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By: Martha Alderson, M.A.,
Blog: Plot Whisperer for Writers and Readers
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Thanks to a very generous benefactor, we are taking PlotWriMo: Revise Your Novel in a Month on what appears to be developing into a massive blog tour beginning December 1st through the 5th!
Seven years ago, I began offering the beta version of PlotWriMo
for novelist word drunk from NaNoWriMo.
Over the years I continued refining and perfecting the steps to help writers revise all those words generated in November into a compelling story with a plot (and all other novelists and memoirists and screenwriters alike struggling to create a pleasing form for their readers)
Earlier this year, I partnered with Jill Corcoran
who brought her insight and love of concept and knowledge of the inside of publishing. Together we created an entire video series of the program. The feedback and "ah ha" moments we have received have been enormously rewarding and makes all the time and hard work worthwhile.
Sample of feedback:
"Jill (video 4, I think) explained what agents meant when they say "They didn't connect" and it was like a lightbulb had been screwed in my head-- I failed to meet all of the essential elements of a scene. There was always something about my former MS that I could never pinpoint that felt off, and that was just it! I needed more emotional development, conflict/ tension, dramatic action and clear goals PER scene."
"I watched the Revise Your Novel in a Month videos and really began to understand the difference between crisis and climax and the key ways to develop each part of the plot."
"PlotWriMo is the closest “formula” for structuring a book I’ve ever discovered. It’s like an algebra equation for writing – if you’re missing any of the energetic markers you can’s solve for X."
"It’s helped me re-envision my own work and I can’t stop myself from dissecting every movie and book I’ve read since."
"I've learned a lot through the PlotWriMo series. I've always struggled with revision, but the PlotWriMo series has helped me organize my revision so that I am going deeper than I ever have before at making my story shine."
"Now, what did I learn from the videos? Goodness, what did I not? It's all about the structure. Being a pantser doesn't work when you are revising (Not sure it would work for me - ever), but you have to be clear in your journey. I also learned to forgive myself. To keep writing. And that we can learn from our mistakes and become better writers."
"I watched PlotWriMo and learned about EMs, concept and that the antagonist OWNS the middle."
“Ah, ha” Moment: The exercise of writing down all of the themes, and getting down to the grittier ones. And when I found my darker theme was about loss, and the threat of losing someone you love. I couldn’t believe when I went back and looked at the Energy Markers and found that common theme. I’m working on deepening the scenes with metaphors and thematic significance."
"Don't start drafting until you're happy with the concept and markers."
"As for what I learned, viewing both the crisis and the climax from my antagonist’s point of view gave my story dramatic action and the depth it needed to bind the story and pull in the reader."
"Yet my greatest aha moment came with the challenge of writing the concept, giving my story definition. As a young woman I took my family on some exciting adventures, wounds and all, and the only dream still intact in the end was my passion and desire to be a writer. I couldn’t just throw out my concept because it wasn’t good enough, or my life wouldn’t be either. Crafting my concept, meant validating what I had done and why, all the parts and pieces."
"I really had an "aha moment" when Martha Alderson talked about the end mirroring the beginning."
The icing on the proverbial cake was the news that one writer secured an agent (having the amazing opportunity to chose from 3 offering her contracts). As she writes: "No word of lie - it is absolutely thanks to Jill Corcoran and Martha Alderson! The last round of revisions changed everything! I just thank god I have the videos and future classes for other books! I have worked like a dog on this book, but the videos and Martha's book really changes everything. The advanced workshop kicked my butt in the best way possible and made me really rethink some things and made the work so much better!"
The tour begins December 1st through the 5th so if you'd like to add your blog to the tour, please sign up ASAP.
We're using the opportunity to spread the word about writing and revising stories and about A Path to Publishing in general. Jill and I will visit all the participating blogs, comment and award prizes. (If you'd like to simply follow along on the tour, I'll list the participating blogs during the tour.)
See you soon!
For help about the Energetic Markers to write toward every week of NaNoWriMo
.The Plot Whisperer Workbook: Step-by-step Exercises to Help You Create Compelling Stories
For plot prompts to move your writing everyday and reach each major turning point: The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing
. To complete write your story in a month, complete 4 prompts everyday. (As one writer proclaims: The PW Book of Prompts is my lighted path…)
For plot help and resources during NaNoWriMo:
1) The Plot Whisperer Workbook: Step-by-step Exercises to Help You Create Compelling Stories2) The Plot Whisperer: Secrets of Story Structure Any Writer Can Master3) The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing. ~~~~~~~~To continue writing and revising (and, lots of writers are finding PlotWriMo the exact right resource to help pre-plot for a powerful first draft. Knowing what to look for in a revision helps create a tighter first draft):
- PlotWriMo: Revise Your Novel in a Month
~~ View your story in an entirely new light. Recharge your energy and enthusiasm for your writing. 8 videos (5.5 hours)+ 30 exercises
I'm excited to welcome middle grade author Shelby Bach to GreenBeanTeenQueen! If the middle grade readers at my library are anything like yours, fairy tales are huge!
About Shelby: Shelby Bach was born in Houston, Texas and raised in Charlotte, North Carolina, but while writing the ever afters, she moved almost as many times as her main character. She came up with the idea for the series right before she left New York City, and she finished the first book, of giants and ice, in Montana—the second, of witches and wind, back in Charlotte. Driving up the West Coast to research the settings for the third book, of sorcery and snow, Shelby fell in love with Portland, Oregon and settled there. She would love to set up a Door Trek system in her apartment to visit her family and friends around the country, but she makes due with much slower and less fictional transportation. These days, while finishing up the fourth and final book, she also works part time for a real-life afterschool program. It is strangely similar to the one where her stories are set—except the students study math instead of fairy tales.
