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  • Medeia Sharif on , 10/1/2014 2:35:00 AM
  • Coe Booth on , 10/2/2014 11:19:00 AM

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26. Deadline for Bechtel, Hayes, & Baker & Taylor is Nov. 1

ALSC is reminding members to apply for professional awards this fall. Applications are open and several deadlines are approaching. Below is list of ALSC professional awards which are available for submission or nomination.  Please consider applying or nominating a colleague:

Louise Seaman Bechtel Fellowship
Deadline: Extended to Saturday, November 1, 2014

This fellowship provides a $4,000 stipend to allow a qualified children’s librarian to spend a month or more reading at the University of Florida’s Baldwin Library of Historical Children’s Literature.

Maureen Hayes Author/Illustrator Award
Deadline: Saturday, November 1, 2014

This $4,000 award was established with funding from Simon & Schuster Children’s Publishing, in honor of Maureen Hayes, to bring together children and nationally recognized authors/illustrators.

ALSC/Baker & Taylor Summer Reading Grant
Deadline: Saturday, November 1, 2014

This $3,000 grant provides financial assistance to a public library for developing an outstanding summer reading program for children.

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27. OR Books to Publish Anthology On Income Inequality in NYC

OR Book Going RougeOR Books will publish an anthology focusing on income inequality within New York City called Tales of Two Cities: The Best & Worst of Times in New York. A portion of the proceeds will be donated to Housing Works.

How to Read a Novelist author John Freeman served as the editor for this book and wrote one of the pieces. Some of the other contributors include Pulitzer Prize winner Junot Díaz, The Circle author Dave Eggers, and White Teeth author Zadie Smith.

Artist Molly Crabapple created five illustrations for this project. Follow this link to see photos of the book’s interior artwork. Freeman, Crabapple, and a few writers will appear at a launch party event in New York City on October 13th.

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28. Bloomsbury UK to Publish Neil Gaiman Short Story as a Book

The Sleeper & The SpindleBloomsbury UK will publish Neil Gaiman’s short story, The Sleeper and the Spindle, as a book.

Gaiman drew inspiration for this piece from the “Sleeping Beauty” fairy tale. It was originally published in a 2013 anthology entitled Rags & Bones: New Twists on Timeless Tales.

Artist Chris Riddell created illustrations for this project. The publication date has been scheduled for October 23, 2014. Earlier this year, HarperCollins released its own version of The Sleeper and the Spindle in the U.S.A. to celebrate California Bookstore Day. What do you think?

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29. Visit With Syrian Refugees Influenced Neil Gaiman’s Take On ‘Hansel & Gretel’

4231596_origAuthor Neil Gaiman took away many ideas from an emotional visit to Jordan where he met Syrian refugees.

In an interview with CNN‘s Christiane Amanpour, Gaiman reveals that this experience affected how he wrote his re-telling of “Hansel and Gretel.” Gaiman sets this classic story of lost children in a world torn by war and famine; he feels this is highly reminiscent of the suffering endured by Syrian refugee children as well as the Grimm Brothers’ version of the tale.

Toon Books will release the finished graphic novel, which features illustrations by artist Lorenzo Mattotti, on October 28th. Click here to watch the entire interview. Follow this link to read Gaiman’s blog post recounting his trip.

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30.

On the heels of her successful young adult novels, Coe Booth recently released Just Like a Brother, a middle grade novel about two foster brothers, Jerrod and Kevon.

Jarrett doesn’t trust Kevon.

But he’s got to share a room with him anyway.

kindalikebrothersIt was one thing when Jarrett’s mom took care of foster babies who needed help. But this time it’s different. This time the baby who needs help has an older brother — a kid Jarrett’s age named Kevon.

Everyone thinks Jarrett and Kevon should be friends — but that’s not gonna happen. Not when Kevon’s acting like he’s better than Jarrett — and not when Jarrett finds out Kevon’s keeping some major secrets.

Jarrett doesn’t think it’s fair that he has to share his room, his friends, and his life with some stranger. He’s gotta do something about it — but what?

KINDA LIKE BROTHERS is the story of two boys who really don’t get along — but have to find a way to figure it out.

I was recently able to connect with Coe to find out a little more about her and her new book!

 

What book(s) are you currently in the middle of reading?

I’m always reading a bunch of books at the same time. Right now, I’m reading Pointe by Brandy Colbert, Outside In by Sarah Ellis, I’ll Be Right There by Kyung-Sook Shin, and Dear Committee Members by Julie Schumacher.

How do you hope your writing engages young people?

More than anything, I hope kids see themselves in the pages of my books. I don’t want them to think of bronxwood hi-resbooks as only being about other people. It’s about them, too. When I was growing up, I rarely saw books about people like myself, especially contemporary books, which is what I wanted to read. So I hope my books can be mirrors for kids.

You just got back from a cruise! I think the last time we chatted on Twitter, you were in Paris. Do you have a favorite destination?

Coe.1A B+WI love traveling, and I do it every chance I can. I’ve been on a bunch of cruises because it’s my family’s tradition to go on one every other year — sort of like a mini family reunion. As for Paris, I try to spend a few months there every year because… well, because it’s Paris! And because it’s a city that just inspires me. However, my favorite place in the world (so far!) is the Amalfi Coast in Italy. It’s the most gorgeous place I’ve ever seen. It’s so beautiful it doesn’t look real! There are so many places I’d like to visit; I have a bucket list that’s out of control!

Your fiction would be labeled ‘realistic fiction’. Has it ever gotten too real, too painful for you while writing?

I don’t really think anything can be too real. I’m always pushing myself to go to those places that are painful Tyrell cover hi resfor me to write because I know there are kids experiencing the things I’m writing about in their real lives. There’s never a reason to hold back. Even though it’s hard to write some of those scenes, I think it’s important to try.

