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Fast fast, like lightning, fast!  It’s a Fusenews round-up of epic quickie proportions!

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First up, my buddy Warren Truitt used to work with me in the Central Children’s Room of New York Public Library.  Then he moved to Alabama.  He’s kept busy, since that time with a long-term personal project.  This one man machine is intent on setting up every single child in every single preschool in Lee Col, AL with three books that they can take home as their own.  To do that, he has set up a very specific registry.  If you want to help him out go to this Amazon wishlist and buy him one or more of the books on this list.  This is a straight up good cause with direct results.  Make yourself feel good about yourself today.

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In other news, I have been mistakenly complimented.  Cece Bell, the marvelous creator behind such books as El Deafo and the Rabbit and Robot easy book series wrote a post recently in which she wrote the following:

“After El Deafo came out, … Betsy Bird pointed out that the first book in the series (Rabbit & Robot: The Sleepover) seemed autobiographical to her. (She was right in some ways—I had initially modeled Rabbit on someone else, but while working on the book realized that the high-strung, anxious Rabbit is pretty darn close to me.) Betsy used her crazy-good comp-lit skills and suggested that my personal connection to the book went even further. She pointed out that while Rabbit might represent me (I’m a rabbit in El Deafo, after all), perhaps the problem-solving Robot might represent the Phonic Ear, my clunky hearing aid from elementary school. I think Betsy was right! Robot drives Rabbit crazy but ultimately helps him out; my Phonic Ear drove me crazy, but ultimately helped me out. A lot.)”

She goes on to explain how the newest book in the series follows in this vein, though she didn’t intend it to do so.  Now, you know me.  I’m vanity incarnate.  I like taking credit for things, but this?  I can’t take credit for this.  In point of fact it was my genius husband who actually came up with the Rabbit & Robot = El Deafo connection.  So I thank you, Cece, but in truth it is Matt Bird who deserves this honor.  I am but his humble vessel, parlaying his theories into the universe.

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Seems like every day we’re getting more and more information about the upcoming Wrinkle in Time movie.  It’s being directed by Ava DuVernay.  This is good.  Oprah will star in some capacity.  Let the Oprah as winged centaur fan art begin!  Still good news.  Mindy Kaling and Reese Witherspoon may be involved somehow.  Better and better.  And lastly, Storm Reid (seen here) will be Meg.  Perfect!  Right age and everything.  BUT, and this is a big but, there is still one way they can mess everything up.  MEG. MUST. WEAR. GLASSES.  If Meg is not wearing glasses in this movie then I am checking out.  Harriet the Spy didn’t wear glasses in that Rosie O’Donnell film and Meg didn’t wear glasses the last time they filmed this.  Team Glasses, that’s me.  Let’s see what happens.  Thanks to Laurie Gwen Shapiro for the link.

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Anyone else notice that there’s been a distinct increase in the number of articles praising translated books for kids and asking for more out there?  Bookriot just came out with 100 Great Translated Kids Books From Around the World.  I am not familiar with this M. Lynx Qualey but this is top notch writing.  Hooray, #WorldKidLit Month!

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New Blog Alert: In my travels I just found a new blog via a recent New York Times Book Review.  New to me anyway.  Apparently this woman’s been doing this since 2012.  Meet Catherine Hong.  She works on magazines.  She blogs at www.mrslittle.com.  And she writes on interesting topics with interesting titles.  Here’s a smattering of what I mean:

• New York Fashion Week meets Moomin
• Best Dressed: Sylvester’s mother
• Wes Anderson Probably Read This Book
• Double Fudge: A Novel for Adults
• Quite Possibly the Coolest Author Photo to Have Ever Appeared in a Kids’ Book

Read that last one if nothing else.  This is my kind of woman (to quote Animal from The Muppet Show)!