What Fairy Tales Taught Me About Plot I love adding new characters, and I especially love giving a side character a strong subplot of their own. Of course, this enthusiasm led to several unruly early drafts of my first novel, Of Giants and Ice, and as an inexperienced novelist, I spent weeks overwhelmed by the number of plot threads I was failing to keep straight and develop effectively. Somewhere around draft number five, I started to use the Rule of Threes to help me structure each of the story arcs. It was a good decision—both for my book and for my sanity. The Rule of Threes is usually explained as a pattern that occurs three times, which happens a lot in fairy tales. In some, these repetitions occur in just one section: for instance, at the end of “Cinderella,” three people try on the glass slipper the prince is carrying: the two stepsisters and Cinderella. Sometimes, these repetitions make up most of the fairy tale: for example, Jack climbs the Beanstalk three times. I took a fairy tale course in college that analyzed the Rule of Threes in more detail. (Believe it or not, this was one of the hardest classes I ever took at Vassar. Professor Darlington was a stickler for structure and precision in every paper. My grades suffered, but my writing improved.) First of all, plain repetition gets pretty boring, so our class examined what the three instances actually achieved within the fairy tale: the first one describes the process of actually climbing a beanstalk and sneaking around a giant’s house. The second instance establishes what part of that process is a pattern: Jack climbs the beanstalk again but steals a golden goose from the giant instead those gold coins. (It’s usually the shortest passage.) The third instance, however, breaks with what was established with the first two occurrences and leads to some sort of big change: the giant notices Jack stealing his harp and chases him down the beanstalk. Describing just one trip up the beanstalk would have made a fun story, because the first two instances establishes certain expectations, Jack’s third trip has a bigger impact. Limiting myself to three occurrences helped me tame the plot threads in Of Giants and Ice. It also forced me to make sure every scene in a certain arc served a purpose. An almost spoiler-free example is the subplot around Rory’s dad. Her parents are divorced, so readers don’t actually see her father in person in Of Giants and Ice. Rory does, however, speak to him on the phone—exactly three times. During the initial call, Rory’s father, a Hollywood director, invites her to a shoot in England during the summer. Rory knows immediately that she doesn’t want to go (he barely pays any attention to her while he’s filming a movie), but afraid of disappointing him, Rory tells him she’ll think about it. Her father doesn’t listen well—he starts telling her all about the actress he wants her to meet when they’re in England. This leads to her mother stepping in and Rory’s parents fighting. The second call takes place a few weeks later. Rory tries to talk to her father about something completely different, but he asks her when her school lets out—he wants to book her flight. She reminds him that she hasn’t made up her mind up and quickly ends the call before her mom can step in again. That’s a tiny step forward—she avoids a fight between her parents, but she still isn’t honest. The third call takes place after Rory has come back from her quest. She discovers from the tabloids that her father has started dating the actress he wanted her to meet in England, and Rory calls him up and tells him that she won’t go on the trip with him. Then she explains exactly how much it upsets her that she had to find out about his new girlfriend from an outside source. Because readers have seen Rory struggle to be honest about her feelings in the previous scenes, her strong stance in the final call has more oomph. This isn’t much different from most goals in fiction—to show how conflict has changed our characters—but the Rule of Threes was a helpful way to think about it, especially when working with an overwhelming amount of plot threads. As I mentioned earlier, the Rule of Threes was most helpful during the revision process—conscious repetition is easier to develop when you have a whole plot to work with. It’s also easier to recognize where plot threads intersect. In my second novel, Of Witches and Wind, I challenged myself to take several story arcs and see how many third instances I could pack into one scene. It tightened the book’s pacing and gave the ending a way more epic grand finale.
Find Shelby online:
Blog: Jump Into A Book
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A Year in the Secret Garden
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The Blog Tour has begun!
Just this week our delight was compounded when Valarie announced that the physical version of the book had arrived, just in time for the upcoming launch and blog tour.
This book was a labor of love between two creative people (Valarie and Marilyn) who not only wanted to bring a classic children’s tale to life, but encourage families to step away from the computer and into the garden, craft room and kitchen.
Title: A Year in the Life of the Secret Garden | Author: Valarie Budayr | Illustrator: Marilyn Scott-Waters | Publication Date: November, 2014 | Publisher: Audrey Press | Pages: 144 | Recommended Ages: 5 to 99
Book Description: Award-winning authors Valarie Budayr and Marilyn Scott-Waters have co-created A Year in the Secret Garden to introduce the beloved children’s classic, The Secret Garden to a new generation of families. This guide uses over two hundred full color illustrations and photos to bring the magical story to life, with fascinating historical information, monthly gardening activities, easy-to-make recipes, and step-by-step crafts, designed to enchant readers of all ages. Each month your family will unlock the mysteries of a Secret Garden character, as well as have fun together creating the original crafts and activities based on the book.Over 140 pages, with 200 original color illustrations and 48 activities for your family and friends to enjoy, learn, discover and play with together. A Year In the Secret Garden is our opportunity to introduce new generations of families to the magic of this classic tale in a modern and innovative way that creates special learning and play times outside in nature. This book encourages families to step away from technology and into the kitchen, garden, reading nook and craft room.
“A Year in the Secret Garden provides the perfect companion to the original story. The book is divided into major sections by months of the year. For each month, a character from the book (e.g., Mary Lennox, Dickon, Colin) is introduced and their role in the story is described. Each month also features a number of activities including planting activities, crafts, recipes, children’s games, as well as snippets of information about some of the themes covered in the story (e.g., death in Victorian England, language spoken in Yorkshire), and so much more!’-Renee @Mother/Daughter Book Reviews
In honor of this exciting new release, there will be a special blog tour that will run from November 1 to 30, 2014. We encourage our readers to stop by and experience the magic of A Year in The Secret Garden through book reviews, author interviews, guest posts and excerpts from this activity-packed book. The blog tour will include a shared giveaway for a $100 Amazon gift card or PayPal cash prize, open worldwide.
To get a snapshot of A Year in the Secret Garden book month-by-month AND a sneak peek at the blog tour schedule, go HERE.
For a chance to enter to win our Amazon $100 Gift Card, Go HERE
A Year in the Secret Garden Blog Tour Schedule
Mother Daughter Book Reviews (Launch)
Coffee Books & Art (Guest Post)
WS Momma Readers Nook (Book Review)
Cherry Mischievous (Excerpt)
Hope to Read (Excerpt)
Eloquent Articulation (Book Review)
Enter Here Canada (Excerpt)
Books, Babies and Bows (Book Review)
Monique’s Musings (Book Review)
SOS-Supply (Book Review)
Randomly Reading (Book Review)
Adalinc to Life (Book Review)
100 Pages a Day (Book Review)
Edventures With Kids (Book Review)
Icefairy’s Treasure Chest (Book Review)
Girl of 1000 Wonders (Book Review)
Seraphina Reads (Guest Post)
Juggling Act Mama (Book Review)
Pragmatic Mom (Author/Illustrator Interview)
Purple Monster Coupons (Book Review)
Stacking Books (Book Review)
Oh My Bookness (Book Review)
Crystal’s Tiny Treasures (Book Review)
The Blended Blog (Book Review)
All Done Monkey (Book Review)
Geo Librarian (Book Review)
Grandbooking (Author/Illustrator Interview)
My Tangled Skeins Book Reviews (Book Review)
Christy’s Cozy Corners (Book Review)
My Life, Loves and Passions (Book Review)
Bookaholic Chick (Excerpt)
Hide-N-(Sensory)-Seeking (Book Review)
Ninja Librarian (Guest Post)
Jane Ritz (Book Review)
Rockin’ Book Reviews (Book Review)
I’d Rather Be Reading At The Beach (Book Review)
Deal Sharing Aunt (Book Review)
Mommynificent (Book Review)
This Kid Reviews Books (Book Review)
Java John Z’s (Author/Illustrator Interview)
Visit our A Year in The Secret Garden page to learn more about this one-of-a-kind unique keepsake book for children and families.
