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By: Brian A. Klems,
on 2/15/2015
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Reminder: New literary agents (with this spotlight featuring Victoria Selvaggio of Jennifer De Chiara Literary) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.
About Victoria: Victoria A. Selvaggio joins The Jennifer De Chiara Literary Agency as an Associate Agent with a strong background in business ownership and over six years of actively working as a volunteer and Regional Advisor for SCBWI: Northern Ohio. Drawn to the publishing scene first as an author writing all genres, with her most recent publication in the 2015 Children’s Writer’s and Illustrator’s Market, Vicki’s passion for honing the craft carried over into reading manuscripts for the agency. Currently, she is excited to read compelling manuscripts that will resonate with her long after she’s done.
(Hate writing synopses? Here are nuts & bolts pointers for you.)
She is seeking: “I am currently looking for all genres (lyrical picture books, middle grade and young adult fiction, new adult, mysteries, suspense, thrillers, paranormal, fantasy, narrative nonfiction, adult fiction), but find I’m drawn to middle grade and young adult. I especially love thrillers and all elements of weird, creepy stuff. If it’s out of the box, and it will make me think and think, long after I’m done reading, send it to me. On the flip side, I yearn for books that make me laugh, cry and wonder about the world.”
How to submit: Please e-mail a query to vselvaggio [at] windstream.net. Put “Query” in the subject line of your e-mail. For queries regarding children’s and adult fiction, please send the first twenty pages in the body of your e-mail, along with a one-paragraph bio and a one-paragraph synopsis.
For queries regarding a nonfiction book, please attach the entire proposal as a Word document (the proposal should include a sample chapter), along with a one-paragraph bio and a one-paragraph synopsis of your book in the body of your email.
“I usually respond within three to six months. If you haven’t received a response after six months, feel free to query me again.”
(Do you need different agents if you write multiple genres?)
The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.
Other writing/publishing articles & links for you:
Your new complete and updated instructional guide
to finding an agent is finally here: The 2015 book
GET A LITERARY AGENT shares advice from more
than 110 literary agents who share advice on querying,
craft, the submission process, researching agents, and
much more. Filled with all the advice you’ll ever need to
find an agent, this resource makes a great partner book to
the agent database, Guide to Literary Agents.
By: Brian A. Klems,
on 1/4/2015
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Reminder: New literary agents (with this spotlight featuring Kirsten Carleton of Waxman Leavell Literary Agency) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.
About Kirsten: Before joining Waxman Leavell in 2014, Kirsten worked at Sobel Weber Associates. She holds a B.A. in English with a Creative Writing concentration from Amherst College, and a Graduate Certificate in Publishing from the Columbia Publishing Course. Follow her on Twitter: @kirstencarleton
(The skinny on why to sign with a new/newer literary agent.)
Kirsten is seeking: Upmarket young adult, speculative, and literary fiction with strong characters and storytelling. She’s particularly interested in novels that bend and blur genres; literary takes on high concept worldbuilding; diverse characters in stories that are not just about diversity; antiheroes she find herself rooting for; characters with drive and passion; girls and women in STEM fields; settings outside the US/Europe; well-researched historical settings; YA noir/thriller/mystery; stories that introduces her to a new subculture and makes her feel like a native. She is not interested in horror, romance, erotica, poetry, or picture books.
How to submit: Send a query letter with the first five to ten pages of your manuscript in the body of the email only to kirstensubmit [at] waxmanleavell.com.
(Is it best to query all your target agents at once? — or just a few to start?)
The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.
Other writing/publishing articles & links for you:
Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more. Order the book from WD at a discount.
By: Brian A. Klems,
on 12/21/2014
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Reminder: New literary agents (with this spotlight featuring Leon Husock of L. Perkins Agency) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.
About Leon: Prior to joining the L. Perkins Agency, Leon was an associate agent at Anderson Literary Management. He has a BA in Literature from Bard College and attended the Columbia Publishing Course. Leon is actively building his client list. Follow him on Twitter: @leonhusock.
(Why writers who don’t have a basic website are hurting their chances of success.)
He is seeking: He has a particular interest in science fiction & fantasy, young adult and middle-grade novels filled with strong characters and original premises, but keeps an open mind for anything that catches his eye. He is also looking for historical fiction set in the 20th century, particularly the 1980s or earlier. He is not interested in nonfiction at this time.
How to contact: E-query him at leon [at] lperkinsagency.com.
(Do you need multiple literary agents if you write different genres?)
The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.
I (Chuck) Will Instruct At These Great Writing Events Soon:
- Oct. 24, 2014: Atlanta Writers Fall Conference (Atlanta, GA)
- Feb. 6, 2015: Kentucky Writers Conference (Louisville, KY)
- Feb. 7, 2015: Tennessee Writers Conference (Nashville, KY)
- Feb. 20, 2015: Portland Writing Workshop (Portland, OR)
- Feb. 21, 2015: Seattle Writers Workshop (Seattle, WA)
- March 27-28, 2015: Chesapeake Writing Conferences (Baltimore and DC)
- April 17-18, 2015: Carolina Writing Workshop Conferences (Charlotte, NC and Columbia, SC)
- May 15, 2015: Milwaukee Writers Conference (Milwaukee, WI)
- May 16, 2015: Chicago Writers Workshop (Chicago, IL)
- June 25-28, 2015: Jackson Hole Writers Conference (Jackson Hole, WY)
- July 31- Aug. 2, 2015: Writer’s Digest Conference East (New York, NY)
- October 2015: Books by the Banks Book Festival (Cincinnati, OH)
Your new complete and updated instructional guide
to finding an agent is finally here: The 2015 book
GET A LITERARY AGENT shares advice from more
than 110 literary agents who share advice on querying,
craft, the submission process, researching agents, and
much more. Filled with all the advice you’ll ever need to
find an agent, this resource makes a great partner book to
the agent database, Guide to Literary Agents.
