How to use this Page

You guys.

I’m so excited about this. You remember Arree Chung, right? The dude is a complete genius. He and a few friends started a company recently called Live in a Story, and the whole shebang is pretty brilliant.

Here I am in my Maxwell gear with one of Live in a Story’s wall decals.

(It was Halloween, not just another day in the library. Promise.)

(Also, more than one kid and more than one grownup have asked if that’s painted on the wall. That’s how beautiful these things are.)

People have been putting cheesy stickers on their walls forever. Let’s stop with that, ok? These are true works of art. Top-notch quality, seamless edges, and all of the texture you want from hand-painted detail. Picture book artists have a storytelling knack that can’t be contained in the pages. And why should they? As Live in a Story says, every wall is a blank canvas.

Want your decals personalized? Can do.

Kids deserve good art both in their shelves and on their walls, and Live in a Story is making it. Check it out:

Brian Won‘s owl is ridiculous, right? Well. Great news.

If you visit Live in a Story during the month of November and give them your email and address, they’ll give you this small and smart version of the owl decal. (That’s much, much easier than NaNoWriMo!)

And! If you order more than $100 of wall decals, they are giving away signed copies of Ninja!, Hooray for Hat!, and a Jannie Ho title.

Hooray for deals! Hooray for great news! Hooray for art!

(I think this calls for clicking Book Party up there.)

by Dianne de Las Casas

I am the founder of Picture Book Month and it starts tomorrow, November 1. The website, PictureBookMonth.com, features essays from thought leaders in the children’s literature community. Each day in November, a new essay is posted. This year’s Picture Book Month Champions are: Chris Barton, Aaron Becker, Kelly Bingham , Sophie Blackall, Arree Chung, Anna Dewdney, Johnette Downing, Ame Dyckman, Jill Esbaum, Carolyn Flores, Lupe Ruiz-Flores, Robin Preiss Glasser, Deborah Heiligman, Marla Frazee, Stefan Jolet, Kathleen Krull, Rene Colato Lainez, Loreen Leedy, Betsy Lewin, Ted Lewin, Brian Lies, Kelly J. Light, Debbie Ridpath Ohi, Alexis O’Neill, Sandra Markle, Ann Whitford Paul, Aaron Reynolds, Judy Schachner, Linda Joy Singleton, and David Schwartz. Please join the celebration!

As you prepare for PiBoIdMo, think about the titles of your picture books. In a recent interview for California Kids! magazine, Patricia Newman asked me, “How do you come up with titles for your books?” This started me thinking in depth about picture book titles. What’s in a title? How important is a title to a book? Can a book be centered around its title?

As it turns out, titles are vital to a book’s success. Author Scott Westerfield says, “Titles name a book, and names are important. A good name can make or break you.”

Brandi Reissenweber of Gotham Writers “Ask the Writer” column says, “A title is a story’s first impression. People make a first impression with appearance, wardrobe, and body language. Stories do it with a title.”

Eric Ode says, “Dan, the Taxi Man began as nothing more than a title. And one of the books I have coming out next year began as a title.”

PiBoIdMo founder and picture book author Tara Lazar says, “Most of my books begin as titles. It’s just the way my mind works. I want a BAM! concept, something that really hits you, and I find that people get HIT best with a succinct, powerful title.”

Corey Rosen Schwartz says, “I have written several books around titles! Like Tara [Lazar], most of my books begin that way. Goldi Rocks and the Three Bears, for example, was just a title on my PiBoIdMo 2009 list.”

Character-Based Titles

Many picture books have character-driven titles. The character of the book IS the title. Do you have a book character that is so compelling that the character’s name should be the book’s title? Here are some examples:

• Olivia by Ian Falconer
• Splat the Cat by Rob Scotton
• Flat Stanley by Jeff Brown
• Amelia Bedelia by Peggy Parish
• Biscuit by Alyssa Satin Capucilli
• Fancy Nancy by Jane O’Connor

Clever, Punny Titles

I am a big fan of clever, punny titles. In fact, several of my books have punny titles. Here are some examples that are just too clever for words… almost.

• Crankenstein by Samantha Berger
• The Monstore by Tara Lazar
• Little Red Hot by Eric Kimmel
• Pinkalicious by Victoria Kann
• Epossumondas by Colleen Salley

Verbose Titles

I am generally a fan of the “less is more” title for a book but sometimes, a garrulous title is EXACTLY what the book calls for. Can you imagine these books with a short title?

• Alexander and the Terrible, Horrible, No Good, Very Bad Day by Judith Viorst
• Don’t Let the Pigeon Drive the Bus by Mo Willems
• How Do Dinosaurs Say I Love You? by Jane Yolen
• There Was an Old Lady Who Swallowed a Fly by Simms Taback (a folktale retelling)
• The Fantastic Flying Books of Morris Lessmore by William Joyce

Plot-Based Titles

Some titles beckon you to open the book. These titles are based around the book’s plot. Yes, as short as a picture book is, it can still have a plot. In fact, these picture book plots were so inspiring that they were turned into Hollywood blockbuster movies!