The post Blog Tour Launch & $100 Giveaway: A Year in the Secret Garden by Valarie Budayr and Marilyn Scott-Waters appeared first on Jump Into A Book.
Blog: Perpetually Adolescent
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Hold on to your broomsticks because today we have someone special visiting. She’s a bit of a drafter and doodler, a fellow resident of the magical Gold Coast and a wickedly wonderful conjurer of stories. Snap Magic is her latest light-hearted, fairy tale inspired fantasy novel about friendship and young girls approaching the precipitous edge […]
Please welcome author Julie Sternberg to the blog! Julie writes very funny books for middle grade readers and they include fantastic illustrations. I asked Julie to talk about what it's like working with an illustrator with her books since her books are such a big combination of pictures and text.
I am embarrassed to admit this, but here goes: I did not instantly love the illustrations for my first book, LIKE PICKLE JUICE ON A COOKIE.
I love them wholeheartedly now. I can’t imagine better ones. And a framed copy of this one is the first thing I see when I walk into my apartment. It makes me very happy:
But, in the beginning, I found the illustrations jarring, for this reason: Although the PICKLE JUICE story is fiction, it is based on a moment in my life; and I had a clear picture in my head of most of the characters. The book’s immensely talented illustrator, Matthew Cordell, has never met me (authors and illustrators don’t typically meet) or the people I had in mind when I wrote the story. The illustrations show his vision of the characters, not mine. That can be hard, especially for a first-time author.
But I adjusted! Matt made it easy for me, with pictures like these:
I skipped the startled phase with Johanna Wright’s illustrations for FRIENDSHIP OVER, the first book in THE TOP-SECRET DIARY OF CELIE VALENTINE series. I’d gone through the process before, and the story and characters are farther removed from my life. So it was easier to simply enjoy Johanna’s vision.
Our process for the FRIENDSHIP OVER illustrations was particularly fun for me, too. Usually authors are urged to include very few, if any, art notes for the illustrator. The general rule is that an art note is only appropriate if the text requires a particular image—and one that isn’t clear from the text itself. (For example, the author might want to make a joke that the text sets up and the illustration finishes. In that case, an art note can set out the punchline for the illustrator.)
I can’t remember including a single art note for Matt. But, in FRIENDSHIP OVER, Celie is supposed to be drawing the pictures in her diary. They are very much a product of her thinking. So I was able to include many art notes, saying, essentially, this is what Celie wants to sketch here. It was astonishing how well Johanna translated those notes into pictures that absolutely could have been drawn by Celie herself.
Just as one example: The art note said, “insert dispirited doodle by Celie, maybe of a very small Celie on very large sofa,”and Johanna drew:
I want to emphasize that I have NO visual artistic ability. I struggle with bubble letters (particularly S and N). Yet all of my stories have been enhanced by remarkable art. I feel very, very lucky.
Follow Julie's blog tour for Friendship Over:
Mon, Sept 29
Mother Daughter Book Club
Tues, Sept 30
5 Minutes for Mom
Wed, Oct 1
Thurs, Oct 2
Fri, Oct 3
The Hiding Spot
Sat, Oct 4
Mon, Oct 6
Ms. Yingling Reads
Tues, Oct 7
Wed, Oct 8
Great Kid Books
Thurs, Oct 9
Teach Mentor Texts
Fri, Oct 10
Sat, Oct 11
Want to win a copy of Friendship Over? Leave a comment below!
One entry per person, contest ends October 14, ages 13+, US address only, contest thanks to Blue Slip Media
About the Book:
A young mouse sets out on a grand adventure to discover the biggest animal in the world and makes new friends along the way.GreenBeanTeenQueen Says: Can I Come Too
is a sweet and charming cumulative picture book perfect for preschoolers. The little mouse wants to discover the biggest animal in the world and spends the day meeting new animals and discovering bigger and bigger animals along the way.
The illustrations are gorgeous and are sure to inspire readers to pour over the pages and take in all the details. The text is simple enough for young readers but engaging enough for older readers to join in.
I love how the author deftly includes some science into the text. What animal is the biggest animal in the world? What animal will be next-it has to be larger than the animal we just met. It's a great way to get kids thinking about animals and their size. Pair this one with Steve Jenkins Actual Size for a fun filled animal science storytime!
Full Disclosure: Reviewed from finished copy sent by publisher for review
Be sure to follow the tour:
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About the Book:
Monsters are plaguing Arcopolis and children are not safe. Haggard West is the hero that is trying to take them down and he has an apprentice: his daughter Aurora West. Aurora discovers that the monsters may have something to do with the mystery behind her mother's death and if she can unlock her childhood memories and remember her imaginary friend, she might be able to piece it all together. All she has to do is survive Sadisto and his murderous gang long enough to uncover the past.GreenBeanTeenQueen
: The Rise of Aurora West
is set in the same world as Battling Boy
but is a prequel to that graphic novel and stands on its own. No prior knowledge or readership of Battling Boy
is required, but I'm sure readers will want to pick up Battling Boy
after finishing this one! The story is fast paced and is a bit dark with an everyday hero out to fight monsters in a dystopian future.The Rise of Aurora West
is a graphic novel with lots of adventure, mystery, family drama and secrets, an awesome hero on the rise and a fantastic father/daughter relationship. Add in some pretty creepy monsters, a city with no hope, and a a bit of archaeology and you've got one action packed story that is easy to get lost in. This is part one of a two volume series and I can't wait to get my hands on the next part of Aurora's story! If you have graphic novel fans who enjoy adventure and hero stories, be sure to add this one to your shelves.
Check out this exclusive art from David Rubin featuring one of those creepy monsters-seriously, I would not want to run into this guy! Full Disclosure: Reviewed from ARC sent by publisher for review
Well, here we go. Mr. Bill Wolfe,
that cool dude who reads only women's fiction and lives to tell the tale on Read Her Like an Open Book, tagged me (oh, the secrets, the secrets) on the My Writing Process Tour Blog. Bill, who keeps us guest bloggers honest, reviews incredibly interesting books, teaches for a living, and opines, but always kindly, is a tough act to follow. Equally tough is his tagger, Caroline Leavitt,
whose inspirational story and stories (and blog) have been integral to the lay of my land for years.
