I have written a novel where the main POV character is around 18 years old. There’s also a secondary POV character who’s 45 years old. This secondary character takes up almost as much page space as the younger character. It’s maybe a 60-40 split. There’s a mystery involved, and while the younger character gets involved in the mystery, his story is really a coming of age. The secondary protagonist’s job is to solve the mystery.
My beta readers all say I have written a young adult novel.
Based on the younger protagonist’s POV then yes, I can see what they’re saying. Also, my writing style fits YA quite well. However, almost half the book is from an older woman’s point-of-view.
I might add that the book was not written as YA. It’s just that the protagonist was young.
If I take the basic rules of query writing – stick with the character you start the story with and follow their arc – then when I query it’s going to be about the kid. Sample pages will be from the kid’s point-of-view, because the first couple of chapters are his.
Does it matter if I say it’s a young adult novel and then have a major secondary character who is a lot older?
If I say it’s an adult novel – or rather, don’t say it’s YA – how will an agent feel when they read the query and the sample pages? This author has no idea of her own market?
Do I need to explain about the two different protagonists in the query?
Does the very thought of a combination like this make you, as an agent, throw up your hands in horror?
This is one of those situations where I would have to read the book to know which genre it fits into. Honestly, based on your plot description, it doesn't necessarily sound like a young adult though. It sounds like for one character you have a coming of age, but the book overall is a mystery.
Ever since YA became "the thing" there's this assumption that just because you've written a great young adult character in a book the book has to be characterized as young adult. Not true. There are many fabulous works of fiction that have included well-written young adults, but would not be classified as young adult. One that pops into my head at the moment, or an author that pops into my head, is Jodi Picoult. Jodi regularly includes a character arc for a young adult character and often that character arc plays as strong of a role as the adult's arc, but never (to the best of my knowledge) have her books been classified as young adult. Part of that is that she doesn't have a young adult voice.
I think what matters is knowing who your audience truly is. Is this a book that would fit in today's young adult market, that would sell on those shelves to those readers? if so, it's definitely young adult. Or would you say this is a book that would appeal more to mystery readers because the mystery is truly the element that's the strongest? What about fiction, is this maybe a piece that's better classified as women's fiction or literary fiction? Who do your readers otherwise commonly read? Where is that author placed on the shelves? Maybe that will help you have a better understanding of where you should classify it.
I don't think you need to explain the two different protagonists per se, but I do think it's important that you explain the story as a whole. If the older woman plays as strong of a role in the book as the younger character, are you misrepresenting the book by only talking about the story arc of the one character? In other words, is it the story of "two very different people..." instead of focusing on individual characters?
A lot to think about, I know, but without reading your query and knowing your book I'm afraid I don't have any specific answers.
This post is actually inspired by a series of tweets agent Deidre Knight (@DeidreKnight) did a while back.
What book or author do we wish we had discovered?
When I first read her tweet there was one person who immediately popped into my mind and that's Sarah Addison Allen. I've read all of her books and I can say I have loved almost all of them, the other one I just liked. I love the way she weaves mysticism into women's fiction, creating almost a genre of her own. This is someone I would love to have found in a slush pile somewhere.
Just one? Of course, I wish I had discovered J. K. Rowling and Harry Potter and the Sorcerer's Stone. Other dream books are Megan Hart's Dirty and Mary Roach's Stiff. Three very different books, but three I never get tired of rereading.
R. L. Stine. I know that sounds weird, since I don't represent horror for any age group, but I admire Stine (and his 350 million books sold) because he's been writing for decades, has churned out one fun, cool title after another, created a middle-grade series (Goosebumps) that became a television series and selection of movies, and most intriguing and valuable to me, he writes in several age groups from middle-grade to adult—and he shifts with changes in publishing. Aside from all that, I still read his books . . . and I'm still scared. If R. L. Stine suddenly queried me, I'd represent horror.
While it may seem like too obvious or easy an answer, I have to say Suzanne Collins. Honestly, even though I first read The Hunger Games as a book and not a submission—and even though millions of readers had already found her before me—when I was turning those pages I felt like I had made an amazing discovery. That trilogy—especially the first book—really is the whole package: characters we care about, edge-of-the-seat suspense, and an always-keep-us-guessing romantic triangle. When I finished it, I really felt like I'd just ridden a roller coaster and experienced a true classic at the same time.