You’re building quite a body of work! Do you think you have an overarching theme or message in the books you’ve published to date?

I don’t think I have a theme, and I hope I don’t have a message! I do think most of my books center around kids who are trying to do the right thing despite the difficult surroundings they’re living in. Their neighborhoods are often tough, and their home lives are complicated, too. They’re basically good kids — not perfect! — just trying to hold it together and make it through.

I think many of us have the perception that writers sit in a spot all day with cold cups of coffee and write, write, write. It seems though, that being a successful writer involves a lot of mixing and mingling both with follow writers as well as with the general public. Can you talk a little about that? How many of these opportunities are created by writers and how many by their publishers? I think I’m asking ‘just how much work is involved in becoming a successful writer?’

Being a writer in New York City is probably a lot different than being a writer in other places. There are so many writers here! So, yes, there are lots of opportunities here to meet up with other writers and spend the Kendra cover hi resday writing in a coffee shop. We do this a lot. We also see each other at book parties and readings, where we get to hang out with readers. And the YA authors in NYC meet up socially every month or so. It’s all very informal, organized by the writers themselves, not the publishers. Writing can be a very lonely career, so it’s nice meeting writer friends for lunch and writing whenever we get the chance. Having said that, there are definitely times when I need to pull away from the “book scene” for a few months. There’s always so much going on here in NYC, it’s easy to get caught up in everything and not spend enough time actually writing!

What led you to Jarrett’s story?

Years ago, before I was writing full-time, I worked as a child protective caseworker in the Bronx. I investigated child abuse and tried to help keep families together after they had gone through traumatic situations. When I had to remove kids from their homes temporarily, I would place them in foster homes where, quite often, the foster parent already had biological children. I was always curious what it was like for those kids. How did they handle these foster kids coming and going? Was it hard for them to avoid attaching to these kids, knowing they were only going to be there for a certain length of time and then they’d be leaving forever?

These are the kinds of questions that sparked the idea for Kinda Like Brothers. My story is told from the point of view of the foster mother’s biological son, Jarrett, a kid who is very used to the fact that babies come and go from his life all the time. But when Kevon, a boy who is around his own age shows up, everything is turned upside down. It’s not so easy for Jarrett to remain detached, especially after he starts learning the difficult circumstances of Kevon’s life.

Kinda Like Brothers is middle grade. How was it different to write for that age group?

Before I began writing it, I thought I would need a different approach or I would have to change the way I write to make this middle grade. But really, I didn’t change very much at all. Obviously, an eleven-year-old boy has different interests and concerns than a sixteen year old, but I didn’t feel the need to change my writing style. And I really didn’t want to water down the story just because the readers would be younger. I wanted my characters (and the story) to be complex, just like the lives of a lot of kids growing up in the inner city.

What does diversity mean to you?

Diversity means accurately reflecting the world — the entire world.

Thanks so much for the interview! I wish you much success and happy travels!


Filed under: Authors, Interview Tagged: Coe Booth; author interview; African American

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31.

On the heels of her successful young adult novels, Coe Booth recently released Just Like a Brother, a middle grade novel about two foster brothers, Jerrod and Kevon.

Jarrett doesn’t trust Kevon.

But he’s got to share a room with him anyway.

kindalikebrothersIt was one thing when Jarrett’s mom took care of foster babies who needed help. But this time it’s different. This time the baby who needs help has an older brother — a kid Jarrett’s age named Kevon.

Everyone thinks Jarrett and Kevon should be friends — but that’s not gonna happen. Not when Kevon’s acting like he’s better than Jarrett — and not when Jarrett finds out Kevon’s keeping some major secrets.

Jarrett doesn’t think it’s fair that he has to share his room, his friends, and his life with some stranger. He’s gotta do something about it — but what?

KINDA LIKE BROTHERS is the story of two boys who really don’t get along — but have to find a way to figure it out.

I was recently able to connect with Coe to find out a little more about her and her new book!

 

What book(s) are you currently in the middle of reading?

I’m always reading a bunch of books at the same time. Right now, I’m reading Pointe by Brandy Colbert, Outside In by Sarah Ellis, I’ll Be Right There by Kyung-Sook Shin, and Dear Committee Members by Julie Schumacher.

How do you hope your writing engages young people?

More than anything, I hope kids see themselves in the pages of my books. I don’t want them to think of bronxwood hi-resbooks as only being about other people. It’s about them, too. When I was growing up, I rarely saw books about people like myself, especially contemporary books, which is what I wanted to read. So I hope my books can be mirrors for kids.

You just got back from a cruise! I think the last time we chatted on Twitter, you were in Paris. Do you have a favorite destination?

Coe.1A B+WI love traveling, and I do it every chance I can. I’ve been on a bunch of cruises because it’s my family’s tradition to go on one every other year — sort of like a mini family reunion. As for Paris, I try to spend a few months there every year because… well, because it’s Paris! And because it’s a city that just inspires me. However, my favorite place in the world (so far!) is the Amalfi Coast in Italy. It’s the most gorgeous place I’ve ever seen. It’s so beautiful it doesn’t look real! There are so many places I’d like to visit; I have a bucket list that’s out of control!

Your fiction would be labeled ‘realistic fiction’. Has it ever gotten too real, too painful for you while writing?

I don’t really think anything can be too real. I’m always pushing myself to go to those places that are painful Tyrell cover hi resfor me to write because I know there are kids experiencing the things I’m writing about in their real lives. There’s never a reason to hold back. Even though it’s hard to write some of those scenes, I think it’s important to try.

You’re building quite a body of work! Do you think you have an overarching theme or message in the books you’ve published to date?

