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By:
Roberta Baird,
on 5/17/2013
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A Mouse in the House
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Gurggggggle swish…. slluuuuudge glump.… thorp…. bloop, bloop, bloop, bloop…..
By:
Roberta Baird,
on 5/11/2013
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It’s The next Big Next I tell ya!
What is?
This!
This is THE NEXT BIG THING!
See, it’s like this… it’s a global blog tour that started in Australia.The idea is to bring awareness to authors and illustrators and their current work. I was tagged by the talented Ginger Nielson. At the end of this post you see the awesome authors/illustrators that I’ve tagged…. because they’re The Big Thing!
So on to the questions.
1) What is the working title of your next book?
Actually, I’ve been very busy this year illustrating a couple of books that are due to come out in 2013 and 2014, but that’s about all I can say about them just yet. So instead I’ll talk about one of the dummy books that I’ve been working on. This one I took to the Houston SCBWI Conference this year and had it critiqued by Peter Brown. Having my writing critiqued was a new experience for me but it was so worth it. The book is titled The New Kid.

2) Where did the idea come from for the book?
I would love to illustrate a book about a monster or maybe a scary, but not too scary character that is actually quite lovable. That hasn’t happened…… yet! So, I wrote my own. I love to bring the misunderstood to life. With this book we get to experience the little monster inside us all.
3) What genre does your book fall under?
This book is for the 4- 8 range.
4) What actors would you choose to play the part of your characters in a movie rendition?
Hmmm….. actors maybe not so much, but animated for sure! Hand drawn please!
5) What is the one-sentence synopsis of your book?
Who is the monster?
6) Who is publishing your book?
This book along with my other one, titled “Ruby’s New Stew” have no homes as of yet. They’re polishing themselves up to go knocking on doors though. Did I mention I’m open for suggestions? :)
7) How long did it take you to write the first draft of the manuscript?
It started small in one afternoon and bloomed to a full manuscript in about a week. It has been edited several times since then.

8) What other books would you compare this story to within your genre?
I try to never compare. We’re all so different in our writing and illustration. It’s important to find your voice. However, I do love Cinderella Skeleton written by Robert D. San Souci and illustrated by David Catrow. Another one that I really enjoy is The Wizard written by Jack Prelutsky and illustrated by Brandom Dorman.
9) Who or what inspired you to write this book?
The love of the good story that we can all related to, while knowing that everything is going to turn out okay in the end.
10) What else about the book might pique the reader’s interest?
His backpack has teeth! :))
Next on the blog tour are two very talented artists:
Candace Trew Camling

