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My young son loves Beekle: the Unimaginary Friend by Dan Santat.

And, for the first time, I'm going to be completely honest about why.

It's not the stunning artwork. It's not the incredible multi-layered story. It's not that I was a member of the committee that awarded it the Caldecott Medal. (WHY NOT??!! WHY ISN'T IT ANY OF THESE THINGS???!!)

It's the fact that you can see Beekle's butt.

Now, the casual reader probably only saw this Beekle butt, the main event.

But the true, careful observer can find a lot more than that with a little patience.

Here is a tiny Beekle climbing the tree.


We also get a glimpse at Beekle's tuckus as he hands the paper to Alice, and in a later stylized version.










And it's the final image- on the back cover, as well as under the jacket.










Over the years, I have seen a number of posterior-related titles, starting with Captain Underpants, and in recent years titles such as Chicken Butt by Erica Perl and Veggies with Wedgies by Todd Doodler have crossed my desk. My son thinks these are brilliant works of art. They make him laugh harder than any other books on our shelf. Seriously.

The 2015 Caldecott committee set several records. The most honor books. The first graphic novel. And also, if you were paying attention, the first Caldecott Medal book (that I know of) featuring a butt. My kids are the proudest of this record.

Caldebutt scholars may argue for the inclusion of No, David! by David Shannon (featuring full nudity, no less!), In the Night Kitchen by Maurice Sendak and King Bidgood's in the Bathtub by Audrey Wood which certainly hints, if doesn't downright show anything. Those are honor books, and I'm talking about Medal books.

Now, Travis Jonker has pointed out, that to some, there is now a second Caldecott Medal winner that features a butt. This one is on the cover, no less. (I see knees). Look at Travis' post for more.

Thank you to Travis, for his post, that freed me emotionally to write this one, and to Angela Reynolds, my fellow Caldecott committee member, for the truly awesome title.

And, whatever the reason, I'm glad my son loves Beekle; no ifs, ands, or butts.

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Try typing out a mentor text to get a closer look.

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Dan as Daenerys Targaryen, he is a fan of GoT

Lin says it is a wonderfully satisfying and emotional moment to introduce Dan Santat and I agree, he's the super best.

Dan came here in 2001, this Summer Conference is the first SCBWI conference he ever attended. He worried it was too expensive, but that worry was soon put to rest when his portfolio got noticed by editor Arthur Levine, and because of attending the conference,Dan got his first book contract.

In the many years of attending SCBWI events and conferences, Dan's noticed success stories of authors and illustrators, and some stories of people who are still finding there way. Dan says:


One way to ease your trek on the road to publication is to improve your taste: Do you know if you have good taste? Do you know if what you're writing is good? Dan reads us this Ira Glass quote:



Dan lists some of the stories and genres he likes, and thinks improving your work and taste is due to understanding why you like things, don't censor or bias yourself. Dan likes:

Batman and Akira comics. Movies and TV shows like Moneyball, Game of Thrones, Lost, and Breaking Bad. Podcasts like This American Life and Serial. From all of these he is learning story style and technique, observing different points of view. Immerse yourself in life and culture, take these references, says Dan, and come up with a unique spin on things.

You must do a critical review of your work. Dan reads us some 1 star and 5 star Goodreads reviews for Where the Wild Things Are (which has an overall rating of 4.2, by the way). Compare your opinions with others, there are crazy reviewers and there are good reviewers, the good reviews are useful pieces of critical information that can make your work better.

Study the fundamentals, but don't be rigid.

Learn by imitation, but don't become a clone. In art school, Dan copied Wyeth paintings in class because when you paint the strokes a master painter painted, your hands learn what your head doesn't quite understand yet. But be sure to make your art your own, Dan says, try to make work that is original to yourself once you begin to trust your inner instincts.

The exploration comes by doing: You have to make a lot of lousy paintings before you find one you want to put in your portfolio. Dan was working a full-time job when he decided he wanted to be published, so he started working from 10 pm to 3 am on his illustration work and after weeks and weeks of working like this and honing his craft, he'd made himself an illustration portfolio he could be proud of.

