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Judging by the somewhat muted and sleepy cover, I thought I was going to read a "pensive, quiet" coming-of-age, historical fiction. It turned out that the story is NOT all that quiet: every episode falls on an All Hallow's Eve from early-40s to late-40s. You get the thrill of the secret Society's weird, slightly off and scary way to honor a recently deceased member; you get the Halloween prank gone awry; you get the blood-pumping, almost heart-stopping football game actions; and you get the death and danger working on the steam-engined trains. But then, you also get so much HEART between the main character and his father. It is an entirely "male" book, glaringly so -- you hardly see a female character and they hardly have even a speaking turn. It's all... very, macho, but oddly also very tender. And so much humor and humorous wisdom. I am not ashamed to say that I cried hard at the end of the tale... mourning the passing of a man and of an era so lovingly and convincingly portrayed by the author.
Judging by the somewhat muted and sleepy cover, I thought I was going to read a "pensive, quiet" coming-of-age, historical fiction. It turned out that the story is NOT all that quiet: every episode falls on an All Hallow's Eve from early-40s to late-40s. You get the thrill of the secret Society's weird, slightly off and scary way to honor a recently deceased member; you get the Halloween prank gone awry; you get the blood-pumping, almost heart-stopping football game actions; and you get the death and danger working on the steam-engined trains. But then, you also get so much HEART between the main character and his father. It is an entirely "male" book, glaringly so -- you hardly see a female character and they hardly have even a speaking turn. It's all... very, macho, but oddly also very tender. And so much humor and humorous wisdom. I am not ashamed to say that I cried hard at the end of the tale... mourning the passing of a man and of an era so lovingly and convincingly portrayed by the author.
Author: Gennifer Choldenko Rating: Reading Level: 4th to 7th Grade
Publisher: Dial Edition: Hardcover, 2009 (galley)
I am completely delighted by this book. I really enjoyed the first one and this one holds up, well and strong, and I think it works even better. Maybe because I thought, "What can she come up with that can top the first book?" before starting to read this one.. and Choldenko absolutely pulled it off. There is humor and tension all throughout the book, not to mention some hard-to-sort-out moral dilemmas. Over the years, my students have loved the first book -- from really strong readers to really reluctant ones - and both girls and boys do, too. I can see this one achieves the same effects: not a book that gets everyone super-excited, but one that gets talked up by young peers and gets passed around without making too big a wave. Its "beloved-ness" will last quite a while, I believe.
I also really appreciate the author's notes. This will make for a good historical-fiction writing assignment starter book. (I can see a whole class reading the book, discussing the facts and fiction aspects of the story, and doing some sort of historical research and writing a short story. <-- with my librarian's hat on, of course.)
Pure adrenaline inducing 381 pages of fun. I'm so glad that the level of action and humor is maintained throughout the entire series -- that the last book did not suddenly become some deep philosophical revelation. (I definitely did not get into these books for their messages or meanings.) It's been quite a craze here at the school and the waiting list of eager readers is mighty long, deservingly so.
This is definitely a fun book and many of my young readers already told me that they enjoyed reading the third offering from Hiaasen. Everything does hang together nicely and the punishment of the evil doers satisfying. Hiaasen did not shy away from super contemporary things: facebook, CNN/Anderson Cooper, and of course, the father who is injured in Iraq. This makes the volume a "timely" book for current readers and only time will tell if in a decade or two, young readers still will appreciate the story, despite the references to matters that can easily date the book.
Scat, however, does not offer much more than either Hoot, or Flush -- much of the same thing to young readers who like mysteries, who like to read stories about older kids (High School students as protagonists) but who do not necessarily wish to decipher complex sentence structures or figures of speech and who still enjoy jokes on fairly basic/bodily function levels.
Author: Tamora Pierce Rating: Reading Level: 6th grade and up
Publisher: Random House Edition: Galley, 2009
I really liked the first one and have been waiting for the second installment for a long long time. The second book still works. My initial quibble of not believing Beka able to write all of the stuff down in her journal still stands -- even with the explanation of ciphers and reports and how events are chopped down into several installments. Still seems a bit far-fetched. However, I guess if one believes in ghost-carrying pigeons and a young woman talking to street dust winds, one has to somewhat allow her to be able to write dialogs and descriptions in such minute details when recording her own exploits.