What a weekend! This is the first moment I've had to properly collect a few of my thoughts about the NESCBWI conference held this past Friday, Saturday and Sunday in Springfield, MA. It was a great experience, filled with kind people, informative workshops, and new friends. Thanks go out to NESCBWI for putting it all together!
Here are my personal take-aways:
1. I know more than I think I know.
Generally, during and after each workshop, I found myself thinking...gee...I already know most of what was said. That doesn't mean the workshops and information weren't valuable---it just serves as a reminder that over the past seven years, I've done a lot of researching and gained a lot of experience on my own that I've either been using or have filed away for future use. Bottom line: I'm not a newb. That much is clear.
2. I still need to work on self-confidence issues.
While I do take pride and feel good about my overall craft and presentation, when it comes to the content of the work itself I'm always pretty self-conscious. I do work hard and try hard to make smart decisions, but I still feel like I'm pretending to be an illustrator. I doubt my own drawing/painting abilities, I doubt my compositions, I doubt my own imagination/creativity (or lack thereof). I compare myself too much to those I admire. If this weekend has shown me anything, it's that I should believe in myself a little more. My work is polished. My portfolio varied. Throughout this weekend I felt a lot of support and encouragement from strangers who offer a more objective view of my work. It left me feeling like I will get to where I want to go if I just stick with it. I'm already headed in the right direction and I have experience to back me up. I have the tools I need, I just have to figure out what I want to do with them.
3. I depend on external validation more than I'd like to.
That doesn't mean that I only want compliments--in fact the opposite is true. I sincerely appreciate constructive feedback that guides me to ways to keep improving. Throughout the weekend I had generous, positive interactions with fellow illustrators about my work. Yet that positive reinforcement did very little to elevate my self-worth. Instead, I allowed the disappointingly dispassionate two minute critique from the small panel of industry reps to make me feel rather lousy about my work. It left me second guessing deliberate decisions and confused about how to fix what they didn't like. But I'm smarter than that--I should be able to take it by now! I ought be able to swallow criticism and not get overly dejected that easily. Not everybody has to completely embrace my work. I can't please everyone. I can only take all the feedback in and trust myself to know what I want to do with it moving forward.
4. KidLit can be a very friendly industry.
I met a lot of very kind, very awesome, very talented people this weekend. It was wonderful to make new connections with strangers who share a common love and respect for children's literature. It really is all about networking and establishing a supportive community. We're all in this together, pulling for each of us to succeed, or at the very least, to keep pursuing our passion. Whether it's connecting with those just beginning their journeys, sharing common experiences with a fellow published illustrator, or getting the chance to meet the author of the book I illustrated, everyone was so darn nice and generous with their time. It makes me feel all warm and fuzzy inside.
5. I want to succeed in this industry.
I want to illustrate. I want to write. I want to make books that express who I am and how I see the world. And I want to be able to share these books with the children for whom they are intended. Sharon Creech and Grace Lin's uplifting key notes in particular reminded me of that. Life and art are intermingling at all times, and it's up to us to open our hearts and minds and allow those moments to flow into our creativity. It's not about making pretty pictures or telling pretty stories. It's about creating an idea, capturing and contributing a very human part of ourselves.
Sometimes when I'm in the trenches pulling my hair out over an educational project I don't want to be doing, I question whether I want to be doing this at all. But so many times this weekend my heart panged with overwhelming hope, skipped with a jolt of inspiration, and beat with a constant sense of purpose that I know beyond a shadow of a doubt that this is the place I want to be.
So I'm going to keep at it, and start listening to what's on the inside, waiting for a chance to come out.
So---did you attend the conference, too? What were your take-aways?
_____________________________________
Here are the only two shots I snapped this whole weekend. I guess I was too busy making friends to spend time behind the camera!
.JPG)
And here is my entry for the poster contest for Jane Yolen's poem Infirm Pachyderm
.
of sorts.
i promised myself a couple of things once i had the surgery/fusion completed. 2 weeks out of surgery now and one of those things on the list was a re-do of my website and blog and things such as that. we all know self-promotion is my downfall. give me a pencil or paintbrush and i can work some magic, but the self-promo part of it all, not really my thing.
the website
www.theenchantedeasel.com is under construction for the next 5 days or so. i just wanted to make some changes. i'm a big believer in always trying to better yourself (even if it's just a small change). all those small changes add up to a bigger and better nicole :)
here are some peeks at the artwork for a couple of the website pages...
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| ©the enchanted easel 2013 |
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| ©the enchanted easel 2013 |
By:
Roberta Baird,
on 5/8/2013
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A Mouse in the House
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If it looks like things have been a bit wonky here… well they have. The website, the blog have had a complete overhaul.
www.robertabaird.com. Even my Twitter Page is all shiny! https://twitter.com/robertabaird

Now it’s all matchy like a new box of stationery. Check it out!
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© Holly DeWolf
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My latest book I illustrated was officially released- What's Going On At The Time Tonight? was written by Gerald Mercer published through Nimbus Publishing.
"What’s Going On at the Time Tonight? is a sweet and rollicking rhyming book about a Newfoundland “time”—a party—with a twist: it’s underwater! The sea lice are boogying, the jiggly jellyfish are riding the wave, and everyone is having a good time tonight."
It's available at Nimbus Publishing, Amazon and Indigo/Chapters!
By:
Roberta Baird,
on 5/1/2013
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Oh, how I would love to work in YA novels. I hope one day to get the chance.
But until then, I’ll keep practicing. Here’s a sketch, I started while waiting in the car for my daughter. Such fun inspiration to draw… and those tween kids are rich in expression!
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By:
Roberta Baird,
on 4/26/2013
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Only in the agony of parting do we look into the depths of love. ~George Eliot
© copyright Alicia Padrón
Hi there!
These are some of the prints I have for sale over at my Imagekind shop. The quality of their prints is really superb I have to say. I think these would look so cute in a baby or child's bedroom, don't you think? :o)
You can visit
my shop here if you'd like to see more.
By:
Roberta Baird,
on 3/17/2013
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A Mouse in the House
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A sneak peek of my upcoming book, I CAN SEE JUST FINE, due out this August and published by Abrams Appleseed. It's the story of a little girl who is absolutely certain she does not need eyeglasses... no matter what everyone else thinks.
By:
Roberta Baird,
on 3/19/2013
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Grandpa dropped his glasses once
In a pot of dye.
And when he put them on again he saw a purple sky
~Leroy F. Jackson
By:
nicole,
on 3/20/2013
Blog:
the enchanted easel
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mr. winter, you've let me down once again....but my love remains true. i will always be faithful to you and your pristine beauty and frosty temps :)
until next year....
btw, PRINTS of this painting are SOLD HERE:
It's getting to be that time when work I did a year ago can finally come out of the closet! It's a bit of a bummer that the rules for posting freelance illustration are either after publication (in the educational industry who ever really knows when that is??) or one year from submitting the final art. Since I did this back in January of last year it ought to be quite safe to post now. These are from the folktale "Rabbit & Coyote," which features an overly self-assured coyote and some tricksy rabbits.
By:
sketched out,
on 3/31/2013
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Quickly eggsecuted and puns intended!
Happy Happy, everyone!!!
By:
sketched out,
on 4/1/2013
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Yes folks, more tortured puns from a humble April fool.
© copyright Alicia Padrón 2013
My quick
#Twoodle for this week using the words
If you want to participate, you can!
Just click
here to learn more. :o)
By: superjane,
on 4/4/2013
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This month T2 artist, Jane Smith, is interviewing fellow T2 artist, Natalia Vasquez, on the blog, Bird Meets Worm. Read it today!

