolab We Trust)
Get ‘em while they’re hot! I really dig this one by Richard Perez!
In case you were stuck working at 1:30 this afternoon and missed the great discussion between Lynn Nesbit, Carlo Rotella and Overlook publisher Peter Mayer about TRUE GRIT and Charles Portis, WNYC has helpfully put the interview online!
Listen below or go here to listen to the talk and read a bit of background.
Lauren, Publicity Assistant
Kathryn Kalinak is Professor of English and Film Studies at Rhode Island College. Below, she reflects on Sunday’s Oscar (Original 
Score) presentation, and her own predictions from Friday, presented both here on OUPBlog, and on WNYC’s Soundcheck.
And congratulations to Joseph Brown! In last week’s contest, he correctly predicted both Oscar Music category winners. Joseph will be receiving a copy of Kathryn’s most recent book, Film Music: A Very Short Introduction.
If there was a surprise in the Original Score Oscar race Sunday, it was only the break dancing performances accompanying selections from the five nominated scores. Compared to the other presentations, the break dancing seemed to me a shameless grab for a youthful demographic. The Writing nominees, for instance, were announced with images of screenplays projected over corresponding scenes—an effective reminder of what a film owes to its writing. Yet the Academy could not come up with a better way to honor this year’s fine slate of scores? To have watched a scene from Sherlock Holmes without Hans Zimmer’s eclectic instrumentation, and then to have watched it with all the tension and excitement lent by the score would have surely been a more appropriate way to showcase the importance of music in film.
The composers of this year’s Original Scores are all deserving, hard-working, and extremely talented. Although I predicted Michael Giacchino would receive an Oscar for his work on Up—as he did—this is one year I wouldn’t have minded being wrong.
Though I appreciate Giacchino’s beautifully melodic score, Alexandre Desplat is due! For Fantastic Mr. Fox he used instruments like a mandolin, ukulele, celeste, banjo, and a Jew’s harp to create a whimsical and inventive sound—the perfect match for such a quirky stop-action animated film. With six film scores in 2009, four in 2008, and six in 2007, Desplat might be Hollywood’s hardest working composer. He’s already scored a film currently in theaters (The Ghost Writer), and five more are in post-production, including the newest Harry Potter film. Given Desplat’s incredible productivity, we shouldn’t have to wait long for another nomination, or (hopefully) a win.
Lauren, Publicity Assistant
Kathryn Kalinak is Professor of English and Film Studies at Rhode Island College. Her extensive writing on film music includes numerous articles and several books, the most recent of which is Film Music: A Very Short Introduction. Below, she has made predictions for the Oscar Music (Original Score) category, and picked her favorites.
We want to know your thoughts as well! Who do you think will win the Oscar for Original Score? Original Song? Send your predictions to [email protected] by tomorrow, March 6, with the subject line “Oscars” and we’ll send a free copy of Film Music: A Very Short Introduction to the first 5 people who guessed correctly.
We also welcome you to tune in to WNYC at 2pm ET today to hear Kathryn discuss Oscar-nominated music on Soundcheck.
This Sunday’s Oscars will recognize an exceptionally fine slate of film scores, and it’s nice to see such a deserving group of composers. The nominees represent a range of films and scores including the lush and symphonic (Avatar), whimsical (Fantastic Mr. Fox), edgy and tension-producing (The Hurt Locker), eclectic and genre-bending (Sherlock Holmes), and beautifully melodic (Up). While there are always surprises, I’ve considered each composer and score, coming to the following conclusions and predictions.
On Avatar:
James Horner has been around a long time, having been nominated ten times in the last 32 years, and receiving Best Score and Best Song Oscars for Titanic. He’s a pro at what he does best: big, symphonic scores that hearken back to the classical Hollywood studio years. Horner’s music gives Avatar exactly what it needs—warmth and emotional resonance—and connects the audience to a series of images and characters that might be difficult to relate to otherwise. If Horner wins Sunday night, look for the evening to go Avatar’s way.
On Fantastic Mr. Fox
Early Start for Reading
Read and listen to WNYC’s report on a new literacy curriculum being piloted in New York City shows signs of promise in closing the gap in reading scores between low-income and middle class students.
Read All About It: National Book Festival
For those in the D.C. area, check this out from Express Night Out: “Bibiophiles should head down to the National Mall on Saturday for the ninth annual National Book Festival, which is bringing dozens of notable authors to D.C.”
Classic children’s books we’d like to see receive the Hollywood treatment
Entertainment Weekly’s Shelf Life blog features four children’s books they’d like to see get made into a movie, complete with casting suggestions and sample dialogue.
Initiative Focuses on Early Learning Programs
A legislative effort already passed by the House proposes funding to establish the Early Learning Challenge Fund, channeling $8 billion to states with plans to improve standards, training and oversight of programs serving infants, toddlers and preschoolers.
Text message speak ‘not harmful to children’s spelling’, says research
The Telegraph reports on new research that suggests using text message language (like OMG, lol and 2mro) does not harm children’s spelling abilities and may even be a good sign.
A long overdue ode to Robert Munsch
Last weekend, Canadian author Robert Munsch, best known for his book Love You Forever, was inducted into Canada’s 2009 Walk of Fame.
Transparent New Home for Poetry
Today, Poets House, a national poetry library and literary center, opens its spacious new home in Battery Park City, New York.
