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Viewing: Blog Posts Tagged with: Middle Grade Literary Agents, Most Recent at Top [Help]
Results 1 - 25 of 34
1. New Literary Agent Alert: Victoria Selvaggio of Jennifer De Chiara Literary

Reminder: New literary agents (with this spotlight featuring Victoria Selvaggio of Jennifer De Chiara Literary) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

vicki-selvaggio-literary-agent

 
About Victoria: Victoria A. Selvaggio joins The Jennifer De Chiara Literary Agency as an Associate Agent with a strong background in business ownership and over six years of actively working as a volunteer and Regional Advisor for SCBWI: Northern Ohio.  Drawn to the publishing scene first as an author writing all genres, with her most recent publication in the 2015 Children’s Writer’s and Illustrator’s Market, Vicki’s passion for honing the craft carried over into reading manuscripts for the agency. Currently, she is excited to read compelling manuscripts that will resonate with her long after she’s done.

(Hate writing synopses? Here are nuts & bolts pointers for you.)

She is seeking: “I am currently looking for all genres (lyrical picture books, middle grade and young adult fiction, new adult, mysteries, suspense, thrillers, paranormal, fantasy, narrative nonfiction, adult fiction), but find I’m drawn to middle grade and young adult. I especially love thrillers and all elements of weird, creepy stuff. If it’s out of the box, and it will make me think and think, long after I’m done reading, send it to me. On the flip side, I yearn for books that make me laugh, cry and wonder about the world.”

How to submit: Please e-mail a query to vselvaggio [at] windstream.net. Put “Query” in the subject line of your e-mail. For queries regarding children’s and adult fiction, please send the first twenty pages in the body of your e-mail, along with a one-paragraph bio and a one-paragraph synopsis.

For queries regarding a nonfiction book, please attach the entire proposal as a Word document (the proposal should include a sample chapter), along with a one-paragraph bio and a one-paragraph synopsis of your book in the body of your email.

“I usually respond within three to six months. If you haven’t received a response after six months, feel free to query me again.”

(Do you need different agents if you write multiple genres?)

 

2015-GLA-smallThe biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Screen Shot 2014-12-17 at 3.39.23 PM

Your new complete and updated instructional guide
to finding an agent is finally here: The 2015 book
GET A LITERARY AGENT shares advice from more
than 110 literary agents who share advice on querying,
craft, the submission process, researching agents, and
much more. Filled with all the advice you’ll ever need to
find an agent, this resource makes a great partner book to
the agent database, Guide to Literary Agents.

Add a Comment
2. New Literary Agent Alert: Heather Flaherty of The Bent Agency

Reminder: New literary agents (with this spotlight featuring Heather Flaherty of The Bent Agency) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

heather-flaherty-literary-agent

 

About Heather Flaherty of The Bent Agency: “I grew up in Massachusetts, between Boston and the Cape, and started working in New York City as a playwright during college. This pushed me towards English as a focus, and after a lot of country-hopping in my early twenties, I wound up finally beginning my publishing career in editorial, specifically at Random House in the UK. That’s also where I became a YA and children’s literary scout, which finally landed me back in NYC, consulting with foreign publishers and Hollywood regarding what the next big book will be. Now as an agent, I’m thrilled to turn my focus on growing authors for that same success.”

(How long should a synopsis be? Is shorter or longer better?)

She is seeking: authors who write children’s, middle grade, and young adult fiction and nonfiction, as well as select new adult fiction, and pop-culture or humorous nonfiction.

“Currently I’m looking for YA fiction across-the-board, though my heart does sway towards issue-related YA with humor and heart – not depressing, or mopey. I also love love love hard, punchy, contemporary YA that’s got no hesitations when it comes to crazy. I’m also always up for seeing contemporary stories with sci-fi or fantasy elements, as well as a clever respin of an old or classic tale. And then, lastly, really good horror and ghost stories… not gory-for-gory’s sake or overly disgusting, but cringing, dark, bloody twisted, and even lovely. That said, the one thing I love above all else in a YA novel, regardless of sub-genre, is a strong and specific character voice. A real person, not another ‘everygirl.’ As for the middle grade I’m looking for, I want it stark, honest, and even dark; either contemporary or period, as long as it’s accessible. Coming-of-age stories, dealing-with-difficulty stories, witness stories (adult issues seen through the child’s p.o.v kinda thing), anything that makes you want to hold the narrator’s hand… for your own comfort, as well as their’s. I am also ok with these stories having slight magical or fantasy elements as well – as long as they’re subtle. In new adult, I like to see story… not just romance and/or erotica. For me, it should pretty much be a great YA novel for an older audience. On the nonfiction side, I’m looking for strong teen memoirs about overcoming crushing situations. ”

How to submit: Review The Bent Agency’s updated submissions guidelines online, and then e-mail flahertyqueries [at] thebentagency.com.

(How successful should a blog be before agents/editors will take notice?)

 

2015-GLA-smallThe biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Screen Shot 2014-12-17 at 3.39.23 PM

Your new complete and updated instructional guide
to finding an agent is finally here: The 2015 book
GET A LITERARY AGENT shares advice from more
than 110 literary agents who share advice on querying,
craft, the submission process, researching agents, and
much more. Filled with all the advice you’ll ever need to
find an agent, this resource makes a great partner book to
the agent database, Guide to Literary Agents.

Add a Comment
3. New Literary Agent Alert: Sarah Nagel of Writers House

Reminder: New literary agents (with this spotlight featuring Sarah Nagel of Writers House) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

sarah-nagel-literary-agent

 

About Sarah: Sarah Nagel joined Writers House in 2011 to work with Senior Vice President, Merrilee Heifetz and is now actively building her own client list. Previously, Sarah was a media lawyer in London and graduated with two separate degrees in English Language and Literature, and Law. Follow Sarah on Twitter: @SarahNagel14.

(How can writers compose an exciting Chapter 1?)

She is seeking: Sarah is looking for psychological thrillers (those that mess with your head rather than high speed cross-country chases), horror, mystery, suspense and literary fiction. Sarah is especially interested in strong character-driven fiction and stories that explore the dynamics of a dysfunctional family unit / relationships. Sarah also represents realistic Young Adult and Middle Grade with a hint of magical realism. On the nonfiction side, Sarah is interested in medical ethics, true crime, humor books and memoir with a distinctive narrative voice with a universal resonance. Sarah is not looking for straight sci-fi, high fantasy, romance or picture books.

How to submit: “I accept e-mail queries and will usually respond within 4-6 weeks. Please submit your query, including the first ten (10) pages of your manuscript pasted into the body of the e-mail (no attachments please!), to snagel [at] writershouse.com with “QUERY FOR SARAH NAGEL: [TITLE OF MANUSCRIPT]” in the subject line. Please do not query multiple Writers House agents simultaneously.”

(Can you re-query an agent after she’s rejected you in the past?)

 

2015-GLA-smallThe biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Screen Shot 2014-12-17 at 3.39.23 PM

Your new complete and updated instructional guide
to finding an agent is finally here: The 2015 book
GET A LITERARY AGENT shares advice from more
than 110 literary agents who share advice on querying,
craft, the submission process, researching agents, and
much more. Filled with all the advice you’ll ever need to
find an agent, this resource makes a great partner book to
the agent database, Guide to Literary Agents.

Add a Comment
4. Writing and Selling Middle Grade Fiction — Jan. 22 Webinar (With Critique) by Agent Jennifer Laughran

Middle Grade books are generally defined as being books for children aged 8-12…. and at the moment, these books are hot-hot-hot. From the commercial successes of titles like DIARY OF A WIMPY KID and Rick Riordan’s LIGHTNING THIEF saga, to more “literary” award-winning fare, it seems most publishers are seeking the next great Middle Grade success story. But middle grade is also a tough category to write for. Much of what appears in the slush pile is cheesy or derivative, or just lacks “spark.” So what makes a great Middle Grade novel? What is selling? What are agents and editors looking for? And how can you make your book stand out and shine?