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The National Book Award longlists were announced this week, people!  And guess what?  There’s a nice equal smattering of YA and children’s literature on the list.  Hooray!  Some years it’s all YA with just one children’s book squeezing in there.  This year there are SIX children’s books, just slightly tipping in favor of younger readers.  I’ve read five of them.  See if you can guess which one I haven’t read.  It’s not as obvious as you might think.

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And now, your daily reminder that David Foster Wallace once taught Mac Barnett.  I will repeat.  The author of Infinite Jest taught the author of Extra Yarn.  I’m just going to sit and process that for a while.  Carry on.

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Hey!  Look over there!  At the Horn Book Podcast (I listen to all the episodes – I’m such a junkie) Jules Danielson was on and she said many smart things.  Many!  Go listen to her and feel smart while doing so.

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Confession: I was just going to coast today, since I’d technically already submitted my four blog posts for the week (Sundays totally counts).  Then Travis Jonker goes and does THREE brilliant posts in. a. row.  This will not stand.  I can’t compete with that.  First he predicted the upcoming New York Times Best Illustrated books for 2016.  Then he did a piece called Who Has Published the Most New York Times Best Illustrated Books in the Last Decade (the answer may surprise you . . . but won’t) and then he followed that up with The Failed Political Campaigns of Children’s Book Characters.  I was particularly keen on the last of these because just two days ago I interviewed Aaron Reynolds about President Squid for this new show I’m doing.  I recommend that if you don’t want to listen to my big face, skip to about 18:30 where you can experience the most enjoyable sensation of watching a really good author/performer read his book aloud.  The voice of President Squid here is fantastic.

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Little, Brown and Company has unveiled the cover for the 20th anniversary edition of David Foster Wallace’s Infinite Jest. Last year, the publisher hosted a fan-designed cover contest.

According to the publisher’s tumblr post, Joe Walsh, a Cincinatti-based artist, created the winning submission. We’ve embedded the full image for the jacket design above—what do you think?

The judging committee included Karen Green, an artist and Wallace’s widow, and Michael Pietsch, CEO of Hachette Book Group and Wallace’s editor. Tom Bissell, a journalist, wrote the foreword for this book. The release date has been scheduled for Feb. 23. (via The Melville House Blog)

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I went to see "The End of the Tour," the David Foster Wallace film. I knew that, in some ways, I should not have been there. That Wallace's family vigorously opposed the film, gave no permission, did not want this famously private self to be re-enacted.

I respect that.

And. I was engaged, moved, saddened, heartened as I sat there in a packed theater watching the film. What a man, what a mind, what tender nuance was he. That bandana and those dogs. His wanting to be accurate, not shaped, not distorted by his bitter Rolling Stone interviewer, David Lipsky. His desire to live free of the self-doubt that accompanies both fame and obscurity.

This morning, in the wake of that cinematic experience, I read as much as I could about Wallace's widow, Karen Green—her art, her writing, her memoir. Having watched the film I felt it necessary to balance me out with her words.

Inside a Guardian interview, I was returned to Wallace himself, to words written to Jonathan Franzen in a 2005 email. Here Wallace is talking about the difficulty of writing past the known beats and grammar. Of continuously going out to a new edge so that one does not repeat oneself. His words brought to mind all the writers I've read who burst onto the scene with something new, refine that new over the next few books (if they are that lucky, few are), and then begin to tread the same water, return to the same tricks, become a parody of themselves, become (I have used this word a lot this summer, for I've reflected, perhaps too much, on all I've seen) a brand.

That's it, right? How do writers not become a parody of themselves? How do they avoid getting locked into their own deliberate constructions?

Wallace, who had so much to teach us, was thinking about that here:

 "Karen is killing herself rehabbing the house. I sit in the garage with the AC blasting and work very poorly and haltingly and with (some days) great reluctance and ambivalence and pain. I am tired of myself, it seems: tired of my thoughts, associations, syntax, various verbal habits that have gone from discovery to technique to tic. It's a dark time workwise, and yet a very light and lovely time in all other respects."