(I've previously written about Bill here
and Caroline here and many elsewheres.)
And now, here I stand, with questions to answer, pondering my capability.
I begin:1. What are you working on?
I am currently doing a final round of edits to a young adult novel that will launch from Chronicle Books in 2016. When that is done later this weekend, I'll return to two new projects—an adult novel and a book of nonfiction. Both are in the early 4,000-word stage, so inchoate, strange, and internal that I suspect I won't be able to describe them even after (if) they are done. They are projects designed to keep my mind whole, more than anything else, or as whole as this cracked vessel will ever get. In between, when feigning greater sanity, I'm writing white papers and news stories for clients and reviews and essays for the Chicago Tribune
and the Philadelphia Inquirer.
Oh, and a lot of student recommendation letters. 2. How does your work differ from others of its genre?
I always think this is a question best left to the critics—though I hate to presume that any critic anywhere will have time for such a Beth Kephart conundrum. I guess the answer, for me, has something to do with that old cliche of staying true to myself (hey, if Tim Gunn can say it on national TV, I can say it in Beth land). I'm not interested in bending my work to meet the expectations of our time (whatever they are) or to fall in line with trends. I write what is urgent, what intrigues me. I write to find out what might happen next, a small and increasingly daring enterprise.3. Why do you write what you do?
Because I can't help it. Because I get obsessed with some historical event (the Berlin wall, the Spanish Civil War, Florence after the flood), some force of nature, some sound in my head, something someone said, some trouble. Because the only excuse I have to think about it longer is to begin to write a book. Otherwise, in my dim and insufficiently capacious brain, all is fleeting. And because I think that what we write has to matter in a broader way. We live in perilous times. I want to understand them. I want my stories and my work to lead others down inquiring paths. I also want my readers to think about language in new ways, and so I write what I hear in my twisted head.4. How does your writing process work?
It rarely does work. Most of the time I'm doing my day job. But when I find patches of time I hunch my shoulders, draw out a pen (literally), sit on the couch where the depressed cushion suggests I should each less chocolate, and get going. When I'm writing I am living inside a fortress of books and newspapers (on some days the research is my favorite part). When I'm writing there's a happy buzz inside my head, except when the writing isn't working, which is an astonishingly large chunk of the time. Boy, I can write some really bad stuff. Boy, I can go off on tangents. But, hey. Nobody sees that, at least in the beginning. Nobody but me and my chocolate bars.For the next stop on the blog tour, I nominate Kelly Simmons,
who is not just a terrific, funny, compassionate, hardworking writer, but a starred writer, too, and a dear friend. (Kelly also knows where the best V-necked turquoise T-shirts live in the local shop, and she will join you in the consumption of six-ounce shrimp at the drop of a dime; she also forgives (I think) your poorly typed text messages; finally, I wish to add that, when you are walking together down Sugartown Road, the boys in the cars all stop for her, the Kelly Phenom.) Kelly's third novel (for adults, people!), One More Day
, was PW announced days ago. It will be published by Sourcebooks next fall. I've read a few pages here and there. Ladies and gents, get ready for Wow.
HazeWritten by: Paula WestonPublished by: Tundra BooksPublished on: September 9, 2014Ages: New AdultProvided by the publisher for review. All opinions are my own.
Gaby and Rafa are back!!! Last year I fell in love with the Rephaim and Pan Beach residents introduced in Paula Weston's Shadows
. That tale was packed with action and building a fascinating world where the children of fallen angels fight to keep humans safe from demons. The best thing about the book is it was only the first. Now Haze is here to continue this story.
Gaby's journey to unravel the web of deceit and false memories she has fallen into continues. The last memory she has of her brother Jude was of him dying in a car crash. But if the car crash wasn't real for her, maybe it wasn't for him either. In that case, where is her twin??
Luckily, Gaby has the mysterious and attractive Rafa to help her follow Jude's trail and introduce her to the other Rephaim, which might be the most difficult part- she steps right into a world fraught with tension and division and she doesn't know who is her friend and who is her enemy from her past life. How do you work beside others to kill demons when you can't even trust them?
Gaby is lucky that she has her best friend from Pan Beach, Maggie, and she knows Maggie is true. Sadly, she knows Maggie has also been dragged into this demon war mess, and has to make sure Maggie is protected too.
Gaby is such a great central character. Her disconnect between her current self and what people tell her about her past self, and especially her past morals, makes her vulnerable despite her physical strength, and without ever veering into whiny. Will she ever develop back into the Gabe who dated the arrogant Daniel? I hope not, I like to see her with Rafa, despite the fact that Rafa won't tell Gaby what was up with them before she landed in Pan Beach.
One of the fun things the fabulous author, Paula Weston, did for the bloggers on the tour was to tell us which character matched our personality the most! I was afraid I would end up being Daniel, we both have a tendency to know what is best for everyone who is not ourselves. But I was so happy to find out that I am most like Micah!
The easy going guitar playing half-angel was Gabe's best friend in the Sanctuary. He, Jude, Rafa, and Gabe were inseparable before Jude and Gabe disappeared. When Gaby comes back he is quick to reacquaint her with the other Rephaim, and tries to play peacemaker between the Sanctuary Rephaim and Rebel Rephaim. Micah is a stand-up guy and I hope to see more of him in Shimmer
This book ends on a cliffhanger, and I cannot wait to see how it is resolved. Shimmer comes out next autumn and I hope the time passes quickly before I am back in Gaby's world.
Visit the other stops on the Haze tour today!Summer at MissFictional’s World of YA Books
Jillian at Centre of the Universe
Crystal at WinterHaven Books
Lisa at Turning Pages
Don't forget to check out the home of the Blog Tour at Tundra Press
to see what other fabulous places Haze is visiting this week, where there will be giveaways, interviews, and more!
Add to Goodreads
About the Book:
Pig and Bug want to be friends, but their size difference is causing them trouble. Bug is too small to play chess and Pig is too big for Bug's presents. Can they find anything that they can do together?GreenBeanTeenQueen Says: Pig and Small
is an adorable picture book about friendship. Pig and Bug work hard to be friends, but it's not always easy because of their size. But they find things they have in common and it makes their friendship stronger. It's a great story about working at friendship and finding things to do together as friends.