In this live webinar, “Writing and Selling Middle Grade Fiction,” instructor and literary agent Jennifer Laughran (of Andrea Brown Literary) will talk about what’s happening in the exciting Middle Grade market, as well as examine some recently published titles to see what they got right. She’ll also talk revision tips and tricks to help you take your work-in-progress to the next level. It all happens at 1 p.m., EST, Thursday, Jan. 22, 2014, and lasts 90 minutes.

Screen shot 2014-08-09 at 5.15.20 PM U9476

 

ABOUT THE CRITIQUE

All registrants are invited to submit EITHER the query letter OR the first 500 words of their complete / work-in-progress middle grade novel for critique. All submissions are guaranteed a written critique by literary agent Jennifer Laughran. Jennifer reserves the right to request more writing from attendees by e-mail following the event, if she deems the writing excellent.

Please Note: Even if you can’t attend the live webinar, registering for this live version will enable you to receive the On Demand webinar and a personal critique of your material. Purchasing the On Demand version after the live event will not include a critique.

WHAT YOU’LL LEARN:

— What’s selling in Middle Grade… and what just isn’t.
— The all-important “Hook”, and what “High Concept” looks like
— Finding the elusive Middle Grade Voice
— Common mistakes of Middle Grade submissions
— Overused beginnings and clichés that can drag down a work
— How to polish your work and stand out from the slush pile
— What “core curriculum” guidelines for schools might mean for your book. Sign up for the webinar here.

INSTRUCTOR

Jennifer Laughran is a senior agent at Andrea Brown Literary Agency, the oldest children’s-only agency in the US. Before she joined the agency in 2008, she spent about a decade as a children’s book buyer and event coordinator for various successful bookstores. Her many years of experience in the children’s book field have made her one of the top kid’s book agents working today. She reps picture books through YA, but has a particular love for Middle Grade novels — the warmer and funnier the better. Clients include Daniel Pinkwater, Kate Messner, Jo Whittemore, Linda Urban, and many debut authors whose names you’ll know soon!

Sign up for the Jan 22 webinar here.

Add a Comment
5. New Literary Agent Alert: Amanda Panitch of Lippincott Massie McQuilkin

 

 

Screen Shot 2015-01-12 at 12.15.15 AM

 

About Amanda: Amanda Panitch was recently promoted from agency assistant to associate agent at Lippincott Massie McQuilkin. Before joining LMQ in 2012, she interned at Writers House and attended The George Washington University and New York University’s Summer Publishing Institute. A writer herself, her first novel, Damage Done, will be released in July from Random House Books for Young Readers. Follow her on Twitter: @AmandaPanitch

She is seeking: Young adult and middle grade only. In particular, she’d love to find a high fantasy set in a non-Western inspired setting. Other concepts she’d love to see in her inbox include a dark psychological thriller, a quirky mystery, a gorgeous literary contemporary, historical fiction set in a place or time not often explored in fiction, or anything featuring food as a main element. She is also drawn to generational spaceships, unreliable narrators, magical realism, the pre-Columbian Americas, the Amazon, close sibling relationships, and slow-burning romances.

How to submit: Submit your query, including the first five to 10 pages of your manuscript pasted into the body of the email (no attachments) to amanda [at] lmqlit.com. Include the word “Query” in the subject line.

 

2015-GLA-smallThe biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount

 

Other writing/publishing articles & links for you:

 

Screen Shot 2014-12-17 at 3.39.23 PM

Your new complete and updated instructional guide
to finding an agent is finally here: The 2015 book
GET A LITERARY AGENT shares advice from more
than 110 literary agents who share advice on querying,
craft, the submission process, researching agents, and
much more. Filled with all the advice you’ll ever need to
find an agent, this resource makes a great partner book to
the agent database, Guide to Literary Agents.

Add a Comment
6. New Literary Agent Alert: Cynthia Kane of Capital Talent Agency

Reminder: New literary agents (with this spotlight featuring Cynthia Kane of Capital Talent Agency) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

Screen Shot 2014-12-18 at 1.12.09 PM

 

About Cynthia: “I’ve been involved in the publishing industry for more than ten years. I have worked as a Development Editor for different publishing houses and individual authors and have seen more than 100 titles to market. I worked with Michael Gross, New York Times best-selling author, as a researcher on 740 Park: The Story of the World’s Richest Apartment Building and Rogues Gallery: The Secret History of the Moguls and the Money That Made the Metropolitan Museum. I have also written for national and international publications and have served as a writing instructor at the Writopia Lab in Washington, DC, and have run several writing workshops at public libraries in the area and Politics & Prose Bookstore. I received my B.A. in Literature from Bard College and M.F.A. in Creative Nonfiction from Sarah Lawrence College.

(Learn how to start your novel strong.)

“The new literary division of Capital Talent Agency is a wonderful home for authors who are looking for a supportive and hands-on agency. We want nothing more than to see our authors achieve their dreams, and we do everything we can to make that happen.”

She is seeking: young adult, children’s, nonfiction, memoir, commercial fiction (but no science fiction or fantasy).

How to contact: “Submissions should be sent to literary.submissions [at] capitaltalentagency.com. We accept submissions only by e-mail. We do not accept queries via postal mail or fax. For fiction and nonfiction submissions, send a query letter in the body of your e-mail. Attachments will not be opened. Please note that while we consider each query seriously, we are unable to respond to all of them. We endeavor to respond within six weeks to projects that interest us.”

(Are you writing middle grade, edgy paranormal, women’s fiction or sci-fi? Read about agents seeking your query.)

 

2015-GLA-smallThe biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Screen Shot 2014-12-17 at 3.39.23 PM

Your new complete and updated instructional guide
to finding an agent is finally here: The 2015 book
GET A LITERARY AGENT shares advice from more
than 110 literary agents who share advice on querying,
craft, the submission process, researching agents, and
much more. Filled with all the advice you’ll ever need to
find an agent, this resource makes a great partner book to
the agent database, Guide to Literary Agents.

Add a Comment
7. New Literary Agent Alert: Leon Husock of L. Perkins Agency

Reminder: New literary agents (with this spotlight featuring Leon Husock of L. Perkins Agency) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

leon-husick-literary-agent

 

About Leon: Prior to joining the L. Perkins Agency, Leon was an associate agent at Anderson Literary Management. He has a BA in Literature from Bard College and attended the Columbia Publishing Course. Leon is actively building his client list. Follow him on Twitter: @leonhusock.

(Why writers who don’t have a basic website are hurting their chances of success.)

He is seeking: He has a particular interest in science fiction & fantasy, young adult and middle-grade novels filled with strong characters and original premises, but keeps an open mind for anything that catches his eye. He is also looking for historical fiction set in the 20th century, particularly the 1980s or earlier. He is not interested in nonfiction at this time.

How to contact: E-query him at leon [at] lperkinsagency.com.

(Do you need multiple literary agents if you write different genres?)

 

2015-GLA-smallThe biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

I (Chuck) Will Instruct At These Great Writing Events Soon:

 

Screen Shot 2014-12-17 at 3.39.23 PM

Your new complete and updated instructional guide
to finding an agent is finally here: The 2015 book
GET A LITERARY AGENT shares advice from more
than 110 literary agents who share advice on querying,
craft, the submission process, researching agents, and
much more. Filled with all the advice you’ll ever need to
find an agent, this resource makes a great partner book to
the agent database, Guide to Literary Agents.

Add a Comment
8. New Literary Agent Alert: Heather Alexander of Pippin Properties

Reminder: New literary agents (with this spotlight featuring Heather Alexander of Pippin Properties) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

literary-agent-heather-alexander

About Heather: Heather came into publishing through editorial at Dial, working with such authors as Jenny Martin, Vin Vogel, Scott McCormick, and Jeanne Ryan. After six years at Penguin, she was asked a very interesting question: had she ever considered becoming an agent? Many discussions later, she accepted a position at Pippin Properties, where she is building her roster of authors and illustrators, including A. N. Kang, Darren Farrell, and Jennifer Goldfinger. Follow her on Twitter: @HeatherAlexand

(Do writers need MORE than one literary agent?)