I don’t think I have a theme, and I hope I don’t have a message! I do think most of my books center around kids who are trying to do the right thing despite the difficult surroundings they’re living in. Their neighborhoods are often tough, and their home lives are complicated, too. They’re basically good kids — not perfect! — just trying to hold it together and make it through.

I think many of us have the perception that writers sit in a spot all day with cold cups of coffee and write, write, write. It seems though, that being a successful writer involves a lot of mixing and mingling both with follow writers as well as with the general public. Can you talk a little about that? How many of these opportunities are created by writers and how many by their publishers? I think I’m asking ‘just how much work is involved in becoming a successful writer?’

Being a writer in New York City is probably a lot different than being a writer in other places. There are so many writers here! So, yes, there are lots of opportunities here to meet up with other writers and spend the Kendra cover hi resday writing in a coffee shop. We do this a lot. We also see each other at book parties and readings, where we get to hang out with readers. And the YA authors in NYC meet up socially every month or so. It’s all very informal, organized by the writers themselves, not the publishers. Writing can be a very lonely career, so it’s nice meeting writer friends for lunch and writing whenever we get the chance. Having said that, there are definitely times when I need to pull away from the “book scene” for a few months. There’s always so much going on here in NYC, it’s easy to get caught up in everything and not spend enough time actually writing!

What led you to Jarrett’s story?

Years ago, before I was writing full-time, I worked as a child protective caseworker in the Bronx. I investigated child abuse and tried to help keep families together after they had gone through traumatic situations. When I had to remove kids from their homes temporarily, I would place them in foster homes where, quite often, the foster parent already had biological children. I was always curious what it was like for those kids. How did they handle these foster kids coming and going? Was it hard for them to avoid attaching to these kids, knowing they were only going to be there for a certain length of time and then they’d be leaving forever?

These are the kinds of questions that sparked the idea for Kinda Like Brothers. My story is told from the point of view of the foster mother’s biological son, Jarrett, a kid who is very used to the fact that babies come and go from his life all the time. But when Kevon, a boy who is around his own age shows up, everything is turned upside down. It’s not so easy for Jarrett to remain detached, especially after he starts learning the difficult circumstances of Kevon’s life.

Kinda Like Brothers is middle grade. How was it different to write for that age group?

Before I began writing it, I thought I would need a different approach or I would have to change the way I write to make this middle grade. But really, I didn’t change very much at all. Obviously, an eleven-year-old boy has different interests and concerns than a sixteen year old, but I didn’t feel the need to change my writing style. And I really didn’t want to water down the story just because the readers would be younger. I wanted my characters (and the story) to be complex, just like the lives of a lot of kids growing up in the inner city.

What does diversity mean to you?

Diversity means accurately reflecting the world — the entire world.

Thanks so much for the interview! I wish you much success and happy travels!


Filed under: Authors, Interview Tagged: Coe Booth; author interview; African American

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32. Gregory Maguire’s Next Book Has An ‘Alice in Wonderland’ Connection

Gregory MaguireWhen we last spoke with author Gregory Maguire, he told us he planned to sit in a “big long white noise period” to coax out his muse. He recently revealed that he has been working on an adult book with “an Alice in Wonderland connection.”

In an interview with School Library Journal, Maguire (pictured, via) mostly talks about fairy tales and his recently released young adult title, Egg and Spoon. At the very end, he offers a teasing snippet about his new project.

In the past, Maguire has written novels inspired by ”Cinderella,” “Snow White,” The Wonderful Wizard of Oz, and A Christmas Carol. How do you predict he will remix Lewis Carroll’s beloved fantasy story?

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33. Lena Dunham’s Wild Ride – Reinventing the Book Tour

lena-300x300She’s got ‘Portlandia’ star Carrie Brownstein and novelist Zadie Smith, ‘Prep” and ‘American Wife’ author Curtis Sittenfeld, poetry, live music, and food trucks, plus a set of artists whose videos she screened in bed. The ‘happenings’ sold nearly 8,000 tickets in less than a week. Starting today in New York City, Lena Dunham begins her 11-city ‘traveling circus of sorts that seems more like a roving Burning Man festival’ than a book tour, notes the New York Times. Lena told the Times:

‘I found the idea of a traditional author tour, where you go and stand behind the lectern and talk about yourself, I found it a little bit embarrassing, a little blatantly self-promotional and a little boring. I wanted it to have an arts festival feel, which is why we now have all these remarkable, special weirdos who I found on the Internet.’

(more…)

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34. Philip Weinstein to Pen Jonathan Franzen Biography

franzenAuthor Philip Weinstein plans to pen a biography profiling writer Jonathan Franzen. Reportedly, Franzen himself has given his “blessing” for this project.

Bloomsbury will publish Jonathan Franzen: The Comedy of Rage in Fall 2015. Weinstein has conducted a two-hour interview with Franzen; he will also source information from Franzen’s autobiographical essays. The book will also include an analysis of the new novel that Franzen has been working on.

In an interview with The New York Times, Weinstein explains the concept of the book: “It doesn’t pretend to be a full-scale biography. It’s too early for that. He’s in full career mode. Someone later, a generation from now, will do that biography. It’s a report on who he is.” (via Gawker)

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35. Stephen King Predicts That Physical Books Are Here to Stay

Stephen KingAuthor Stephen King predicts that the physical book will “be here for a long, long time.”

In an interview with The Huffington Post, the famed horror novelist talks about why he doesn’t think books will meet the same end as “compact discs or even phonograph records.” One reason he gave is that books have been around for more than 300 years and there is a “deeply implanted desire” within society for them. Follow this link to watch the entire interview.

