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Viewing: Blog Posts Tagged with: William Styron, Most Recent at Top [Help]
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1. The Darkness We Need To Make Visible - Lucy Coats




The sad suicide of Robin Williams last week has sparked another 'conversation' in the press and on social media about mental illness - and more particularly about the link between creativity and depression. 

I think this 'conversation' - and the dispelling of ignorance and myths about these conditions by those of us who are sufferers speaking out honestly - is very important indeed. It is, if you like, the inner and unseen darkness we need to make visible, which is why I have written before, both here and elsewhere, about my own battles with the Beast of chronic depression and how, in some of those darker moments, I turn to writing poetry as a way to battle the demons. Externalising them on paper is, for me at least, a way of dispersing some of their power over me. 

Sometimes, though, when the despair becomes a deep physical paralysis, even the act of writing a single word seems impossible, and it at those times that the 'world would be better off without me' thoughts creep in. To the 'well brain' this is inexplicable - but the 'well brain' of a depressive is not always in charge. That is what the people who accuse Williams of 'selfishness' need to understand. Suicide, where mental illness is concerned, is not a choice. It is the last, most desperate act of a despairing brain which just wants the demons to stop eating it.


When I was first officially diagnosed with depression, I had a deep need to find a way to understand it which avoided medical jargon (to which I am deeply allergic). Being a writer, I turned to other writers to see what their experiences were - and how they had coped. The first name which came up was William Styron, whose book, 'Darkness Visible', about his own journey through depression became my manual. The title comes from Milton's 'Paradise Lost'
'No light, but rather darkness visible served only to discover sights of woe'
Writing is, for the most part, a solitary profession. In my case, I mostly sit in a room, on my own, making stuff up and setting the visions that churn around in my head down on a screen. It is hardly surprising that, living as I do in a daily creative world where evil Egyptian crocodile deities demand human sacrifices, immortal beasts battle horrid heroes and skeleton dragons with flaming red eyes menace innocent children, my own mind should sometimes rise up against me.  

Every writer, whether with depression or without, will know that little nagging head voice which tells us that what we do is unutterably useless and pointless. Styron describes his thought processes 'being engulfed by a toxic and unnameable tide that obliterated any enjoyable response to the living world.' Reading those words was, for me, a recognition akin to a light being turned on in a dark room. When I first read Styron's book I did what I never do (being a respecter of the sanctity of the printed page). I underlined and made comments and wrote 'YES!!' in large capitals in many places. I have scribbled a lot more on it since. I felt as if, finally, I had found a fellow wanderer in an empty desert who could describe not only what and how I was feeling, but also do it in words simple and direct enough that others--those 'healthy people' on the outside of this condition--might be able to understand too. When Styron speaks of the 'weather of depression', I understand precisely what he means. For him its light is a 'brownout', for me a greyish fog impossible to see anything in except blurred shapes and outlines.

It's hard for me to describe how strengthening and comforting it felt to read something which made sense of my own experience, and which reminded me gently of how many other writers have been in the depths of the pit too. Shakespeare certainly understood it - how else would he have written Hamlet? Emily Dickinson, John Donne, Camus, Manley Hopkins, Beethoven, Van Gogh - these and so many more were troubled by the Beast, so I am in hallowed company when I travel through Dante's 'dark wood'. 

For now, I am in a stable place, where it is possible to 'riveder le stelle' - to 'behold the stars once more.'. But when the Beast visits again (as it inevitably will, because that is its nature) I will try to remind myself that I am not alone. 

Captain Beastlie's Pirate Party is now out from Nosy Crow!
"What right-minded child could resist his allure?" Books for Keeps
Lucy's brand new Website and blog
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Lucy is represented by Sophie Hicks at The Sophie Hicks Agency

0 Comments on The Darkness We Need To Make Visible - Lucy Coats as of 8/19/2014 2:49:00 AM
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2. Bipolar Characters in Children's and YA Fiction






It's World Mental Health Day today - so what better time to address the subject of mental health in children's and YA books? I'm going to focus on bipolar disorder, because it's a particular interest of mine. But much of what I say can be applied to depression and other mental health conditions.

First of all, let me announce that I'm a sufferer myself from chronic/recurrent depression. Although I've never been diagnosed as bipolar, I do have mood swings and have some idea, at least, of what the highs as well as the lows can be like (the highs in my case may possibly be the result of not getting the levels of medication right - who knows?)

I now believe that my depression started when I was in my teens, though I had no idea what to call it at the time. It was all put down to PMT, though I'm not sure that the term had been invented in the late sixties. The fact that I suffered from it at other times of the month - well, that's easily got around - there's always another period on the horizon somewhere!

Or perhaps it began even earlier, when I was five and my dad disappeared off to Singapore with the RAF and I was terrified for months afterwards that my mum would vanish too. I'm sure my parents did their best, but knowing me, a book would probably have helped, and there weren't books for kids about that sort of thing in those days.

Perhaps I became depressed when bullied at my new school at seven, when I was ostracised because of my 'posh accent'. The memory still brings tears to my eyes and the teachers didn't help.

My depressive episodes, never diagnosed or treated, recurred at intervals of a few years until eventually, in my late twenties and living in Edinburgh with two small children, I took myself off to the GP with stomachache and she had the sense to see that there was something more going on. I was prescribed anti-depressants (which I refused to take on that first occasion) and told to get a part-time job. The part-time job helped. But the depression came back after a couple of years. This time it was worse and I took the medication. I also had counselling and the combination of the two brought joy and colour into my life that I'd forgotten could exist. Just waking up in the morning feeling at peace with myself... free from the self-condemnation, guilt, shame, worry, and all those other horrible things depressed people suffer.