Heather is seeking: Picture books, middle grade, YA, and literary graphic novels. Specifically quirky picture books with a strong emotional core, middle grade about a moment that changes a kid forever, and beautifully written YA. She enjoys contemporary, historical, funny, high stakes, gothic style horror, and magical realism, but not high fantasy, medieval, or time travel. She favors literary over commercial and as an agent, she is excited to develop new talent and help shape careers, which is what she loves to do best.

How to submit: Send a query addressed to Heather via email along with your first chapter of your manuscript or the entire picture book in the body of the email to info [at] pippinproperties.com. Please include a short synopsis of the work(s), your background and/or publishing history, and anything else you think is relevant. No attachments, please.

(What makes an agent more likely to sign one client vs. another?)

 

2015-CWIM-smallWriting books/novels for kids & teens? There are hundreds
of publishers, agents and other markets listed in the
latest Children’s Writer’s & Illustrator’s Market.
Buy it online at a discount.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

Add a Comment
9. Sell Your Children’s Book: How to Write Amazing Novels & Picture Books for Kids — Dec. 5 WD Boot Camp (with Critique)

The world of children’s books—young adult, middle grade and picture books—has seen more growth in the last ten years than any other category in the publishing industry. Countless articles and op-eds have analyzed the booming success of now-iconic series like Harry Potter, The Hunger Games, and Fancy Nancy. But while critics are debating the triumph of a particular series, readers—both children and adults—are clamoring for more books and new titles that will enchant and entertain them.

But in such a competitive market, how do you make your book stand out as a quality submission? How do you walk the fine line between capturing the attention (and purchasing power) of both child and adult reader? How do you find the best agents and markets to submit your work to? How do you know what category your book falls under?

In this brand new Writer’s Digest Boot Camp starting Dec. 5, 2014 called “Sell Your Children’s Book,” the agents of The Jennifer De Chiara Literary Agency will answer all those questions and more. They’ll also critique your work and allow you to ask any questions you like. Registrants can choose to hear a tutorial on how to craft an amazing picture book, and then get their picture book critiqued—or they can choose to hear a different tutorial on writing MG and YA, and then get their first 10 manuscript pages critiqued.

This program will show writers of Young Adult and Middle Grade the following:

— What the difference is between middle grade and young adult, and why it matters to understand how the two categories differ
— What is commercial and what is literary in children’s books—and how that affects what agents and publishers you will target
— Why an agent will tell you, “I love this story, but I can’t sell it”
— How to start your work strong and create engaging characters for both editors and readers to love
— How to avoid the common mistakes of writing for MG and YA that sink submission chances—such as talking down to your reader, or having a story that begins too slow. (Sign up for the boot camp here.)

This program will show writers of Picture Books the following:

— How to come up with a great plot
— How to create page-turning points
— How to make a dummy book, and why you need one
— How to use language to reach a very young audience
— How to think visually
— How to avoid the taboos in writing for children
— How to handle illustration – what to do if you’re an illustrator, and what to do if you’re not
— How to learn from all of the great picture books throughout history that changed the way we write for children today.

Here’s how it works:

On Dec. 5, 2014, you will gain access to two special 60-minute online tutorials presented by literary agents from Jennifer De Chiara Literary Agency. Jennifer De Chiara will present a tutorial on writing picture books, and Roseanne Wells will present a tutorial on writing and selling Middle Grade and Young Adult fiction. (Sign up for the boot camp here.)

After listening to your choice of presentations, attendees will spend the next two days revising materials as necessary. Also following the tutorial, writers will have two days in which to log onto the Writer’s Digest University boot camp message boards and ask your assigned agent critiquers questions related to revising your materials. The agents will be available on the message boards from 1-3 p.m. (ET) on both Saturday, Dec. 6 and Sunday, Dec. 7. No later than Monday, Dec. 8, attendees will submit either their completed picture book text (1,000 words or fewer) or the first 10 double-spaced pages of their middle grade / young adult manuscript. The submissions will receive feedback directly from the boot camp literary agents.

The agents will spend up to two weeks reviewing all assigned critiques and provide feedback to help attendees. (The agents reserve the right to request more materials if they feel a strong connection to the work and want to read more; note that multiple agents have signed writers before from WD boot camps.) No later than Dec. 22, agents will send their feedback to writer attendees.

Only registered students can access the Writer’s Digest University boot camp message boards. You’ll also be able to ask questions of your fellow students. Feel free to share your work and gain support from your peers

Please note that any one of the agents may ask for additional pages if the initial submission shows serious promise.

In addition to feedback from agents, attendees will also receive:

Download of “An Agent’s Tips on Story Structures that Sell,” an on-demand webinar by literary agent Andrea Hurst
1-year subscription to the WritersMarket.com Children’s Writer’s & Illustrator’s Market database

PLEASE NOTE: Only Jennifer De Chiara and Roseanne Wells will be on the discussion sessions. Jennifer will handle questions related to Picture Books, and Roseanne will handle questions related to Middle Grade or Young Adult books. However, all the agents will be assisting in critiquing submissions. Jennifer De Chiara and Stephen Fraser will be critiquing Picture Books. Marie Lamba, Linda Epstein, and Roseanne Wells will be critiquing Middle Grade and Young Adult.

Sign up for the boot camp here.

Add a Comment
10. Successful Queries: Agent Kate Testerman and “Steering Toward Normal”

This series is called “Successful Queries” and I’m posting actual query letter examples that succeeded in getting writers signed with agents. In addition to posting these query letter samples, we will also get to hear thoughts from the writer’s literary agent as to why the letter worked.

The 70th installment in this series is with agent Kate Testerman (KT Literary) for Rebecca Petruck‘s middle grade novel, STEERING TOWARD NOVEL (Abrams/Amulet, May 13, 2014). The book was chosen as a American Booksellers Association Indies Introduce New Voices selection as well as a Spring 2014 Kids’ Indie Next List selection. It was among Vanity Fair’s Hollywood’s “10 Books We’d Like to See Made Into Films.”

(16 things to do prior to sending your work out to agents & editors.)

 

Screen Shot 2014-10-29 at 2.40.59 PM

 

Ms. Testerman,

I’ve been “attending” WriteOnCon the last few days and appreciated your frank and funny advice about query letters. I hope you will be interested in my middle grade novel, STEERING TOWARD NORMAL.

STEERING TOWARD NORMAL is a 56,000-word coming-of-age story set in the world of 4-H steer competitions. (I’m from Minnesota–we know cows.) It begins when eighth-graders Diggy Lawson and Wayne Schley discover they have the same father. STEERING TOWARD NORMAL is the tale of how the boys go from being related to being brothers.

Diggy’s life may not be typical, but he’s content. He hangs out with Pop and the county’s farmers, raises steers to compete, and daydreams about July Johnston, high school senior and girl of his dreams. Hardly anyone teases him anymore about how his mom abandoned him on Pop’s doorstep and skipped town on a tractor.

Then Wayne gets dumped at Pop’s, too. Suddenly, Diggy has a half brother messing things up. Wayne rattles Diggy’s easy relationship with Pop, threatens his chances at the state fair, and horns in on his girl. Diggy believes family is everything, but he’s pretty sure Wayne doesn’t count.

The first ten pages of STEERING TOWARD NORMAL won first place in the SCBWI Carolinas Writing Contest, judged by Sarah Shumway, Senior Editor at Katherine Tegan Books.

I am a graduate of the Creative Writing MFA program at UNC Wilmington, editor of the SCBWI Carolinas quarterly newsletter, and member of the NC Writer’s Network. My work has appeared in Our State magazine.

My professional background is in PR and marketing, having promoted new fiction and nonfiction authors with [redacted] and marketed magazines online for [redacted]. Additionally, I was president of my 4-H chapter in fifth grade. This is a multiple submission.

I look forward to hearing from you about BLUE MOO.

Sincerely,
Rebecca Petruck

 

Commentary from Kate Testerman

Rebecca got off to a great start by referencing a conference where I’d spoken, and her query showed she’d taken my advice to heart. The first paragraph of the book’s description does a great job of setting the story in a specific place (with a fun parenthetical that shows the author’s sense of humor). The hook line of “BLUE MOO is the tale of how the boys go from being related to being brothers” is something we’re still using to describe the story, many steps later on the publishing road.