By: Chuck Sambuchino,
on 11/24/2014
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Reminder: New literary agents (with this spotlight featuring Melissa Edwards of The Aaron M. Priest Literary Agency) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.
About Melissa: Melissa is a graduate of Washington University in St. Louis and Vanderbilt Law School. She is a member in good standing of the New York State bar. While Melissa began her career as a commercial litigation attorney, she always maintained aspirations to work in publishing. At present, Melissa handles foreign rights for Aaron Priest and is actively reading to develop her own list.
(Listen to agents define what makes a writer an ideal client.)
Melissa is seeking: Melissa’s taste ranges in genre from classic Victorian literature to hard-boiled crime dramas. She is interested in reading international thrillers with likeable and arresting protagonists, lighthearted women’s fiction and YA, female-driven (possibly small-town) suspense, and completely immersive fantasy. Ultimately, Melissa is looking for a book that will keep her glued to the couch all day and night, and continue to occupy her thoughts for weeks later.
How to submit: Submit a one-page query letter via e-mail that describes your work and your background to queryedwards [at] aaronpriest.com. Do not send an attachment, but if interested, you can paste into the body of the email the first chapter of your manuscript.
(Can writers query multiple agents at the same agency?)
The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.
Other writing/publishing articles & links for you:
Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more. Order the book from WD at a discount.
There has never been a better time to be a Sci-Fi / Fantasy author. With television shows like Battlestar Galactica, Game of Thrones and Outlander each in turn becoming massive pop culture phenomena, and Marvel’s superhero films dominating the box office, SF/F has gone mainstream like never before. The SF/F literary marketplace has also become more open to a variety of stories and points of view.
The SF/F agents of Fuse Literary (formerly Foreword Literary) will help you perfect your new Sci-Fi, Fantasy or Horror masterpiece in this online boot camp titled “How to Write and Sell Your Fantasy & Science Fiction.” It starts on Nov. 10, and all registrants will get individualized agent critiques as well as have the chance to ask the agent instructors any questions they wish.
Among the topics that will be discussed:
- How to build a unique and memorable fictional world that will entice an agent
- How to craft a compelling, high-stakes plot that keeps the reader engaged
- How to create refreshing and dynamic characters
- How to find agents seeking SF/F manuscripts
- How to avoid common pitfalls in your query letter and sample pages
- How to rein in an out-of-control word count
- How to lay the groundwork for an epic series in your first book. Sign up for the boot camp here.
After the seminar lecture, we will be available to answer any questions you may have about the SF/F market or the publishing process. Then the agents from Fuse Literary will critique the query letter and first five double-spaced pages from all registrants. Don’t miss this opportunity to get the inside scoop on genre publishing!
PLEASE NOTE: A few works discussed as examples in our presentation will include A Song of Ice and Fire by George R. R. Martin, Kushiel’s Dart by Jacqueline Carey, Dune by Frank Herbert, and Lagoon by Nnedi Okorafor. It’s not necessary to have read any or all of these books, but a passing familiarity with at least a few of them will be helpful.
Only registered students can access the discussion sessions. You’ll also be able to ask questions of your fellow students. Feel free to share your work and gain support from your peers
Please note that any one of the agents may ask for additional pages if the initial submission shows serious promise.
In addition to feedback from agents, attendees will also receive:
— Download of “An Agent’s Tips on Story Structures that Sell,” an on-demand webinar by literary agent Andrea Hurst
— 1-year subscription to the WritersMarket.com literary agent database
About Fuse Literary:
Fuse Literary is a full-service, hybrid literary agency based in the Silicon Valley with offices in New York City, Chicago, San Diego, and Vancouver. We blend the tried-and-true methods of traditional publishing with the brash new opportunities engendered by digital publishing, emerging technologies, and an evolving author-agent relationship. Sign up for the boot camp here.
Fuse manages a wide variety of clients, from bestsellers to debut authors, working with fiction and non-fiction for children and adults worldwide. We combine technical efficiency with outside-the-covers creative thinking so that each individual client’s career is specifically fine-tuned for them.
Agent Laurie McLean is a partner at Fuse Literary. She spent 20 years as the CEO of a publicity agency and 8 years as an agent and senior agent at Larsen Pomada Literary Agents in San Francisco. At Fuse, Laurie specializes in adult genre fiction plus middle-grade and young adult children’s books. Her SF/F clients include the New York Times and USA Today bestselling YA author Julie Kagawa, bestselling fantasy and science fiction author Michael J. Sullivan, and award-winning steampunk and fantasy authors Pip Ballantine and Tee Morris.http://www.writersdigest.com/wp-admin/post-new.php
Agent Connor Goldsmith is an associate agent at Fuse Literary, part of the firm’s New York office. He began his career in publishing as an associate agent at Lowenstein Associates. At Fuse, Connor specializes in adult genre and commercial fiction, in addition to select literary fiction and nonfiction titles. His SF/F clients include award-winning romantic fantasy author Jeffe Kennedy and upcoming debut SF/F authors Claire Humphrey, Alex White, and Cass Morris.