King has been working on a number of projects as of late. He wrote the script for a film adaptation of his short story, A Good Marriage, and soon he will go on a book tour in promotion of his new novel, Revival. What do you think? (Photo Credit: Shane Leonard)

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36. Handspring’s Writing Conference 2014

The Society of Children’s Book Writers and Illustrators (SCBWI) has played a huge role in my writing life.  Joining SCBWI was a leap for me — for the first time I was able to see myself as a professional, even though I had no published works to show for it. The organization has led me to dozens of writing friends, critique groups, opportunities to better my craft, and now, as New Mexico’s assistant regional advisor, a chance to give back to the children’s writing community.

Ever dreamed of writing or illustrating books for children? If you live in New Mexico or in a neighboring state, I invite you to join us in Albuquerque for the upcoming Handsprings Conference on Oct. 24 and 25, 2014 at the Ramada Inn, Eubank and I-40.  Faculty will include the following publishing professionals:

  • Liza BakerExecutive Editorial Director, Little, Brown Books for Young Readers
  • Patti Ann HarrisSenior Art Director, Little, Brown
  • Sara MegibowAgent, Nelson Literary Agency
  • Julie Ham BlivenAssociate Editor, Charlesbridge ​​

The conference will include an evening social event on Friday and a full conference scheudle on Saturday, including a First Impressions Panel, individual faculty presentations, plus the opportunity to attend two of our five targeted breakout sessions.

Breakout Sessions

Here is an overview of the breakout sessions offered during this year’s conference. When you register, you’ll be asked to select two different workshops, one for breakout session #1 and one for breakout session #2.

Sara Megibow: Spoken Words and Written Words: Talking about Our Manuscripts and How This Helps Nail Pitch — Talking about a book can be helpful both to pitching your novel and to the actual written creation of your book. Attendees will talk through their pitches and their stories in a safe environment (or just listen to others talk if that’s more comfortable).

Julie Ham Bliven: Writing Middle-Grade Novels: Voice Your Voice — Using recent Newbery Medal and Honor books as a guide, this presentation examines qualities of remarkable middle-grade novels and suggests ways for you to strengthen your novel’s unique voice.

Patti Ann Harris:  Good Habits of Successful Illustrators — Learn how simple ideas like keeping a sketchbook, taking the time to research your subject, and being open to the revision process can help you to grow as an illustrator and a picture book artist.

Patti Ann Harris and Liza Baker: Picture Book Boot Camp — A behind-the-scenes look at the world of the picture book and the steps leading up to publication. A focus on craft will include lively discussion and some in-class work on such topics as creating strong characters, the best practices of succeful illustrators, and tips on polishing your picture book.

Liza Baker: SOMETHING OLD, SOMETHING NEW:  Bringing Creative Twists to Perennial Themes in Picture Books — There is a reason why some picture book themes are perennially popular and timeless, and why books that explore those themes are beloved by so many children. Be it bedtime, dinosaurs, princesses, or monsters, some topics are universal and resonate with children in a deep and resounding way. But within those themes there is a great deal of room for authors to explore new areas of creativity and bring a fresh point of view. In this workshop, we’ll discuss some of those most resonant topics, discuss examples of great books that bring an original approach to classic themes, and also brainstorm ideas for creatively layering themes in a playful way that offers readers a satisfying twist on those most celebrated topics.

Please click through to SCBWI New Mexico if you’d like to sign up for the event. I’d love to see you there!

 

The post Handspring’s Writing Conference 2014 appeared first on Caroline Starr Rose.

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37. Authors Extending Their Reach

Several YA authors of color are adding depth to their repertoire this year by writing in outside the young adult world.

Charles R. Smith teams up with Marc Aronson to edit One Death, Nine Stories (Candlewick). Nine related stories from nine YA authors.

Kev’s the first kid their age to die. And now, even though he’s dead, he’s not really gone. Even now his choices are touching the people he left behind. Ellen Hopkins reveals what two altar boys (and one altar girl) might get up to at the cemetery. Rita Williams-Garcia follows one aimless teen as he finds a new life in his new job — at the mortuary. Will Weaver turns a lens on Kevin’s sister as she collects his surprising effects — and makes good use of them. Here, in nine stories, we meet people who didn’t know Kevin, friends from his childhood, his ex-girlfriend, his best friend, all dealing with the fallout of his death. Being a teenager is a time for all kinds of firsts — first jobs, first loves, first good-byes, firsts that break your heart and awaken your soul. It’s an initiation of sorts, and it can be brutal. But on the other side of it is the rest of your life.

review: Kirkus Complex and emotionally demanding, this collection aims for and will resonate with serious readers of realistic fiction. (Short stories. 14-20)

Juan Felipe Herrera is actually best know as the Poet Laureate of California. A truly talented write, his young adult works include Cinnamon Girl and Downtown Boy. He’s most recently collaborated with Raul Colon on the non-fiction Portraits of Hispanic American Heroes (Penguin/Dial)

This visually stunning book showcases twenty Hispanic and Latino American men and women who have made outstanding contributions to the arts, politics, science, humanitarianism, and athletics.  Gorgeous portraits complement sparkling biographies of Cesar Chavez, Sonia Sotomayor, Ellen Ochoa, Roberto Clemente, and many more. Complete with timelines and famous quotes, this tome is a magnificent homage to those who have shaped our nation.

In this volume: Adelina Otero-Warren, Bernardo de Galvez, Cesar Chavez, David Farragut, Dennis Chavez, Desi Arnaz, Dolores Huerta, Ellen Ochoa, Helen Rodríguez Trías, Hero Street USA, Ignacio Lozano, Jaime Escalante, Joan Baez, Judy Baca, Julia de Burgos, Luis Alvarez, Rita Moreno, Roberte Clemente, Sonia Sotomayor, and Tomas Rivera.

review Publishers Weekly  “The vignettes don’t overwhelm with dates and places, instead providing interesting snippets about the scientists, entertainers, civil rights workers, doctors, artists, politicians, educators, and judges. Readers learn, for example, that Supreme Court Justice Sonia Sotomayor “read every Nancy Drew novel she could get her hands on” when growing up, and that Civil War naval commander David Farragut’s (“Damn the torpedoes! Full speed ahead!”) father hailed from Spain.”

