“Art is a language,” Children’s book illustrator E.B. Lewis told a roomful of illustrators, aspiring and professional. What is a language, Lewis asked. “Letters of the alphabet that join together to form words, then paragraphs. And finally stories and jokes,” he answered his own question. And the mark of fluency? Maybe not what you think. “Telling [...]
How to Hire an Artist: Tips for Hiring an Outstanding Illustrator for your Next Project:
Finding the right illustrator can be a challenge. Whether you decide to use Bob Ostrom Studio or someone else it pays to know what you’re looking for. If you’ve never had the opportunity to hire a professional before here are a few tips that will help you find the best possible artist for your project.
Know What you are looking for.
Every artist has his or her own style. Many artists are versatile but no artist works in every style. Look for the artist who specializes in the type of art you are looking for. There are many artists and styles to choose from so be patient and make sure you leave yourself enough time to find the right one for your job.
Try starting with a simple Google search. Check out a few artists websites. Notice that no two are alike. Some are very professional with a highly focused direction, while others may choose to show a broader spectrum. Regardless as you begin to move away from the top ranking sites you may also begin to see a drop in quality. Being a professional artist is an extremely competitive field. Artists work hard to make sure they are seen. There is a reason those sites are at the top of the search.
Some artists work with representatives and some are independent. Generally the better the quality the higher the price you will pay whether you are dealing with an art rep or an independent. Remember though that with higher quality artists you are not only paying for a more appealing image you are also paying for experience, but more on that later.
Determining a Style
Before you contact an illustrator take a few minutes to determine what you are looking for.
Who is your target audience and what is your demographic?
Determining who your potential audience is and what appeals to them is a great first step for helping you chose the proper illustrator. Here are a few tips to help narrow things down:
Describe your customer.
- Are they male or female, both?
- How old are they?
- What kind of things do they like or pay attention to,
- What kind of things do their peers like or pay attention to?
- Where can you find them?
- How do they find you?
- What is their income bracket?
Crating a detailed profile on your potential customer will help give you a better idea where to begin. Once you’ve determined who your market take a look around. See what else is out there.
What is your competition doing?
This your chance to really stand out and get noticed. Instead of putting something out there that looks like everyone else consider trying something a little different that’ll get you noticed. Finding the right artist will help.
Shop around
Visit an artist’s website. Look at their style and level of presentation. You can tell a lot about an artist by the way he or she presents their work. Take a look around and see what type art they are displaying. How long have they been an artist? How successful are they? Do they have recommendations, a recognizable client list, have they received any awards.
Experience is the name of the game.
Most artist’s would love to illustrate a picture book but that doesn’t mean you should hire them. Do a little homework first to make sure you are choosing the right artist. Can they draw or create the style you are looking for consistently? Does their portfolio contain the right art for your demographic or is it scattered and lacking direction? Has your artist been published, if so where? Try searching their name on Google, LinkedIn or Amazon to find out more about them and their level of expertise.
Hiring the wrong artist for the wrong job can be time consuming and expensive. Your project is no place for on the job training so be sure to hire someone with the highest level of expertise you can afford. Always check out who your artist has worked for and examples of jobs they have done. A good artist will be proud to display their work and answer any questions you might have about past experience.
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You get what you pay for.
Why do some artists charge so much more than others? Without a doubt experience is worth paying for. The art you display will directly affect the perception of your company or business. This is no time for bargain shopping, always hire the best artist you can afford. It is always better to spend a little more and get the best quality possible rather than trying to save a few dollars and ending up with something you can’t use.
Successful artists are not just good at making pretty pictures they also know their market and understand production. They know the difference between file formats and what will work best for your project. They can talk to your printer and help give you exactly what you need saving you time, money and aggravation.
If you’re not sure about the difference between vector or bitmap art and which one you need ask your artist. He should be able to explain in simple terms explaining the pros and cons of each. Do you need a jpeg, tiff or png? RGB or CMYK format? An experienced artist will know which one to use for your particular project and why. Even if your artist works in traditional media the art will still need to be scanned and translated into a digital format at some point. If your artist doesn’t understand these simple requirements you might want to shop for some one else who does. The proper format is crucial and could mean the difference between your project looking great and becoming a costly disaster.