One of the best parts of my job is the thrill of the hunt. Sure, I am frequently overwhelmed by the hundreds of queries I find in my in-box, but when time allows, there’s nothing more exciting than sitting down and sorting through them in the hopes of finding that one big thing. Think Indiana Jones and the search for the Ark of the Covenant. There’s no doubt that the pit of snakes was a little much, but in the end, the thrill of the hunt and the final prize were worth every slithery creature.
As I said earlier, I have had time to refresh myself, clean out my in-box, and take a deep breath. And I’m back at it with a vengeance. With the new year comes renewed excitement for something fresh, something that will make me stand up and take notice and a book I can sell with enthusiasm.
While of course I’m looking for every genre (within the confines of those I represent, of course) there are a few things that I’d really like to see right now.
Steampunk. Please, please send me steampunk of all sorts. Adult, young adult, romance, mystery. I personally love this genre and can’t get enough of it.
Historical mystery. I represent a lot of cozy mysteries, but very few historicals, which is funny since historical mysteries were what I cut my teeth on. I would love to see more historicals like the one I sold, Amy Patricia Meade’s Rosie the Riveter series featuring a real-life Rosie the Riveter in WWII-era New York City.
Contemporary romance with a sense of community and big issues. Books that face life head-on and prove love can be found. I have a couple on my list right now and I’m excited about this genre. Many of the books have a flare of women’s fiction in them and more and more editors are asking for these types of books. Examples of books in this genre are those written by Kristin Hannah or Susan Elizabeth Philips or Susan Mallery. Or, of course, our own Bella Riley (yet to be published).
Big fantasy romances. Romance that crosses over into the realm of fantasy, beyond simple paranormal. Worlds like J. R. Ward's or our own Elizabeth Amber's (although it doesn’t need to be erotic).
Historical romances. I really love this genre and would love to see more. I have to admit, my preference in historicals tends to still be Regency England. I love the sweeping historicals like those of Sharon Page as well as the lighter, more contemporary feeling historicals like those of Sally MacKenzie. And I suppose all of this ties nicely into my desire for more historical mysteries and steampunk.
And last, in nonfiction, I’d like to see more journalistic narratives like the one I’m currently representing about the animal control system in the United States.
Let me reiterate that I am still looking for all sorts of great mysteries, romances in all sub-genres, fantasy, women’s fiction, and nonfiction. These are just the subject areas I’m most excited to be reading in right now.
There’s always a lot of talk, especially among unpublished authors, about switching genres. Many of you are writing in multiple genres and want to continue doing so after you are published. Which inspired this question . . .
Is switching genres with each book a bad thing?
I currently have a Fantasy book finished (final re-editing, working on query perfection, etc.), but I started writing a chick-lit in the first half of the year. I also have some good ideas penned down for a sci-fi and a crime thriller. So, based on your post, should I be focusing on just one genre or continue with my whole "branch out and conquer the world" process? I am not working on all of these things at the same time, but still keeping the ideas for the future.
To some degree, yes, I think it’s a bad thing. Remember, once you decide to get published you are building a writing career and not just writing anymore, which means your goal is to find an audience. While you might find it fun to switch things up from book to book, most readers are fairly loyal to what they read. In other words, few fantasy readers will happily jump to chick lit with enthusiasm. Let’s face it, most readers read within a few specific genres. If your fantasy readers love your first book and look for your second, they might be very disappointed to discover how different it is. Most important, it might turn them off from picking up your third.
Most publishers want you publishing at least 9 months apart, so if you can have two different names and publish each name 9 months apart (writing a book every 4 to 5 months), then you can easily write in two genres. If, however, it takes you 9 months to write a book, you might want to stick with one genre, at least until you’re established.
As for writing prior to publication, I think it’s great to write in various genres and explore your strengths.
I had fun collecting stats on my sidebar polls last week. Thanks to all 1,453 of you who answered the questions!
→ 93% of you are writers
→ 85% of you are writing fiction
→ 73% of you are not yet published
→ 77% of you are writing for the general (not Christian) market
By far the most interesting info I gathered was the genres my blog readers are writing (or at least those who chose to vote). Here's how it stacked up:
26% Fantasy or sci-fi
21% General/other (non-genre fiction)
12% Women’s fiction
10% Supernatural or paranormal
7% Historical (romance or not)
I was particularly interested in the fact that the largest percentage was fantasy and sci-fi. I don't typically rep fantasy or sci-fi, so I really appreciate all of you reading my blog!