Please note: Both Laurie McLean and Connor Goldsmith will be participating in the online discussion sessions together on the same boards. There is no need to request to ask questions to one or the other beforehand. If you ask a question, both Laurie and Connor will be able to reply to you based on their expertise. However, only Connor Goldsmith will be critiquing submissions.
Sign up for the boot camp here.
Reminder: New literary agents (with this spotlight featuring Valerie Noble of Donaghy Literary Group) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.
About Valerie: Valerie Noble is an Associate Agent at Donaghy Literary Group. While studying chemistry at California State University, Long Beach, Valerie mastered the art of doing proper research, particularly for technical writing. Her love of science and reading merged when she began penning her first novel in the midst of her studies. In true scientific fashion, Valerie researched all there was to know about publishing. She connected with agents, editors, and other writers, and interned for Jessica Sinsheimer of Sarah Jane Freymann Literary Agency.
An education is never finished and Valerie continues to cultivate relationships and hopes to use her knowledge and skills in finding fresh new voices for Donaghy Literary Group.
She is seeking: Valerie is seeking Young Adult, and New Adult — in the following areas:
• Science Fiction YA/NA
• Fantasy YA/NA
• Historical Fantasy YA/NA
• Historical Fiction YA/NA
Valerie loves YA/NA science fiction and fantasy (think Kristin Cashore and Suzanne Collins) but reads everything under the sun. For her, it’s more about the writing and less about the genre. In saying that, Valerie is generally not interested in romance or paranormal.
Submission Instructions: Electronic Submissions only. Send the query letter, 1-2 page synopsis and the first 10 pages of manuscript — all in body of email, no attachments. Send to query(at)donaghyliterary(dot)com.
The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.
Other writing/publishing articles & links for you:
Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more. Order the book from WD at a discount.
By: Chuck Sambuchino,
on 8/24/2014
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Today’s literary agent spotlight is with Mark Gottlieb of Trident Media Group. Mark is actively building his client list at the moment, and is definitely worth getting to know better. Learn more about him below:
About Mark: From an early age, Mark showed a passionate interest in his father’s work, his founding of Trident with Dan Strone, and the growth of the company. And his father Robert took great pleasure in being “grilled” regularly by Mark. This focus on publishing continued at Emerson College, where Mark was a founding member of the Publishing Club, then its President, subsequently overseeing its first publication under the Wilde Press imprint. After graduating Emerson with a degree in writing, literature and publishing, Mark began his career as an assistant to the Vice President of the Berkley imprint at Penguin, working with leading editors at the firm.
(Headed to a conference? Learn how to approach an agent.)
Mark’s first position at Trident was in the foreign rights department, assisting the department’s agents in selling the books of clients around the world. Mark continued to follow the customary Trident development process by next assuming the position of audio rights agent. Since Mark has managed the audio rights business, the annual sales volume has doubled (for more information on audio books, please see the Audio Books page under our Services tab). Now while continuing to head up audio rights, Mark is building his own client list of writers. Follow Trident Media Group on Twitter or on Facebook.
He is seeking: In fiction, he seeks Science Fiction, Fantasy, Young Adult, Comics, Graphic novels, Historical, History, Horror, Literary, Middle Grade, Mystery, Thrillers and New adult.
In nonfiction, he seeks Arts, Cinema, Photography, Biography, Memoir, Self-help, Sports, Travel, World cultures, True crime, Mind/Body/Spirit, Narrative Nonfiction, Politics, Current affairs, Pop culture, Entertainment, Relationships, Family, Science, Technology.
How to submit: Use the online submission form here. Make sure you direct your inquiry to Mark.
(Can your query be longer than one page?)
The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.
Other writing/publishing articles & links for you:
Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more. Order the book from WD at a discount.
By: Chuck Sambuchino,
on 8/4/2014
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This past weekend at the Writer’s Digest Writers Conference in NYC, one of the attending agents at the pitch slam was Catherine Luttinger of Darhansoff & Verrill. Catherine recently rejoined the agency and is looking for clients now. Learn more about her below.
She is seeking: Catherine is primarily interested in science fiction and fantasy. To her, that includes anything that could even remotely be labeled as such. Viable submission material includes everything from classic space operas to the apocalypse; alternative universes, dystopias, and eco-thrillers—as well as the paranormal, horror, zombies, plagues, and time travel. She is also willing to look at historical fiction, mythology re-told, YA, thrillers and mysteries. You may also pitch her pop-science nonfiction.
(How NOT to start your story. Read advice from agents.)
How to submit: Send queries to [email protected]. Put “Query for Catherine: [TITLE]” in your subject line.
The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.
Other writing/publishing articles & links for you:
Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more. Order the book from WD at a discount.
Literary agent Jennifer Azantian has formally opened her own agency early this year
, and put out a call for submissions. Check out her specifics below and see if she’s a good fit for your work.