Rebecca goes deeper in the next two paragraphs, showing me what Diggy’s life had been, and how it changes when Wayne comes to live with him and Pop. The line “Diggy believes family is everything, but he’s pretty sure Wayne doesn’t count” is an almost perfect example of the voice that so hooked me on my first reading of the partial, through my reading of the full, and why I offered representation.

Of course, it didn’t hurt that Rebecca had won a writing contest with this material, judged by an editor I knew and respected, and was a member of the SCBWI, as well as a past member of 4-H herself!

As with all great queries, though, this one also touched a personal note for me, as my husband was a 4-H member and farm boy in his youth, and reading about these two boys helped me better understand his childhood.

(Learn how you can support and help a new author with their book release.)

 

2015-CWIM-small

Writing books/novels for kids & teens? There are hundreds
of publishers, agents and other markets listed in the
latest Children’s Writer’s & Illustrator’s Market.
Buy it online at a discount.

 

Other writing/publishing articles & links for you:

Add a Comment
11. The 2015 Children’s Writer’s & Illustrator’s Market Is Out — Here Are 8 Reasons to Buy It (and Naturally I’m Giving Away Books!)

The 2015 Children’s Writer’s & Illustrator’s Market is out and available in major bookstores! What better way to celebrate its release than a giveaway contest? The CWIM a great resource guide for writers of picture books and novels for kids (young adult, middle grade) as well as illustrators.

The new 2015 edition of the Children’s Writer’s & Illustrator’s Market is updated and packed with info. Now in its 27th year, the newest edition still provides great market and submission/contact information for book publishers, art reps, international publishers, literary agents, contests, magazines, conferences and more. In addition to hundreds of markets for your kids book, this new edition has the following:

  • Interviews with some of today’s most amazing writers and illustrators, such as Lauren DeStefano (Wither series), illustrator Loren Long (Of Thee I Sing with Barack Obama), and Kathy Appelt (The True Blue Scouts of Sugarman Swamp), among many others.
  • Interviews with 13 debut authors, explaining how they came to get their picture books, middle grade, board books, and young adult books published. Hear their stories and learn from them.
  • Interviews with 9 debut book illustrators, explaining how they came to see their work come to life. Hear from their stories and learn from them.
  • Instructional articles on Writing For Boys (and Other “Reluctant Readers”), How to Write a Query Letter, Your Presence on the Web (Connecting With Readers), How to Write & Sell Nonfiction, Middle Grade vs. Young Adult, Tips on Selling Your First Children’s Picture Book, and more.
  • “New Agent Spotlights” that pinpoint new/newer literary reps who are actively seeking submissions and clients NOW.
  • A supplemental webinar all about how to revise & self-edit your own work to make it amazing before you submit. The webinar was recorded by contributing editor Harold Underdown, who runs The Purple Crayon website.
  • And much more.

Buy it here! (It is available wherever books are sold, including Barnes & Noble or on Amazon, but know that when you order any product from our Writer’s Digest shop, you get the same deep discount you find on Amazon.) Need more reasons to buy? How about 8 darn good testimonials below from these very cool people, many of which are bestsellers, and some of which have even had movies made out of their books.

THE GIVEAWAY!!! Comment on this post and just say anything nice about any element of Writer’s Digest you enjoy — from a blog post to a class or a book or anything else. In two weeks, I will pick 3 winners randomly to win a copy of the book! It’s that easy. Note: If you share news of the contest on Twitter, you’re entered into the contest twice instead of once. To do this, simply share this tweet — The 2015 Children’s Writer’s & Illustrator’s Market is out now! Giveaway contest: http://tinyurl.com/lj72wx9 – via @chucksambuchino — and then comment on this post and leave your Twitter handle in your blog comment.

2015 CWIM bigger

 

 

        

“Whenever anyone asks for publishing advice,
I tell them to grab the latest edition of Children’s
Writer’s & Illustrator’s Market
.”

- JAY ASHER, author of the #1 New York
Times bestseller 13 Reasons Why

and The Future of Us

 

          

CWIM is a great resource for artists and writers
who are ready to share their talent with the world.”

- MEG CABOT, author of multiple #1 New York Times
bestsellers, including the Princess Diaries series

          

CWIM is an invaluable resource for any aspiring
writer hoping to get published. It helped me a lot
and I recommend it to everyone.”

- JAMES DASHNER, New York Times best-selling
author of The Maze Runner series, the first book of which
is soon to be a major motion picture.

 

 

       

Children’s Writer’s & Illustrator’s Market is invaluable
for writers of children’s books. Chock-full of publishing
resources, it’s a must-have.”

- BECCA FITZPATRICK, author of Hush-Hush
and Crescendo

 

 

    

“If you’re serious about writing or illustrating for
young people, the information, tools and insights
within the Children’s Writer’s & Illustrator’s Market
will get you started on the right path.”

- WENDY TOLIVER, author of Lifted

        

Children’s Writer’s and Illustrator’s Market has all the things
a new writer needs to know about the business, like who’s
who and how to submit to agents and publishers, but it also
has all the intangibles, like advice and encouragement.
Buy it for the information, keep it for the inspiration.”

- JOSEPHINE ANGELINI, international
bestselling author of Starcrossed.

 

       

“Chuck Sambuchino’s Children’s Writer’s and
Illustrator’s Market has all you need to
master the publishing process.”

- JULIE CANTRELL, New York Times and
USA Today bestselling author of Into the Free

 

          

“In my pre-published days (and there were many), purchasing
and perusing the new edition of the Children’s Writer’s &
Illustrator’s Market
guide was such a hopeful time of year
for me.  I really got my optimistic juices flowing while reading
the articles and highlighting names of editors and agents.
You’re part of a great publication!”

- CLARE VANDERPOOL author of the
young adult novel, NAVIGATING EARLY
(Delacorte, 2013)

 

 

Pick up the 2015 edition of CWIM here!

 

2015 CWIM bigger

 

THE GIVEAWAY!!! Comment on this post and just say anything nice about any element of Writer’s Digest you enjoy — from a blog post to a class or a book or anything else. In two weeks, I will pick 3 winners randomly to win a copy of the book! It’s that easy. Note: If you share news of the contest on Twitter, you’re entered into the contest twice instead of once. To do this, simply share this tweet — The 2015 Children’s Writer’s & Illustrator’s Market is out now! Giveaway contest: x — via @chucksambuchino — and then comment on this post and leave your Twitter handle in your blog comment.

Add a Comment
12. New Literary Agent Alert: Alec Shane of Writers House

Reminder: New literary agents (with this spotlight featuring Alec Shane of Writers House) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

alec-shane-literary-agent

 

About Alec: Alec majored in English at Brown University, a degree he put to immediate use by moving to Los Angeles after graduation to become a professional stunt man. Realizing that he prefers books to breakaway glass, he moved to New York City in 2008 to pursue a career in publishing. Alec quickly found a home at Writers House Literary Agency, where he worked under Jodi Reamer and Amy Berkower on a large number of YA and Adult titles. Twitter handle: @alecdshane.

(Writing a synopsis for your novel? Here are 5 tips.)

He is seeking: Alec is now aggressively building his own list. On the nonfiction side, Alec would love to see humor, biography, history (particularly military history), true crime, “guy” reads, and all things sports. “What I’m looking for in fiction: mystery, thriller, suspense, horror, historical fiction, literary fiction, and books geared toward young male readers (both YA and MG). What I’m not looking for: Romance (paranormal or otherwise), straight sci-fi, high fantasy, picture books, self-help, women’s fiction, food, travel memoir.”

Submission guidelines:  I accept e-mail and snail-mail queries (although email is preferable), and will usually respond within 4-5 weeks. Please send the first 10 pages of your manuscript, along with your query letter, to ashane [at] writershouse.com with “Query for Alec Shane: TITLE” as your subject heading – no attachments please! If sending via regular mail, please include a SASE with proper postage.

(When building your writer platform and online media, how much growth is enough?)