Questions your artist may ask
Here are a few questions your artist might ask. Use this list to have your answers prepared before you talk so you don’t forget or leave anything out. It’s best to be descriptive and include as much information up front as possible. The clearer you are with your artist the better chance you have of getting back exactly what you asked for.
Always start by describing your project in detail.
The more information you can provide the more accurate your illustrator can be. Don’t be afraid to include your illustrator in your creative process or as a part of your creative team. A good experienced illustrator will often be able to help you with creative suggestions or finding great new approaches to your project you may not have even considered.
Here are a few questions (in no particular order) you will want to think about before you begin.
- What is the artwork being used for?
- Who is your target audience?
- What is your goal?
- What style you are looking for?
- Are there certain color preferences or other considerations?
- Production
- How many illustrations will you need?
- What is the size(s) and or format?
- Where will you be using the art?
- What is your deadline ?
- What is your budget?
- Can you put me in touch with your printer?
- Contact information
- Who is the main person in charge of the project ?
- What is the best way to reach that person or people?
What is the artwork being used for?
Different uses mean different file requirements. Knowing who your audience is and where your piece will be used make a big difference in style and approach. What might work well for one audience might not work well for another. Do you have a goal?
A piece of art that needs to be many different sizes will require a different solution then one that will be printed at a specific size. The demands for the web are completely different from print. Knowing the different places your art will be used will help me determine the best format(s).
How many illustrations will you need?
What is your budget?
Most illustrators charge by the project not on an hourly basis. One size does not fit all. Many artists will charge you different rates for different types of usage. They may charge less for limited usage then they will for a total buyout because once the copyright is sold the artist no longer has the potential to make money from that image. Determine which usage works best for you and be sure to negotiate the rights with your artist up front at the beginning of each project so there no surprises later on.
I prefer to charge by the project and am happy to give you a quote before we begin. If you have a limited budget that’s okay chances are we can find a creative solution to fit your needs.
Can I talk to your Printer/ web designer?
Why on earth would an illustrator want to talk to a printer. Simple, every printer has certain requirements when it comes to artwork depending on what type of equipment he is using. He can tell the artist what type of file will work best for his machinery. Similarly a web designer may also have certain requirements for artwork and file format.
I’ve worked with many printers over the years and I speak their language. If you have any questions about the process just let me know and I will be happy to explain.
What are your deadlines?
It is very important to spell out your needs and plan out a schedule at the beginning of the project. Most artists work in stages and will submit artwork to you within a certain time frame. A typical schedule witll start with sketches and proceed from there. It is important to be realistic about your needs. Be sure to provide you povide enough time for the best job possible. Some artists may ask for an additional rush fee if your project’s deadlines are unrealistic. Different artists work at different rates, if you’re uncertain how long it takes just ask.
I am very efficient with my deadlines but too little time will probably mean having to make a few compromises. Art takes time. Always think ahead and make sure to leave plenty of time for your project. Leaving extra time will assure you always receive the best quality.
How would you like the art delivered?
An experienced artist will make arrangements for delivery at the beginning of each project. Digital artwork is great because it is so easy to work with. Some programs can produce rather large file sizes though. If you have an FTP site or another preferred method of delivery let your artist know. If you don’t chances are your artist will have a quick efficient way to deliver files that are too large for email. Most artists have experience in this area and have worked out a delivery method that should be easy to use and eliminate headaches.
Make sure to resolve this issue as early as possible so you don’t run into any problems on you due date. I have several methods of deliver I use based on costumer preference.
Who or how many people are involved in the decision making process?
The more people involved in the approval process, the higher the potential for miscommunication. Pick a leader or point person for your project and be sure to have all direction go through that one project leader. If it absolutely must be a committee decision make sure everyone involved in the decision making process signs off on direction before you involve the artist.
Conference calls are fine as long as it doesn’t waste everyone’s time. Be clear and decisive and do not leave big decisions unresolved. Ambiguous direction will be costly.
Contract
If you do not have a contract or written agreement, ask the artist to provide one for you. Do not hire an artist without something in writing. Be sure to spell out all the details of your project including delivery schedule, usage, copyrights, payment schedule and any other important information that might effect the outcome of your project.