About Jennifer: Founder Jennifer Azantian began her agenting career in 2011, first as an intern and then as an assistant and associate, at the Sandra Dijkstra Literary Agency. In 2014, after working with senior agent and entertainment lawyer Paul Levine, Jennifer opened her own agency
specializing in genre fiction. Jennifer brings to her clients a passion for literature born of a writer’s heart and an editorial eye honed from reviewing thousands of projects both for herself and as submissions manager at the Dijkstra Agency. This, coupled with the guidance and superior contracts knowledge of Paul Levine, empowers the Jennifer Azantian Literary Agency to confidently commit to negotiating the very best terms for its talented authors as it guides their careers to success.
(11 literary agents share what NOT to write in your query letter.)
She is seeking: fantasy, science-fiction, and horror that focuses on characters that feel real, the kind whose stories she can get invested in regardless of extravagance in plot or setting. She is fascinated by the basic human truths that emerge at the heart of all the greatest fantasies. These are the kind of projects that she advocates. She is actively acquiring only science fiction and fantasy (including all of their subgenres) as well as smart, psychological horror for middle grade, young adult, new adult, and adult readers.
How to submit: queries [at] azantianlitagency.com. Send your query letter, 1-2 page synopsis, and first 10-15 pages of your ms pasted into an email (no attachments). If you work was requested personally by Jennifer (at a conference, etc), or was referred by a current client, or is being submitted exclusively, please say so in the email subject line.
(How to pitch agents at a writers’ conference.)
The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount
.
Other writing/publishing articles & links for you:
A writing routine is healthy — but is it totally necessary?How to Sell Pieces to Magazines and Newspapers.Need an agent? This new agent is seeking fiction, memoir, and more.Writing YA, mid grade or picture books? New agent Clelia Gore wants your query.How I Learned to Kill My Darlings (and Improve My Writing).Follow Chuck Sambuchino on Twitter or find him
on Facebook. Learn all about
his writing guides on how to get published, how to find a literary agent, and writing a query letter.
Want to build your visibility and sell more books?
Create Your Writer Platform
shows you how to
promote yourself and your books through social media, public speaking, article writing, branding,
and more. Order the book from WD at a discount.
This is not technically a New Agent Alert
, because agent
Caitlen Rubino Bradway of LKG Agency is not a new agent. But this does resemble such an alert because Caitlen is making an open call for new submissions from writers. So check her out and see if you can send her (or her co-agent) a query.
About Caitlen: “I joined the LKG Agency
in 2008, thereby disproving the theory that no English major ever does anything with their degree. I have enjoyed my apprenticeship under Lauren Galit very much, and I am now actively looking to build my own list. In my spare time, I am an author in my own right (or is that write?). My first book,
Lady Vernon and Her Daughter, which I co-wrote with my mother, was released by Crown in 2009. We also contributed to
Jane Austen Made Me Do It, published by Ballantine in 2011. My first middle grade novel,
Ordinary Magic, was published by Bloomsbury Children’s in 2012.”
(Do you need multiple literary agents if you write different genres?)
She is seeking: “I personally am looking for middle grade and young adult fiction. In teen novels, Sci-fi/fantasy is my sweet spot, but I’m open to anything as long as it doesn’t have zombies. (For a more detailed description of what I’m looking for, you can check out my blog post at our website
.)
“Also, the LKG Agency [which has one other agent] is always on the lookout for nonfiction, both practical and narrative. We specialize in women’s focused how-to, such as parenting, lifestyle, health & nutrition, and beauty, but we are open to a lot of nonfiction genres. (For a full list you can check out the submission guidelines
on our website.)”
(The skinny on why to sign with a new/newer literary agent.)
How to contact: “We are looking for email queries only. Nonfiction queries should be sent to lkgquery [at] lkgagency.com; we ask that you please mention any publicity you have at your disposal in your query letter. For middle grade and YA queries, email crubinobradway [at] lkgagency.com.”
The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount
.
Other writing/publishing articles & links for you:
Sell More Books by Building Your Writer Platform.More Tips on Writing a Query Letter.NEW agent Beth Campbell seeks clients and is building her list. Trust Your Instincts: Write the Story the Way YOU Think It Should Be Told.Follow Chuck Sambuchino on Twitter or find him
on Facebook. Learn all about
his writing guides on how to get published, how to find a literary agent, and writing a query letter.
Want to build your visibility and sell more books?
Create Your Writer Platform
shows you how to
promote yourself and your books through social media, public speaking, article writing, branding,
and more. Order the book from WD at a discount.
By: Chuck Sambuchino,
on 3/1/2014
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How do you hook an agent right away, keep them hooked, and make the most of your new publishing relationship? In this all-new March 2014 Boot Camp, “How to Find and Keep a Literary Agent,”
you’ll learn how to get a literary agent’s attention through a great submission, and also how to navigate the process of working successfully with an agent. After hearing instruction from the agents at Kimberley Cameron Literary Agency, you’ll also work with an agent online to review and refine your all-important query letter and the first five pages of your novel with the agents. This Boot Camp will cover a range of important questions:
- What keeps an agent reading? What makes writing jump off the page?
- What are the most common Chapter 1 mistakes that make them stop reviewing your submission?