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The End of the Tour is probably the closest thing I’ve ever seen to a Matryoshka Russian dolls analogy put to paper. It isn’t “meta”, nor does it contain literal stories within stories, but it’s a work that is only birthed out of the ones that came before it. The outer shell is of course […]

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Back in 2013, it was announced that actor Jason Segel would play the late writer David Foster Wallace in The End of the Tour. Recently, Segel (pictured, via) made an appearance at a BookCon panel and discussed his preparations for this role.

According to Vulture.com, Segel read the Consider the Lobster short story collection, the A Supposedly Fun Thing I’ll Never Do Again essay book, and the Infinite Jest novel. He also listened to past interview recordings and the 2005 Kenyon College commencement address.

After all of this research, Segel drew this conclusion: “What separates an author and mind like David Foster Wallace is he has the ability to articulate. A lot of people are sitting there feeling it, feeling confused about why they don’t feel satisfied. And David Foster Wallace said, ‘Maybe it’s this. Maybe that’s why.'” The film debuted at the Sundance Film Festival earlier this year. A limited release date has been scheduled for July 31st.

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The Blank on Blank organization has created an animated video starring Even Cowgirls Get the Blues author Tom Robbins. The video embedded above features outtakes from a previously unheard interview conducted with Tod Mesirow that took place in 1994. In the past, the producers behind this YouTube channel made pieces about I Know Why the Caged Bird Sings memoirist Maya Angelou, Where the Wild Things Are creator Maurice Sendak, and Infinite Jest novelist David Foster Wallace.

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The Blank on Blank organization has created an animated video starring I Know Why the Caged Bird Sings memoirist Maya Angelou. The video embedded above features an unheard interview that took place in 1970 between the late author and Pulitzer Prize-winning nonfiction writer Louis “Studs” Terkel. In the past, the producers behind this YouTube channel made pieces about Where the Wild Things Are author Maurice Sendak and Infinite Jest novelist David Foster Wallace.

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In a body of work earmarked by information overload and hyperawareness, this final collection of stories by the '90s wunderkind focuses on its titular state, oblivion. At turns bawdy and heart-stopping, the defining feature of these stories are characters who miss a fateful, telling detail, who lack awareness, who suffer blind spots. The stories here [...]

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Not from David Foster Wallace. Not Ulysses. (photo via Tony Shafrazi)

I, too, immediately thought, "Wow!" when I saw it.

I, too, accepted the idea that it must be David Foster Wallace's copy of Ulysses, because, well ... you've heard of David Foster Wallace, right?

I'm teaching a course in literary analysis in the fall and so am collecting whatever images I can find of the ways (reasonable or absurd) that serious readers annotate what they read. I zoomed in on the image to see if I could figure out the logic (or illogic) of it. But the pages didn't look like Ulysses to me. Nor, for that matter, did the style of annotation resemble what we know of DFW's style from the books at the Ransom Center. I zoomed in, and though the resolution was quite low, I made out what seemed to be two names: Maureen O'Sullivan and, at the top, Robert Mitchum. It looked to me like a biography of Robert Mitchum.

It was easy enough to use Google Books to find a Robert Mitchum biography with this page layout: Lee Server's Robert Mitchum: "Baby, I Don't Care".

I sent a Tweet to the person who originally posted this; I assumed he'd just been joking, as anything with a bunch of weird annotations could jokingly be called DFW's something-or-other. Though I don't know his motivations, this still seems the most likely explanation. That everybody immediately and without any research assumed it was true and not a joke was ... illuminating.

I continued to wonder what the book was, though, and why someone had ... decorated it ... in the way they had. I didn't have time to track it down, but Bibliokept did, and came up with some interesting stuff. Check out that link — it's a fun detective game.

The image is still compelling and fascinating, despite not being a book of DFW's nor a copy of Ulysses. In some ways, it's more impressive that it isn't a complex text like Ulysses, but just a popular biography of a movie star.