Coe Booth (Tyrell; Kendra; Bronxwood) goes middle grades with Kinda Like Brothers (Scholastic/Push)

It was one thing when Jarrett’s mom took care of foster babies who needed help. But this time it’s different. This time the baby who needs help has an older brother — a kid Jarrett’s age named Kevon.

Everyone thinks Jarrett and Kevon should be friends — but that’s not gonna happen. Not when Kevon’s acting like he’s better than Jarrett — and not when Jarrett finds out Kevon’s keeping some major secrets.Jarrett doesn’t think it’s fair that he has to share his room, his friends, and his life with some stranger. He’s gotta do something about it — but what?

review: Publishers Weekly  Booth offers candid insight into racism, poverty, and the foster care system without becoming heavy-handed; she also sensitively depicts a character’s coming-out moment. Jarrett’s evolution from a position of resistance to an acceptance of circumstances beyond his control is believably subtle. Ages 8–12.

Varian Johnson (Saving Maddie; My Life as a Rhombus) also goes middle grades with The Great Greene Heist (Scholastic).

Jackson Greene swears he’s given up scheming. Then  school bully Keith Sinclair announces he’s running for Student Council president, against Jackson’s former friend Gaby de la Cruz. Gaby wants Jackson to stay out of it — but he knows Keith has “connections” to the principal, which could win him the presidency no matter the vote count.

So Jackson assembles a crack team:  Hashemi Larijani, tech genius. Victor Cho, bankroll. Megan Feldman, science goddess. Charlie de la Cruz, reporter. Together they devise a plan that will take down Keith, win Gaby’s respect, and make sure the election is done right. If they can pull it off, it will be remembered as the school’s greatest con ever — one worthy of the name THE GREAT GREENE HEIST.

review: Publishers Weekly “Johnson (Saving Maddie) delivers an exciting Ocean’s Eleven–style caper for the middle-school crowd, with third-person narration jumping between the various plotters, who concoct an impressive seven schemes in less than three weeks. While in the big picture, the stakes are low, it’s easy to get swept up in the exploits of Johnson’s entertaining and diverse crew.”

 Greg Neri (Yummy; Knockout Games; Surf Mules) and A. G. Ford published Hello I’m Johnny Cash (Candlewick), a picture book of the singer’s life.

There’s never been anyone like music legend Johnny Cash. His deep voice is instantly recognizable, and his heartfelt songs resonate with listeners of all ages and backgrounds. G. Neri captures Johnny’s story in beautiful free verse, portraying an ordinary boy with an extraordinary talent who grew up in extreme poverty, faced incredible challenges, and ultimately found his calling by always being true to the gift of his voice. A. G. Ford’s luscious paintings of the dramatic southern landscape of Johnny Cash’s childhood illuminate this portrait of a legend, taking us from his humble beginnings to his enormous success on the world stage.

Review: Kirkus “An exceptional portrait of one of the most recognizable musicians of all time. (author’s note, timeline, discography, bibliography) (Picture book/biography. 7-10)” STARRED


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38. Josh Funk Endorses Band Books & Banned Books

Children’s books author Josh Funk wants to celebrated Banned Books Week by speaking out against censorship. In the video embedded above, Funk (pictured, via) endorses both “band books” and “banned books.” What are your favorite books that have received either challenges or bannings?

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39. Authors Speak Out on Climate Change

shutterstock_42962044Climate change is in the air, literally and figuratively, in people’s marches across the country, at the United Nations, and in cars with diplomatic plates all over New York City.

So what is the literary crowd thinking?

The New York Times posed the questions:

“What is your greatest worry about climate change? What gives you hope?” (more…)

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40. Neil Gaiman On Terry Pratchett’s Angry Side

Terry Pratchett BookNeil Gaiman has written the foreword for Terry Pratchett’s forthcoming collection, A Slip of the Keyboard: Collected NonfictionThe Guardian published a section of Gaiman’s piece where he talks about Pratchett’s “angry” side. Here’s an excerpt:

“There is a fury to Terry Pratchett’s writing: it’s the fury that was the engine that powered Discworld. It’s also the anger at the headmaster who would decide that six-year-old Terry Pratchett would never be smart enough for the 11-plus; anger at pompous critics, and at those who think serious is the opposite of funny; anger at his early American publishers who could not bring his books out successfully.”

(more…)

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41. Malcolm Gladwell Speaks Out Against Amazon

amazon304Many members of the literary community have shown great concern about the Amazon vs. Hachette dispute. In an interview with the Financial Times weekend magazine, Malcolm Gladwell spoke out in disapproval of the online retail giant’s retaliatory actions.

While Gladwell did not voice an opinion about the actual feud, he objects to Amazon’s practice of making Hachette’s books unavailable for purchase and delaying order shipments. Gladwell “thought Amazon wanted to be nice to me. I thought their endgame was to woo authors. So, then why are they sabotaging us?”

(more…)

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42. Straight from the Source: Carole Estby Dagg on Writing Historical Fiction

Carole Estby Dagg worked as children’s librarian, CPA, and assistant library director before beginning to write historical fiction. Her first book, THE YEAR WE WERE FAMOUS, was based on the true story of her suffragist great-grandmother’s 4,000-mile walk with her daughter across the country in 1896. The book won the Sue Alexander Award for most promising new manuscript and went on to earn a starred review in Publisher’s Weekly, a WILLA award, and a place on the American Library Association’s 2012 Amelia Bloomer list of best feminist fiction.  She recently sold a book set in Alaska during the 1930’s to Nancy Paulsen and her imprint at Penguin, and is researching and writing a book set in the San Juan Islands during the mid-1800’s. Under the supervision of a bossy cat, she writes in Everett, WA in a converted woodshed on San Juan Island.