- What are the steps you need to give your query and manuscript the best possible shot?
- What are the turn-ons and turn-offs when it comes to queries?
- How do agents make judgment calls?
- And much more. Sign up for the boot camp here
.
With real-life examples of queries that do and don’t work, you will learn how you can refine your own query letter and get an agent to request your novel.
The world of literary agencies can be an intimidating place. You’ll be lead through the inner-workings of finding the perfect literary agent, working with an agent and how to get the most out of your relationship. See what a day in the life of an agent looks like, and get tips about how to find your perfect author-agent match that will result in a successful partnership.
The best part is that you’ll be working directly with a knowledgeable and experienced agent, who will provide feedback specific to your work. Sign up for the boot camp here
.
Here’s how it works:
On March 24th, you will gain access to a special 60-minute online tutorial presented by agents at the Dijkstra Literary Agency. It will explain the submission process of submitting to an agent, what they find appealing in a query letter and what an author-agent relationship looks like from the inside. You will also be notified by email which agent you’ll be working with Monday afternoon.
From 1:00 to 3:00 PM (PST) on both March 25 and March 26, instructors will be available to answer questions and provide additional feedback via the Writer’s Digest University message boards. Only registered students can access these boards. You’ll also be able to ask question of your fellow students. Feel free to share your work and gain support from your peers.
After listening to the presentation and participating in the discussion sessions, you’ll be able to revise your query & first 5 double-spaced pages as necessary. Then, you’ll email those pages directly to Jill Marr, Elise Capron, Thao Le or Roz Foster, by the end of the day on Thursday. They will spend 10 days reviewing their assigned critiques and providing feedback as to what works and what doesn’t.
Please note that any one of the instructing agents may ask for additional pages if the initial submission shows serious promise.
In addition to feedback from instructing agents, attendees will also receive:
- Download of “An Agent’s Tips on Story Structures that Sell,” an on-demand webinar by
Andrea Hurst
- 1-year subscription to the WritersMarket.com literary agent database
Recap on Dates:
March 24th – Boot Camp begins
March 25 – Discussion Session
March 26 – Discussion Session
March 27 – Materials due to agents
April 7 – All critiqued materials due back to attendees
About the Instructors:
ELISE CAPRON is an acquiring agent at the Sandra Dijkstra Literary Agency. She also manages the SDLA office and works closely with Sandra Dijkstra on author development and management. She is most interested in serious, character-driven literary fiction and well-written narrative non-fiction (particularly serious history with a good story).A graduate of Emerson College, Elise holds a BFA in Writing, Literature and Publishing, and served on the editorial staff of the Emerson Review for several years. She interned at Harcourt and the Dijkstra Agency before joining the agency full-time in late 2003.Elise is interested in fiction that has unforgettable writing, a terrific narrative voice/tone, and memorable characters. She loves novels with an unusual or eccentric edge and is drawn to stories she has never heard before. She aims to work with writers who are getting their work published regularly in magazines and who have a realistic sense of the market and their audience. Some of Elise’s recent and soon-to-be-published fiction titles include Tiphanie Yanique’s Land of Love and Drowning (Riverhead) and How to Escape from a Leper Colony (Graywolf); Courtney Brkic’s The First Rule of Swimming (Little, Brown); Rachel Toor’s On The Road to Find Out (FSG); Jonathon Keats’The Book of the Unknown (Random House); Rikki Ducornet’s Netsuke (Coffee House Press); Maureen McHugh’s After the Apocalypse (Small Beer Press), which was picked as a “Top 10 Best of the Year” by Publishers Weekly; Ali Liebegott’s The IHOP Papers (Carroll & Graf); Peter Plate’s Soon the Rest Will Fall (Seven Stories Press); and more.
On the non-fiction front, Elise is looking for fascinating true stories told in a compelling way. Currently, Elise is especially interested in working with up-and-coming scholars (particularly historians) who are looking to transition from the academic market to a trade readership. Some of Elise’s recent and soon-to-be-published non-fiction titles include Jack Shuler’s The Thirteenth Turn: A History of the Noose (Public Affairs) and Blood and Bone: Truth and Reconciliation in a Southern Town (University of South Carolina Press); Leo Braudy’s Haunted; Jane Vandenburgh’s The Wrong Dog Dream: A True Romance (Counterpoint); Jonathon Keats’ Forged: Why Fakes Are the Great Art of Our Age (Oxford University Press); Cynthia Barnett’s Blue Is the New Green: An American Water Ethic (Beacon); Billy Smith’s Ship of Death: The Voyage That Changed the Atlantic World (Yale); and more.
Please note that Elise is specifically not interested in: fantasy, young-adult/middle-grade, picture books, romance, sci-fi, business books, cookbooks, poetry, religious/spiritual books, screenplays, or self-help. And while she is interested in narrative non-fiction, please note that she takes on very little memoir.
JILL MARR is an acquiring agent at the Sandra Dijkstra Literary Agency. She graduated from San Diego State University with a B.A. in English with an emphasis in Creative Writing and a minor in History. She has a strong Internet and media background and nearly 15 years of publishing experience. She wrote features and ads forPages, the literary magazine for people who love books, and continues to write book ads for publishing houses, magazine pieces, and promotional features for television. After writing ad copy and features for published books for years, she knows how to find the “hook” and sell it.