That's another thing: the pacing is a bit draggy at moments because it seems a bit too much of JUST Beka -- just her thoughts, just her experiences, and just her achievements. All the secondary characters (POUNCE, for example, who is absent for most of the story) take a real Secondary position here. Achoo the hound, although very important to the plot, is not satisfying as a strong supporting character because she is too much of a hound, no human traits at all. I love her, but she cannot replace Pounce whose wry humor adds so much to the flavor of the story.
Dale, as a secondary character at the beginning of the story, never got his chance to even remain in that position. By mid-book, he's already just a bit of thoughts in Beka's mind. This shows Beka's dedication to her work and how incredibly sensible she is, but I feel slightly let down by Dale's demotion. He definitely could have played a larger part in the story (either helping or hindering Beka's tasks) because he was positioned to do so from the get go (but peters out...)
Having Hanse explain all the rhymes and reasons seems a bit of an easy and very basic mystery device (for that is what this series is... Law and Order meets Tortall Fantasy.) I was hoping for huge surprises and unexpected villains and deeper plots.
Oh, I sound too critical, I do believe. Going to end by saying that I definitely enjoyed following Beka through the streets, watching her eat sea food, seeing her fight various villains -- above ground and underground. It's great to be back in the land of such cool magic. Am I now again eagerly waiting for the next book? You betcha!
This is a guest blogger post. Josh is 16 years old and just finished the trilogy. (I feel remiss here -- since I neglected to recommend this series to him when he was in middle school!) He sent me a long email with his reviews of the three books and we subsequently exchanged a couple more emails, especially about the endings of this trilogy and the His Dark Materials trilogy. There are plot spoilers.
ABOUT The Amulet of Samarkand
Bartimaeus is hilarious. I simply love the djinn. Nathaniel is interesting to follow as well, a fun character with a couple flaws. There really isn't much to speak of in this book other than plot: it's fun, but Bartimaeus is the real winner of this one.
ABOUT The Golem's Eye
Here we see Nathaniel turn into the pompous, arrogant named John Mandrake. He falls into the very trap Bartimaeus told him to avoid: letting the corrupting influence of magicians twist him into something horrible. The things he does and says are unbelievable, and the effect is doubled by how he behaved in the 1st book. We get introduced to Kitty, who's a good person at heart, and then gets caught up in the whole Honorius affair. Mandrake shows his bastardness with his perpetual breaking of vows, many only hours or less after having made them. Bartimaeus is fun as ever: was sad about Queezle, that she got introduced and then snuffed out, but oh well. So goes the storyline.
ABOUT Ptolemy's Gate
By far the most interesting, most powerful, most moving, most climactic of the three (well, for that last one I suppose there's a reason, being the end and all). We see Mandrake turn from arrogant into the marginally better (or worse, depending on your POV) "top magician". Bartimaeus evokes a lot of sympathy with his sorry state, and Kitty becomes my favorite character for the majority of the book.
And then Mandrake slowly crumbles, leaving a mature Nathaniel. He still has flaws, but then, so does everyone but Bartimaeus. As Kitty and Nathaniel work together, with each other (and slowly begin to admire each other: my guess is given a couple years, they'd end up as very good friends or more, provided Nathaniel doesn't relapse, which I don't think he would), it's my favorite part. To see Kitty put the same trust in Bartimaeus that Ptolemy did, showing greater understanding of him than perhaps even the Egyptian boy (though Ptolemy did not have someone's notes or previous history as guides, admittedly).
And then, when Nathaniel accepts Bartimaeus into his own body...this is where N/B takes over as my favorite character(s). The fact that, working together, they manage to destroy far more powerful spirits than they. The fact that, working together, they are the culmination of Ptolemy's hopes and dreams, the ultimate climax of Nathaniel and Bartimaeus' relationship, the fulfilling of the purpose of Kitty's visit to the Other Place...once they become both two souls and one, a single 2-part mind in a single body, I could not put it down even for work. I was breathless as they turned the staff on Nouda...
AM. Nathaniel hit by the Detonation. Coming from Barti's POV, it is even more effective. And then when Nathaniel realizes the seriousness of the wound, his acceptance of his fate and determination to do selfless good is such strong writing. The last meeting with Kitty, where N/B both know what has to be done, and the whole concealing it from K thing...I really felt it. Comparable, at least for me in my after-reading-state, to when Lyra and Will realize they must separate in Amber Spyglass.