 

2015-GLA-smallThe biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

 

Add a Comment
13. New Literary Agent Alert: Brent Taylor of Triada US Literary Agency

Reminder: New literary agents (with this spotlight featuring Brent Taylor of Triada US Literary Agency) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

brent-taylor-literary-agent

 

About Brent: Prior to joining TriadaUS Literary Agency, Inc., he completed numerous internships in publishing, most recently at The Bent Agency. Find Brent on Twitter.

(How many literary agents should a writer send their work to?)

He is seeking: “My tastes are eclectic, but all of my favorite novels are similar in that they have big commercial hooks and fantastic writing. I am seeking smart, fun, and exciting books for readers of middle grade, young adult, new adult, and select mystery/crime and women’s fiction. Middle Grade: for younger readers I am on the hunt for a humorous, intelligent fantasy; a scare-the-pants-off-me ghost or haunting story; fast-paced literary writing similar in style to Jerry Spinelli and Cynthia Lord. I have soft spots for larger-than-life characters and atmospheric setting (creepy and/or quirky). Young Adult: I’m always looking for genre-bending books that can be an exciting puzzlement when thinking about how precisely to market; specifically mystery and crime for teens, the grittier the better; high-concept contemporary stories with addicting romantic tension. I’m a sucker for themes of finding your place in the world, new beginnings, and summer-before-college stories. New Adult: my tastes in New Adult tend to be more darkly skewed but I would love a well-executed story that shares the same excitement, wonder, and invigoration of books like LOSING IT. Although I appreciate any story that’s told well in great language, in New Adult I’m more concerned with being entertained and gripped by the edge of my seat than in being stimulated. Adult: I would love a psychological suspense based on actual events, i.e. CARTWHEEL by Jennifer Dubois which fictionalized the Amanda Knox trial and hooked me from beginning to end. Alternatively, I’d love high-concept women’s fiction; either an exquisitely told story huge in size and scope, or a less ambitious novel that simply warms my heart.”

How to submit:  Send your query letter and first ten pages pasted in the body of the message to brent [at] triadaus.com.

(Should You Sign With a New Literary Agent? Know the Pros and Cons.)

 

2015-GLA-small

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

Add a Comment
14. Literary Agent Spotlight: Lana Popovic of Chalberg & Sussman

This week’s agent spotlight is not a new agent, but rather an established one who has just made an agency move and is actively seeking clients. Get to know Lana Popovic of Chalberg & Sussman (info below) and see if she is a good fit for you work. Good luck!

(What query letter mistakes will sink your submission chances?)

 

lana-popovic-literary-agent
About Lana: Lana Popovic holds a B.A. with honors from Yale University, a J.D. from the Boston University School of Law, where she focused on intellectual property, and an M.A. with highest honors from the Emerson College Publishing and Writing program. Prior to joining Chalberg & Sussman, Lana worked at Zachary Shuster Harmsworth, where she built a list of Young Adult and adult literary authors while managing foreign rights for the agency.

With an abiding love for dark, edgy themes and shamelessly nerdy fare—Battlestar Galactica and Joss Whedon are two of her great loves—Lana is looking for a broad spectrum of Young Adult and Middle Grade projects, from contemporary realism to speculative fiction, fantasy, horror, sci-fi, and historical. For the adult market, Lana is interested in literary thrillers, horror, fantasy, sophisticated erotica and romance, and select nonfiction. An avid traveler, she has a particular fondness for stories set in Eastern Europe, the Middle East, North Africa, and Asia, although she also loves reading deep and original stories about American subcultures. You can follow her on Twitter at @LanaPopovicLit. She will be a panelist at the Boston Book Festival this year, and also the AWP 2015 conference.

(Writing non-fiction? Hear submission advice from literary agents.)

She is seeking:

  1. Young Adult/Middle Grade Fiction: Contemporary/realistic, mysteries, thrillers, fantasy, historical, horror, sci-fi
  2. Adult Fiction: Literary thrillers, sci-fi, horror, romance, erotica, women’s literary fiction
  3. Adult Nonfiction: Pop culture, blog-to-book, literary memoir

How to contact: To query Lana, please e-mail lana [at] chalbergsussman.com with the first ten pages of the manuscript included in the body of the e-mail. Lana accepts queries by e-mail only.

2015-GLA-small

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

Add a Comment
15. New Literary Agent Alert: Genevieve Nine of Andrea Hurst & Associates

Reminder: New literary agents (with this spotlight featuring Genevieve Nine of Andrea Hurst & Associates) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

genevieve

 

About Genevieve Nine: Genevieve has had a lifelong love affair with books. Her tastes are eclectic, ranging from the classics to quirky. She’s drawn to the fantastic, the curious, and the unexpected. Genevieve is looking to represent authors who weave layered tales with well-developed worlds and characters who threaten to burst from the page. She appreciates smart and original plots with well-crafted twists. And no matter how zany or diabolical, every character should be undeniably human at heart. Follow Genevieve on Twitter (@GenevieveNine).

(11 literary agents share what NOT to write in your query letter.)

Genevieve joined Andrea Hurst Literary Management as an intern in 2012. She has a background in professional editing and gets great satisfaction from developing authors. She’s a Creative Writing MFA candidate at the Northwest Institute of Literary Arts, holds a Certificate in Children’s Writing from the University of Washington, and graduated with honors and a B.A. from the USC School of Cinema & Television. When not reading or writing, Genevieve enjoys watching her Sherlock DVDs, planning future travels, and embarking on culinary adventures. She and her husband live in Seattle with their two naughty cats, Selkie and Napoleon.

Within young adult and middle grade, she’s looking to acquire:

Fantasy (open to all subgenres except game-related)
ŸScience Fiction
ŸMystery
ŸHistorical Fiction
ŸRetellings (classics, fairy/folk tale, myth)
ŸContemporary Realism (especially with elements of humor)

She also represents the following adult and new adult categories:

ŸMystery (detective/PI, amateur, cozy, historical, comic, caper)
ŸThriller (supernatural, historical, disaster, ecological)
ŸGothic/Hauntings/Quiet Horror
ŸHistorical Fiction
ŸRetellings (classics, fairy/folk tale, myth)
ŸRomantic Comedy
ŸMagical Realism
ŸFood Memoir
ŸTravelogue/Travel Memoir

(The One Big Reason Some Blogs Succeed, While Others Crash and Burn.)

She is not seeking:

ŸHard SF/Military SF/Space Opera
ŸGraphic Horror
ŸErotica
ŸReligious Fiction/Nonfiction
ŸShort Stories

Submission Guidelines: [email protected]. Email queries only. ŸNo attachments. ŸInclude “Query: Book Title” in the email’s subject line. ŸPaste the first ten pages of manuscript below your query. ŸPlease state if manuscript has been previously self-published. ŸPlease state if query is a multiple submission and inform Genevieve if the project becomes no longer available for representation.

 

2015-GLA-small

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

 

 

 

Add a Comment
16. Literary Agent Spotlight: Mark Gottlieb of Trident Media Group

Today’s literary agent spotlight is with Mark Gottlieb of Trident Media Group. Mark is actively building his client list at the moment, and is definitely worth getting to know better. Learn more about him below:

 

mark-gottlieb-literary-agent

 

About Mark: From an early age, Mark showed a passionate interest in his father’s work, his founding of Trident with Dan Strone, and the growth of the company. And his father Robert took great pleasure in being “grilled” regularly by Mark.  This focus on publishing continued at Emerson College, where Mark was a founding member of the Publishing Club, then its President, subsequently overseeing its first publication under the Wilde Press imprint. After graduating Emerson with a degree in writing, literature and publishing, Mark began his career as an assistant to the Vice President of the Berkley imprint at Penguin, working with leading editors at the firm.

(Headed to a conference? Learn how to approach an agent.)

Mark’s first position at Trident was in the foreign rights department, assisting the department’s agents in selling the books of clients around the world. Mark continued to follow the customary Trident development process by next assuming the position of audio rights agent. Since Mark has managed the audio rights business, the annual sales volume has doubled (for more information on audio books, please see the Audio Books page under our Services tab). Now while continuing to head up audio rights, Mark is building his own client list of writers.  Follow Trident Media Group on Twitter or on Facebook.

He is seeking: In fiction, he seeks Science Fiction, Fantasy, Young Adult, Comics, Graphic novels, Historical, History, Horror, Literary, Middle Grade, Mystery, Thrillers and New adult.