Form follows function. Dan shows us how good stories have things happening for a reason, you see it in everything from Back to the Future to his very own Beekle.


A few of Dan's final thoughts: Do what you love, and the work will find you. Don't think about the money, think about the craft, and working on your craft is the only way to improve. And don't give up!

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The director of "Juno" and "Up in the Air" will make an animated feature based on the Caldecott-winning children's book.

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As a member of the 2015 Caldecott committee, making “the call” to Dan Santat on the morning of February 2 was such a thrill. The good folks at ALA make it possible for you to experience it HERE. Once the announcements of the Caldecott awards were made public, the Internet buzzed. One of the first things I saw online after the announcements was this short video from Dan Santat. It melted my heart. I was running on adrenaline, very little sleep, and home-made ginger cookies at this point, and that little clip just really got me. Dan Santat’s first Tweet of that day was “I’m so bummed the Patriots won the #SuperBowl last night. My whole day is ruined.” I immediately thought, “The guy is funny!” You can follow him on Twitter @dsantat. When I got back to my hotel room, I saw this amazing craft from This Picture Book Life blog. It inspired me to create my own Snow Beekle once I got back home.

When I was home I really dug in to read the Caldecott news. There are several interviews that will give you more about Dan Santat, like this one from Publisher’s Weekly, this one from NPR, this one from Dan’s local station in Pasadena, and this one on the 7 Impossible Things blog. And there’s this fun podcast from Picturebooking.

So, there’s a lot of Beekle love out there, and it is well-deserved. This year’s Caldecott medal book is one that you can share at preschool storytime. There’s already a craft you can make (with preschoolers I’d use frosting scribblers instead of Sharpie marker to make the face because you know they are going to want to eat it). You can use The Adventures of Beekle, the Unimaginary Friend with older groups, too. It is a seemingly simple book, but so much is going on. Embedded in this story is the archetypal Hero’s Journey: Beekle leaves home on a quest, heeding his call to adventure. He leaves his normal world and ventures out into the unknown. He then experiences trials in that world: he is looking for something, and searches valiantly. Once Beekle finds what he is looking for, and has bonded with his new friend, he can return, and do the unimaginable. For more on the Hero’s Journey, and how Beekle relates, try this link.

Look closely at that art! Each section of the journey is denoted by color and slight style changes, and fits the pacing just right. Look for the color yellow to tell you that change or something significant has occurred. Look at the emotion on our hero’s face when he meets his friend. Explore those end pages. Take that dust jacket off and revel in the lovely board cover underneath. Find the joy in this book that so many young children do. And don’t forget to look for the Beekle Bum – that image gets noticed every time I share this book in storytime.
Have fun with this book, and if you have more ideas on how to use it in storytime or in the classroom, share in the comments!

The post The Beekle Experience appeared first on ALSC Blog.

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First came Biggy and Buggy, who were ants. Then came Fuzzypants the tiger. Now there is Robot Doggy and Pirate Puppy.

Pirate Puppy is an invisible dog. And he likes to eat cake and strawberries and today is his birthday.

When we were opening invisible presents Pirate Puppy jumped out of one and he had a pirate hat so I knew he was a pirate puppy.

We don’t know where he lives. His job is fighting off bad guys. His job is fighting off pirates. He’s a pirate too but he is a good guy.

With his menagerie of invisible pals, I wondered how Byron would respond this year’s Caldecott Medal winner, Dan Santat’s The Adventures of Beekle The Unimaginary Friend (aka Beekle). The premise and execution are more visual than a description would do justice, but in a nutshell, Beekle is an imaginary friend waiting, and then searching, for his child.

Cute, I thought, but I wondered if Byron would be confused or upset by the use of the word “imaginary.” His invisible friends are real (just ask him) and he gets upset if you use that word.

He sat riveted and delighted through all of Beekle, loving the illustrations and giving it good reviews (“That was funny. Read it again.”), but he did want to discuss it. Why were these friends called imaginary? Why were they visible?