You may also want to include a kill fee in your contract spelling out what happens if the project is cancelled for any reason before completion. This will protect both you and the artist by allowing you to understand ahead of time what happens if for any reason the project needs to be terminated.
I am happy to provide an agreement if you need one.
Enjoy the process
Working with an illustrator should be a fun and rewarding experience. Hiring the right illustrator will not only make you look great but will add great value and marketability to your project. If you have not worked with an illustrator in the past or need a little help organizing your project please feel free to contact me. Whether you plan to hire me for your next project or someone else I am always happy to answer any questions you might have about how to improve your project, hiring an artist or other any other art related questions.
For more information on hiring me for your project please visit my contact page.
The post How to Hire an Artist appeared first on Illustration.
The WordPress.com stats helper monkeys prepared a 2012 annual report for this blog. Here’s an excerpt: 19,000 people fit into the new Barclays Center to see Jay-Z perform. This blog was viewed about 130,000 times in 2012. If it were a concert at the Barclays Center, it would take about 7 sold-out performances for that [...]
Stepping away from the news and business this evening, I poked around on YouTube for a nice Christmas video to share with you. For some reason I started wondering if Sitka, Alaska, where I’d spent 2-3 of my childhood years still celebrates Christmas. I remember a Christmas there that lit up the dark Alaskan winter. [...]
Welcome to my latest children's book giveaway! To celebrate the release of my 2 latest books, "Desert Baths" and "The Tree That Bear Climbed", I am having a fun coloring contest. This time I am giving away 4 of my children's books, published by Sylvan Dell Publishing!
The books include "
Desert Baths", "
The Tree That Bear Climbed", "
Prairie Storms", and the award-winning "
Champ's Story: Dogs Get Cancer Too!".
Here are the rules:
1. Choose ONE of the coloring pages in this post to download and color. You may color it or have a child color it. Crayons are fun, but you can also use glitter, paint, etc. Use your imagination!
2. POST your finished coloring page on your blog, Facebook, Flickr or Instagram, with a LINK back to my blog. Then leave me a comment here with the link to YOUR coloring page so we can all see your lovely masterpiece. (You must do this step in order to qualify.)
3. You have until midnight Central Time Zone on Friday, October 12th, 2012 to post your coloring page link as a comment.
4. The winner will be drawn RANDOMLY from all entrants, and their name will be posted on my blog on Monday, October 15th, 2012. (Please be sure I have a way to contact you via email.)
5. This contest is open to residents of the continental US only.
Here are the coloring pages. Choose one:
HAVE FUN!
Children’s book illustrators and anyone absorbed in the curious business of children’s book illustration, Do you find it interesting, as I do that the big commercial for Google’s Nexus 7 features a little girl and her mom reading a Curious George story on the device? Google, in its elegant way used a simple illustrated page from [...]
Children’s book illustrators, artistrators, writers take note: These guys kind of say it all. The trailer is by animator, web designer, online comics creator Erik Kuntz (who also happens to be our SCBWI chapter’s webmaster.) Briefly, the Second Annual Austin SCBWI Digital Symposium is October 6 at St. Edward’s University in Austin, Texas. But for the [...]
Children’s book author-illustrator Kevin Henkes received the Caldecott Medal in 2005 for his picture book Kitten’s First Full Moon (Greenwillow, HarperCollins.) But that was just a step on the journey that began more than 25 years before when, as a junior in high school, he decided to make a career of illustrating children’s books.The summer after his freshman year at the University [...]
Anne Belov has been painting Fine Art for over 35 years, and doing printmaking for the last 17 years. She studied art at Philadelphia College of Art and later got her MFA in painting from the University of Washington in Seattle.
Over the years, she has realized nothing goes to waste. All her artistic endeavors have taught her that she can carry over things learned from one project to the next. From etching, she learned to love process, strengthen her value range and composition in my paintings, and enhance my ability to meet a deadline and now the impulses toward narrative in her paintings has fueled her desire to make visual stories for children.
Today she is venturing down the road of children’s books illustration and letting her life long passion for Panda Bears show up in her wordless picture book, Pandamorphosis.