Jill is interested in commercial fiction, with an emphasis on mysteries, thrillers, romantic suspense and horror, women’s commercial fiction and historical fiction. She is also looking for non-fiction by authors who are getting their work published regularly and who have a realistic sense of the market and their audience. Jill is looking for non-fiction projects in the areas of history, sports, politics, current events, self-help, cookbooks, memoir, health & nutrition, pop culture, humor and music.
Some of Jill’s recent and soon-to-be-published non-fiction includes the Travel Channel’s Nick Groff’s Chasing Spirits (NAL); Maybe We’ll Have You Back (Skyhorse) by actor Fred Stoller; Get Over It (Seal Press) by Christina Pesoli; Doulas A. Wissing’s Funding Our Enemy (Prometheus Books); Why We Love Serial Killers (Skyhorse) by Scott Bonn; America’s Greatest “Failing” School (Nation Books) by journalist Kristina Rizga; Don’t Lick the Minivan (Skyhorse) by Leanne Shirtliffe; William Jones’ More Than the Dream: The Untold Story of the March on Washington (Norton); Rocking the Pink (Seal Press) by singer-songwriter Laura Roppé; Stop Reading Baby Books (Skyhorse) by JJ Keith; Drunks: America’s Search for Sobriety by Christopher Finan; and Argyle Armada: Life with America’s Top Pro Cycling Team (VeloPress) by Mark Johnson.
Some of Jill’s new and upcoming fiction includes Bloodman and American Woman (Thomas & Mercer) by Robert Pobi; Reckless Disregard (Seven Stories Press) by Robert Rotstein; Three Souls(HarperCollins) by Janie Chang; Madam (Plume) by Cari Lynne and Kellie Martin; The Cordell Logan thriller series (The Permanent Press) by David Freed; Benefit of the Doubt (Tor/Forge) by Neal Griffin; Garbo’s Last Stand (Entranced) by Jon Miller; The Crossroads thriller series (Thomas & Mercer) by Eyre Price; The Dog Year (Berkley) by Ann Garvin; The Change Your Name Store (Sky Pony Press) by Leanne Shirliffe; and the Jaden Terrell series that includes the Shamus Award nominee Racing the Devil and A Cup Full of Midnight (The Permanent Press).
Please note that Jill is specifically not interested in: YA, children’s books, sci-fi, romance or anything involving unicorns.
ROZ FOSTER is an acquiring agent at the Sandra Dijkstra Literary Agency. She works from New York. She has a B.A. in English Literature from UC San Diego, studied philosophy for a year at the University of Sheffield, U.K., and earned her M.A. in English, with an emphasis in composition & rhetoric and creative writing, from Portland State University. At PSU, she taught writing in exchange for tuition. She’s been learning French since 2009.Roz spent over five years as a qualitative researcher in high-tech consumer products marketing. In 2008, she co-founded a web design company for which she provided non-profit organizations with audience-focused market research, project planning, and digital design. She joined SDLA in 2013.
Roz is interested in non-fiction in the areas of cultural studies, sociology, business, history, politics, current affairs, science and design. She looks for driven, narrative storytelling and sharp concepts that have the potential to transcend their primary audience. She’s also interested in literary and commercial fiction, literary YA with crossover potential for the adult market, and literary sci-fi. In fiction, she looks for a resonant, lively voice; rich, irresistible language; characters with compelling development arcs; and a mastery of dramatic structure. Across the board, she’s looking for books that make her feel like the author is tuned into a rising revolution — cultural, political, literary, or whatnot — that’s about to burst on the scene.
Please note that Roz is specifically not interested in: sports, cookbooks, screenplays, poetry, romance, fantasy, or children’s books.
THAO LE handles finances and selected contracts at the Dijkstra Agency. She is also an agent. She is a graduate of the University of California, San Diego, with a double major in Econ-Management Science and Chinese Studies. While interning at the agency during college, she realized where her true love lies — books — and joined the agency full-time in the spring of 2011.
Thao is currently building her list and is looking for adult sci-fi/fantasy, YA (of all genres), and the occasional MG. Her taste for speculative fiction is eclectic and she enjoys both gritty, dark narratives and fantastically quirky stories. She is also looking for light-hearted, funny, and moving contemporary YAs with a raw, authentic teen voice. She’s particularly drawn to memorable characters, smart-mouthed dialogue, strong plots that can balance romance and action, and tight writing. She would also love to see more culturally diverse characters featured as the heroes and heroines in mainstream fiction. Her favorite books are the ones that can reimagine familiar tales and tropes in a completely fresh and new way. Recent sales include Katherine Harbour’s debut fantasy, Thorn Jack, to Harper Voyager in a three-book deal.
Thao is specifically not interested in: biographies, business books, cookbooks, picture books, poetry, religious/spiritual books, screenplays, self-help, short stories, or travel books.
Sign up for the boot camp here!
“How I Got My Agent”
is a recurring feature on the Guide to Literary Agents Blog, with this installment featuring Richard Ellis Preston, author of
ROMULUS BUCKLE & THE CITY OF FOUNDERS. These columns are great ways for you to learn
how to find a literary agent. Some tales are of long roads and many setbacks, while others are of good luck and quick signings. If you have a
literary agent and would be interested in writing a short guest column for this GLA blog, e-mail me at
[email protected] and we’ll talk specifics.
