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Viewing: Blog Posts Tagged with: location drawing, Most Recent at Top [Help]
Results 1 - 12 of 12
1. Cobble Hill drawing









2 Comments on Cobble Hill drawing, last added: 2/1/2013
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2. Transmodern Festival Poster

One of my dreams has been to use my location drawing/visual journalism work as final artwork. I lived that dream through Bird, and have taken it to another level by  illustrating this year’s Baltimore Transmodern Festival poster. A lot of my most interesting projects find me serendipitously, including BIRD. This job was no exception.

When I moved to Baltimore back in June of 2011, I took a trip to the Baltimore Museum of Art to familiarize myself with the art scene in my new hood. While there, I came upon the video work of Stephanie M. Barber. She was working on “jhana and the rats of james olds or 31 days/31 videos”. Of course, I partcipated, and upon leaving, ran into Stephanie in the hallway (she was taking a lunch break). She noticed that I looked a lot longer at the work than most visitors, to which I responded, “I’m an artist. We speak the same language.” From there we talked about MICA (where she also teaches!). One thing led to another and we became facebook freinds. After seeing my Visual Journalism work week after week, Stephanie invited me to create a poster for the Baltimore Transmodern Festival. The pay was modest, but my poster will be all over the city (flattering of the ego always works for me). So, me and one of my awesome Visual Journalism students, Jordan Jones, went down to the Current Gallery, sat in the back alley (where the festival will be held), and drew. From there, I did a little photoshop magic and came up with this:

I did the drawing in one sitting in my giant Archie Grand sketchbook. From there, I took tracing paper and drew a bunch of tiny colorful balls (to represent summer festivusness). I then did lettering on a separate layer of tracing paper and multiplied ever’thang in photoshop. Total job took about ten hours. Yay.

0 Comments on Transmodern Festival Poster as of 3/24/2012 4:41:00 PM
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3. chat de ville

a tiny snippet from one of the Paris scenes in CITY CAT, written by Kate Banks
 Last month I started on the final art for my next picture book, CITY CAT, written by Kate Banks. My editor Frances over at FSG offered this lovely script to me waaaay back in the spring of 2009, knowing that we weren't going to get things going for a long while. It was so hard to keep this project on the back burner all this time. Location drawing is my absolute favorite thing, and I don't just get to research and capture one beautiful location for this book, but eight! The story takes the reader on a journey through Western Europe, as a cat follows a family on their holiday adventure. I'm in love with Kate's poetic text and selection of cities, and I am so grateful to Frances and Kate for pulling me in to this dream of a book project.

scenes from Le Ballon rouge, The Red Balloon


For the last week I have been drawing the gorgeous city of Paris, and the other day I decided to take a trip down memory lane and watch a movie I remember one of my teachers showing in elementary school: The Red Balloon. This film is magic and a must watch if you have never seen it. The above clips are proof.


Unfortunately I'm not able to go to Paris while working on this, but I did travel there in 2009 for a little inspiration and reference collecting. The above are a few sketches from my adventure. I fell in love with this city, and hope to visit again soon ♥
4. City Cat

Sorry I haven't posted in awhile! But I have a good excuse — I've been traveling around Europe! Well, uhh, drawing Europe. That's pretty fun too! I'm working on a new book that involves 8 different cities in Western Europe. So far I've wandered through Rome, London, Marseille, and Barcelona . . . Must keep moving!!
Hope everyone is enjoying the holiday season :)

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5. Fells Point Drawings

Today we headed to Fells Point to draw. It was warm and sunny out which led to a couple of drawings I am really happy with. I am drawing with a Pentel brush pen in an Archie Grand Jumbo sketchbook which opens up to a generous spread of 16″ x 24″.

City Pier @ Fells Point
what are city benches used for?

The tree is shaded with a photoshop brush. The three images to the left of the tree are done separately and dropped into photoshop.

My students take their time in getting scanned work to me, but here is a link to the Visual Journalism Blog. You can also check out the blog of Aaron Provost, who updates his location work weekly. Go Aaron!