What are the lessons here? 1.) Don't believe everything you see on the internet. 2.) Sometimes things are even weirder than they seem at first.

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The late David Foster Wallace was born on February 21, 1962, so today is a good day to remember that you can get some free writing advice from the great novelist while working on your computer.

Every Mac computer contains a copy of the Oxford American Writer’s Thesaurus, a powerful tool for writers that features extra “word notes” from Wallace and a number of other authors, including Rae Armantrout, Joshua Ferris, Francine Prose, Zadie Smith and Simon Winchester.

Author Dave Madden explained how to access the extra material in a post: “It’s part of the built-in dictionary. Type in a word, click on ‘Thesaurus’ in the little bar above, and you’ll get the word-for-word entry from this book I paid money for … Here, as a public service, is the list of words with notes by DFW: as, all of, beg, bland, critique, dialogue, dysphesia, effete, feckless, fervent, focus, hairy, if, impossibly, individual, loan, mucous, myriad, noma (at canker), privilege, pulchritude (at beauty), that, toward, unique, utilize.”

continued…

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Readers around the globe have unwrapped new tablets and eReaders this holiday season. Below, we’ve included a long, long, long list of free and legal eBooks you can download right now for any device.

Explore our Project Gutenberg lists and click “read this eBook online” to sample the book without downloading anything.

If you have an iPad, iPad Mini, iPhone or iPod Touch, you can download the ePub edition. If you have a Kindle or a Kindle Fire, you need to download the Kindle edition. If you have a Nook, Sony eReader or a Kobo, you should download the ePub edition.

continued…

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It’s the night before Christmas and all through the house not a creature was stirring, except the writer throwing her manuscript across the room. What words will Santa give her? Gifts of ‘stillicide’ or ‘ectoplasm’ for her National Book Award — or lumps of coal for failing NaNoWriMo. We’d like to share a few reflections on terrible words from writers such as David Foster Wallace, Zadie Smith, and Michael Dirda in the Oxford American Writer’s Thesaurus below.

Joshua Ferris says “Bah, humbug” to… ACTUALLY

Actually is a fashionable word circa 2011, especially in colloquial, voice-driven contemporary writing, and it’s all over the place in everyday speech. It’s used wrongly and excessively, even speciously, and is one of the worst tics of tendentious writing. As a qualifier, it’s fine (Jack is actually eleven, not twelve). As an intensifier (like its brothers literally, really, utterly, and totally), it attempts to replace subjective opinion for objective fact (the play was actually a lot better than Jack thought it was). One can’t use a word that means ‘existing in fact, real’ in the context of something debatable or contentious. I’d suggest a basic usage rule that says whenever you can replace actually with in my opinion, the actually should be avoided.

Zadie Smith says “Bah, humbug” to… BARREN

Nullipara. A woman who has never given birth to a child. One of the few nouns referring to the sexual/reproductive/aging status of a woman that is not in any way pejorative, simply because it is almost never used. Should be printed on T-shirts.

Michael Dirda says “Bah, humbug” to… BRAVE

Excepting the few who boldly confront oppressive laws or governments (Émile Zola, Anna Akhmatova), or those who join fighting brigades where they risk being killed in battle (Ernst Junger, Andre Malraux), no writer should be referred to as brave. Too often modern poets are called brave—or daring or fearless—simply because they write openly about being lonely, sexually frustrated, or drug-dependent. Worse yet, critics sometime present the verbal equivalent of the Silver Star to some assistant professor attempting an unfashionable verse form in his latest contribution to the Powhatan Review. That’s not quite what placing your life on the line means. Save all those courageous adjectives for coal miners, firefighters, and the truly heroic.