GIVEAWAY: Richard is excited to give away a free copy of his novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (Please note that comments may take a little while to appear; this is normal).
Richard Ellis Preston, Jr.
is a science fiction writer who loves the zeitgeist of steampunk.
Although he grew up in both the United States and Canada he prefers to think of himself as British. He attended the University of Waterloo in Ontario, and has lived on Prince Edward Island, excavated a 400 year old Huron Indian skeleton and attended a sperm whale autopsy. ROMULUS BUCKLE AND THE CITY OF THE FOUNDERS (47 North,
July 2013) is the first installment in his new steampunk series, The Chronicles of the Pneumatic Zeppelin. Booklist said of the debut, “”What a glorious, steam-filled, larger-than-life, action-packed adventure!” Richard has also written for film and television. He currently resides in California. Find Richard on Twitter.
HOW LIGHTNING STRIKES (AFTER 20 YEARS)
How did I get my current agent? In the 20 years I’ve been both a screenwriter and a novelist, I have had three. I relocated to Los Angeles in 1991 with dreams of becoming a screenwriter. I didn’t know anybody inside the industry so I had no open doors. Hundreds of queries and submissions were mailed into a black hole. I needed my own contact network. I took an extension screenwriting course at UCLA with an instructor who worked in a genre I liked. My intention was to blow that instructor away with my mad-scientist writing “skills,” diabolically forcing her to give me extra attention.
The students were tasked to produce the first 30 pages of their spec screenplay by the end of the term: I handed in a completed screenplay. Impressed, my instructor set up a meeting with her agent (lesson: a personal contact opened a door). That did not work out, but it was a legitimate shot. A co-worker opened a door for me as a script reader with Storyline Productions at Universal Studios; their development executive liked my script and he kindly submitted it to every agent he knew who was looking for new clients (lesson: a personal contact opened a door). Everyone passed but one — and all it takes is one. I was signed on by Susan Sussman at the Premiere Artists Agency, which was a brand new outfit.
I was sent to pitch meetings at Universal, Paramount, etc., but no one on the A-List ever bit. My contract with Susan ended amicably but was not renewed. I went back to vainly submitting and pounding the pavement.
SUCCESS IN SCREENWRITING BURNED ME OUT
My UCLA instructor called me one day (lesson: a personal contact opened another door) and put me in touch with a B-movie company, PM Entertainment, who was looking for screenwriters. I ended up working for them (and a few others) for a decade, penning medium-budget action, sci-fi and family movies and TV shows for HBO, USA, TNT and Animal Planet. Television wore me out. When my current gigs dried up or got cancelled, I turned to writing novels.
I love writing novels. When my first manuscript, the first installment of a steampunk adventure series, was completed, I bought the thick, heavy agent and publisher listings and starting lining up my query letter lists. But I had a pal on the inside. During my early days in California I had gravitated into group of new friends, all recent L.A arrivals who were interested in cracking into the entertainment industry. We were writers, actors, directors—and a lawyer. That lawyer, Julie Kenner, eventually quit the law business and became a writer. After years of hard work, her talent won out and she now pens NY Times bestsellers.
A REFERRAL: YET ANOTHER DOOR OPENED BY A CONTACT
Once Julie heard about my book, she told me to hold off on the queries and let her submit it to a handful of agents she thought might be interested (lesson: a personal contact opened several doors). Three passed, and one bit. The big one. Adrienne Lombardo, a brand new agent at Trident Media Group in New York, read my book within a month, loved it, and offered me a contract with the agency in November of 2011. The manuscript went out to her top five publishers in the new year and I had a two book deal signed with 47North, Amazon’s new sci-fi publishing imprint, by March, 2012. Twenty years after my arrival in Los Angeles, I finally felt as if I had arrived. (Adrienne later moved on to other things and I shifted into the care of Alyssa Eisner Henkin at TMG, so my third agent was a smooth transition).
Lessons Learned: cold queries and submissions can work, but the odds are insanely long and it’s a tough haul. I’ve witnessed the slush piles firsthand and wow, the amount of unsolicited stuff pouring in on a daily basis is mind-boggling. And it is a much bigger pile now than it used to be. Sure, go ahead and query and submit, but today I believe that you should spend more of your time, energy and money making contacts. You have to find somebody to open a door for you. Join a writing group and be engaged; somebody is bound to have success and they tend to carry their friends along with them. If you live far away from an urban center I would recommend you put your cash into a convention trip to Kansas City rather than a mountain of query letters; when you spend a lot to get there, it motivates you. Don’t be a wallflower. Grab an apple martini or a Shirley Temple and approach every agent, writer and publisher you can. Make a personal contact. Open a door.
GIVEAWAY: Richard is excited to give away a free copy of his novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (Please note that comments may take a little while to appear; this is normal).
If you’re think in the middle of writing your novel, WD’s
Story Building Collection Kit
is 6 items rolled into one
bundle at 69% off. The kit’s books & webinars focus on plot, structure, character, showing & telling, world building first pages, and more. Available while supplies last.
Other writing/publishing articles & links for you:
Read a Query That Worked and Snagged an Agent. “How I Got My Agent,” by Novelist Carsen Morton. Sell More Books by Building Your Author Platform.