The illustrations add to the detail and humor-Bug sweating and pushing hard on a large chess piece, Pig chomping on a small cake in one bite. The illustrations add more for kids to talk about and discuss. The message that friendship doesn't always come easily is thoughtful and portrayed in a sweet and humorous way.Pig and Small
could also be a great addition to preschool storytimes and pair well with other seemingly mismatched friend stories.Full Disclosure: Reviewed from finished copy sent by publisher
Please welcome Michelle Knudsen to GreenBeanTeenQueen! She's sharing a playlist of her favorite musical theater songs in honor of her latest book, Evil Librarian.About the Book: (from Goodreads): #EvilLibrarian He’s young. He’s hot. He’s also evil. He’s . . . the librarian.
When Cynthia Rothschild’s best friend, Annie, falls head over heels for the new high-school librarian, Cyn can totally see why. He’s really young and super cute and thinks Annie would make an excellent library monitor. But after meeting Mr. Gabriel, Cyn realizes something isn’t quite right. Maybe it’s the creepy look in the librarian’s eyes, or the weird feeling Cyn gets whenever she’s around him. Before long Cyn realizes that Mr. Gabriel is, in fact . . . a demon. Now, in addition to saving the school musical from technical disaster and trying not to make a fool of herself with her own hopeless crush, Cyn has to save her best friend from the clutches of the evil librarian, who also seems to be slowly sucking the life force out of the entire student body! From best-selling author Michelle Knudsen, here is the perfect novel for teens who like their horror served up with a bit of romance, plenty of humor, and some pretty hot guys (of both the good and evil variety)
Like Cyn, the main character in Evil Librarian, I love musical theater. In college, a bunch of my theater friends and I lived on the far edge of campus from where rehearsals usually were, and we got into the habit of listening to musical theater mix tapes during the drives there and back. I would often listen to my favorite songs from shows and sing along in the car when alone, too, but it was even more fun to do it with a few like-minded friends who could all sing different characters in the multi-part numbers. In honor of the Evil Librarian blog tour, I thought I’d put together a little playlist of some of my favorite musical theater songs — the ones that would definitely make it onto a playlist if I were making a new one today. These are in no particular order — it’s just a list, not a ranking. :)
1. “Quartet (A Model of Decorum and Tranquility” from Chess (U.S. version)
Chess is one of my all-time favorite musicals to listen to (both the Broadway and London versions, which are very different from each other) although I’ve never yet seen it performed on stage.
2. “I Heard Someone Crying” from The Secret Garden
This is one we used to sing together in the car on the way to rehearsal. I’ve never seen this one live either, although (of course) I’ve read the book it’s based on.
3. “Potiphar” from Joseph and the Amazing Technicolor Dreamcoat
They did this one my freshman year of high school, and it was a lot of fun to watch and listen to. I still really love all the music, but this is one of the songs I most often find randomly popping into my head.
4. “Belle” from Disney’s Beauty and the Beast
I’d go with the movie soundtrack version on this one. Does that still count? I saw the movie in the theater 10 times when it first came out. And I still love to sing this one in the car. And outside the car. I still know every word by heart.
5. “Any Moment: Moments in the Woods” from Into the Woods
It was hard deciding between this one and “On the Steps of the Palace.” Those are my two favorite songs to sing from this show. I saw the Public Theater “Sondheim in the Park” production in 2012 which was amazing (with the same two best friends mentioned in #7 below).
6. “One Day More” from Les Misérables
One of my favorite songs from one of my favorite musicals of all time. I think I picked this one for this list over “Stars” (another of my favorites) because it’s got everyone in it, and I love big ensemble numbers so much.
7. “The Devil You Know” from Side Show
I first encountered Side Show at Broadway on Broadway in NYC with two of my best friends (the two friends Evil Librarian is dedicated to, actually) and I fell in love with it at once. I didn’t get to see it on Broadway before it closed, so I’m super excited about the revival opening this fall!
8. “Heaven on Their Minds” from Jesus Christ Superstar
I love to sing this one, but never where anyone can hear me. I know I can’t really sing it. I’m sure it sounds ridiculous and horrible when I try. But I love to anyway.
9. “Skid Row (Downtown)” from Little Shop of Horrors
We did this one in high school. It’s really not a good show for the chorus, at least in terms of stage time — except for a few small character parts, most of the chorus only got to sing in the opening and the finale. But it’s a fabulous show to watch/listen to. (I love the movie version, too, which is not always the case.)
10. “A Little Priest” from Sweeney ToddI couldn’t end this list without including something from Sweeney Todd, which is the show Cyn and her classmates are doing in the book. One of my all-time favorites. If you’ve never seen it, buy or borrow a copy of the 1982 recording of the Angela Lansbury/George Hearn performance and watch! I love this song because it’s such a great example of the blending of the darkness and humor and madness and brilliance that runs through the entire show.
Follow the tour:
I'm very excited to host the next stop in the Visions of the Future Tour from MacTeens. Emmy Layborne is talking about her post-apocalyptic world in her series Monument 14.
Ah! Post-apocalyptic visions of mass destruction - you are so varied, so specific and so horrible! It’s a pleasure to be here today talking about my own personal brand of ruination.
In the Monument 14 trilogy, an escalating series of environmental catastrophes results in a breach of chemical weapon storage facilities at NORAD.
Two chemical weapons are released. One is a magnetized blackout cloud, designed to hover above the detonation site and jam all radio, television and cell signals. The other is a compound called MORS, which divides the population based on blood type, turning people with Type AB blood into paranoid freaks, people with A blood blister up and die almost immediately. Type O people become deranged, consumed with bloodlust, driven to slaughter indiscriminately. The fourth blood type, B, shows no outward symptoms. They’ve been made sterile and infertile, but otherwise they’re fine - and must witness the chaos and bloodshed around them.
Fourteen kids ranging in age from 5 to 18 wind up stranded together in the relative safety of an empty super store. Inside, they must band together to form a new society in order to survive the threats of their new world.
Once I finished Monument 14, I took a moment to ask myself: What is wrong with you, Emmy?
Why did you feel the need to cast the world into such darkness? Why did you have a mega-tsunami wipe out the eastern seaboard? (That happened in the chain of catastrophes I mentioned before.) Why did you set the epicenter of all this misery in Monument, Colorado - where your own mother-in-law lives?!
Okay, so I can totally answer the first one. It had nothing to do with destroying my MIL’s hometown, I promise. I simply wanted a small town in Colorado, and I was familiar with Monument and knew I’d be visiting Monument 2-3 times a year to do additional research. I swear!
But why did I feel the need to create such a dark world? And why did my vision of the future have such a high body-count? One answer is that I created a dark world so that the inner light of my characters could shine through. There’s truth in it, but that seems a little easy, doesn’t it?
Did I do it because I was following the trends? God, no. If I’d been following the trends I would have made the central character a girl and put her smack dab in the middle of a Niko/Jake love triangle!