David Foster Wallace says “Bah, humbug” to… INDIVIDUAL

As a noun, this word has one legitimate use, which is to distinguish a single person from some larger group: one of the enduring oppositions of British literature is that between the individual and society; or boy, she’s a real individual. I don’t like it as a synonym for person despite the fact that much legal, bureaucratic, and public-statement prose uses it that way—it looms large in turgid writing like law-enforcement personnel apprehended the individual as he was attempting to exit the premises. Individual for person and an individual for someone are pretentious, deadening puff-words; eschew them.

David Auburn says “Bah, humbug” to… QUIRKY

Just as the British use clever as a backhanded insult, meaning ‘merely clever, not actually intelligent or thoughtful,’ quirky is often used to mean ‘mildly and harmlessly peculiar’ with ‘and totally uninteresting’ implied. I hate quirky and hate having it applied to my own writing. I would rather receive a negative review that didn’t use this word than a rave that did.

Francine Prose says “Bah, humbug” to… SCUD

Once I heard a teacher tell a seventh-grade class that this was precisely the sort of verb they should use to make their writing livelier and more interesting. The example she gave was: The storm clouds scudded over the horizon. In fact, this is precisely the sort of word—words that call unnecessary attention to themselves, that sound artificial and stop the reader in mid-sentence—that should not be used for that reason. Or for any reason. When in doubt, use a simpler and more everyday word, and try to make the content of the sentence livelier and more interesting, which is always a better idea. If you don’t have anything fresh to report about the rapidly moving clouds, writing that they scudded won’t help.

David Lehman says “Bah, humbug” to… SYNERGY

Some words don’t work. Synergy is one of them. Theoretically it makes sense. Synergy is a business term, corporate-speak for the advantages of amalgamating the operations of several different but related companies. When, for example, a book publisher merges with a movie studio, one reason given is that there are bound to be significant synergies: ways one branch of the new structure can feed the other. It turns out, however, that the concept is flawed; these mergers seldom go according to plan. And that is surely why you hear the word only in the business news, among executives and mouthpieces for whom hope springs eternal.

Suleiman Osman says “Bah, humbug” to… TECHNICALLY

When someone starts a phrase with the word technically, he or she almost always follows with a statement that is useless or wrong. This is particularly true when a person is using the term as a way to correct someone gently. “Technically, the city is called Par-ee.” Who has not been enjoying a view of a lovely body of water and muttered to oneself “what a beautiful bay,” only to be interrupted by someone who points out that “technically it’s a sound.” Feel free to tell him or her that “technically” there is no difference between a sound, bay, firth, gulf, cove, bight, or fjord. There are only different local conventions. Or if you aren’t sure, you can always ask “technically, according to whom?”

Tell us the words you say “Bah, humbug” to in the comments below.

Much more than a word list, the Oxford American Writer’s Thesaurus is a browsable source of inspiration as well as an authoritative guide to selecting and using vocabulary. This essential guide for writers provides real-life example sentences and a careful selection of the most relevant synonyms, as well as new usage notes, hints for choosing between similar words, a Word Finder section organized by subject, and a comprehensive language guide. The text is also peppered with thought-provoking reflections on favorite (and not-so-favorite) words by noted contemporary writers, including Joshua Ferris, Francine Prose, David Foster Wallace, Zadie Smith, and Simon Winchester, many newly commissioned for this edition.

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Amazon, Barnes & Noble and Apple are running $4 sale on David Foster Wallace‘s masterpiece, Infinite Jest.

As of this 5:23 p.m. ET writing, the same book currently costs $8.89 on Google Play and $9.99 on Kobo. This week, Hachette dropped the agency model for eBook pricing, allowing digital book marketplaces to price books as they wish. Will we see eBook price wars without these price restrictions?

paidContent has more about the new eBook contracts: “Hachette’s new contracts with ebook retailers following the publisher’s September settlement with the Department of Justice are now place. As of Tuesday, Amazon had begun discounting some Hachette ebooks slightly; today, the discounts are larger, and Google and Barnes & Noble is discounting as well. Apple is not discounting the ebooks yet.” (link via ohhaiworld)

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The Harry Ransom Center announced that literary scholars can now examine a trove of drafts and materials from David Foster Wallace‘s unfinished and final novel, The Pale King.