In nonfiction, he seeks Arts, Cinema, Photography, Biography, Memoir, Self-help, Sports, Travel, World cultures, True crime, Mind/Body/Spirit, Narrative Nonfiction, Politics, Current affairs, Pop culture, Entertainment, Relationships, Family, Science, Technology.

How to submit: Use the online submission form here. Make sure you direct your inquiry to Mark.

(Can your query be longer than one page?)

 

2015-GLA-small

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

 

Add a Comment
17. New Literary Agent Alert: Soumeya Bendimerad of the Susan Golomb Literary Agency

Reminder: New literary agents (with this spotlight featuring Soumeya Bendimerad of the Susan Golomb Literary Agency) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

soumeya-bendimerad-literary-agent

 

About Soumeya: Soumeya Bendimerad joined the Susan Golomb Literary Agency in 2012, where she is an agent and the director of foreign rights. Prior to that, she was a literary scout at Sanford Greenburger Associates and an associate editor at MacAdam/Cage Publishing. She is from the San Francisco Bay Area. Find her on Twitter.

(How many Twitter followers will impress an agent?)

She is seeking: She is actively seeking to represent literary fiction, upmarket/book club fiction, and select young-adult and middle grade. She is drawn to intelligent literary fiction with a fresh voice, coming of age stories, novels with elements of travel or stories set in other countries, family sagas, experiments with form, and complex but sympathetic characters. In non-fiction, she is seeking topics in popular culture, music and art history, unconventional business, politics, narrative non-fiction, sociology, cooking, travel, and memoir.

How to contact: Queries can be sent to soumeya [at] sgolombagency.com. Please include a query letter with bio, publication history, and synopsis, and the first three chapters or fifty pages. Only electronic submissions accepted. Please include the word “Query” in the subject of your email.

(How long should you wait before following up with an agent?)

 

2014-guide-to-literary-agents

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

 

 

Add a Comment
18. Writing and Selling Middle Grade Fiction — August 14 Webinar (With Critique) by Agent Jennifer Laughran

Middle Grade books are generally defined as being books for children aged 8-12…. and at the moment, these books are hot-hot-hot. From the commercial successes of titles like DIARY OF A WIMPY KID and Rick Riordan’s LIGHTNING THIEF saga, to more “literary” award-winning fare, it seems most publishers are seeking the next great Middle Grade success story. But middle grade is also a tough category to write for. Much of what appears in the slush pile is cheesy or derivative, or just lacks “spark.” So what makes a great Middle Grade novel? What is selling? What are agents and editors looking for? And how can you make your book stand out and shine?

In this live webinar, “Writing and Selling Middle Grade Fiction,” instructor and literary agent Jennifer Laughran (of Andrea Brown Literary) will talk about what’s happening in the exciting Middle Grade market, as well as examine some recently published titles to see what they got right. She’ll also talk revision tips and tricks to help you take your work-in-progress to the next level. It all happens at 1 p.m., EST, Thursday, Aug 14, 2014, and lasts 90 minutes.

Screen shot 2014-08-09 at 5.15.20 PM U9476

 

ABOUT THE CRITIQUE

All registrants are invited to submit EITHER the query letter OR the first 500 words of their complete / work-in-progress middle grade novel for critique. All submissions are guaranteed a written critique by literary agent Jennifer Laughran. Jennifer reserves the right to request more writing from attendees by e-mail following the event, if she deems the writing excellent.

Please Note: Even if you can’t attend the live webinar, registering for this live version will enable you to receive the On Demand webinar and a personal critique of your material. Purchasing the On Demand version after the live event will not include a critique.

WHAT YOU’LL LEARN:

– What’s selling in Middle Grade… and what just isn’t.
– The all-important “Hook”, and what “High Concept” looks like
– Finding the elusive Middle Grade Voice
– Common mistakes of Middle Grade submissions
– Overused beginnings and clichés that can drag down a work
– How to polish your work and stand out from the slush pile
– What “core curriculum” guidelines for schools might mean for your book. Sign up for the webinar here.

INSTRUCTOR

Jennifer Laughran is a senior agent at Andrea Brown Literary Agency, the oldest children’s-only agency in the US. Before she joined the agency in 2008, she spent about a decade as a children’s book buyer and event coordinator for various successful bookstores. Her many years of experience in the children’s book field have made her one of the top kid’s book agents working today. She reps picture books through YA, but has a particular love for Middle Grade novels — the warmer and funnier the better. Clients include Daniel Pinkwater, Kate Messner, Jo Whittemore, Linda Urban, and many debut authors whose names you’ll know soon!

Sign up for the webinar here.

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19. 16th Free “Dear Lucky Agent” Contest: Middle Grade Fiction

Welcome to the 16th (free!) “Dear Lucky Agent” Contest on the GLA blog. This is a recurring online contest with agent judges and super-cool prizes. Here’s the deal: With every contest, the details are essentially the same, but the niche itself changes—meaning each contest is focused around a specific category or two. So if you’re writing middle grade fiction, this 16th contest is for you! (The contest is live through EOD, Wednesday, July 30, 2014.)

 

 

WHY YOU SHOULD GET EXCITED

After a previous “Dear Lucky Agent” contest, the agent judge, Tamar Rydzinski (The Laura Dail Literary Agency), signed one of the three contest winners. After Tamar signed the writer, she went on to sell two of that writer’s books! How cool! That’s why these contests are not to missed if you have an eligible submission.

HOW TO SUBMIT

E-mail entries to [email protected]. Please paste everything. No attachments.

WHAT TO SUBMIT

The first 150-200 words of your unpublished, completed book-length work of middle grade fiction. You must include a contact e-mail address with your entry and use your real name. Also, submit the title of the work and a logline (one-sentence description of the work) with each entry.

Please note: To be eligible to submit, you must mention this contest twice through any any social-media. Please provide a social-media link or Twitter handle or screenshot or blog post URL, etc., with your official e-mailed entry so the judge and I can verify eligibility. Some previous entrants could not be considered because they skipped this step! Simply spread the word twice through any means and give us a way to verify you did; a tinyURL for this link/contest for you to easily use is http://tinyurl.com/pwbds3q. An easy way to notify me of your sharing is to include my Twitter handle @chucksambuchino at the end of your mention(s) if using Twitter. If we’re friends on FB, tag me in the mention. And if you are going to solely use Twitter as your 2 times, please wait 1 day between mentions to spread out the notices, rather than simply tweeting twice back to back. Thanks. (Please note that simply tweeting me does not count. You have to include the contest URL with your mention; that’s the point.)

WHAT IS ELIGIBLE?

Middle grade fiction. The agent judge did not choose to exclude any subgenre, so everything is fair game.

CONTEST DETAILS

  1. This contest will be live through the end of July 30, 2014, PST. Winners notified by e-mail within approximately three weeks of end of contest. Winners announced on the blog thereafter.
  2. To enter, submit the first 150-200 words of your book. Shorter or longer entries will not be considered. Keep it within word count range please.
  3. You can submit as many times as you wish. You can submit even if you submitted to other contests in the past, but please note that past winners cannot win again. All that said, you are urged to only submit your best work.
  4. The contest is open to everyone of all ages, save those employees, officers and directors of GLA’s publisher, F+W Media, Inc.
  5. By e-mailing your entry, you are submitting an entry for consideration in this contest and thereby agreeing to the terms written here as well as any terms possibly added by me in the “Comments” section of this blog post. (If you have questions or concerns, write me personally at chuck.sambuchino (at) fwmedia.com. The Gmail account above is for submissions, not questions.)

PRIZES!!!

Top 3 winners all get: 1) A critique of the first 10 double-spaced pages of your work, by your agent judge. 2) A free one-year subscription to WritersMarket.com ($50 value)!

MEET YOUR (AWESOME) AGENT JUDGE!

Screen Shot 2014-07-15 at 12.30.43 PM

 

 

Peter Knapp joined the Park Literary Group in July 2011. He provides support for all of the agency’s initiatives, and is building his client list with a focus on middle grade and young adult fiction. He does not represent picture books or nonfiction. Prior to joining Park Literary, he was the story editor at Floren Shieh Productions, where he consulted on book-to-film adaptations for Los Angeles-based film and TV entities. He graduated from New York University with a B.A. in art history. Pete reps middle grade and young adult fiction.