When the numbers first started coming in, I immediately noticed the large percentage who checked fantasy/sci-fi, and I wondered whether there might be a disproportionate number of writers
in that genre vs. readers
(hence the difficulty many of you are having getting published). I set out to try and run the numbers, but it's ridiculously hard to find accurate data on book sales by genre
. So I went about it a different way. I decided to look at recent book deals
as listed on Publishers Marketplace.
I chose two months: April, 2011, and October, 2010, and looked at all the fiction deals reported. There were 309 total deals. Here is how they stacked up by genre:
38% General/other (non-genre fiction)
I realize this isn't scientific, it's strictly anecdotal. But the anecdotal evidence supports the initial instinct I had when I saw the numbers. While 26% of those voting report writing fantasy or sci-fi, sampling from two recent months suggests only 6% of book deals were done in those genres. That's not a minor discrepancy...it's a significant difference.What do you make of this? What other conclusions might you draw from these two lists of (unscientific) statistics?© 2011 Rachelle Gardner, Literary Agent
STATUS: This is a first for me. CBS films has a dedicated FB page for LEGEND the Movie. And you get first peek at the just released cover. Sweet.
What’s playing on the XM or iPod right now? MISSIONARY MAN by Eurythmics
This is actually a good question. A quick look shows that we have 8 full manuscripts in the queue to be read. And here’s where they fall:
6 titles are Young Adult (breakdown by genre, 3 fantasies, 2 paranormals, 1 contemporary)
1 title is adult literary fiction
1 title is adult women’s fiction
We just sent responses to an adult fantasy that we passed on as well as a middle grade title that had several agents interested but ended up not being quite right for us.
Of the 3 clients Sara just signed: adult SF novel, adult Historical Romance, and Paranormal YA.
And as a bonus, here is Kristin as a talking head yet again. This time I’m reading a short excerpt from the Philip K Dick nominee SF novel SONG OF SCARABAEUS for the awards ceremony last Friday. The sound is not the best so you’ll probably have to turn up your volume all the way up to remotely hear me. Warning, this scene will probably hook you in!
The author Sara Creasy thought I looked quite spiffy!
I've been going through, not kidding, years of blog questions submitted by readers. I go through them regularly and pick and choose those I want to answer. Some I store away because I don't know how to answer, others wait because the answer is more complicated, and so many wait because I feel I've touched on the subject before. That being said, there are a lot of questions in there that are important, but don't get enough of an answer for a full blog post. The answers are short and sweet. Here are some of those.
I have a quick question, if that's all right. So many different agencies state that they are not excepting "science fiction", but fantasy is often classified with Science Fiction. If I've written a fantasy novel and I'm looking for an agent, should I assume that the agent won't accept my genre simply because they don't accept science fiction, or vise versa?
Fantasy and Science Fiction, while often shelved in the same place in bookstores, are two different genres. Therefore, an agent could easily represent one and not the other.
My novel just happens to be christian fantasy, but is that considered a cross-over genre? Because there are those out there who want fantasy but not christian, or christian but not fantasy . . . or who will except either but not if the two are combined. It gets really confusing.
It can get confusing, but don't overthink it. Submit to both Christian and Fantasy agents, especially those who do both. Some might feel it's too Christian, others too Fantasy, but you won't know, and won't find the right agent, until you try.
Are published authors required to make public appearances and give interviews or is that optional or does it vary per publisher?
It is typically in the publisher's contract that the author will be available when needed. If there's a specific reason you can't or won't, that should be negotiated up front.
A lot of agents prefer to receive email queries (definitely easier). I've
noticed that some agents will tell you to mail in your query, synopsis and
first 3 chapters with SASE. Then they will tell you that if you prefer to
e-query to just send the query. My question is which is better? Do I want
to package and mail out the hard copy (they are asking for more that way) or
is it better to just do the e-query and let that be all they see?
I guess what's better depends on the agent. I think that anytime you can get your work in front of an agent, your actual writing, that's better. That being said, sending a query via email is definitely cheaper, and if the agent isn't interested in your genre you haven't wasted the postage.