What Have I Done in the Name of Research?

Climbing part of the Chilkoot Trail, sewing Victorian undergarments, bidding on 115-year-old postcards on e-Bay–this is research for historical fiction? In my case, yes. For me, research isn’t just piling up reference books and printing off internet articles. Research is getting into the heads of my characters and into the times and places my characters go.

union pacific map Carole Dagg
For each book, I start with background reading to familiarize myself with the period, speech patterns, and interests of people of the time. For The Year We Were Famous, about Clara and Helga Estby’s walk across the country in 1896, I read about six million words of biographies of people my main characters met, diaries of people similar to my characters, popular books–including dime novels–of the time, women’s magazines of the 1890‘s and histories and geographies of places they passed through. As I began to write, I researched the details I need for each scene, such as the elevation of the pass through the Blue Mountains, the history of Underwood typewriters. frontier treatments for blisters, or the eating habits of cougars. I studied old railroad maps to work out a plausible day-by-day itinerary for the whole 232-day trek and scrolled through miles of microfilms of newspapers which chronicled their walk.

Mrs. William McKinley Carole Dagg

An unlikely source, eBay, yielded detailed descriptions of antique items and period postcards of people Clara and Helga met met and places they passed through. Sometimes a postcard inspired a whole chapter, such as the one I bought of twin Cayuse papooses in their cradleboards and the one of Mrs. William McKinley in her rocking chair.

Carole Dagg

Trying to imagine what it would have been like to walk across the country, I drove part of the route my characters took, taking notes and poking in at little history museums along the way. Further getting into character, I found patterns for clothing of the 1890’s and sewed a Gibson Girl shirtwaist and Victorian under-drawers, right down the three rows of pin-tucks on the ruffles. I walked a mile in reproduction Victorian shoes, and prowled antique stores to find items such as a curling iron and match safe that were similar to the ones they carried.

For another book, I hiked what is reportedly the hardest part of the Chilkoot Trail. Since I turn 70 this year and am barely five feet tall, I sometimes had one person above me to pull and one person behind me to push, but I did it. For the book I’m working on now, I climbed a slippery 45 degree slope to peel off madrona tree bark and pick the madrona berries before the birds got them all. According to one research source. Lummi Indians made tea from the bark and mixed the berries into various dishes. If my main characters used the tea and berries, I had to know how they tasted, didn’t I?

Chilkoot trail sign Carole Dagg

By the end of my first draft, I usually have a banker’s box full of file folders. Typically, headings include chronology, character backstories, natural world, period slang, popular culture, calendars for the years the book covers, maps, transportation, period recipes, and brief biographies of historical characters. Each book also prompts folders with headings of subjects needed just for that book, such as Civil War statistics, Appalachian speech patterns, Lummi Indian tree burials, sheep guardian dogs, reef net fishing, feeding baby ravens, how to grow a champion pumpkin, sled dogs, and how to make jellied moose nose. In case you are hungry for jellied moose nose, you’ll find the recipe in Northward Ho!, coming out in 2016.

Sometimes research starts as an intrusive clump of data into a scene, but as I revise, I find ways to unobtrusively feather in bits of research in a more natural way. At the end, ninety-eight per-cent of my research never makes it directly into the book, but it has helped pull me into each scene as I write. I hope the details my research uncovers make a difference for my readers!

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43. John Green Partners With Bill Gates For a Clean Water Fundraising Campaign

John Green & Bill GatesAuthor John Green has partnered with other writers in the past. His newest collaborator isn’t a writer; it’s Microsoft co-founder and philanthropist Bill Gates.

According to Time, Green has launched a campaign on water.org with a fundraising goal set at $100,000. This will help thousands of people in Ethiopia gain access to clean water.

Should Green and the “nerdfighter” community prove successful, Gates has pledged to match the amount. Gates announced on Twitter that he was “happy to help reduce world suck!”

(more…)

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44. Read a Lost Chapter From ‘Charlie and the Chocolate Factory’

charlieandthechocolateRoald Dahl‘s book Charlie and the Chocolate Factory is celebrating its 50th anniversary this year and the new release contains a couple of previously unreleased chapters, which were edited out of an early draft of the original book. Vanity Fair has published one of these chapters entitled, “The Warming-Candy Room.”

Here is more from Vanity Fair:

In “The Warming Candy Room,” three boys neglect to heed Mr. Wonka’s warnings and eat too many of his soft-centered “warming candies,” and end up “bursting with heat.” The boys do not appear elsewhere in the book, betraying a key characteristic of Dahl’s writing process. “One of the things that was quite interesting about Dahl was that he didn’t really look backward over his work,” Sturrock explains. “It’s not as if this was just the one missing chapter; there are many bits and pieces of the book that fell along the wayside. Once he decided that something wasn’t working, he just moved on.”

This isn’t the first new chapter to make the rounds. Last month, The Guardian published another early chapter that was cut called, “The Vanilla Fudge Room.” The new book has also brought out about a controversial new book cover and a golden ticket sweepstakes.

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45. Celebrating Readers and Writers in Muskoka at the NorthWords Literary Festival…

Something for Readers! Something for Writers! If you haven't visited the NorthWords Literary Festival website, I urge you to check it out to see what's happening Oct 3-5 in the heart of Muskoka:  http://www.northwords.org/. Launching the festival are 17 exciting Canadian Authors gathering for seven events in addition to the full day Writers' Workshop. This is the 4th year for NorthWords and the first time it is held in Bracebridge, Ontario, Canada.

All of the authors will share from their work and experience in ways that will be of interest to both writers and readers. Seventeen published authors in one place is an incredible opportunity to learn about your craft from those who have faced the same struggles I have when I sit down at my computer to weave my tales.