True to form, he breaks his final promise, having finally made one beyond his power to keep. This was where I was sad that the "item" could never happen (Kitty's picking through the wreckage at the end made me think she was feeling the loss of a possible future, one containing more happiness, or at least more possibility, than her current one, a future with a united djinn/human in it).
I thought that writing N and B's end at the very end was the best move of the whole trilogy. We already know what happens: we know that the great evil is destroyed by the heroic death of N/B. Now we get to see the heart of darkness, the center of the inferno, as N/B march to their death. The connection between them in this scene is so powerful I thought they might actually survive. This isn't the usual master-servant relationship; this isn't even Ptolemy's relationship. Ptolemy was a trusting, kind, benevolent, freedom-giving master, yes, but he was a master, as evidenced by his final dismissal of Barti. N and B banter as friends, they speak as equals, as 2 halves of the whole. Nathaniel's character at the end here practically radiates goodness off the page. And then, the way he dismisses Bartimaeus, I feel, is from an equal to an equal. The delivery of the dismissal is not that of a master dismissing a slave, but of a friend releasing a friend.
My throat was seized up the whole final scene, but it was the 2nd-to-last paragraph, where the Staff breaks, that the tears almost fell (almost, because I usually manage to keep them in while reading, though I failed during Amber Spyglass several years ago). The simplicity of the writing there - "Nouda did this. Nathaniel finished the Dismissal. I went. The Staff broke." had so much raw POWER in the way it was written. Stroud simply couldn't have written that end any better (except maybe Nathaniel surviving: just as he turns good, he turns so good that he must make up for the magicians' sins and evildoing. He dies for a better world, and I do rather prefer when they get to actually see that world).
I'd discuss the last paragraph but I need breakfast. Barti's final words in the trilogy, starting with "typical master", given that Nathaniel was anything but, either give the paragraph a tone of affection or a tone of disgust. Choice of the reader, so I chose affection :)
*** (Another email discussing the endings of Amber Spyglass and Ptolemy's Gate is omitted.) ***
Amber Spyglass had a Tough ending...but I think that, for me, Ptolemy's Gate takes the cake. To see what Nathaniel becomes by the end of the trilogy...in book 1 he was bumbling but likable, in book 2 I nearly burned the pages with him, in book 3 first couple parts I was a little put out with him (especially given his treatment of Barti), in last 150ish pages I thought, "This is what he should have become from book 1." The opposition of him + Barti and him from the previous books was so pronounced, and the tentative friendship springing up between him and K...it all made his death doubly sad and twice as noble.
Still tugs at the hearstrings, reading it. It's his Redemption, and yet he goes so much farther than he "needed" to, to redeem himself. For once, a magician of the old generation does what people of such power are supposed to do (at least in our society): use it for the people, sacrifice himself for the commoners.
FAIRROSA:
I cannot really honestly say which one affected me more at the moment of reading -- but I do think that Lyra and Will's final parting has a much stronger lingering effect. I read that scene, what, 8 - 9 years ago and I can still feel the sorrow now; whereas I do recall Nathaniel's final sacrifice (and you described it so well below) and how much I sobbed over it, it does not give my heart a blow whenever I think of it.
JOSH:
It's something about the way the two are written, I think. Something about them makes Bartimaeus stronger than HDM for me. I can't place it...my first guess would be that in Barti, the whole experience comes from 1st person, and their unity is such a 180 from everything before it, but I'm not sure if that's it.
Maybe it's the fact that N/B was 4 days ago, and L/W was 4 years ago...but there's no way to either prove or disprove that.
Argh.
Given the time difference between reading the two (not too much for an adult, but for me it's my entire emotional maturation to date), I don't think I can honestly say either one. L/W affected me more, but I hadn't read many books before then in which the heroes either die or must sacrifice something HUGE to win. I'm more used to it by now, and being a fan of happy endings, anything with such sacrifice will .
0 Comments on The Bartimaeus Trilogy as of 1/1/1900
I absolutely loved this book -- against my initial somewhat negative reaction to the very plain and sometimes clumsy prose and exposition. (The "listing" of kingdoms/names and their relationships definitely, or starting two consecutive sentences with the word And, or slightly muddled sentences like this, "... as if he'd done nothing wrong, nothing completely and absolutely wrong." -- none of this held much promise.) And of course, since I was reading it with the Notable Children's books in mind, the one sort of heavy sex scene stood out as not entirely necessary at the time. (Although, a lovely scene.)
