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1. Graham Nash: The Songs That Made Me


WildTales

When Graham Nash visited Penguin Towers recently, the Penguin Blog was lucky enough to sit down with him and hear, from the man himself, about the 10 songs that mean the most to him. Graham recorded this as an audio interview, but we thought we'd share it with you here so you can listen to the songs as you read.

This post is in Graham's words. We hope you like it. Happy listening.

1. The first song I’d like to talk about is Be-Bop-A-Lula by Gene Vincent. An amazing, amazing record, recorded 2-track at Capital Records. One of the reasons I joined Capital Records personally, apart from all the financial stuff that went on between my managers and the record company, was that I would join if they would leave me in the studio with the original two-track of Gene Vincent’s Be-Bop-A-Lula. It was the very first record I ever bought and unfortunately the day after I bought it I sat on it. It was a '78 and of course it shattered. Anyway, this is Be-Bop-A-Lula by Gene Vincent.

2. I was once talking to John Lennon about great rock’n’roll songs. And he and I both agreed that Great Balls of Fire by Jerry Lee Lewis was undeniably a great, great rock’n’roll song.

3. One of my personal favourite groups of course, is The Everly Brothers. I’ll never forget what their music did to me when I was fifteen years old, I was enthralled by their sound, by their harmony. I know they were brothers and I know they came from Kentucky but they had this unbelievable blend. In 1992 in Toledo, Ohio, I was in my hotel room and the phone rang. It was Phil Everly and he was talking to me. I said "Why are you talking to me in Toledo, Ohio?" And he said, “Well, you’re doing the show at the place that we’re going to play tonight. Would you like to come to the show?” So I went down with The Everly Brothers in their bus, to the venue. We had that rubber chicken at 5 o'clock after soundcheck that most rock’n’roll bands have and Don Everly looked at me and said “OK. What are you gonna sing with us?” And you know, I’m dying inside, it’s been my dream to sing with The Everly Brothers, and I have a cassette of me singing So Sad with The Everly Brothers and it thrills me to this day. So let’s play So Sad.

4. After World War II when 14 and 15 year old kids had nothing to do but kick a ball around, Lonnie Donnegan came into our lives on the BBC and Saturday Club on Saturday Morning. He was very influential with us because he provided a form of music that we could afford. If you had a cheap acoustic guitar and a washboard then you could put thimbles on your fingers and replicate the drums, and have a tea chest with a broom handle and a piece of string for the bass, and you could actually make decent music. So let’s play Rock Island Line by Lonnie Donegan.

5. There was a movie out when I was a kid, it was called Blackboard Jungle. Part of the musical track was this song by Bill Haley & The Comets called Rock Around The Clock. A few days before my fifteenth birthday, Bill Haley came to Manchester and I got tickets for me and Alan Clarke. We sat in the front row of the balcony and were absolutely blown away by the energy of The Comets. So why don’t we play, Rock Around The Clock.

6. I’m a lover of harmony. I mean it’s very obvious – I was in The Hollies, a great harmony band; Buffalo Springfield and The Byrds were both great harmony bands, but The Beach Boys were something else. I truly love this song, this is one of the finest songs on record. By The Beach Boys, it's God Only Knows.

7. I’d like to be a little selfish here. When Stephen Stills first played me Suite Judy Blue Eyes I couldn’t believe what a great song it was. It was 7.5 minutes, it was in four movements; a brilliant, brilliant song.

8. After I joined David and Stephen I kind of put The Hollies into the back of mind. You certainly don’t talk to your new girlfriend about your old girlfriend, you know, you just don’t do that. And so I spent many years kind of pushing them away in my mind. But recently, for the last 10 years I’ve been listening to The Hollies and, man, we were a fine band! Good harmonies, great energy. I remember this particular song because we had a manager, Michael Cohen. And he said to us one day, “I have this neighbour, this friend of mine, and she says that her son writes songs. Do me a favour - she keeps bugging me - why don’t you do down and just check out this kid.” So we went to this house and there’s this fourteen or fifteen year old kid and, you know, we were The Hollies! And we knew we were The Hollies. And I said “OK kid, what have you got?” And he said, “I’ve got this song and it goes like this…” *sings first lines of Bus Stop* And we knew The Hollies could cut a great record of it. So this is Bus Stop.

9. One day [David] Crosby told me that he had just come from a session at Abbey Road with The Beatles and they pushed two giant speakers left and right, opposite each ear, sat him in a chair, and David Crosby was one of the first people ever to hear this song: A Day In The Life.

10.  I’ve always been a tenacious man. I don’t give up easily. When I’m committed to something I do it with all my heart. This is a wonderful, wonderful song that we should all listen to and take to heart, this is Don’t Give Up by Peter Gabriel.

WILD TALES by Graham Nash is out now. For more information on the book why not follow Penguin on Twitter. For updates from Graham Nash, follow him on Twitter here.

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