Since then, I've had further episodes, often but not always associated with times of difficulty and stress in my life. I still fear my depression and try to make sure I don't get too busy or stressed out - but it hits me from time to time. I'm adept these days at recognising the early warning symptoms. I have medication on hand and don't delay in visiting my GP. In fact my depression these days is like my bad back in some ways - I know that if I'm sensible I have less of a chance of setting it off - but there's always the possibility that something (or nothing) will trigger it. And I have to accept that I'll have down times when I can't do very much.

I'm very lucky in one respect, though. I have never been too depressed to read. I have several favourite books I turn to when I feel bad. William Styron's memoir Darkness Visible is one of them - where the great American author describes his own experience of depression. I'm not sure why it helps me, but it does. Perhaps it's just the putting into words of some of my own dreadful thoughts. The 'I'm not the only one' feeling. Whatever it is, I am so grateful to William Styron for writing it.




Anyway - children's books. I decided a few days ago to compile a list of characters in fiction who have bipolar disorder. Of course, it's difficult to be sure, if you go back very far, because the condition wasn't sufficiently understood. I asked for suggestions from various friends, contacts and writers' groups, as well as trying to come up with some of my own. I was partly interested in which books came to people's minds - i.e. the ones that had made a lasting impression. Thanks to all who contributed, I now have a list - and for the purposes of this blog I will restrict it to novels for children and YA.

This is my list, in no particular order (further suggestions most welcome).



The Illustrated Mum by Jacqueline Wilson
A Note of Madness by Tabitha Suzuma
A Voice in the Distance by Tabitha Suzuma
My Mum's from Planet Pluto by Gwyneth Rees.
Red Shift by Alan Garner 
Boneland by Alan Garner (though I'm told this is not strictly a children's/YA book)
***Mental by Sherry Ashworth
Girl, Aloud by Emily Gale

*** Mental is actually about schizophrenia, I realise now I've read it, but I'm leaving it on the list as it's a very good book.




Remember, these are for children/YA and I've restricted the condition to bipolar (except for Sherry Ashworth's Mental - see above). And I certainly don't claim that the list is complete. Nor have I read them all (yet). I'm currently enjoying Gwyneth Rees's My Mum's from Planet Pluto, which I'd strongly recommend. But I can't help noticing how few titles there are...

It concerns me that there aren't more. I said earlier that it would have helped me, as a child, if I'd been able to read about someone like me. I'm pleased to say that books for children featuring other kinds of conditions and disabilities are growing in number (though we still need more). We need, in my opinion, both issue-tackling books and books that treat the condition as a background thing - not the focus of the book but something one of the characters just happens to have.

It's the same with mental health. We need children's/YA books that delve deep into the condition (in a way appropriate for the target age-group, of course). But we need characters in books who just happen to have bipolar disorder (or depression or schizophrenia, etc) too. We need books that treat these conditions with gentle humour - combined, of course, with respect. I can laugh at my depression, at least some of the time. Often humour is part of the way we come to terms with things. We need books with 'heroic' endings (character overcomes all the challenges) and ones that are more true to life, while always offering hope. And in order to get this variety - we need LOTS MORE BOOKS. Sorry to shout, but we do.

So come on, children's authors... and publishers. By the time World Mental Health Day comes round next year, let's see a lot more books for children, YA (and adults) on the subject of bipolar disorder and, more generally, on mental health.

I believe there's a role for many of us in helping to remove the stigma attached to mental health conditions that, almost unbelievably, is still present in our society today.

We all have minds, after all, just as we all have backs.

Happy reading
Ros

Note: My own contribution to the bipolar list has just come out. It's for adults and it's called Alexa's Song. You can see it on Amazon UK and download it for Amazon Kindle for £2.54.

My blog, Rosalie Reviews
My Facebook Author Page
Follow me on Twitter @Ros_Warren
I'm a regular contributor to Do Authors Dream of Electric Books?





 







12 Comments on Bipolar Characters in Children's and YA Fiction, last added: 10/26/2012
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3. When Should Writers Work for Free?

When should writers work for free? It is one of the most difficult questions facing writers in the 21st Century as unpaid outlets multiply online.

In an interview at The Paris Review, we found a historic moment when famous authors wrote for free in a completely unknown publication. When the legendary editor Robert Silvers launched The New York Review of Books in 1962, he went straight to the most talented writers in the country and asked them to work for free.

Check it out:

Our thought was to think of the best writers in the world to review the books of the season—even people who hadn’t written book reviews for years or ever. Many of them we knew—Norman Mailer, [William] Styron, W. H. Auden, Edmund Wilson. We said, “Look, we have three weeks, we can’t pay a penny, will you do it?” And they all did.

New Career Opportunities Daily: The best jobs in media.

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4. When Should Writers Work for Free?

When should writers work for free? It is one of the most difficult questions facing writers in the 21st Century as unpaid outlets multiply online.

In an interview at The Paris Review, we found a historic moment when famous authors wrote for free in a completely unknown publication. When the legendary editor Robert Silvers launched The New York Review of Books in 1962, he went straight to the most talented writers in the country and asked them to work for free.

Check it out:

Our thought was to think of the best writers in the world to review the books of the season—even people who hadn’t written book reviews for years or ever. Many of them we knew—Norman Mailer, [William] Styron, W. H. Auden, Edmund Wilson. We said, “Look, we have three weeks, we can’t pay a penny, will you do it?” And they all did.

New Career Opportunities Daily: The best jobs in media.

Add a Comment