Follow this link to view digital copies of six drafts of one section from this new collection (image embedded above). The Center acquired the six boxes of materials, but Little, Brown and Co. kept the papers until after the paperback edition was published. Check it out:

The Pale King materials fill six boxes and  include handwritten and typescript drafts, outlines, characters lists, research materials and a set of notebooks containing reading notes, names, snippets of dialog, definitions, quotations and clippings. The materials have been organized according to a spreadsheet developed by Wallace’s editor, Michael Pietsch. Pietsch, then-executive vice president and publisher of Little, Brown and Co., spent months reading through and organizing the material and found what he called “an astonishingly full novel, created with the superabundant originality and humor that were uniquely David’s.” (Image via David Foster Wallace Literary Trust)

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Author David Foster Wallace‘s iconic book Infinite Jest has been brought to life in map form thanks to the work of D.C.-based artist William Beutler. Infinite Atlas, as the  project is called, chronicles all of the locations mentioned in the book, both real and fictional, and pinpoints them on a map. Users can search entires on the map and read footnotes about the locations and how they apply to the various characters in the book.

AppNewser has more about how it works: “Entries on the map include the page number, a description of the place and the characters involved. For example, ‘Marlborough/Marlboro Street’ first appears on page 23. Here is the description: “location of prestigious gallery where the ‘last woman’s  old art through / location of brownstone where JOI and Avril lived before Mario and HI were born.” Readers can also search the map based on a list of characters.”

The project was born out of Beutler’s first effort, which he called Infinite Boston, which launched in July. Infinite Boston included about 50 locations around the city of Boston.

A printed version of the Infinite Atlas Map is available for purchase.

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How do you choose the right word? Some just don’t fit what you’re trying to convey, either in the labor of love prose for your creative writing class, or the rogue auto-correct function on your phone.

Can you shed lacerations instead of tears? How is the word barren an attack on women? How do writers such as Joshua Ferris, Francine Prose, David Foster Wallace, Zadie Smith, and Simon Winchester weigh and inveigh against words?

We sat down with Katherine Martin and Allison Wright, editors of the Oxford American Writer’s Thesaurus, to discuss what makes a word distinctive from others and what writers can teach you about language.

Writing Today, the Choice of Words, and the Oxford American Writer’s Thesaurus

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Reflections in the Oxford American Writer’s Thesaurus

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The Use and Abuse of a Thesaurus

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Katherine Martin is Head of US Dictionaries at Oxford University Press. Allison Wright is Editor, US Dictionaries at Oxford University Press.

Much more than a word list, the Oxford American Writer’s Thesaurus is a browsable source of inspiration as well as an authoritative guide to selecting and using vocabulary. This essential guide for writers provides real-life example sentences and a careful selection of the most relevant synonyms, as well as new usage notes, hints for choosing between similar words, a Word Finder section organized by subject, and a comprehensive language guide. The third edition revises and updates this innovative reference, adding hundreds of new words, senses, and phrases to its more than 300,000 synonyms and 10,000 antonyms. New features in this edition include over 200 literary and humorous quotations highlighting notable usages of words, and a revised graphical word toolkit feature showing common word combinations based on evidence in the Oxford Corpus. There is also a new introduction by noted language commentator Ben Zimmer.

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For your weekend reading pleasure, here are our top stories of the week, including David Foster Wallace on your Mac’s thesaurus, the worst sentence of the year and our massive Free eBook Flowchart showcasing most popular digital books at Project Gutenberg (embedded above).

Click here to sign up for GalleyCat’s daily email newsletter, getting all our publishing stories, book deal news, videos, podcasts, interviews, and writing advice in one place.