As a child, I was completely captivated by the John Sayles film The Secret of Roan Inish. It was somber, moody, atmospheric, mysterious, moving, charming, and oh-so-very IRISH. It was beautiful in both its mythic fable-like story, as well as its muted, lustrous cinematography. Essentially everything I loved in a story then and even more so now. As an adult I discovered the book upon which it is based, the Scotland-set The Secret of the Ron Mor Skerry. The story concerns a young girl, Fiona McConville, who returns from the city to live with her grandparents on the coast of Scotland. All of her family had been living on the nearby small rocky island of Ron Mor for generations until they all evacuated four years prior. On that day, Fiona's baby brother Jamie was tragically swept out to sea in his little cradle boat, never to be seen again. But Fiona believes her brother may still be on Ron Mor, and begins to suspect he's been protected by the seals that inhabit the island.
Originally published in 1950s, it has been out of print for a long time, apart from the straggling copies of the 1993 movie-tie in book, which is what I have. But this version of the book has always bothered me. It's the exact same text as the original Ron Mor, but just its title on the cover has been changed to Roan Inish. The original book also featured lovely black and white line illustrations by the author herself. For such a magical story, my lackluster printed copy simply won't do.

For several years (ever since I tracked down my own copy of the book via Ebay), I've wanted to revisit the story with my own images. 20 years after seeing the film, I'm finally doing it! I've begun here with the cover and would like to continue on with creating black and white chapter illustrations as well. I plan to play direct homage to Rosalie Fry's original vignettes in addition to adding some of my own imaginings.
But for now, here is the cover in process form.
1. Quick color/compositional sketch.2. Black and white drawing.
3. Refining color sketch to align with drawing.
4. Black and white rendering.5. Color version. 6. Final color version, adjusting placement of elements and position of figures.
7. Overlay of book jacket elements.
By:
Roberta Baird,
on 4/14/2013
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The conference was great!
The speakers were informative and friendly, and did I mention funny? I love it when a speaker infuses their presentation with genuine humor.
The critiques filled my head with new possibilities and directions. This year, there have been so many changes in my career, with having an agent and several books in the works, that the conference held special meaning to me. Where once I faced a critique with a case of nerves, causing me to forget everything said to me, this year I knew the questions I wanted to ask. I heard what they had to say.
This was the time to ask.
So this year those nerves were but a case of the butterflies…..
Then to top it off, I got to meet fellow illustrators in the real, that I only knew from Facebook. It was so much fun to hang out with friends who “get” why you do what you do!
So tomorrow when I start back to work, I have renewed outlook, but today…. I’m just going to chill and let all those ideas bouncing around in my head settle and form complete paths.
By:
sketched out,
on 4/15/2013
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Maggie and Buttercup were wild about tea.
The word of the week, over there at Illustration Friday is “wild,” but all I could scare up was this docile boar, so he’ll just have to do.
By:
Roberta Baird,
on 4/16/2013
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Some folks taste it daintily,
Others gulp it down quick-ily.
Some lick around and around,
So it never, ever comes dripping down. Some shove the ice cream
Down with their tongue,
So at the bottom of the cone,
You’re left with some.
But some lick in just one place
So it gets sort of sloppy,
And the top plops off
In a great big bloppy!
By:
Roberta Baird,
on 4/17/2013
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At the Houston SCBWI conference, we were given a homework assignment. A choice of one of two prompts that we as attendees could choose from. One was a double page spread from a picture book and the other was a YA cover. I started both prompts and then went with the one that appealed to me the most. The sketches were sent to the Art Director for comments and direction, then we all brought back a full color illustration with the changes suggested. Above is my sketch and then my finished illustration. Later, I was decided to finish the other prompt on my own. Below you see a “Mock” cover for a young adult novel that is currently out. This is just a mock cover.

Mock cover
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Great post, Courtney! Your illustration is adorable, I remember thinking that as I looked at them! I just wanted you to know that we've all felt, at times, like we're only pretending to be writers or illustrators...you're not alone in that feeling. So glad you came and enjoyed! Come back next year too!