Ted Sorensen, who died a week ago, was the strategist and political speech writer behind John F. Kennedy in his successful campaign for the American presidency in 1960 — a triumph that owed much to Sorensen’s book publisher talents as a phrasemaker, and one that set the standard for modern oratory.
Sorensen’s 14-minute inaugural address for Kennedy famously called for self-sacrifice and civic engagement — “Ask not what your country can do for you, ask what you can do for your country” — and promised to spare no cost in defending American interests worldwide.
Among Kennedy’s inner circle working in the West Wing of the White House, Sorensen (as special counsel) was the youngest, but he ranked just below the president’s brother Bobby. Such was the closeness of Sorensen’s collaboration with JFK on some of his most memorable speeches that no one was quite certain who wrote what.
The glamorous, wealthy politician from Massachusetts and his diffident aide from the Midwest made an odd but compatible pair. In 1960 Time magazine described Sorensen as “a sober, deadly earnest, self-effacing man with a blue steel brain.” But, as Sorensen himself noted, both he and Kennedy had a wry sense of humour, a dislike of hypocrisy, a love of books and a high-minded regard for public life.
In October 1962, Sorensen applied himself to the growing crisis in Cuba, as the United States and the Soviet Union stood on the brink of nuclear war over Soviet missiles sited there.
Kennedy ordered Sorensen and Bobby Kennedy, the administration’s attorney general, to draft a letter to the Soviet leader, Nikita Khrushchev, who had sent a series of conflicting messages, first conciliatory, then belligerent.
Their carefully worded response — which ignored Khrushchev’s harsher statements and offered a concession involving American weapons in Turkey — was critical in persuading the Soviets to withdraw their missiles from Cuba, averting war between the superpowers. Sorensen considered this his greatest achievement.
Although acclaimed as “the poet of Camelot” (as the Kennedy administration was known), Sorensen never claimed exclusive authorship of these rolling cadences, describing speechwriting within Kennedy’s White House as highly collaborative — with JFK a constant source of suggestions of his own.
Theodore Chaikin Sorensen was born into what he called a Danish-Russian-Jewish Unitarian family on May 8, 1928 in Lincoln, Nebraska, where his father was a progressive Republican state attorney general. After graduating from Lincoln High School in 1945, he studied law at the University of Nebraska.
In 1952, when he was 24, he joined Kennedy’s staff. The newly elected senator for Massachusetts reportedly gave Sorensen two short interviews a day or two apart before hiring him. The pair hit it off immediately.
In January 1960, Kennedy announced his candidacy for the Democratic presidential nomination and, with Sorensen, went on to wage one of the most successful political campaigns in American history.
Sorensen thrived on pressure and, as Kennedy was delivering one speech, he would often be found writing the next. As “chief of staff for ideas,” Sorensen became one of the most prominent and influential figures in the political landscape during JFK’s brief presidency.
After Kennedy’s assassination in 1963, Sorensen worked as an international lawyer, and numbered the Egyptian president Anwar Sadat among his clients. He remained involved in book publishing, politics, joining Bobby Kennedy’s presidential campaign in 1968 and running unsuccessfully for the
Wiles, Deborah. 2010.
Countdown. New York: Scholastic.
Countdown. The story is one of a girl named Franny - a nondescript, middle child with a beautiful older sister and a "perfect" younger brother. Her father is in the 89th Air Force Division; her mother is a dutiful military wife. Her neighbors are nosy, her "crazy" uncle is suffering flashbacks from the war. She is having a major fight with her best friend; she has a crush on her neighbor.
And as if that were not enough, it's October, 1962. The Soviet Union has placed missiles in Cuba and the world as she knows it may end at any minute. Duck and cover!
Interspersed between the pages of Franny's story are photos, advertisements, song lyrics, headlines and other depictions of realia from the "Camelot" years.
According to the author,
Countdown is based on her own life, which accounts for the honesty and authenticity of it's protagonist. The collected depictions add to the story and in some instances (the bomb shelter instruction pull-out that appeared in Life magazine, the "duck and cover" photos of young children at their desks) add a palpable sense of the fear felt by Americans during those tense October weeks. Young readers will relate to Franny and gain a greater understanding of the period, however many of the song lyrics and photos will be unfamiliar to them, and are presented scrapbook style, without caption, in the body of the novel. This format adds dramatic impact at the expense of context. Will children recognize the smiling Nikita Khrushchev or the silhouetted figures of JFK and his brother deep in thought? Probably not, but it's a minor complaint.
There's a lot of
Newbery Award buzz about this ground-breaking "documentary novel." It is the first in a planned trilogy about the 1960s. Well-worth reading!
The author and Scholastic offer great resources. Links are below. Be sure to check out the trailer!
An excerpt from Countdown.Scholastic's Countdown booktalk.Scholastic's Countdown Discussion Guide.