• Cloudy with a Chance of Meatballs by Judi Barrett
• A Night at the Museum by Milan Trenc
• The Story of Ferdinand by Munro Leaf
• We’re Back! A Dinosaur’s Story by Hudson Talbott
• Where the Wild Things Are by Maurice Sendak

Single-Word Titles

A picture book title can also be short and succinct, even one-word. These acclaimed picture books prove that a word is worth a thousand pictures.

• Green by Laura Vaccaro Seeger
• Blackout by John Rocco
• Ninja! by Arree Chung
• Carnivores by Aaron Reynolds
• Hug by Jez Alborough

Aaron Zenz says, “Hiccupotamus started with the title. I really wouldn’t have had any desire to write a book about a bunch of jungle animals chasing around a disruptive hippo if not for the title. In my mind, the pun ‘Hiccupotamus’ is the most important thing about that particular book.”

As you create and engage your imagination this month, think about your picture book’s title. In what way can an engaging title enhance your picture book? How can you use the title to attract readers? Perhaps you can be the Author with the Terrific, Tremendous, Oh-So-Grand, Very Remarkable Title.

As you celebrate PiBoIdMo and Picture Book Month, read LOTS of picture books. Comment below and share with us your favorite picture book titles and why you think they are so splendiferous. Here’s to Picture Books! Read * Share * Celebrate!

Dianne de Las Casas is an award-winning author, storyteller, and founder of Picture Book Month. Her performances, dubbed “revved-up storytelling” are full of energetic audience participation. The author of 24 books, Dianne is the International Reading Association LEADER 2014 Poet Laureate, and the 2014 recipient of the Ann Martin Book Mark award. Her children’s titles include The Cajun Cornbread Boy, There’s a Dragon in the Library, The Little “Read” Hen, The House That Santa Built, and Cinderellaphant. Visit her website at diannedelascasas.com. Visit Picture Book Month at PictureBookMonth.com. Twitter & Instagram: @AuthorDianneDLC Picture Book Month Twitter: @PictureBkMonth Facebook: fanofdianne and PictureBookMonth. Dianne is the proud mom of 14-year-old culinary celebrity, Kid Chef Eliana.

by Arree Chung

published June 2014 by Henry Holt and Company, an imprint of Macmillan.

Friends, I’m so excited to have Arree Chung in this corner of the internet today. I met Arree last summer at SCBWI in Los Angeles, and am humbled every time I think about how we share an agent and a friendship. He’s an expert storyteller with a bright, animated style and a fresh perspective. Ninja! is his debut picture book, and it will be far from his last.

First, you should watch this short film. And here’s my confession. Arree sent this to me a number of weeks ago with the caveat that it was unreleased and not to share. Except: it was too awesome not to. So I showed it to my students, because single-digit-aged kids are pretty good at secrets and don’t have Twitter accounts anyway.

They loved it. And I mean L O V E D  I T. Each class, without fail, asked to watch it many, many times in a row. So we did.

Meet Maxwell, and then meet Arree.

What has been the most surprising thing about this whole debut picture book thing?

The most surprising thing about the publishing process is how long it takes to actually bring a book to market (1.5 – 2 years).  My background is in games, where companies can publish with the click of a button and make updates via the internet.  The process gives me appreciation for the care that goes into the publishing process.  It also helps to have a great team of people to work with.  Everyone from your agent, publisher, editor and art director in making the book and then there’s publicity, marketing and sales folks that help in getting the book out.An early cover design.revision notes.

I’m fortunate to have a supportive publisher in Macmillan.  They have a great team of experts.  Each one helps you with a specific aspect of the publishing process.  I’ve learned so much.  I’m so grateful I’ve been in good hands.  I’ve worked hard to hold up my end of the deal and make something special.  With Ninja it was easy, because I loved it so much.

Who are your creative and/or literary heroes?

Oh, so many!

Authors:
Roald Dahl
E.B. White
Jack Gantos
Judy Blume
Jeff Kinney

Illustrators:
Russell Patterson
Chris Ware
Yuko Shimitzo

Author/Illustrators:
Shel Silverstien
Wolf Erlbruch
William Steig
Mo Willems
Peter Brown
Leo Lionni
Maurice Sendak
Ian Falconer
Jon Klassen
David Shannon
Bill Peet
Calef Brown

Comics:
Jim Lee
Scott McFarlane
Jeffrey Brown
Bill Watterson
Jim Davis
Charles Schulz

Animation/Film:
Brad Bird
John Lassetter
Guillermo Del Toro
Chris Sanders
Danny Boyle
Tim Burton
Nick Park (Wallace & Gromit)
Steven Spielberg
Hayao Miyazaki

Can you talk about the similarities and differences in animation and the picture book form?