And then, something changed: the characters became real and vivid and completely compelling and the plot took some unexpected turns that caught even me, a veteran fantasy reader, by surprise. I could not put it down and rushed to find out what happened next. Here are some of my thoughts as I read it:
1. In some ways, this one reminds me of Twilight: with its two main young protagonists completely absorbed with each other, against all odds and other people's views over their "talents." But, it is somehow "anti-Twilight" in that these two made a choice to have a physical relationship without conforming to the socially acceptable norm.
2. In some ways, this one reminds me of Jane Austen -- I know it is a far cry -- in that the two characters are initially at odds against each other emotionally, even though they are completely attracted to each other. It also is much like many many Harlequin Romance novels in this aspect -- except, except that they reconcile their differences early on, not dragging or making that sexual/emotional tension into the entire focus of the story (THANK GOODNESS!)
3. In some ways, this one alleviated a little bit of my need to read something akin to George R.R. Martin's Song of Ice and Fire series: there are several very surprising plot twists that made me go, "WHAT?" and almost drop the book! (Of course, SoIF is so much so much more complex and so much grander in so many ways...)
I really enjoyed this one as well. There were a few clunky sentences as you pointed out, but by and large, I thought it was a lovely, riveting story. I did feel that the ending was a bit of a setup for a sequel-- what do you think?
While the premarital sex in the book fits within the context of the story, it does make it harder for me to recommend across the board to people whom I think would enjoy the story otherwise. At least the matter of contraception is brought up, which is often lacking in other fantasy novels. Tamora Pierce takes care of it with a special charm, and Cashore's got seabane.
I am fine without a sequel, but yup, it seems that the story can go many places if the author so inclines. I totally was thinking about how she dealt with contraception -- but ... um... how about the potential of diseases? That definitely was not addressed -- nor should it have been the author's responsibility to do so. Just crossed my mind. That's all.
This is a book for the Arthurian Legends enthusiasts, and I happen to be one. Having read many re-imagined Arthurian tales, I was completely delighted by this fresh take on the “true story” behind the legends. Reeve’s conceit is a fabulous one: it is all about the power of stories, storytelling, and story tellers. The title alone is worthy of much examination, with its double meanings of "lying dead" and "telling lies."
At the beginning, I was perplexed by the switches between past tense and present tenses. Slowly, I realized the why and when of such passages. This is a meta-fiction in a slightly different form and it really works for me.
I imagine that, though, this might not be as much fun for some others. If you don’t find piecing together pieces of a complex story puzzle (who’s who and which event eventually “became” which well known tale,) then, you won’t be having as much fun as I do. If you are not usually a sucker for stories that “discuss” the underlying philosophical elements of story-telling or humans’ needs for such elaboration, then, you probably won’t like this book as much as I do. And if you are not totally loving the meta-fiction genre, then you definitely will not enjoy it as I do. Also, if you only want a story with magic and valor, (that’s what I expected, before reading the actual text) then, you definitely will be disappointed. This is one Arthurian tale, featuring heavily the prototype character or Merlin (Myrddin) that definitely has NO magic whatsoever!
What’s even more impressive with this tale is Reeve’s ability to actually tell a cohesive story, with a highly believable and admirable main character, set against a convincing backdrop. (Although one might say that the language of the telling is fairly contemporary 21st century, it is to be excused because the teller could be anyone in any time – everything is apparently made-up anyway.)
To say that I am highly impressed is to put it lightly. I hope many others (especially middle school readers) will find this an intelligent and satisfying read!
I couldn't believe my eyes, flipping through page after page of beautifully rendered swords from many time periods and many cultures, how visually perfect this book is! No matter whom I showed this book to (HS students, MS kids, other adults) - the reaction was the same: an astounded delight at this Feast of the Artistry of Beautiful and Elegant Swords. I'm glad the inclusion of Asian and African swords and their histories (although would have like a more balanced proportion in treatment...)
This makes a great holiday gift for any child who enjoys this topic. The general and specific notes on various types, their usages, their histories, and those who used such and such swords are easy to read and absorb. But one definitely doesn't need to read all the text to enjoy the book.
Okay, I had to reserve this one from the public library, since this is the second review I've seen. I'm not even that interested in swords and it looks very cool!