 

 

———-

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

 

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20. New Literary Agent Alert: Whitley Abell of Inklings Literary

Reminder: New literary agents (with this spotlight featuring Whitley Abell of Inklings Literary) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

whitley-abell-literary-agent

 

About Whitley: Whitley Abell joined Inklings Literary Agency in 2013. Before joining Inklings, she completed successful internships with Carol Mann Agency and P.S. Literary Agency. She is based in St. Louis, MO, where she daylights as a production manager for several medical and S & T journals. She graduated in 2011 BA in English and Creative Writing, and again in 2012 with a MAT in Secondary English Education, which basically means she can tell you anything there is to know about feminist literary theory and the Common Core Standards.

(What does it mean when an agent says “This isn’t right for me”?)

She is seeking: Whitley is primarily interested in Young Adult, Middle Grade, and select Upmarket Women’s fiction. She likes characters who are relatable yet flawed, hooks that offer new points of view and exciting adventures, vibrant settings that become active characters in their own right, and a story that sticks with the reader long after turning the last page, be it contemporary or historical, realistic or supernatural, tragic or quirky.

She loves mythology and literary re-imaginings, heartbreaking contemporary novels, historical suspense, and craving cute romantic comedies for YA through adult (ex: Sophie Kinsella, Lauren Morrill, Stephanie Perkins).

She is not interested in vampires, werewolves, angels, zombies, dystopian societies, steampunk, or epic fantasy. Please no paranormal / fantasy for adults.

How to contact: Type “Query for Whitley: [Book Title]” plus the title of your novel in the e-mail subject line, then please send the following pasted into the body of the e-mail to query(at)inklingsliterary(dot)com. The query should include the title, genre, and word count of your project, your story pitch, and a brief bio including any publishing credits. Under the query, paste a brief (1-2 pages) synopsis, and the first 10 pages of your manuscript.

(The one big reason some blogs succeed and most fail.)

 

2014-guide-to-literary-agents

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

Add a Comment
21. How to Write and Sell Great Children’s Books: July 15 Agent One-on-One Boot Camp with Awesome Critique for Attendees

WD’s July 2014 Agent One-on-One Boot Camp is shaping up to be an awesome opportunity for writers of children’s books. The new topic is “How to Write and Sell Great Children’s Books: From Toddler to Teen,” and this boot camp is for writers of picture books, middle grade novels, and young adult novels.

It all starts on July 15, 2014, and features the amazing agents at Full Circle Literary offering instruction and critiques to all attendees. Picture book writers get their entire book critiqued while MG & YA writers get a query critique and five-page critique. This is a great opportunity to get a professional’s thoughts on your work, and possibly attract the attention of an agent at the same time. There is a limited number of seats for this event (75, and it reached capacity last time it was done), and WD Boot Camps frequently sell out, so sign up quickly.

 

Screen-Shot-2013-08-08-at-10.44.58-AM

 

DESCRIPTION

The world of children’s books has seen more growth in the last ten years than any other category in the publishing industry. Countless articles and op-eds have analyzed the booming success of now-iconic series like Harry Potter, The Hunger Games, and Fancy Nancy. But while critics are debating the triumph of a particular series, readers – both children and adults – are clamoring for more books that will enchant and entertain them.

But in such a competitive market, how do you make your book stand out as a quality submission? How do you walk the fine line between capturing the attention (and purchasing power) of both child and adult reader? In this Writer’s Digest Boot Camp, the agents of Full Circle Literary will teach you:

  • The key elements to writing a successful children’s book, be that a picture book, young adult novel, or middle grade story
  • The pitfalls to avoid when writing for kids – whether toddlers or teens
  • What agents and publishers look for in submissions
  • How to make your opening pages shine

You are the new generation of authors, creating that next iconic book as we speak. Let’s get to work.

Sign up for the July 2014 WD Agent One-on-One Boot Camp here.

Here’s how it works:

On Tuesday, July 15, 2014, you will gain access to one of the following online tutorials presented by the agents at Full Circle Literary. It’s your choice.

1. How to Write Successful Picture Books (45 minutes)

2. How to Write Successful Middle Grade and Young Adult (45 minutes)

These webinars will focus on the particular challenges and lessons for each category of children’s books. While there will be some overlapping information, please choose the webinar that speaks to your chosen genre. After listening to the presentation, you’ll spend Tuesday evening revising the opening of your project as necessary.

Sign up for the July 2014 WD Agent One-on-One Boot Camp here.

CRITIQUE

You are then invited to submit one of the following for review:

  1. For picture book authors: Query letter and up to 1,000 words (i.e. recommended length of full text) of your picture book
  2. For middle grade/young adult authors: Query letter and your first 5 double-spaced pages

Also on July 15, you will be notified about your assigned agent. You will submit your pages for review by EOD, July 18, attached as a Word document. The agents reading and critiquing submissions are Stefanie von Borstel, Adriana Dominguez, and Taylor Martindale.

They will spend the next few days reviewing their assigned pages and providing feedback as to what works and what doesn’t.The agents will return your pages with their critiques within 10 days. Please note that any one of the agents may ask for additional pages if the initial submission shows serious promise. (Several agents have signed writers after seeing their work through boot camps and webinars.)

In addition to feedback from agents, attendees will also receive: A 1-year subscription to the WritersMarket.com Children’s Writer’s and Illustrator’s Database.

Sign up for the July 2014 WD Agent One-on-One Boot Camp here.

About the Agents:

Stefanie von Borstel is co-founder of Full Circle Literary. Prior to agenting, she worked in editorial and marketing with Penguin and Harcourt. Stefanie represents children’s books from baby to teen, as well as select adult books. On the adult side, her focus is on family-interest, craft/design/lifestyle, and creative nonfiction. Representative clients include: Meg Mateo Ilasco, Barb Blair, Justina Blakeney, Betz White, and Kelly McCants of Modern June, among others. On the children’s side, she is especially seeking middle grade fiction and nonfiction, and is excited about the latest books from her clients Diana Lopez’s Ask My Mood Ring How I Feel, Karen Benke’s Leap Write In!, and Sarah Burningham’s Girl to Girl. For picture books/chapter books: author/illustrators, character-driven stories, unique nonfiction, stories that keep her turning the pages, and books that inspire imagination of the young and young-at-heart. Clients include: Monica Brown, Jennifer Ward, Toni Buzzeo, Carmen Tafolla, Rafael Lopez, Cindy Jenson-Elliott, and SCBWI Grand Prize Portfolio Award Winner Juana Martinez-Neal, to name a few. Stefanie is thrilled to work with clients that have a distinct style or expertise that can crossover to both the children’s and adult markets. Most of all, she loves authentic voices and viewpoints that make us look at the world and ourselves in new ways. When not reading, Stefanie is probably searching for green fig beetles or exploring tidepools with her son.

Adriana Dominguez has 15 years of experience in publishing, most recently as Executive Editor at HarperCollins Children’s Books, where she managed the children’s division of the Latino imprint, Rayo. Prior to that, she was Children’s Reviews Editor at Criticas magazine, published by Library Journal. She has performed editorial work for many children’s and adult publishers, both on a full time basis and as a freelance consultant, on English and Spanish language books. Adriana is also a professional translator who has worked on a number of translations of award-winning and best-selling children’s books. She is a member of the Brooklyn Literary Council that organizes the Brooklyn Book Festival, and one of the founders of the Comadres and Compadres Writers Conference in New York City. Adriana joined Full Circle in 2009, and is based on the East Coast. She is interested in children’s picture books, middle grade novels, and literary young adult novels. On the adult side, she is looking for literary and women’s works of fiction that feature characters with unique voices telling unforgettable stories. In the area of non-fiction, she seeks pop culture, and how-to titles geared toward women of all ages, written by authors with rock-solid platforms. Adriana has a long trajectory of publishing underrepresented authors and illustrators, and welcomes submissions that offer diverse points of view. Her client list includes seasoned authors such as Reyna Grande, Las Comadres Para Las Americas, Tim Z. Hernandez, Lorena Siminovich, George Ancona, and Rafael Lopez, as well as newcomers such as Angela Cervantes, Michaela & Elaine DePrince, Katheryn Russell-Brown, and Lila Quintero-Weaver, among others.