Steampunk is Not for Me
by Jo Barney
Graffiti Grandma is out to three agents. Wednesday Club, the script, is entered in a contest and is sent to two producers, and Solarium just got its twentieth rejection, one more to go. I don't know where Mom, my hockey novel, is. Its cards have escaped my card file. Marshall, the miniature horse, has not made it into the card file yet. He's romping around in SASE land. I've thrown all of my literary children to the winds. Likely, they'll never return. "Just not right for me," their epitaphs will read somewhere out there in the ether.
The only thing for me to do now is write something new. Margaret is shuffling in the wings of this computer. She's seventy-six, straight bodied, aching in only several non-essential parts, and she doesn't know what she's in for. This old lady is going to be manipulated, mulled, cut into pieces, disdained, wept over, and then, if she's like the rest of my literary offspring, laid to rest in my Zip for someone to find when I myself lie in the same sort of quiet place.
I sometimes think how angry I will be if my human children, posthumously for me, discover my Zip storage system, send out its quiet occupants, and make a million dollars in movie rights, and at just the right time for their retirements. I'll really be pissed. If one can be in that condition sans bodily components.
My timing has always been off. I wrote of sad divorces in the early 80's, a few years after most of the debris from the free love decade infiltrated stolid 50's marriages. Then Umarried Woman and Jill Clayburgh took all the wind out of my muse's sails.
I described of the travails of being single with children just after Jane Smileys Ordinary Love came out and said it all for me. Elizabeth Berg covered the drives of singleness: sex, loneliness, missteps in choosing while very needy, even as I was being driven all over the map and not writing.
One of my novels dealt with foundering young sons when my own sons headed out into the world. Research into the genre revealed that not only Salinger but Brad Easton Ellis and Jay McInerney, even if I disliked their books, got into a young mans psyche a lot better than a mother could.
Remarriage, oh god, with children, led to six unpublished articles, right about the time Joanne Trollope Viking wrote Other Peoples Children and dissected a stepmother role as precisely as it can be done.
I can write as well as a few of these authors. I just need to find my niche before someone else does. What will sell three years from now? What will be at the front edge of the next wave? I don't do vampires and I get too depressed with dystopic scenes. Who wants to eat a friend's finger? Or sacrifice a person you've just had sex with?
Wait! I can imagine that, sort of. Perhaps I can create a new genre, a hybrid combination of romance, mystery, fantasy, dystopia, and chick lit.
I Googled "genres" and found one that might be work, slightly adjusted: Bildungsroman, a coming-of-age story. The modus operandi seems to be the use of a normal story to simply explain difficult and/or dark parts of human life.
I will call my new genre Geriatric Bildungsroman. Coming-of-old-age stories. I know its been done, but not by me yet, not the way I'm thinking about Margaret.
* * *Jo Barney is a retired educator who is delighted to have time to write even when it means rejections every once in a while, or more often. S
When I host #askagent sessions on Twitter I get a lot of questions about genre. People ask about the use of the genre term "new adult" or "romantic adventure," for example. I've also been in discussions with authors about the term "romantic thriller." Now, some agents might disagree with me, but I think using all of these is fine.
The point of genre is to find the reader. In other words, readers who read mystery want to know that a book is a mystery. That's the genre they read, so knowing ahead of time will help them place the book before seeing if it's something they'd like to buy. In addition to finding a place in the bookstore, the genre is also, more important, a description. When I say mystery you all know exactly what I'm talking about. The same holds true for romance, fantasy, paranormal romance, memoir, business book, etc. Now, technically romantic thriller isn't a genre, but I guess you could say that there's no romantic suspense section in the bookstore either. That's okay. When I hear "romantic thriller" I know exactly what you're talking about. The description works. If you tell me, however, that your book is a mystery, romance, and fantasy, I have no idea what you're talking about. Where would that go in the bookstore? It's a little of everything, which probably leads to a lot of nothing.
The term "new adult" keeps popping up over and over. I hear it from writers a lot. Oddly I haven't heard it from any of the editors I've been talking to. That being said, it is a term that's being tossed around so you're unlikely to shoot yourself in the foot by using it. Unless of course it becomes a trendy term like "chick lit" and one day it's in, the next is out and you've missed the day it left.
So when thinking genre think description, just make sure it's a description that makes sense and, with anything, if you doubt the term you're using, then don't use it.