2 Comments on Fells Point Drawings, last added: 10/1/2011
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6. Happy 2010!

A new year, a new studio! Well, very soon! And while the new studio is being renovated, I am temporarily set up in my living room, in the back of the apartment. I'm loving it because my desk faces the windows, where I can watch the neighborhood cats and squirrels walk wires and fences between backyards all day long. And each evening as the sun says goodbye, the buildings become one beautiful silhouette against the darkening sky. This evening I was inspired to make a little ink and watercolor because it was just that pretty :)

Wishing you all a very happy 2010, filled with much beauty & wonder~

6 Comments on Happy 2010!, last added: 1/13/2010
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7. A few sketches from the trip~

5 Comments on A few sketches from the trip~, last added: 10/14/2009
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8. France+Germany=bliss

Well, the time is FINALLY here--I am headed to Europe to do research for a new book project (written by the wonderful Kate Banks)! The travel route will include Paris, to Ravensburg and Weingarten, to Meersburg, to Munich (arriving just in time for the lord mayor to tap the first keg at Oktoberfest!), and finally back to Paris. I am so so psyched to explore these cities and their landmarks, and hopefully fill up some memory cards and a few sketchbook pages! Oh, and my assistant (and official translator!) is pretty excited as well :)
So long, au revoir, tschüss!!! Catch y'all at the end of September~

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9. Happy St. Patrick's Day!

2 Comments on Happy St. Patrick's Day!, last added: 4/6/2009
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10. follow the leader

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11. Venician morning stroll


New drawing on missing Italy.

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12. Give 'em the Old Razzle-Dazzle, Razzle-Dazzle 'em.

I just never know what's going to start a debate or not these days. On the evening of the 16th I was minutes away from beddy-bye and I saw I hadn't fulfilled my write-five-blog-posts requirement of the day. Pfui. So I did some digging in my older unpublished drafts and found this little article Jen Robinson had conjured up from the Chronicle of Higher Education regarding n+1. Fine. Good. Post it and sleep. A day's work done.

Next day, all is well. A couple more comments on that pup than I'd expected, but whatever. We've covered the whole Should We Write Negative Reviews topic so often I didn't think it'd get very far this time. My bad. Then while on dinner break at work I notice that I'm getting hits from Roger's blog.

Uh-oh. Roger likes to think. Thinking takes effort. I slooooooowly go over. Maybe... maybe it's a link to that adorable tricycle I posted about the other day.

Yeah, no such luck. In the piece This is why I don't have a blogroll. Or friends (danger, Will Robinson, DANGER) Roger has indeed seen the aforementioned piece. Does he agree with my take on it? Not a jot. Which is fine, because I like his points, even if I don't agree with each and every one. Oh but, bloody hell. Is that 23 comments to the piece? Yes it is. And what's more, I'm finding myself in mighty hot hot hot water. Most notable? This bit by the mysterious B.E.M.:

Interesting topic, Roger. I agree with SDL. The New York-area librarians have always gotten the year-round swag and party invitations that those of us in the hinterlands will never see.

The only difference is that now, children's lit blogs have exposed that part of the business to the rest of the world, since it seems there are bloggers who can't refrain from gushing about their latest social engagements, rubbing elbows with publishers and authors, under the ruse of giving the rest of us poor slobs relevant news about our field.

From the gossipy reports I've read, they seem to be very easily dazzled and, yeah, it makes me question their credibility as reviewers and as members of a book jury.

It does seem like some bloggers are being used by the promotional division of publishing companies, and it doesn't always sound like they realize this is happening. Obviously, it benefits the publisher to cozy up under the guise of friendship, to tell the bloggers how interesting and brilliant and important they are. (Bloggers must already be preconditioned to believe this -- why else would they have a blog in the first place?) And what a boon for the publisher -- free advertising! It'll be interesting to see if blogs quickly become yet another means to reach consumers.

