To kick off the new year, the American Historical Association’s 129th Annual Meeting will take place in New York City from 2-5 January 2015. We’re thrilled to ring in the new year with 5000 historians in the city we are proud to call our US headquarters. As you finish packing your bags, we’ve put together an OUP guide to the conference, but make sure to leave room in your suitcase. We hope to meet you at our booth (#504), where we’ll be offering discounts on our titles, complimentary copies of Oxford’s journals, and demonstrations of our online resources.
Retrospectives:
- James McPherson’s Battle Cry after a Quarter Century
Saturday, 3 January 2015 from 8:30 AM-10:00 AM
Murray Hill Suite B, New York Hilton - Journeying into Evangelicalism: Twenty-Five Years of Traveling with Randall Balmer’s Mine Eyes Have Seen the Glory
Monday, 5 January 2015 from 8:30 AM-10:30 AM
Hudson Suite, New York Hilton, Fourth Floor
OUP-chaired panels:
- Buying and Selling History: Some Perspectives on the Marketplace
AHA Session 38
Friday, 2 January 2015 from 3:30 PM-5:30 PM
Clinton Suite, New York Hilton, Second Floor
Chaired by Tim Bent, Executive Editor for Trade History, OUP USA - Media Training Workshop for Historians
Monday, 5 January 2015 from 9:00 AM-10:30 AM
Concourse E, New York Hilton, Concourse Level
Chaired by Purdy, Director of Publicity, OUP USA
Special Events:
- The American Historical Association Award Ceremony
Friday, 2 January 2015 from 7:30 PM-8:30 PM
Metropolitan Ballroom West (Large), Sheraton New York, Second Floor
In honor of the awards ceremony, we’re celebrating some of the winners with a reading list:
- Kate Brown, winner of the Albert J. Beveridge Award for Plutopia: Nuclear Families, Atomic Cities, and the Great Soviet and American Plutonium Disasters, on life in a nuclear wasteland
- Jacob Darwin Hamblin, author of the Paul Birdsall award-winning Arming Mother Nature: The Birth of Catastrophic Environmentalism, on the Limited Test Ban Treaty and the decision to use chemical weapons
- Jacob S. Dorman, winner of the Wesley-Logan Prize for Chosen People: The Rise of American Black Israelite Religion, on Black Israelites and the meaning of Chanukah
- Deborah Cohen, winner of the Morris D. Forkosch Prize for Family Secrets: Shame and Privacy in Modern Britain, on Downton Abbey
- Trevor R. Getz, winner of the James Harvey Robinson Prize for Abina and the Important Men: A Graphic History, on grappling with a liberal dilemma in writing Abina’s story
Saturday, January 3 at 1:30 pm
OUP Booth #504
Meet the editors of two of Oxford’s online resources offering portraits of men and women whose lives have shaped American, British, and world history.
After Hours:
The American Historical Association has put together a wonderful guide to exploring the city. Inspired, OUP’s history team has pulled together some of our recommendations on entertainment and off-the-beaten track sites.
Theater:
“I enthusiastically recommend Sleep No More, the interactive, immersive reimagining of Macbeth. It’s set in the fictional McKittrick Hotel (in actuality a five-floor warehouse made into over 100 rooms) in the early 20th century. Following Macbeth throughout his descent into madness was one of the most enthralling theatre experiences I’ve had. It’s heavy on the walking and stairs, but well worth seeing.”
— Kateri Woody, Marketing Associate, Higher Education Division
“You’ve probably heard the buzz about The Curious Incident of the Dog in The Night-time. It’s all true. Phenomenal acting combined with innovations in set and production design make for a thrilling theatre experience.”
— Alana Podolsky, Assistant Marketing Manager for History, Academic/Trade Division
Museums:
“One of my favorite places in the city is the Morgan Library and Museum. It’s right down the road from OUP, and the library is absolutely beautiful. Also, admission is free on Friday evenings.”
— Alyssa O’Connell, Editorial Assistant, Academic/Trade Division
“MOMA’s exhibit on Matisse’ Cut-Outs could be one of the best exhibits I’ve seen in some time. In ill health, Matisse turned to cut-outs as his primary medium later in life. Like his paintings, Matisse masters the fine line between boldness and simplicity through shape and color. A video of the master at work shows his thoughtfulness as he designs the pieces. The wonderful exhibit draws together large and small-scale works, from his covers for jazz periodicals to his Swimming Pool, a piece he designed for his own dining room in lieu of visiting the beach, which had become too difficult. “
— Alana Podolsky, Assistant Marketing Manager for History, Academic/Trade Division
Off-the-beaten track:
“In a city of skyscrapers, I frequently find myself craving places on a scale I can relate to, pieces of New York that feel human-sized and a part of the city’s deeper history, akin to Back Bay in Boston and Society Hill in Philadelphia. It’s easiest to find these in Greenwich Village or in parts of Brooklyn, but there are other historic places hidden in plain sight in Manhattan.
“Near OUP on 36th Street is a small enclave called Sniffen Court that I have walked past with great envy and intrigue for 18 years. A half-mews, it is a tiny, wrought iron gated community of 1860s homes that were converted from stables after the advent of the automobile. Today these ten mews homes are some of the Manhattan’s most exclusive real estate. One of the homes was listed for sale earlier this year for a mere $7.25 million. There’s artwork on the outside of several building in the mews, winged horses on one and colorful stage designs on the frieze of another, a reminder of a theater well off Broadway, the Sniffen Court Players. Sniffen Court features on the album cover of The Doors’ “Strange Days,” though whenever I peer in, it’s New York of the 19th century that I am transported to, not 1967.
“I recently had an opportunity to visit another hidden spot with theater connections that seems out of place and time in Manhattan: Pomdander Walk. Larger than Sniffen Court, this full mews runs between 94th and 95th Street, right behind Symphony Space on the Upper West Side. Built for the theater community and intended to be temporary housing, this colorful 1920s era English Tudor village is an oasis from the streets around it. Originally it was inhabited by actors, musicians, and artistic types, but to own one of the full houses on the Walk today would require more than a starving artist’s (or assistant professor’s) income. It is a little piece of Downton Abbey in the heart of Manhattan, a place where residents have long made the city a little less alienating and created a special community.
“The Big Apple Tours during the AHA will be showcasing many architectural and historic sites around the streets of NYC, but part of the joy of the city is just walking and making your own discoveries, architectural and otherwise.”
— Susan Ferber, Executive Editor for American and world history obsessed by architectural history and unusual real estate in New York, perhaps because she doesn’t own any or even live in the five boroughs
However you spend your time at AHA, we hope to see you at the OUP booth. Please stop by and say hi.
Featured image credit: View of NYC from Top of the Rock. Photo by Dschwen, CC BY-SA 2.5 via Wikimedia commons
The post AHA 2015: Kicking off the new year with the American Historical Association and OUP appeared first on OUPblog.