1. How To Sell Your Self-Published Book in Bookstores

2. Free eBook Flowchart

3. Audition For ‘Sex & The Single Girl’ Audiobook

4. Cathy Bryant Has Written the Worst Sentence of the Year

5. The Lost History of Fifty Shades of Grey

6. Free Sites to Promote Your eBook

7. The Writers That Inspired Pussy Riot

8. David Foster Wallace on Your Mac Thesaurus

9. LinkedIn Profile Tips for Writers & Publishing Pros

10. Writing Advice from H. P. Lovecraft

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I had time, just now, that quiet time, of reading the magazines that came in last week.  Oh, the stolen deliciousness of it all.  In The New Yorker, I read of Oliver Sacks on his years dedicated, in large part, to experimenting with large doses of amphetamines, morning-glory seeds, LSD, morphine, and all other manner of neuro-shifters.  I thought of all the Sacks I have read these many years, of the seeming innocence of his beguiling childhood memoir, Uncle Tungsten:  Memories of a Chemical Boyhood, of his great empathy for patients and ferns and other earthly beings. His New Yorker essay delves, skips, and buries time before it rushes, headlong, toward its hard stop.  Sacks had discovered a book on migraines and it had become important to him.  He had a revelation about migraines.  He ...

... had a sense of resolution, too, that I was indeed equipped to write a Liveing-like book, that perhaps I could be the Liveing of our time.

The next day, before I returned Liveing's book to the library, I photocopied the whole thing, and then, bit by bit, I started to write my own book.  The joy I got from doing this was real—infinitely more substantial than the vapid mania of amphetamines—and I never took amphetamines again.

Writing books, Sacks suggests, saved him.  The next story I read, an excerpt from D.T. Max's much heralded biography of David Foster Wallace (in Newsweek), suggests how writing would and would not save this genius.  The excerpt, which focuses on Wallace's early correspondence with Jonathan Franzen as well as his infatuation with Mary Karr, suggests that this book is well worth reading as a whole.  I've always been a huge D.T. Max fan, and I'm certain I will learn from these pages.

In between the Sacks and the Wallace, I found two poems of interest.  Joyce Carol Oates has a chilling, compelling poem in The New Yorker called "Edward Hopper's '11 A.M.,' 1926"�worth reading from beginning to end.  Oates was one of several authors who contributed to one of my favorite poetry collections (a gift from my sister) called The Poetry of Solitude:  A Tribute to Edward Hopper (collected and introduced by Gail Levin). Clearly this project, all these years later, continues to inspire.

Finally, within the pages of this week's New Yorker is a poem by C.K. Williams, one of my favorite living poets.  I had the great pleasure and privilege, years ago, of interviewing C.K. in his Princeton home for a magazine story.  Later, I saw him read at the Writer's House at Penn.  He remains vital, interesting, experimental, and honest, and his new poem, "Haste," is a terrifying portrait of time.  From its later phrases:

No one says Not so fast now not Catherine when I hold her not our dog as I putter behind her
yet everything past present future rushes so quickly through me I've frayed like a flag

Unbuckle your spurs life don't you know up ahead where the road ends there's an abyss? ... 

My first corporate interview isn't until 1 this afternoon.  I'm sitting down to read Truman Capote's In Cold Blood.  I figure it's time.


(That above, by the way, is my cat Colors, who lived with me for many years.  She's climbing into my bedroom window.  I'm eleven or twelve years old.  And I'm reading on my bed as she pokes her pink nose in.)

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The new video for “Calamity Song” by The Decemberists reenacts a scene from David Foster Wallace‘s masterpiece, Infinite Jest. We’ve embedded the video above–what do you think?

In the video, a group of teenagers play Wallace’s imaginary Eschaton game, a combination of tennis match and computer simulation for nuclear war. Follow this link if you want to play the game in real life. Singer and novelist Colin Meloy told NPR he had just finished reading Infinite Jest and wanted the video to be a tribute to the late novelist.