This festival is also designed to entertain book lovers with the opportunity to speak with those whose stories transport readers to other times and places!

Here’s the weekend line up:

Friday, October 3:
Writers’ Workshop with authors, Anne Lazurko and Michael Wuitchik. Plus an agent panel discussion with Rachel Letofsky (The Cooke Agency), Olga Filina (The Rights Factory), Monica Pacheco (Anne McDermid & Associates Ltd.)!   9 am – 3 pm

Pitch Sessions: Looking to get your work in front of an agent?  Here’s your chance! Register to book a session with one or more of three agents!

Wine & Cheese with the authors, Anthony De Sa and Terry Fallis, 6:30 pm – 9 pm

Saturday, October 4:
The Saturday Morning Funnies - Richard Scrimger and Jim Foster will entertain you over Breakfast, 9 am – 11 am

Conversation with four debut novelistsKrista FossAli Bryan, Janet Turpin-Myers and Anne Lazurko as they share lunch and the excitement of their first novel publications. 12 pm – 2 pm

Mid-Afternoon Chat with non-fiction authors, M.G. Vassanji and Patrick Boyer, 3 pm – 5 pm
  
Gala Dinner with novelists, Michael Wuitchik and Craig Davidson, 6:30 pm – 9:30 pm
  
Sunday, October 5:
Breakfast with Novelists, Michelle Berry and Catherine Bush as they share their literary journeys, 9:30am – 11:00 am

After Breakfast with Authors, Claire Cameron, Glad Bryce and Diana Aspin, 11:30 am – 1 pm


If you’re interested in attending this literary event, please see http://www.northwords.org/our-events/event-registration/  for event pricing and registration. So, if you’re in or near the area, please plan to attend. You won’t be sorry to rub elbows with some of Canada’s finest authors! Cheers!


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46. Short Story Anthology: Fiction River Universe Between


Read on Wattpad - Serialized Novel

From September 11, 2014 - October 30, 2014.
Read one chapter/day. Click on cover to read the first five chapters.

I am excited to report that I have my first science fiction, adult-audience, short story published!

Last year, I attended a retreat in Oregon with Dean Wesley Smith and Kristine Kathryn Rusch as the main instructors. They own WMG Publishing, and one on-going project is a monthly short-story anthology. I was invited to submit, it was accepted and is not in a bookstore near you! Fiction River #8: The Universe Between collects original stories by a wide range of authors. My favorite is the first story by Lee Allred, who writes scripts for DC, Marvel, and Image Comics, among other credits. “Slow Answer” is about an alien race who takes over Earth, providing a near utopia for humans; the twist is WHY they’d taken over Earth, and the answer is why you should read this anthology.

My own story, “Are We Alone in the Universe?”, is also a science fiction story about first contact with an alien race. I wrote it as back story for the trilogy that I’m working on right now. The story is about the parents of my main character: how they met, how they fell in love, and the fallout of a forbidden love. I was thrilled when the story was accepted because it’s my first short story ever published, my first adult-audience story ever published, and my first science fiction story ever published. That triple-whammy makes it exciting.

FR8UniverseBetween

The Fiction River Anthology is available as an ebook, paperback, or Audible audiobook.

Support the Fiction River Anthology

Even more exciting today, though, is the Fiction River Kickstarter Project. To keep alive a short story collection publication, WMG Publishing established a Kickstarter, or crowd-funding, project. With 17/30 days left, they have already met their $5000 goal, AND their 10,000 Stretch Goal, and are going for gold.

Like many of the other Fiction River authors, I donated books for the Kickstarter project. I urge you to look over the project and think about contributing; even small contributions of $10 are welcome and helpful. However, if you’re really interested in helping, some of the rewards that involve my books are still available:

  • Pledge $60 or more
    E-UNIVERSE BETWEEN AUTHORS PACKAGE: Receive a one-year electronic subscription to Fiction River, plus an electronic edition of Fiction River: Universe Between. You’ll also get electronic copies of books by some of the contributing authors of Universe Between. You’ll receive The Unjust, Dust, and Hope by Rob Vagle; The Haunted Bones by Phaedra Weldon; Body Check by D.H. Hendrickson; Kell, the Alien (a children’s book) by Darcy Pattison; and Love, Venusian Style by Richard Alan Dickson. Plus, your name printed in the acknowledgements section of each Fiction River volume for a year and on the Fiction River website with a special thank you for your kind support. Limited (1 of 1 remaining)
  • Pledge $125 or more
    PRINT UNIVERSE BETWEEN AUTHORS PACKAGE: Receive a one-year print subscription to Fiction River, plus a print edition of Fiction River: Universe Between. You’ll also receive SIGNED print copies of books by some of the contributing authors to Universe Between. You’ll get Body Check by D.H. Hendrickson; Kell, the Alien (a children’s book) by Darcy Pattison; The Unjust, Dust, and Hope by Rob Vagle; and Love, Venusian Style by Richard Alan Dickson. Plus, your name printed in the acknowledgements section of each Fiction River volume for a year and on the Fiction River website with a special thank you for your kind support. Limited (1 of 1 remaining)
  • Pledge $500 or more
    PAPER BANG FOR YOUR BUCK PACKAGE: All the print volumes of Fiction River from Volume 1 through the end of year three! But wait, there’s more! In addition, you will receive a SIGNED print copy of a book from each of the following authors who have contributed a print book to this Kickstarter: Mary Jo Putney, Marcelle Dube´, JC Andrijeski, Laura Resnick, Annie Reed, Kris Nelscott, Leah Cutter, Dean Wesley Smith, M.L. Buchman, Juliet Nordeen, Michele Lang, Melissa Yi, Ryan M. Williams, Sharon Joss, Brian Herbert and Jan Herbert, Jeffrey A. Ballard, Kristine Kathryn Rusch, Darcy Pattison, Lisa Silverthorne, Richard Alan Dickson, Brigid Collins, Karen L. Abrahamson, Thomas K. Carpenter, D.H. Hendrickson, Travis Heermann, Scott William Carter, Stephanie Writt, Joe Cron, Barton Grover Howe, Rebecca S.W. Bates, Richard Bowes, Louise Marley, Brendan DuBois, Ray Vukcevich, Carole Nelson Douglas, Julie Hyzy, Libby Fischer Hellmann, Kara Legend, John Helfers, Kerrie L. Hughes, Rob Vagle, Laura Ware, Patrick O’Sullivan, Dayle A. Dermatis, Kevin J. Anderson and David Farland. Plus, your name printed in the acknowledgements section of each Fiction River volume for a year and on the Fiction River website with a special thank you for your kind support. Limited (1 of 1 remaining)