Though I’ve only been with BookEnds since April, I’ve already made some shifts in what kinds of projects I’m looking to represent. Some of this has to do with changes in market trends, but a lot really has to do with my personal reading preferences. I want to be enthusiastic about each and every book I work on, and if I’m just not getting excited about submissions in a particular genre, I think it’s better for everyone if I concentrate my energies elsewhere. With that said, my focus is absolutely still on a wide variety of full-length, adult romance and women’s fiction. I’m not actively looking for YA, novellas, or nonfiction.
To help give you a better idea of what I’m looking for, maybe I should tell you about some of the clients I’ve taken on. I have a bit of a spread. So far, I have clients who write historical romance, historical erotica, paranormal erotica, category romance, romantic suspense, women’s fiction, and African literary fiction.
That last one may have surprised you, right? It’s actually not quite as outside of my stated interests as you might think. While I am looking to focus on commercial fiction, I absolutely love women’s fiction set in exotic locations, and would love to receive more projects set abroad. I have a special interest in books set in Iran, India, and Southeast Asia, but would also welcome more submissions set in African or European countries, or set in the US but with a focus on immigrant communities.
I’m looking for a wide variety of contemporary romance, but I’d particularly like to see more small-town books in which the town and community are richly developed. Southern settings and New England settings work particularly well for me. Overall, I tend to gravitate toward darker voices and storylines, but quirky, comedic stories can be great, too.
With historicals, I have a strong preference for very sexy Regencies and Victorians. Also, it’s probably worth noting that I tend not to enjoy historical fiction as much as I do historical romance. As with contemporaries, I tend to like darker voices in historicals, and I like books with seemingly insurmountable obstacles to the protagonists’ relationship—like a story about a duke and a fishmonger’s widow.
While I still am looking for paranormal romances, I’m no longer looking for urban fantasy. I love kick-ass heroines, but I prefer to see them falling in love. What I really want in paranormal is something so different and original that I’m incapable of even coming close to now imagining what that might be. I enjoy a good vampire or werewolf tale, but the market (and my in-box) has been so saturated with them that it’s difficult for me to find something I get excited about.
For erotica, I’m mostly looking for books in which the central storyline is m/f. These can be contemporary, historical, and/or suspenseful or paranormal, but I’m probably not the right agent for anything futuristic or sci-fi. A few things that are absolutely necessary to me in erotica are emotional depth, rich characterization, and an actual plot. I may live to regret saying this, but it’s pretty darn hard to shock me with erotica. Graphic, kinky novels are welcome.
The above doesn’t encompass everything I’m looking to represent, but I hope it gives you more insight into my preferences. As always, I look forward to reading your queries!
STATUS: I'm feeling a tad riled up.
What’s playing on the XM or iPod right now? MY HEART BELONGS TO ME by Barbara Streisand
Holy cow! Can't believe I missed this article yesterday. I'm so glad an agent friend forwarded to me. Take a moment to read it and tweet it on but in short, it's an appeal to support literature with gay and lesbian characters and the fact that there are some appalling agents and editors out there who are making requests that the writers make a gay character straight.
Seriously? What year are we in?
I cannot tell you how delighted I was to see a link to a list of YA literature that features gay/lesbian characters and my author Sarah Rees Brennan's THE DEMON'S LEXICON series was on it.
This author of mine is brilliant. It's a wonderful series and her new trilogy that I just sold to Random House also has an absolute kick-a** gay/lesbian main character. The first book UNSPOKEN publishes in fall 2012.
Not to mention, I have a Monica Trasandes' debut adult literary novel coming out in spring 2012 from Thomas Dunne Books/St. Martin's Press. It's called BROKEN LIKE THIS and features three main protagonists: a bisexual character, a gay/lesbian character and a straight male character (had to throw that last one in there-LOL).
A multicultural author to boot. I'll tell you right now it was a tough sell but I loved the novel and I sold it.
So add these to your wish lists if you want to show support via your buying dollars. If I had cover art or anything yet for these two titles, I'd post it here but we are in the middle of the cover design and the buy links aren't available online yet.
And let's not forget the incredibly brilliant, witty, impeccably dressed and extremely powerful Lord Akeldama from Gail Carriger's The Parasol Protectorate series.
I must admit it never occurred to me to add to my agency's submission page that we are open to accepting material with LGBTQ characters because I kind of thought it went without saying but I'm rethinking it now.
Feel free to link to this blog post that it's a-okay with us and I have NEVER asked an author to change a character's ethnic background or orientation.