I think my impulse to destroy the world comes from a sub-conscious recognition of a true need that young adults have. I think post-apocalyptic and dystopian YA literature originates from this: Teenagers need to destroy the world of their parents so that they can create their own, new worlds.
And so, in the twisted, terrifying world of Monument, CO in the year 2024, I forced the characters to create a new social construct and to find out who they are - in a new (okay, terribly dark and violent) world.
So there you have my rumination on the post-apocalyptic world I created in the Monument 14 trilogy. Hey, I’d love for you to read the series and tell me why you think I put the kids in such terrible danger.
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It's another busy day for Stanley! His friends need help fixing their cars and Stanley and his garage is there to rescue them.GreenBeanTeenQueen Says:
Stanley's adventure in his garage is perfect for transportation loving toddlers. William Bee's illustrations are bright and colorful. The color scheme and clear illustration style make this one that would work great in a group setting for storytime as well as one on one.
Stanley's friends all drive different colored cars, so there's a subtle inclusion of color introduction as well as a simplified insight into what cars need to run. Animals need help fixing a flat tire or getting gas and Stanley helps another friend whose car breaks down and needs a tow. The text is simple but offers a lot of great vocabulary (overheating, radiator, oil) which is a fantastic way to give young readers a look into how cars work.
The Stanley books follow the same format-Stanley helps his friends and then heads home for supper, a bath, and bed after a busy day. The repeating format, fun illustrations, and engaging text make this series stand out as a great toddler addition. A sure hit with young readers-be prepared to read about Stanley's adventures frequently!Full Disclosure: Reviewed from galley sent by publisher
Darlene’s Debut Historical Novel WHEELS OF CHANGE launches on September 22nd. I am only too glad to be part of Darlene’s Blog Tour.
Darlene gave me an advanced copy and I loved the book. It is a middle grade book, so YA readers don’t expect to find steamy and edgy. What you do find is a well-written book that everyone will enjoy. I like that she based it on some real life events that happened in her Grandmother’s life.
We are very lucky. Darlene has agreed to give one lucky visitor a copy of her book. All you have to do is leave a comment below to have a chance to win. Want to up your chance? Then twitter about it, post on facebook, or another social media site, and let me know. I will add your name on a piece of paper for each thing you do. On September 18th, I will announce the winner and have Darlene mail out your copy. Please note: Darlene will pay for US shipping and any other reasonable shipping, but she may have to refuse shipping to every country around the world.
Three Fun Facts About Darlene:
- Even though I can’t swim, I snorkeled in the Great Barrier Reef in Australia thanks to a life jacket and swim ring. It was magnificent…and scary. Without the swim ring there was NOTHING to hold onto.
- I like trying new food and have enjoyed the following:
- Frog legs (tastes like chicken wings) and Escargo (garlicky and melts in the mouth) in Paris.
- Ostrich (like filet mignon) in Lambertville, NJ
- Crocodile (chewy and fishy, like clams) and Kangaroo (like ground beef only better) Both in Australia
- Buffalo (leaner and more tender than beef) in Western Canada
- Passion Fruit (sweet and delicious) in Hawaii
- Conch (heavenly) Florida keys
- Panga Fish (BEST fish I’ve ever eaten, bar none) in Vollendam, Netherlands
Food you couldn’t pay me to eat again: Poi (wallpaper paste tastes better) and Vegemite (way too salty)
- I love learning new things and have taken classes in:
- Flint napping
- Navaho rug weaving
- Crazy quilting
- Pisanki (Polish egg decorating)
Three Fun Facts About Darlene’s Grandmother – the real Emily Soper:
- She was a debutante in Washington DC Society and travelled in the same social circles as Alice Roosevelt.
- She lost her standing in society when she married my grandfather for love instead marrying for money and status.
- She was 4 feet 11 inches tall.
Filed under: Author
, Book Tour
Tagged: Blog Tour
, book give-a-way
, Darlene Beck-Jacobson
, Wheels of Change
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Stanley is a helpful guinea pig who helps his friend Myrtle build a new house.GreenBeanTeenQueen Says:
When it comes to picture books, I can't help but do the storytime browse when I look through them. You know the one. You open a book, check the length of the text on the page and if it's a page long, you put it aside in the not for storytime pile. Yes, I know, longer picture books are great for lapsits and older readers, but I'm always on the lookout for simple text to use with my youngest storytime crowd.
New toddler books are hard to find so I am thrilled that William Bee's Stanley is here! Bright colors, simple text and fantastic vocabulary all make this a wonderful addition to toddler storytime.
Stanley builds Myrtle's house using a variety of trucks which is sure to be a hit with young readers. I love that in addition to the vocabulary of each vehicle used, there's also an introduction to the color of each vehicle. The colors are bright and vibrant and sure to engage young readers who will love looking at Stanley's adventures.
Along with his friend Charlie, Stanley builds Myrtle's house using concrete, bricks, nails and of course paint!
The process of building is explained in a way that toddlers will understand. They're sure to want to read it again and again. And who can resist the adorable Stanley?
Stanley is a great addition to toddler storytimes and would pair nicely with Lauren Thompson's Mouse Series.
Would you like to win a copy?
-One entry per person
-US Address only
-Contest ends September 8
Full Disclosure: Copy reviewed from galley received from publisher for review
I'm super thrilled to be celebrating the release of my 12th (!) original novel, Amity, a haunted house story told in two separate perspectives, ten years apart. Diva Melissa was gracious enough to offer up a Cover Story slot to me, so here we go!
1. Did you have an idea in mind for your cover as you were proposing/writing the book? If so, what did it look like? I think we all always knew Amity was going to have an image of a haunted house on the cover. It’s iconic and classic for a reason, right? We may have tossed around the idea of focusing in on one aspect of a house – a window, a door – or even doing something more modern and all type, but I don’t think any of those concepts were seriously on the table. 2. Did your publisher ask for your input on the cover design before the art dept started working? If so, what input did you give?
My editor at the time showed me an early mock-up with the image they were planning to use. But at the time, she did make it clear that everyone in-house was very enthusiastic about the image, which, as I know from my own days on the editorial side of the desk, is pretty crucial and not to be ignored.
3. What did you think the first time you saw the original version of your cover? I liked the general idea and I really liked that Egmont was truly capturing that straightforward, “HORROR novel,” genre vibe. My main concern was only that the house itself looked nothing like the building that’s described in the book, or the original “Amityville” house. Specifically the half-moon windows are mentioned a whole bunch in the book, and are familiar to anyone who knows anything about the original Amityville crime. But I can appreciate that a strong cover can often outweigh the value of a literal cover. We talked a bit about how the house in the mock-up looked small and not quite menacing enough, and my editor assured me it would be tweaked. And it was! And it’s amazing and perfect! As you can see, the final cover is the same original image. But with the color adjusted, a new font, and lots of creepy blood dripped, the terror factor is amped way, way up. I could seriously marry this new final cover, and I’ve been thrilled with readers’ reactions to it! The general consensus seems to be that it’s insanely scary. Which to me translates to: mission accomplished!