PSSST! I think B.E.M.'s talking about me!

Well, duh. Who else do you know who lives in New York, goes to publisher parties, and lets people know about them? That's me, dude. Me me me. And I don't have to be preconditioned to believe in my own interest, brilliance, and importance to read between the lines on this one. Perfect strangers calling into question the legitimacy of my reviews and committee status? Must be springtime. You can smell it in the air. *sniff* It's love.

Geez o' petes, people. If you don't want to read a gossipy report of what Random House, Little Brown, or Greenwillow's putting out for the season, you do not have to. I'm not required reading. Unless, y'know, I'm on a curriculum or something. Then you're kinda screwed. And I blog just to be told how lovely I am? Um... is that why anyone blogs? Has blogging become so cool that the minute you make one you're drowning in praise and cupcakes? I started mine because I was already writing reviews on Amazon which, while fun, didn't get me much in the way of feedback. Then I added in some daily tidbits. The fact that I go to publisher parties has as much to do with location (NYC) as blogging.

But all that aside, the question here (and Roger himself notes it) is the legitimacy of my blog reviews when not five minutes ago I was sharing a sweet sweet chocolate chip cookie with a marketing associate, telling me about their latest season. And I can yak on all day about how cookies do not buy my love and how I just wrote a critical review of a Little Brown book not two weeks after I reported on their soiree... but what's the point? If you think that my love can be bought, then that's how you see me. That's fine. Disregard me or whatever. Does it make any difference that a cookie won't make a bad book good or a mediocre title interesting? Between every reviewer and reader there is an essential level of trust. If I tell you where I've been and what I've seen, am I less dependable than the other reviewers who've done the same but kept their lips locked? It's an interesting question. Is this a case of someone being criticized for having a personality or for failing to take into account the gravity of their self-appointed occupation?

It brings to mind the current debate being held over whether or not ALSC should tell the spouses of people in the publishing industry to keep from serving on committee panels. If your hubby works for Random House and you find yourself on the Caldecott committee, the thinking goes that you should excuse yourself. So where does one draw the line then? What if you used to work for Random House, became a librarian, and now want to serve? What if you just happen to piggyback on Random House's previews and they give you swag? What if they send you free books in the mail? What if last night you went to see a friend's co-worker's husband's band perform and the drummer was a Random House children's editor? How easy a sucker for their charming ways are you anyway?

And why do I write about publisher parties? Because they're what I wish I could read more of myself. I confess to loving Mediabistro's book party info. I wish more people would talk about events here and there (and NOT in the NYC area). So what I do is I write what I myself like. In the process, publishers see what their competitors are doing. Librarians see the new titles due out and how the publisher is trying to sell them.

But enough babble. What's at stake here is my reputation. Can you trust me even if I'm fed cookies at a presentation? Yes. I can meet an author, talk to an editor, look at an ARC, and still not like a book if it's bad. That's the long and short of it. I know plenty of charming writers, but charm doesn't last when the person's not around. Words written on paper does. And if those words are poorly organized, that's all that matters. So I tell you what. I'll make a concession here. If B.E.M. is right about one thing it's that if I'm going to a publisher's house and looking at their etchings (so to speak) I shouldn't go drooling all over them in a public forum. Especially if I'm going to turn around and sock them in the jaw the next day. I'll make a deal with you. I'm still going to the parties, but I'll suck all the personality out of my pieces. No more will you have descriptions of shoes, cute editors, or colorful shirts. Zippo mentions of food or lighting, or that undefinable smell that surrounds the authorial speaker. None of that. It's in the past. Instead, a rote categorization (with as much personality as I can decently allow) of their upcoming season. That's it. No more. No less.

For other interesting topics, including whether or not blog tours are just extensions of publishers' far-reaching marketing arm and establishing kidlit blog standards, go to Roger's piece and read the comments.

50 Comments on Give 'em the Old Razzle-Dazzle, Razzle-Dazzle 'em., last added: 4/21/2007
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