This one definitely reached deeply into my heart. Love the world building. The Graveyard became a "residence" for my soul for the duration of reading/listening to the book -- a real place where my mind can wander. I could picture the sights, the light, the details, both described in the book and not described, undefined. My mind filled in all the corners and expanses and turned that world into a tangible space. Even after the storytelling is over, The Graveyard remains in my heart. Now it's as real and as cozy (if a cold graveyard can be cozy) a place as my Library' Reading Room.
I think the short story format works really well. Each "story" has a satisfying conclusion. Each advances the larger tale forward, too. Bod's maturation is expertly handled. And then, the conclusion of the entire tale is bittersweet, and yet not disappointing. (Oh, I guess I was sad that Bod might lose all the ghostly skills he possessed as a child and slightly mad of Gaiman for that -- why can't he still straddle the two worlds, even when he chooses to venture out into the world? My mind does not wish to accept that conclusion so I am making up other adventures for Bod that requires him to go into the other realms, to fade, and to haunt!)
I was shocked but really appreciated how Gaiman handles Bod and Scarlet's necessary parting. Keeping us readers on our toes, always. (And that little scene where Scarlet hugs Bod... so achingly revealing: since the age of two, he has not really been hugged, by real flesh and bone.)
And there is the rich imagination, the host of distinctive and adoring characters, a most chilling villain, and all that witty humor. How could I not love the book to pieces?
I did not know that this would have been so good. I did not expect that I would have loved it so much and that I could not stop reading it and pretty much finishing it in one "fell swoop." It seems Dickensian, but that might not be a fair comparison because it is actually quite sparing and except for the intentional repetitive phrasing in those dream-like segments about the children "under the bridge" (and so effective, those poetic passages.. *sigh*), there is not that much repeated sentiment. I was drawn in, felt like I lived side by side with Joseph, and often was surprised at the richness and the vividness of the world I "saw" through the text. It doesn't hurt that I (and my family) adore the sense of place and history and the bustling life of Coney Island.
I wasn't sure at first about the vignettes of the children under the bridge but found them so mesmerizing and expanding of the experience of the turn-of-century Brooklyn - not only those who "made it" but of those who struggled and failed... I imagine that I'll remember Joseph's story for a long time, but I will never forget the Radiant Boy's, or Mattie's, or Otto's, or the story of May who almost died from eating the poisonous meal, twice.
It's an intricate tapestry and an "important tale" that is beautifully woven in the hand of artisan.
rating: 4 of 5 stars My reaction after finishing this short novel for pre-teen and teens, especially who are really into the finer points of baseball playing and the spirit of the game was a tremendous respect for the author. James Preller poured much of his passion for the game into a finely crafted story set in just ONE little league game: 6 innings, character sketches of 12 players of one visiting team, and the framing, soul-searching story of the 13-year-old severely ill ex-ballplayer-turned-announcer...
I am not particularly into baseball: enjoy watching the game once in a while, of course, but do not personally collect memorabilia or statistics as a life-long hobby. This book makes me want to know and learn more about the game, its history and all the psychological aspects of the players and the plays; it also makes me believe that there is a reason for someone, young or old, to be completely lost in the world of sports and get much of their life's wisdom out of these games.
Preller also has quite a way with words and turn of phrases:
p. 15: "Aaron Foley, short and stocky with a squashed-in face that reminded Sam of an English bulldog, did more than toss his cookies. No Aaron projected his vomit across the room, spewing his insides as if fired from a cannon, a thunderous blast of wet barf splattering onto the tile floor." p. 16... That's how Sam and Mike began their friendship, sealed with a simple exchange, a look across a silent (but foul-smelling) distance.
p. 18: (About the five tools of baseball: speed, glove, arm, power, and the ability to hit for average.) Branden Reid, however, posesses a sixth tool, amnesia, the art of forgetting. Baseball is, after all, a game of failure. The only thing that a player can influence is the next play, the next at bat.
p. 22 (this describes the game, but somehow fittingly describes the book as well): "The slow rhythm of the game, a game of accumulation, of patterns, gathering itself toward the finish..." AND what a finish this book has! I felt like I witnessed a historic game after reading the last page of the book (and it isn't even about the game or the innings or the winners and the losers.)
p. 63: "There's a squarish, two-story bulding -- an overachieving shed, really"
p. 46: On the field, baseball is a game of isolation, nine singular outposts of shared solitude... You are a "team" immediately before and after each play. (This does get repeated on page 132.)
p. 106: Tragedy, the stuff of comedy.
There are a few specific references that will definitely date the book -- which is too bad: p. 40: the boys talking about Jessica Simpson and someone listening to the lyrics to a Jay-Z tune.