In 1974, Ronald DeFeo Junior killed all six members of his family in their home in Amityville, New York. A year later, another family moved into that home only to move out 28 days later, saying they were terrorized by something paranormal in the house. Their story was captured in a book by Jay Anson, then subsequently retold in various films and other adaptations.
In Micol Ostow's new novel Amity, we meet two teenagers who live in Amityville at two different times. This is not time travel; instead, they alternate narrative duties, weaving their stories together chapter by chapter. Inspired by the real story but wholly fictional, this YA book is now available for late night reading. But I promise, this interview is not scary, and neither is Micol.
Do you recall the first time you heard about the Amityville Horror?
The first time I heard about the Amityville Horror was when reading Stephen King's Danse Macabre, where he talks about the components of an effective horror movie. In fact, I didn't realize it was based on a true story (and that there was a bestselling book about the original crime!) until much later. Once I became interested in a riff on Amityville as a possible subject for a novel, I went back and read the original book by Jay Anson, as well as High Hopes, the book written specifically about the DeFeo family (as opposed to the Lutzes, who moved in after the DeFeos' murders and claim to have experienced hauntings within).
When did the seed for your novel Amity firmly plant itself in your brain?
Around Halloween, 2011. My novel Family had come out in April and I was tossing around ideas for the next book under contract. My husband was out of town and I was indulging in my favorite guilty pleasure: horror movies and Red Vines. The Amityville 2005 remake was on, and something clicked. But it wasn't until several months later that I had a pitch to show my agent, and it was a few months after that before we put something together for my editor. I went back and forth a lot trying to decide whether I wanted to tell the Lutz family's story, or the DeFeos' story. Both concepts – the "possessed," murderous son, and the beleaguered, haunted successors to the house – were equally compelling to me. Ultimately that's what led me to tell two alternate narratives, set ten years apart. That way I didn't have to choose!
When you started writing the book, did you know the ending? (Readers, don't worry - we kept this answer spoiler free!)
I one hundred percent knew the ending, and it didn't change one bit, strangely. Maybe a hint of clarification here and there. Some of the supernatural bits tend to read more straightforward in my brain than on a first-draft page. But it was an interesting process as compared specifically to Family, my first book with Egmont. The ending to Family changed three times, as did my feelings about where the protagonist needed to be, emotionally, by the story's end. This one was much more clear-cut. The two narratives needed to converge and I could only really see one way for that to happen.
Have you ever been to Amityville, New York?
We have family out on Long Island and therefore drive past the Amityville exit on the LIE several times a year, at least. I always point it out, like a huge dork. But I've never visited the house and to be honest, at this point, I probably wouldn't. It's been renovated heavily so specifically, those iconic half-moon “eye” windows are gone. And more to the point, there's also the fact that 1) it's a little icky to make a spectacle of a place where a family was murdered and 2) it's actually a private home, where people live. Personally, I prefer the make-believe versions of the Amityville story and am happier to spend my time there.
You've written for a number of different audiences - kids, teens, adults, fantasy, comedy, mixed media. Do you consciously try to mix it up?
I really don't try to mix it up, believe it or not! It just seems to work out that way! I was fortunate enough to come into publishing through the back door, in that I worked as an editor in the work-for-hire realm. So some of my earlier contracts were the results of editors seeking me out and offering me the chance to work with them. (Note: this is not the typical author's path to publication and I am very, very lucky. Trust me, I know!) The Bradford Novels were the product of an editor's original concept, and Emily Goldberg Learns to Salsa came from a publishing friend suggesting I mine some of my own adolescent experiences and pitch her a story. Even So Punk Rock was actually originally conceived of by my brother, David Ostow, who worked with me on the story and illustrated the book.
Family was the first novel I sat down to write, as they say, "on spec." And because it wasn't under contract and was coming purely from me, I was free to experiment. I had no idea when I sat down to my computer that what would come out was going to be such a massive departure from my previous work. But once it was published, it was treated as a sort of literary debut. So for Amity, I was much more conscious of trying to write something that would match Family in tone and audience.
What genre or audiences would you like to write for that you haven't yet?
As far as what's coming down the pike that's different, I have a chapter book series releasing this spring called Louise Trapeze, about a little girl in a circus family who wants to learn to fly on the trapeze but is afraid of heights. Talk about a departure!
Have you always been drawn to the horror genre?
Yes! My mother is a huge horror buff and always had the TV set to old B-movies, and scary-covered novels on her nightstand. They completely terrified me but obviously burrowed into my subconscious.
I've known people who can watch horror movies but can't read horror novels, and I've known people who can read horror but can't watch it. Do you lean more towards one than the other?
Love them both! Although in general, I watch a broader range of horror movies than I read horror novels. The only category of horror I really stay away from is the straight-up torture. The extreme gore really doesn't do it for me. With the books I tend to lean more heavily toward literary horror or dark thrillers as opposed to paranormal... and basically anything in the Stephen King cannon.
QUICK DRAW! Time for simple questions:
First horror story that gave you goosebumps: The Dollhouse Murders by Betty Ren Wright
(Little Willow adds: I liked that book, too!)
First scary film that gave you nightmares: Frankenstein
Horror movie or book that you love but can only watch or read in the daylight: It by Stephen King
Favorite funny spooky story: Warm Bodies by Isaac Marion
Favorite funny spooky movie: Shaun of the Dead
Favorite horror authors: Stephen King, Joe Hill, Shirley Jackson, Daniel Krause, Sarah Waters for purer horror. Adele Griffin (Tighter), Barry Lyga (I Hunt Killers), Libba Bray (The Diviners), Nova Ren Suma (Imaginary Girls), Mariana Baer (Frost), Thomas Harris (The Silence of the Lambs) for creepy psychological thriller/suspense-y stories. Robert Bloch's original Psycho was great. But that's really just the tip of the iceberg.
Favorite season of American Horror Story: Season One, Murder House, was amazing for just flinging all the fundamental tropes at the wall, and doing something different – and genuinely scary! – on TV. And I absolutely loved that finale.
Favorite Halloween costume you've worn: I'm super boring on Halloween! I love celebrating and decorating and eating treats and watching movies, but I rarely dress up. I'm kind of a party pooper that way. Last year I wore my “Overlook Hotel” tee-shirt and called it a day. But my daughter usually cycles through at least three costumes over the course of the festivities so I think that evens us out.