I love both mediums for different reasons.  Both mediums can transport the reader into new worlds.  I love it when a book or movie captures my imagination and I am completely immersed in a world that has been built.  The world is invented but it feels familiar and the story resonates with honesty.  I hate it when a story is force feeding me a message and it feels like an infomercial or when a story rambles without a focus.  Storytelling is magical when it has both the imagination and heart and speaks to you directly and honestly.  A great story is so exhilarating.  There’s nothing in the world that feels like it.  I love both animation and picture books because they have the ability to create magic.

How they are different?  Well, I think the main difference is that film tends to be a passive experience.  The viewer is in a dream like state that watches the story unfold.  It’s like being suspended in a time capsule and you watch everything that happens.  You take the story in a more subliminal kind of way.Books on the other hand I think are active experiences.  You as the reader actively interact with the words and pictures.  It’s like your brain is the film projector and is working to play the story.  Because of this, I think books are much more intimate experiences.  You go at your own pace.  You stop, question and wonder.  Sometimes you’re so engaged, you speed all the way through and sometimes you like to read slowly just because.  Readers engage books with their imaginations and a lot of the story is told in-between the words, the page turns and the illustrations whereas films are full experiences that use all the arts of composition, acting, music and visuals to put you in a state of suspension.

Both are magical and I love doing both so much.

Can you give us any behind-the-scenes information on how you created the short film? Did you get to know Maxwell differently in that format?

Yeah!  It was so thrilling to bring Maxwell to life.  I had a pretty good idea of who he is as a character after creating the book but actually seeing him move and casting Taylor Wong as Maxwell brought another whole dimension.

As for production, here’s a quick behind the scenes look of what it took to make the short film.  I plan on doing a much more in-depth look in a separate blog post.

We used 4 software tools: Photoshop, Flash, After Effects and Final Cut Pro.  The process was a highly collaborative effort between folks at MacMillan, myself and David Shovlin, the animator.  It was a ton of work to do but a ton of fun as well.

In all, it took about 5 weeks of work.  David and I worked really hard on it and I’m really proud of what we created in a relatively short period of time.Where did Ninja! come from?

It’s been my dream to make my own picture books for a long time.  The first conception of Ninja came when I was in art school.  I jotted down “A boy goes creeping around the house dressed as a Ninja and causes trouble.”  That was probably in 2007 or so.

        Early Ninja! thumbnails and character sketches.

In 2012, I decided to do the Illustrator Intensive at the SCBWI Summer Conference.  We were given an assignment to submit a story along with a manuscript, thumbnails, character sketches, and a finished illustration.  Up to that point, I had been writing stories for years but was stuck on many of them.  For the workshop we had to write down answers to the following questions:

WHO
WHAT is the dilemma?
WHERE does it take place?
HOW is the problem solved?

This really helped me a lot.  Previous to this, many of my stories didn’t have focus and wandered a lot.  Ninja was a big break through for me as a storyteller and I had lots of people who helped guide me through it.   I’m so thankful for Rubin, my agent, and Kate, my editor.  The more I worked on it, the more the world and character took shape and gained depth.  It was so much fun to make.

Do you remember any art you made as a kid? What was it?!

Yeah, I made a lot of ninja stars and origami.  I was also obsessed with Legos.  I loved to build cruiser space ships and large fortresses armed to the teeth.  Whenever my uncle bought us Legos, we would make the thing we were supposed to make and then tear it apart and then make what we wanted to make.  Making your own thing was much more fun.

I was a huge comic book reader and collector as well.  I bought all of the X-men, Spiderman, Spider-ham, Batman and Spawn comics.  I still buy comics.

I also really love the Teenage Mutant Ninja Turtles.  I used to record all of the episodes.  In fact, I used to press pause on the VCR and trace drawings of the Ninja Turtles by overlaying paper onto the TV.  At school, everyone thought I was the best drawer, but I never told anyone my technique til now!  Eventually I copied so many drawings I could draw it out of memory.  I tried to do the same technique with Transformers but that wasn’t nearly as successful because I didn’t understand perspective as at 12 year old.

And now what’s next for you?I’ve got a lot of things I’m working on.  I have lots of Ninja stories to tell with Maxwell. (I’m so excited about all of them!)  One of them involves an old Chinese folktale involving ghosts!

I’m also illustrating two Potty Training books for kids that are hilarious.illustrations from How to Pee

I have lots of picture book stories I’m developing and I’m also writing a middle grade novel titled Ming Lee, All American.  Ming Lee chronicles my experiences growing up as an ABC (American Born Chinese).  It’s deeply personal and is funny in that Louis CK, embarrassing but honest kind of way.  I would describe it as Judy Blume meets Diary of a Wimpy Kid.  Of course, it is its own thing that I am figuring out.  I have a sense of what I want it to be but you never know what it will be until you get there.

A huge thanks to Arree for this peek into the mind of a master craftsman. Be sure to get your hands on Ninja! this week!