Driver Rudolf Caracciola set a new land-speed record (not recognized by all organizations) of 268.496 mph on the German Autobahn between Frankfurt and Darmstadt. His record remains the highest speed ever achieved on a public road. Later in the same day, a young driver named Bernd Rosemeyer died in a crash on the Autobahn in an attempt to surpass Caracciola's record.
While we don't have any car books from Germany, we do have a few picture books that automobile enthusiasts will certainly enjoy (at any speed).
“Konnichi-waaaaa minna san! It’s meeee Jessica Hoshi! Today we got a super treat for everyone. This is our first ever article with a video, because my friend Talitha-chan is super smart and can do anything with computers. This is an article that was written by a guest author and they said we could put in on our site. We love big kitties because Shannon-sama has a big kitty named Kishi that is a magical cat. So we got this article about three cheetahs at the San Diego Wild Animal Park. Their names are Majani, Kubali and Karroo! The first two are brother and sister cheetahs. Majani is a Swahili word that means ‘grasslands,’ and Kubali is also a Swahili word that means ‘to accept.’ Swahili is a language that is spoken in Africa, which is where there are lots of cheetahs, but not so many now cause cheetahs are endangered. I’m gonna get Talitha-chan to put links in our Fun Places list about cheetahs so you can get involved and help out just like us! Arigato minna!”
Meet Majani, Kubali and Karroo
Zero to 60 in 3.4 seconds.
No, it isn’t the latest super car or souped up motorcycle. In fact, these “vehicles” have no metal parts, engines or wheels at all. They have names, though. They are Majani and Kubali, brother and sister cheetahs who reside at the San Diego Zoo and are featured every weekend at the San Diego Wild Animal Park’s Animal Shows.
Majani and Kubali put on speed exhibitions at the new San Diego Wild Animal Park’s “Cheetah Run Safari” where guests line the track and can get an up close, thrilling view of the animals as they dash past, chasing a small mechanical lure at speeds well in excess of 60 miles per hour. Majani, whose name means “grasslands” in Swahili, is the larger brother of Kubali, whose name means “to accept” in Swahili. Majani also holds the distinction of being the largest and heaviest zoo kept cheetah in the country, weighing in at 144 pounds. The largest and heaviest cheetah recorded in the wild was scarcely one pound heavier at 145 pounds.
Because of her size and weight advantage, Kubali is slightly faster than her brother. This may also be due to the fact that, like many big cats, female cheetahs must develop better and more effective hunting skills since they are responsible for catching and providing food for their cubs.
But what is probably most charming about these two magnificent animals at the San Diego Wild Animal Park is the fact they have befriended two dogs from the local San Diego Humane Society. That’s right. Cats and dogs, living together. Clifford is a labrador and Bear is a labrador/chow who were “assigned” to Majani and Kubali respectively, and act as a calming influence on the big cats when they are performing for the public. Like all cats, cheetahs can be somewhat reclusive in unfamiliar situations, but with their companions around, it seems the brother and sister team have an easier time of it during the Cheetah Run Safari shows.
Just for fun, the park staff lets Clifford and Bear out on the track for trial runs before the stars of the show take to the starter’s blocks. While they are probably quite capable runners, as some dogs are, labradors don’t quite compare to the fastest land animal on the planet.
After their runs, the big cats are fed and spectators have an opportunity to listen as their loud purring is heard throughout Cheetah Outpost. The Cheetah Run Safari is available on weekends to spectators and guests by reservation and requires an additional fee which does not include admission to the San Diego Wild Animal Park or Zoo. The program includes refreshments and a 5×7 photograph of one of the cheetahs from the show.
The third “dog and cat” team at the San Diego Zoo and San Diego Wild Animal Park is also a dog and cheetah team like Majani and Clifford or Kubali and Bear. They are Karroo and Sven, a cheetah and golden retriever team that appears in the “Wild Ones” show in the San Diego Wild Animal Park’s “Cat Canyon” area.
Karroo and Sven Olaf are the current caretakers of a historical dog and cheetah tradition at the park’s Cheetah Run and Cat Canyon, signified by a plaque commemorating the original team at Wegeforth Bowl in the park. The original team, consisting of a cheetah named Arusha and a golden retriever named Anna, performed and worked at the park together well into their old ages. Chobe and Jessie followed, and now, the featured dog and cat team of Karroo and Sven continue to thrill and delight audiences at the San Diego Wild Animal Park’s many shows and attractions, including the Zoo’s show at the Hunte Ampitheater.