Check it out: “I had this funny idea that a good video for the song would be a re-creation of the Enfield Tennis Academy’s round of Eschaton — basically, a global thermonuclear crisis re-created on a tennis court — that’s played about a third of the way into the book. Thankfully, after having a good many people balk at the idea, I found a kindred spirit in Michael Schur, a man with an even greater enthusiasm for Wallace’s work than my own. With much adoration and respect to this seminal, genius book, this is what we’ve come up with. I can only hope DFW would be proud.”

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This is not my yard.  This is the perfect lawn of Chanticleer Gardens, where two of my books take place and many of my other books have been considered.  This is the lawn children tumble down, the lawn my own Chanticleer students once traversed as they made their way from prose poems to villanelles.

This is also not my life—this quiet, green perfection.  My life is more like last night—those 45 minutes of sleep that I finally got—or more like this morning, when, after deciding that further sleep was not an option, I turned on my computer only to experience a three-hour computer crash.  My email files have now been restored, thank you very much.  But it's 11:20 AM, and I have not dressed for the day.

What I have done, while wading through no sleep and no connectivity is to read and blurb a book, to talk to my father, and to read Jonathan Franzen's essay, "Farther Away," in last week's The New Yorker.  This is the piece my dear student brought to me on Tuesday.  This is the quality of work she finds inspiring.  And no wonder.  I share with you now the passage my student read aloud to me, on that gray day, in that dark and too-cold room, her voice the warmth, her presence the light.  It's Franzen reflecting on David Foster Wallace:

People who had never read his fiction, or had never even heard of him, read his Kenyon College commencement address in the Wall Street Journal and mourned the loss of a great and gentle soul.  A literary establishment that had never so much as short-listed one of his books for a national prize now united to declare him a lost national treasure.  Of course, he was a national treasure, and, being a writer, he didn't "belong" to his readers any less than to me. But if you happened to know that his actual character was more complex and dubious than he was getting credit for, and if you also knew that he was more lovable—funnier, sillier, needier, more poignantly at war with his demons, more lost, more childishly transparent in his lies and inconsistencies—than the benignant and morally clairvoyant artist/saint that had been made of him, it was still hard not to feel wounded by the part of him that had chosen the adulation of strangers over the love of people closest to him.

What we learn from our students.  What they yield.

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While exploring the David Foster Wallace archive, Justine Tal Goldberg unearthed a poem most likely written as a grade school assignment.

According to The Guardian, Goldberg was researching for an article when she found a thick folder labeled “very early DFW.” It also contained illustrated short stories, school reading lists and essays on baseball with smiley faces scribbled on the margins.

The article offers these lines from the adolescent Wallace (pictured, via) poem: “My mother works so hard / so hard and for bread. She needs some lard. / She bakes the bread. And makes / the bed. And when she’s / threw she feels she’s dayd.” What do you think? (via Publisher’s Weekly)

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For a limited time, The New Yorker will give Facebook fans free access to a Jonathan Franzen essay about his relationship with the late David Foster Wallace. Follow this link to access the essay.

Here’s an excerpt: “The people who knew David least well are most likely to speak of him in saintly terms. What makes this especially strange is the near-perfect absence, in his fiction, of ordinary love. Close loving relationships, which for most of us are a foundational source of meaning, have no standing in the Wallace fictional universe.”

What do you think about the provocative essay? Last week, we found a number of tax tips hidden inside The Pale King–Wallace’s unfinished novel about the lives of IRS agents.

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While reading our galley copy of David Foster Wallace‘s final novel and thinking about our own taxes, we compiled a list of tax tips gleaned from The Pale King.

The 547-page novel follows the obsessive mental adventures of IRS agents, providing a postmodern peek into the labyrinth of rules guiding your taxes.

As the hero suffers through an excruciatingly dull IRS orientation in chapter 27, an official explained the logic behind selecting tax returns for a dreaded audit. The instructor proceeded to tick off red flags in tax returns that could get your work audited. These warning signs follow below…

continued…

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