I finally solved this problem by saying Beekle and the other invisible friends were shown as visible in the picture book so it wouldn’t be a bunch of blank pages. Artists can do whatever they want, I said. They can make invisible things visible. They show how things would look if we could see them. And I told him “imaginary” was not always the opposite of “real.”

Byron’s invisible friends are more than make-believe companions. They allow him to improvise stories, to express his moral leanings, to negotiate reality with others. I don’t think they’re inspired, essentially, by being lonely. They’re more complicated than that and multifaceted, involving Byron’s sense of self and the world.

I think the whole thing is pretty fascinating and wish I had an invisible friend of my own.

 

Filed under: Miscellaneous Tagged: beekle, imaginary friends, invisibility, parenting, santat

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by Dan Santat

published 2014 by Little, Brown (release date is tomorrow, April 8th. I’d recommend lining up outside your local bookstore as soon as possible. You want this book.)

Sometimes, you can tell that a story is going to squeeze its way into your soul.

I got those story-goosebumps when I saw this trailer recently. Hat tip to Mr. Schu and Margie Myers-Culver probably. Or maybe Mr. Santat himself. But:

Maybe sobbed is a more appropriate word choice than saw, because that’s what I did. It was all I could do. But some things you see with your eyes, and some things you see with your heart alone.

I saw Beekle.

This is Dan Santat’s first offering as an author in a decade, though he has illustrated about a trillion books in the meantime. His work is inviting and bold and gripping and nuanced and so clearly Santat. Paired with his own words now, they haunt and amaze. Sweeping and startling and so very shivery.

(Speaking of all those Santats, my students peek under every dust jacket thanks to Kel Gilligan. They are super disappointed if a) the library mylar is in the way and b) if it’s a plain old case cover. Smarties.)

Thank goodness for this:And this.Whether accidental or intentional, the title is a nod to other epic journeys. The Adventures of Huckleberry Finn, Tom Sawyer, Tintin, Pete and Pete (remember those redheads?). All of those escapades belong to memorable characters.

But Beekle. See him up there on the cover? That milky lump with the crooked, shy smile? No one has remembered him yet, because no one has ever imagined him. Not with their eyes, and not with their hearts.

The folks at the bus stop (save the tiny schnauzer) are too busy with real life and grownup things like tracksuits and newspapers. Of course they can’t see him. That’s why he’s looking at you, the reader. So in you go. Beekle was born on a magical island, a home for imaginary friends to wile away the days until they were dreamed up by a real friend. He waited and waited to be picked, and watched everyone else get imagined. And Beekle was alone, so . . .

. . . he did the unimaginable.The whiff of a wild thing on those waves . . . you recognize Beekle’s sailboat and crown, right?

(image from here.)Beekle’s sailboat reaches the real world, but no one stops to hear the music. Like any good adventure and friend seeker, he finds branches to climb and a lookout to perch. But no one came.

And then.

If you slowed down and savored the pictures, you might have seen a gust of wind pick up something thin and white. That thing, thin and white, stuck right to a limb holding Beekle. That thin and white canvas, her dream.So many moments add to the magic of this, in addition to the anticipation and raw rooting we are doing for our hero. See the leaves? The stars? That’s how she drew the leaves. That’s how the leaves look on the tree, too. That shape creates instant charm and magical mood, sure. But also, remember the beginning? The waiting and the hoping? On the island, all of that happened under the stars.Friends are matched under the stars.

That’s when the world begins to feel a little less strange.

If there’s a word that means flabbergasted and gobsmacked to the infinitieth power, that’s what I was when I got Beekle in the mail from Dan’s editor at Little, Brown, Connie Hsu. Not only did I get a sneak peek at this gorgeous story, but I got my very own friend. 

 How did he know a squatty, mechanized lightbulb bearing tools for creating and messing up and creating anyway was the perfect friend for me?

The stars must have been out that night above Dan’s studio. Thank you, Dan. So, so much.

Tagged: beekle, connie hsu, dan santat, imaginary friends, little brown

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  I dare you not to have some emotional response to the music for this trailer - to say nothing of the artwork or the book's idea.

By Dan Santat.  I am looking for this the next time I step into a bookstore.

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