Cheetahs are a unique species, and are among the most specialized creatures in nature. Their bodies are a wonder of aerodynamics, agility, speed and strength, and there is undoubtedly still much to be learned about the way they hunt and survive in the wild. Cheetahs live considerably longer in captivity than in the wild, and this will hopefully provide more opportunties to help this spectacular big cat overcome some of the challenges that are facing the 12,000 remaining cheetahs in the world, including inbreeding, genetic defects and various viruses and infections that cheetahs are susceptible to.
But in the meantime, there’s no reason that people cannot marvel at the incredible abilities of Majani, Kubali and Karroo at the San Diego Zoo and San Diego Wild Animal Park. There is no better way to learn to appreciate wild animals, their habitat and humanity’s relationship with nature than to see nature’s strength and dignity in person, and that is precisely the opportunity shows like the Cheetah Run Safari and the Wild Ones provide. Endangered species like the cheetah and many others around the world are everyone’s responsibility, and learning more about both endangered species and species with healthy populations is an excellent way for people to develop a more profound understanding of both the world we live in and the challenges we share in preserving the natural world around us.
What a feat... a tender, courageous, and often wryly humorous tale about the horrors of the Nazi occupation of Denmark. (Even if it's just a small corner of the world the Nazi's had a hold on.) Because of the courage and ingenuity and the strong belief in human equality of the Danish people, most of the 8000+ Jews were sheltered, transported to safety, and survived. This story from pre-and-early-teen Basme's (Teddy Bear) view point should be introduced to as many young readers as we can! It does not have extremely gruesome depictions that will upset young readers who have yet to know this part of our history, but it has plenty of nerve-wrecking moments and conflicts to hold one's attention and interest. There is great sacrifice and a few upsetting events (at least two quite irrevocable sufferings) toward the end of the tale, justifiably depicted. I cried, laughed, and gasped with terror, during the great theatrical scene that Mama staged to save their neighbors. Knowing that the story is inspired by family histories and relatives of the author I bought the story even more.
Author: N.D. Wilson Rating: Reading Level: 4th to 7th
Pages: 224 Publisher: Random House Edition: Hardcover, 2007
A great survival story, a thrilling adventure, an intriguing mystery, and a tall tale. It reminds me of Paulsen's survival stories but seems to have even more layers and with incredibly enjoyable wry humor: "It was a face deciding what to say and how to say it, and the truth didn't look as if it was a factor in the decision making."
"The bottom of the trash bag was full of boiled crawdad dead. Those remaining in the pool wandered about, confused by the sudden spaciousness."
"Jeffrey was dragged out by his shoulders and then propped up with his back against the couch. The bag was still blood-glued to the back of his head and stood out around it like a white plastic halo."
Yup, a few gruesome scenes: for example: dealing with and collecting useful things from a dead body. I loved those scenes.
Pages: 330 Publisher: Little, Brown Edition: Hardcover, 2007
This grabbed me and wouldn't let me go the entire time! Instantly, I was intrigued by the Frankeinstein quote and the strange conversation between the two disembodied voices. Edgar's tale then unfolds with lots of fast paced action and suspenseful plot twists, a cast of well-delineated major and minor characters, and wonderful illustrations (I'd like just a few more... um... maybe a dozen more, of Squire Broel's pencil drawings, actually!) I know that there is quite a bit of environmental message attached and all the science might not be accurately scientific and border on magical elements, but I bought it all: the world, the characters, the events, and wasn't even that distraught to find no ending to this particular portion of the tale.
I was reluctant to start reading the book, since there is a half-wrap dust jacket and a Bonus CD-ROM -- gimmicks that made me skeptical: the book must not be that great if they need to include special cover design and extra materials to draw readers! Glad that I did read it, really glad!
0 Comments on Atherton: The House of Power as of 1/1/1900
Stacy (my friends call me Stasia) Dillon said, on 8/9/2007 5:17:00 AM
I loved this as well! I cannot wait for the next one.
fairrosa said, on 8/9/2007 1:46:00 PM
Hi, Stasia! Glad that you loved this one, too. What other books would you recommend me to read? (Must be 2007 Publication! Sorry)
Author: Fran Slayton¡
I never got around to reading this series, but they are certainly popular. Maybe I should give them a go.