Taylor Martindale is a literary agent with Full Circle Literary, actively acquiring fiction and non-fiction projects. She began agenting with the Sandra Dijkstra Literary Agency and is a graduate of The College of William and Mary, where she studied English and Hispanic Studies. Taylor is looking for young adult fiction, literary middle grade fiction, women’s fiction, and select non-fiction projects. She is interested in finding unique and unforgettable voices in contemporary, historical and/or multicultural novels. She is looking for books that demand to be read whether the stories are light-hearted or address important issues (she adores both). More than anything, Taylor is looking for character-driven stories that bring the world vividly to life and voices that refuse to be ignored. When considering non-fiction projects, Taylor uses much the same approach, and hopes to find authors with fresh ideas and perspectives, with writing that is accessible, entertaining, and compelling. When not working, Taylor can be found traveling, cooking, spending time with loved ones, or (surprise!) lost in a good book.

Sign up for the July 2014 WD Agent One-on-One Boot Camp here!

 

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22. New Literary Agent Alert: Alexander Slater of Trident Media Group

Reminder: New literary agents (with this spotlight featuring Alexander Slater of Trident Media Group) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

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About Alexander: Alexander Slater graduated from the University of Connecticut in 2007.  He began his career in publishing that year with the Maria Carvainis Agency, first as an intern, and then as an assistant.  He has been with Trident Media Group since 2010, where he started as the assistant to both agents Kimberly Whalen and Scott Miller.  Moving on from there, he spent two years representing the entire agency’s children’s, middle grade, and Young Adult titles in the Foreign Market, attending  the books fairs in Bologna, London, and Frankfurt.  He is now building his list domestically at Trident, while keeping his focus on these areas.  As a Foreign Rights Agent, he sold international rights for authors such as R.J. Palacio, Louis Sachar, Jessica Sorensen, L.J. Smith, Rebecca Donovan, and many others. Follow him on Twitter: @abuckslater.

(How successful writers are using the Internet and social-media to sell more books.)

He is seeking: Alexander is interested in children’s, middle grade, and young adult fiction and nonfiction, from new and established authors.  As he says, “I’m looking for projects that will rise above the rest…characters you’ll remember well past childhood…books that translate well to film because within them contain incredible stories, not because they’re the latest trend.”  He particularly loves authors like Frank Portman, Jim Shepard, Jenny Han, and Rainbow Rowell.

How to submit: Send a query letter, pasted in the body of the email, to aslater [at] TridentMediaGroup.com. Your query should include only a paragraph about yourself, a brief plot pitch, and your contact information. Please do not send a manuscript or proposal until you have been requested to do so.

(The skinny on why to sign with a new/newer literary agent.)

 

2014-guide-to-literary-agents

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

Other writing/publishing articles & links for you:

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

Add a Comment
23. Agent Andrea Hurst Seeks Women’s Fiction, Romance, YA, Memoir and More

This alert from established literary agent Andrea Hurst (Andrea Hurts & Associates): “I am reopening my submissions this summer to unsolicited queries from June 1 – September 1, 2014.” This is a great opportunity for writers everywhere who are writing genres & categories that Andrea accepts. She is not always open to submissions, and wanted writers to know. More info below.

(How NOT to start your story. Read advice from agents.)

 

andrea-hurst-literary-agent

 

She is seeking: “I am looking for upmarket, book club women’s fiction, commercial women’s fiction/romance (contemporary or historical), young adult fiction, and most areas of nonfiction (authors with a substantial platform who have already developed a solid, highly polished proposal – this includes memoirs, health/wellness, business, self-help/personal growth, memoir, cookbooks, pet books, spirituality). As of 2014, we are now accepting middle grade contemporary fiction as well.”

How to submit: Submit by Sept. 1, 2014. No attachments. Absolutely no phone calls or regular mail contact, please. E-query andrea [at] andreahurst.com.

(Do writers need an outside edit before querying agents?)

Learn more about Andrea: http://www.andreahurst.com/literary-management/about/andrea-hurst/

 

2014-guide-to-literary-agents

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

Add a Comment
24. New Literary Agent Alert: Renee Nyen of KT Literary

Reminder: New literary agents (with this spotlight featuring Renee Nyen of KT Literary) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

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About Renee: Several years in the editorial department at Random House’s Colorado division provided Renee with the opportunity to work with bestselling and debut authors alike. After leaving Random House, she came to KT Literary in early 2013 to cultivate her passion for YA literature. Drawing on her editorial experience, she loves digging into client manuscripts and helping authors shape the best story possible. You can follow her on twitter @Renee_Nyen.

(Tips on how to find more agents who seek your genre/category.)

She is seeking: Young Adult and Middle Grade fiction. “I’m always interested in YA historical fiction, mystery, sci-fi, and thrillers, but genre is not as important to me as strong prose and compelling characters.”

Submission Guidelines: Please submit a query letter with the first three pages of your manuscript pasted in the email to queries (at) ktliterary.com.

(What should you do after rejection?)

 

2014-guide-to-literary-agents

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

Add a Comment
25. Writing the Breakout Middle Grade Novel — Webinar (w/Critique!) by Agent Carlie Webber on May 29

Middle grade (MG) books, intended for readers 8-12, aim to capture an audience that appreciates thrilling adventures, stories of everyday kids just like them, and everything in between. Writing an enthralling voice and selling it in just the right place and time to hook this audience, however, can be a challenge. In this live webinar, “Writing the Breakout Middle Grade Novel,” you’ll see what makes a success story in the MG market, through examples of popular books from Percy Jackson to Origami Yoda. By looking at these popular books and seeing what they do-or don’t-have in common, you’ll learn what piques the interests of middle-grade readers and the editors who work on books for them.

Drawing on her experience as both a literary agent and a librarian, Carlie Webber (CK Webber Associates) will take you through a brief history of popular MG fiction, show you where the market stands right now, and how you can build a future for yourself as a writer of MG fiction. It all happens at 1 p.m., Thursday, May 29, 2014, and starts at 1 pm, EST. (Sign up here.)

 

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ABOUT THE CRITIQUE

All registrants are invited to submit the first 500 words of your middle grade novel for critique. All submitted openings are guaranteed a written critique by literary agent Carlie Webber.

Please Note: Even if you can’t attend the live webinar,registering for this live version will enable you to receive the On Demand webinar and a personal critique of your material. Purchasing the On Demand version after the live event will not include a critique.

WHAT YOU’LL LEARN:

– What defines a MG novel
– What separates a MG novel from a Young Adult (YA) novel
– What elements make up a captivating MG voice
– How to build a believable MG plot
– What editors at publishing houses want to buy right now
– Why series books are popular with MG readers
– What gives a MG novel lasting power. (Sign up here.)

INSTRUCTOR

Carlie Webber refused to major in English in college because no one would let her read Stephen King or R.L. Stine for class. After college, she obtained a Master of Library and Information Science at the University of Pittsburgh and worked as a YA librarian and professional book reviewer for publications including KIRKUS REVIEWS. Wishing to explore her interest in the business side of publishing, she enrolled in the Columbia Publishing Course. After working for the Publish or Perish Agency/New England Publishing Associates and Jane Rotrosen Agency, she has established her own agency, CK Webber Associates. She is seeking young adult, middle grade, mystery, thriller, suspense, science fiction, and contemporary fantasy. Follow her on Twitter: @carliebeth.

WHO SHOULD ATTEND?

– Writers who are interested in learning more about MG fiction
– Writers who think they want to write a MG novel
– Writers who want to know more about the present state of the MG market
– Writers who want to learn the elements of a successful MG novel
– Writers looking for suggestions on how to target MG readers
– Writers who have written or are writing a novel for young people and want to know more about the division between MG and Young Adult
– Writers who want to know more about today’s tween audience

 

Sign up for the webinar here!

 

 

 

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