Don’t think that big donations are the only way to go. Every level of support–even $1–is appreciated, and it’s helpful! Read more about the Fiction River Kickstarter Project.
READ the Fiction River Anthology — including my short story!

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47. Classroom Connections: ALWAYS, ABIGAIL by Nancy J. Cavanaugh + Giveaway

genre: contemporary fiction
setting: middle school
age range: 9 and up
educator’s guide
read an excerpt
Nancy’s website

Please tell us about your book.

Abigail and her two best friends are poised for a life of pom-poms and popularity. But not only does Abigail end up in a different homeroom, the pom squad doesn’t turn out exactly as she planned. Then everyone’s least favorite teacher pairs Abigail up with the school’s biggest outcast, Gabby Marco, for a year-long “Friendly Letter Assignment.” Abigail can hardly believe her bad luck. As her so-called best friends and entire future of popularity seem to be slipping away, Abigail has to choose between the little bit of fame she has left or letting it go to be a true friend.

Could you tell readers a little about your writing process?

My story ideas always come by way of a character.  Usually along with that character there is some type of premise for the story.  The part that is difficult for me is the plot.  As I write my first draft, I discover the “possibilities” for my plot and those discoveries lead to lots of revision.  It’s in the midst of those many revisions where I uncover what the plot of my story is really supposed to be.  This leads to even further revision to make the writing and the plot as strong as they can be.

What are some challenges associated with writing middle grade fiction?

I think resisting the urge to preach to readers is always a challenge.  I’m a former teacher, and I’m used to guiding young people and helping them learn.  Books do teach lessons, but the lessons readers take from books shouldn’t come from a preachy author but rather from the story itself and from the reader’s own discovery.  Young readers will learn a lot from the books they read, as long as we let them learn those things on their own.

What topics does your book touch upon that would make it a perfect fit for the classroom?

One of the themes in AWLAYS, ABIGAIL is bullying.  Abigail has to make some really tough choices in the book, and ultimately, she has to decide if she will sacrifice her own reputation to be a true friend to the school’s biggest outcast.  Young people make choices like that in classrooms all over the country every day, and I think as educators we often spend too much time telling young people what the right choice is, but we don’t spend enough time talking about how difficult it is to make that right choice.  ALWAYS, ABIGAIL is all about finding the kind of courage it takes to make that right choice.

Giveaway:

One advance reader copy of ALWAYS, ABIGAIL is up for grabs. To enter, please leave a comment about why you’d like to read Nancy’s book below. Contest closes Sunday, 9/21. US residents only, please.

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48. A Free Online Course on Laura Ingalls Wilder

I’m up against a deadline, so this will be brief.

If you’re a Laura fan like I am and you haven’t heard of this amazing opportunity, let me fill you in. Pamela Smith Hill of Missouri State University is teaching a free online course about Laura starting Monday, September 22. Click here to learn more. You might have heard Laura’s long-awaited autobiography has recently released. Pamela Smith Hill is its editor.

This is a class for Laura fans and for those curious about authorship (how much of a role did daughter Rose play in the creation of the Little House series?), the fuzzy lines between historical fiction and memoir, and the complex, sometimes uncomfortable portrayal of pioneers and natives.

I’ve ordered Laura Ingalls Wilder: A Writer’s Life (South Dakota Biography) and Pioneer Girl: The Annotated Autobiography. I’ve got all the others. So looking forward to digging in!

If you’re taking the course, please let me know. I’d love to talk about it.

From the course description page:

Required Materials:

Little House In The Big Woods, Laura Ingalls Wilder, HarperCollins, 0060581808
Farmer Boy, Laura Ingalls Wilder, HarperCollins, 0064400034
Little House On The Prairie, Laura Ingalls Wilder, HarperCollins, 0064400026
On The Banks Of Plum Creek, Laura Ingalls Wilder, HarperCollins, 0064400042
Laura Ingalls Wilder: A Writer’s Life, Pamela Smith Hill, South Dakota State Historical Society Press, 097779556X

Recommended Reading:

Laura Ingalls Wilder’s Pioneer Girl: The Annotated Edition, Pamela Smith Hill, South Dakota State Historical Society Press
Young Pioneers, Rose Wilder Lane, HarperCollins, 0064406989

 

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49. Can Writing Lies Expose Truth?

Author Mac Barnett gave a TED talk on “why a good book is a secret door.” Barnett revealed that his occupation is to “lie to children” otherwise known as writing children’s books. He claims that with his work, he tells “honest lies.”

Barnett shared stories about how he established his career and his insights on the power of fiction. We’ve embedded a video showcasing the entire presentation above. Share your opinion—can writing lies expose truth?

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50. Wild Things! Review and a Giveaway

I enjoyed this book as a fan of children's literature, but it is also a valuable resource to teachers of literacy.

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