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Note, Wendling didn’t write the quoted text in English— that’s Facebook’s automatic translation from what she wrote in French, so the weird grammar is not her fault. The last two lines could be translated better as: “Even the haters— well, not really. Kisses. But not to everyone. You know who you are,” etc.

Hmm, so if you are nominated, it is best to not win the award. It is the new “No Prize”!

Damn, just give it to me. No one cares to accept it, i’ll take it!
i haven’t yet any work done but will be an encouragement to make work.
Just like Obama received his Nobel…

(I’ll take the next Nobel too, if no-one wants it also.

This really seemed to backfire on the fans. They had a campaign to nominate a creator without even thinking about whether said creator would want the award. Wendling is a fantastic artist, but she hasn’t done comics in ages. She’s moved on. I’m not surprised she doesn’t want it.

When you compare the work of the 3 finalists, she doesn’t stack up in terms of bodies of work. This list (http://www.bdgest.com/news-1055-BD-Hermann-Moore-Wendling-Les-3-finalistes.html) is missing a few of her books, but the odds were definitely stacked against her. It was almost like she was going to be set up to fail.

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Hermann hasn’t won precisely because he had few friends among the previous winners. Until three years ago, the winners were voted by the previous ones, a selection method that kept many worthy creators out for decades.

Most of the past winners knew very few people outside the french-belgian comics industry, for example. And the belgians themselves (Hermann among them) were rarely voted in. So although they represent a considerable portion of the french-language comics production (a third or more – including most of the top sellers!), only three of them actually won a Grand Prix – and no less than Lucky Luke creator Morris only won an anniversary award (same as Claire Bretécher). More AMERICANS won the Grand Prix than belgians!

So, much like the women, the belgians are seriously underrepresented among the Angoulême award winners. Must also add that, much like Moore, Hermann isn’t the most sociable of creators (at least that’s what people say, he was a gentleman when I met him at a festival here in Portugal years ago!). And he most certainly wouldn’t accept a “consolation prize” like the anniversary awards…