And because we are talking about multicultural too, check out my author Kimberly Reid's debut YA novel MY OWN WORST FRENEMY. It's an African-American urban Nancy Drew series. I mean, just how cool is that?
Note: LGBTQ stands for Lesbian, Gay, Bisexual, Transgender, Queer/Questioning.
My novel is about a collage age student on a journey of self discovery. There are paranormal events, some sci fi components, romance, but ultimately it is about the main character finding herself and accepting all that she is. So here's my question, where would my story fit? I have tried representing it in different ways, but some agents suggest different catagories. I even had it classified as New Adult, but is that the best place? Any resources or help would be greatly appriciated. :-)My goal is to reach a larger audience, but if I classify my novel as New Adult, would these other components be okay as cross genres?
It's really hard for me to tell you where your story will fit without reading it. My question to you would be who will read your book? What else are they reading? Personally, I'm not a fan of the term "new adult." I think it's silly and, yes, I could easily be proven wrong and it could become a new genre, but in my mind it's a trendy term that's going to be gone tomorrow. Besides that, at what point do people go to the bookstore or log into their ereaders and ask for the "new adult" section. There's YA, there's mystery, there's SF (not Sci Fi, by the way), there's romance, etc., but I've never seen new adult. When all else fails, label it fiction, but it sounds like you're writing a genre that needs a genre home. You need to find which home.
One thought, the one authors hate most to hear, is maybe it doesn't fit anywhere. Maybe you've tried to make your book into something it can't be and you need to go back in and strengthen certain areas of your book so that it is something.
Now, before someone named "anonymous" jumps in to tell me that this is the problem with publishing and all of us who work in it, that we have no imagination and need everything to be the same, let me point out that in the advent of ereaders we're seeing a real strength in proper categorization. Generally labeled books are not doing as well as genre labeled books. People are finding it easier to go into a section in their ereader bookstore to buy a book than they are sifting through a fiction section where some books might fit their interests while a lot do not. That does not mean that you slap any label on a book. Your label needs to fit the expectations of the readers.
I've been trying to wrap the basic marketing language around the book I'm close to finishing, and am having a tough time classifying it. My main character is a tough, no-nonsense, middle-aged woman who kidnaps her granddaughter, and the story takes place in large part on the road in rural Alaska. It's edgy and stark, a little frightening in places, though it isn't horror/crime/mystery, and while the heart-warming moments are few and far between, it DOES revolve around this woman's relationship with her son and daughter-in-law and the tough choices we make as parents.
As I get ready to query, would calling this women's fiction, since the primary market would most likely be women, throw an agent off since it seems to depart from the loose definitions of women's fiction I'm seeing? Is there a better way to wrap it?
As I often say, it's all about the voice. Women's fiction is not simply a book whose target audience is women. It's also a book about a woman's personal growth and change and it tends to be strongly emotional. It sounds like your book is women's fiction, but without reading it I have a hard time judging.
It's here! My big blog giveaway where 3 lucky followers will be chosen tonight at 7.00 PM Mountain Time through a random drawing to receive a variety of prizes, including the brand new Now Write! Mysteries; Suspense, Crime, Thriller, and Other Mystery Fiction Exercises from Today's Best Writers and Teachers published on December 29, 2011. And (drum roll, please...) I am so thrilled and honored to tell you that I have been included in this collection. My article "Deep Motivation: Characters Have Feelings, Too" starts on Page 267.Edited by Sherry Ellis and Laurie Lamson, Now Write! Mysteries is the fourth volume in a series that includes Now Write! Fiction and Now Write! Screenwriting. Right now I'm totally enthralled with this book (and not just because I'm in it...) and I'm happy to report I'm also doing each and every one of the exercises as per my recent post on staying creative every day. I'm up to page 20 and, people, I am inspired. This is an amazing book full of great advice. I think it's going to keep me happy and writing for the rest of the year and beyond.If you'd like a free copy, there's still some time to follow my blog today and be included in the random drawing tonight via Random.org. Note: Anyone who has signed up to follow my blog through my page at JacketFlap.com is considered a "follower" too and will be included in the drawing.Prizes in the drawing will include:
1st Prize: The Essential Guide for New Writers
Now Write! Mysteries
Unleashed, of Poltergeists and Murder
Better Than Perfect
The Great Scarab Scam
And a Surprise Gift!
2nd Place: The Essential Guide for New Writers
Now Write! Mysteries
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