She has been a pandamaniac since childhood. Four years ago, a chance encounter with an Atlantic Monthly story on pandas reignited her obsession. Since then, her online cartoon The Panda Chronicles has been gaining fans in leaps and bounds.
A serious painter, as well as a panda punster, Ms Belov resides in the Pacific Northwest where she presides over the Institute for Contemporary Panda Satire. Here is Anne showing and explaining her process:
This is actually 3 steps down the road to this new painting. I’ve done the drawing, under-painted a value study in egg tempera, and then glazed it with a mixture of a warm yellow-green and transparent yellow ochre, mixed with lots of neomeglip. As soon as I decide “I’m always doing it like such and such”, I start doing things differently. I’m working on a smooth clayboard, which is a commercially made product by Ampersand. Sometimes I like to use a very smooth surface, especially when I want to include lots of fussy and subtle detail.
This is halfway between stage 1 and 2, where I am reinforcing the value underpainting with a layer of mostly transparent purple underpainting. This will help reinforce the value structure, particularly in the darker passages. One of the big challenges is to keep the darks more transparent, which keeps them from going “dead”. Here is the full stage 2
Stage 3: OK now we’re on to adding color over most of the painting. OK well all of the painting. Still very rough at this point. I always want to keep edges soft until I’m at a more final stage in the painting. I’m working on the foreground first, as I want it to really pop out from the picture plane, so I want the background to work with the foreground, rather than vice versa. Capisce?
This is Stage 4
Stage 5: What happens here is that I try to experime
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| click to enlarge image |
Dorothy clicks her heels three times and says, "There's no place like home, there's no place like home, there's no place like home.
My daughter loves singing
Over the Rainbow and pretending to be Dorothy from
The Wizard of Oz.
Here's a little pencil drawing I did of
my Dorothy. I scanned a patch of fabric from her favourite dress and pasted it inside my pencil lines. My daughter's grown out of her Dorothy dress now... no matter how hard she tries to squeeze into it... it's even too small to wear as a top! Looks like the dress will be a hand-me-down to a lucky little cousin.
Illustration Friday's word prompt: return.
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| Alice |
Alice listens intently, hoping to hear her little friend talk. For a voice is all that is needed to prove he is the same
White Rabbit from her dreams.
I know, a bit of a stretch to fit this week's
Illustration Friday word prompt, vocal.
Alice in Wonderland does have a very vocal rabbit though. I think the rabbit I've drawn is so sickly sweet that he is only capable of kisses. Alice will be so disappointed.
Alice's dress has a subtle pattern of card suit symbols. You have to view it closely to see that they're not spots. I didn't draw an apron on her because I don't like aprons. I refuse to wear one myself and don't wish to be a hypocrite ;)
I didn't draw clothes on the rabbit, partly because I get a little freaked out when I see animals wearing clothing and I wanted to keep Alice guessing.
Lucy's puzzled thoughts...
Why's this beaver got my handkerchief? Where's Mr Tumnus? How'd the beaver know my name? And... since when did beavers talk?!
The Lion, the Witch and the Wardrobe is one of my favourite children's books. I've been dying to illustrate a scene from it, starring my favourite character Lucy. What a brave little girl she is.
Illustration Friday's word prompt: puzzled.
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Thank you so much. How could anyone read this post and not be inspired?
Like the blog! And very interesting post, thank you
Thanks, Ivan. I’m glad you enjoyed the post and wrote in!
-Mark
[...] Spend a moment watching award winning children’s book illustrator E.B. Lewis demonstrate painting some watercolor scenes for the Austin Chapter of the Society of Children’s Book Writers and Illustrators (Austin SCBWI) back in February and read more about the work and ideas of this New Jersey based fine artist in the latest post on How To Be A Children’s Book Illustrator. [...]
Great post, Mark. And congratulations on your award! You do so much for the art community!
Thank you, Laurie! I’m so glad you liked the post. Hey, anytime you’d like to write about something related to children’s books, illustration, art or your own projects as a writer or illustrator — in other words, do a guest post here (including an image or two) and link to anything meaningful or related that you want, please let me know. I love it when students post — especially when they’re already writers, like you are. And I do offer a bit of payment when I accept an original piece.
-Mark
Thank you, Elizabeth and/or Lynette! Your blog is charming.
Mark