Literary Agent Interview: Peter McGuigan of Foundry Literary. See a List of Writers Conferences and Events.Follow Chuck Sambuchino on Twitter or find him
on Facebook. Learn all about
his writing guides on how to get published, how to find a literary agent, and how to write a query letter.
Want to build your visibility and sell more books?
Create Your Writer Platform
shows you how to
promote yourself and your books through social media, public speaking, article writing, branding,
and more. Order the book from WD at a discount.
“How I Got My Agent”
is a recurring feature on the Guide to Literary Agents Blog, with this installment featuring Brian McClellan, author of
PROMISE OF BLOOD: Book One of the Powder Mage Trilogy. These columns are great ways for you to learn
how to find a literary agent. Some tales are of long roads and many setbacks, while others are of good luck and quick signings. If you have a
literary agent and would be interested in writing a short guest column for this GLA blog, e-mail me at
[email protected] and we’ll talk specifics.
GIVEAWAY: Brian is excited to give away a free copy of his novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (Please note that comments may take a little while to appear; this is normal).
Brian McClellan is the author of Promise of Blood,
book one of The Powder
Mage Trilogy, which was praised by both Kirkus and SciFi Now. He is also the author of “The Girl of Hrusch Avenue” and the upcoming
The Crimson Campaign,
due out in February of 2014. He lives in Cleveland, Ohio with his wife and two dogs and a cat. In his spare time he plays computer games, makes homemade jams, and tends to a hive of honey bees. You can find Brian via Twitter,
Facebook, or on his
website.
SINCE I WRITE FANTASY, I WENT TO CONVENTIONS
I’ve heard a number of various stories over the years about how authors ended up with their agents. My own mentor first met his agent at a convention; bought him a drink, chatted him up, and left with an offer to submit manuscripts directly. This is a wonderful way to go about it and how I usually recommend new authors try and grab an agent. The agent now has a personal connection with you, and this makes all the difference in the world for how hard they will look at your stuff.
Of course, that’s not how I got my agent.
I tried for a long time. I write epic fantasy, and so I went to the appropriate conventions (Worldcon and World Fantasy). I was introduced to agents and editors by my friends. I even had a couple of them ask for the manuscript of my first novel.
I wound up getting form rejections from all of them, except for one polite editor who said he could see I had talent but I needed far more experience, and feel free to submit to him in the future.
“I CAME HOME DEFEATED”…
Fast forward to World Fantasy 2010. This was my first solo convention, and I was shopping a novel I had just finished a couple weeks before. I didn’t know anyone there, and I didn’t realize until I arrived just how terrified I’d be. My hands shook. I stuttered. I didn’t sleep more than a couple of hours the entire four day weekend. One agent blew me off, and another editor took pity on me and offered to look at the first three chapters.
I came home defeated. The whole weekend was a bust. But I had this new novel to shop and damn it, I was going to shop it. Maybe I didn’t make a good impression in person where they could see my nervousness, but I had confidence in my ability to write and I knew I had a good book. The key now would be to write a fantastic query letter.
(Note that Brian’s novel, PROMISE OF BLOOD, is on sale on Kindle for $1.99
for the month of September 2013.)
I researched query letters. I found dozens of examples and looked over them, reading about what made them good or bad. I read agent’s blogs to find out what they were looking for. I tried to find as many as possible for works of genre fiction because, after all, that’s what I was submitting.
I kept my query letter short and sweet. I told them the length and genre. I told them the hook¬—the reason that readers would pick up my book instead of someone else’s. I gave them a single paragraph that summed up the story, and finally I provided my credentials (of which I had very few).
My query, what I had spent weeks working on, was a basic form letter. But it’s a terrible idea to send form letters to agents, so I changed it a little bit for each agent: I addressed them by name. I commented about the books they represented, or an author friend that had recommended them, or that I had met them at such and such a convention. I made each letter into its own personalized query.
PERSONALIZED QUERIES PAY OFF
My first batch of letters was seventeen queries. Some were paper. Some were by email. I sent them all out and then sat back, prepared to wait for months until I received a response. A little over a week later, I had two offers of representation for my book, Promise of Blood. Needless to say, I was ecstatic. I ended up signing with the fantastic Caitlin Blasdell of Liza Dawson Associates.
The experience gained by going to cons, networking, and composing queries all contributed to my success in landing an agent. Although I reached my goal rather quickly, the key factors in this often intimidating process are patience and preparation. Do your homework, set goals, and expect to encounter rejection along the way. Make finding an agent your priority and keep in mind that this is an essential relationship for your writing career.
GIVEAWAY: Brian is excited to give away a free copy of his novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (Please note that comments may take a little while to appear; this is normal).
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Other writing/publishing articles & links for you:
.
5 Things Agents Can Do to Make Writers’ Lives Easier From Self-Published Memoir to Traditional Book Deal.Sell More Books by Building Your Writer Platform.Follow Chuck Sambuchino on Twitter or find him
on Facebook. Learn all about
his writing guides on how to get published, how to find a literary agent, and how to write a query letter.
Want to build your visibility and sell more books?
Create Your Writer Platform
shows you how to
promote yourself and your books through social media, public speaking, article writing, branding,
and more. Order the book from WD at a discount.