Ouija board: Wouldn't touch it with a ten-foot pole or bring it on?
I'm a little superstitious. I'd rather not tempt fate.
Ghosts and/or haunted houses: Believe, don't believe, or open-minded?
I have not had any paranormal experiences myself, but as per the above and being slightly superstitious – I do believe, actually. Kind of. Let's call it open-minded. That works.
What's your favorite ghost story? EGMONT USA is giving away a signed copy of the finished book to one lucky USA/Canada resident. Leave a comment below with the title of a book, movie, or play that chills you -- or even a personal story! -- along with your email address. You may mask the address, like myname (at) eeemail (dot) com - but we must be able to reach you to get your mailing information. The first comment with the proper info will get the signed book!
Follow the blog tour!
Micol is also visiting the readergirlz blog today. Check out the full schedule at the Egmont USA website.
Related posts at Bildungsroman:
Interview: Micol Ostow (2006)
Interview: Micol Ostow (2007)
Book Review: Popular Vote by Micol Ostow
Book Review: So Punk Rock (and Other Ways to Disappoint Your Mother) by Micol Ostow with art by David Ostow
If you appreciate children's literature and want to know the stories behind your favorite stories, pick up WILD THINGS! written by Betsy Bird, Julie Danielson, and the late Peter D. Sieruta. Packed from cover-to-cover with funny stories and little known facts about famous authors, secret feuds, inspired illustrations, and classic characters, this is a great resource for readers and writers alike. The authors - all three proud bibliophiles and bloggers - clearly had fun putting this book together.
Little Willow: This book is filled with anecdotes. Is anyone in your family a master of tall tales?
Betsy: In my family we've all had a predilection towards storytelling, but then I went and married a clear cut storyteller as well. Now I'm so steeped in them that it's only natural that a book like this would be the result. Here in New York City a children's literature gathering often involves members of the old guard (people who've been working in the field for decades) so you get all kinds of fascinating stories. Seems only natural that they should have ended up in a book at some point. As for me, I actually prefer to hear anecdotes to telling them, but some of them are just too good NOT to tell.
Jules: My family isn't necessarily filled with storytellers, but I'm fascinated by storytelling. In fact, I once took a grad course on the very subject, and I loved every second of it. For my final course project, I memorized every word of Rudyard Kipling's "The Elephant's Child." That is a wonderful story to tell. I no longer have it memorized word-for-word, but it'd probably not be that challenging to re-learn, since it's probably still hiding in the cobwebbed corners of my brain. "In the High and Far-Off Times the Elephant, O Best Beloved, had no trunk...." (I love that singular beginning.)
Little Willow: That's impressive. Did any of the real-life stories change how you viewed a particular author or book?
Betsy: Well, I don't think I'll ever look at The Cricket in Times Square the same way again. That's all I'll say.
Jules: There's a very tender story about James Marshall and his mother, a story that didn't make it into our book. We did, however, share it at the site, where we are sharing stories cut from our manuscript. I'm a big Marshall fan, but this made me want to learn even more about him.
Little Willow: How did the three of you come together to write this book? Who had the first inkling that you should and would write a book together?
Betsy: That was me. I had this notion that there were some pretty amazing bloggers out there and that their sites would naturally adapt into a book format pretty well. Ironically, of the three blogs that came together here (A Fuse #8 Production, Collecting Children's Books, and Seven Impossible Things Before Breakfast) mine is probably the least book-worthy. But I've an eye for talent and these guys were talented. So I reached out to them and asked if they'd be keen to work together on something. As luck would have it, they were!
Little Willow: Describe the writing process. How did you divvy up tasks between the three of you?
Betsy: First we decided which chapters should be in the book. Then we pooled all the stories we wanted to tell. Once each story was slotted into the right chapter we assigned chapters. There was a lot of swapping of stories between chapters and a lot of rewriting and editing of one another. That may account for the single "voice" found in the book.
Jules: Yep, we each worked on assigned chapters and then passed them around. We made suggestions for editing, adding, deleting, you-name-it. At one point, Peter and I were working on the same chapter and didn't even realize it. So, we eventually merged what we'd written. Whew. That worked out well!
Little Willow: What's your favorite part about collaborations? What does working with others bring out of you?
Betsy: For me, it makes me more confident about the final product. When I write something entirely on my own I may love it but there will always be this little voice in the back of my head that says I could have done more. When I work with other people who are as smart as Peter and Jules, that little voice disappears. I can feel safe and secure in the knowledge that no matter how much I screw up, they'll be there to point me in the right direction. It's an enormous relief, I can tell you.
Jules: I learned so much more about writing, I think, just by watching Betsy and Peter do their thing. And when someone edits your work, you learn TONS. I feel like if I'm a better writer at the close of this project, it's thanks to them. I love collaborating. I mean, no one likes, say, those grad school projects where you're stuck with people who don't pull their own weight OR you're assigned to a topic you hate, but if I dig my partners-in-crime and I love the subject, I'd much rather work in a group.
Little Willow: As a kid, did you have any teachers, librarians, or booksellers that you went to regularly to get (and give) book recommendations?
Betsy: Nope. And what's more, I couldn't tell you single one of their names. That said, my mom worked in an independent bookstore in Kalamazoo, Michigan and she was always suggesting books or handing books to me. My Aunt Judy was the same, so that's where I found the bulk of my recommended literature.
Jules: I didn't read a TON when I was a kid, which is why I'm trying to get caught up now! I did have a high school English lit and drama teacher who really got me fired up about reading, and I'm still friends with her. She's one of those amazing teachers you'd like to clone.
Little Willow: What aspects of blogging do you find the most enjoyable?
Betsy: I think it's a combination of the pleasure of the regularity (I am required to blog four times a week on my site), the fact that I can highlight books, people, or events that may not be getting a lot of publicity (I always alternate big publishers with little publishers in my reviews), and the different ways in which I can make my opinions known.
Jules: Hands down, I love the community. I love getting to know those folks who are as passionate about children's lit as I am. It's even better when you get to meet them in person.
Little Willow: How has blogging has changed how you read and recommend books, and how you interact with readers and authors?
Betsy: Since I work for New York Public Library and blog for School Library Journal I see a LOT of books in a given year, but there's always this sense that I'm not seeing ALL the books. And boy howdy do I want to see absolutely everything. So blogging, for me, is a way of filling in the gaps. It also allows me to recommend sites to friends who are looking to specialize in certain areas.
Jules: Well, before blogging I rarely interacted with authors and illustrators, but since I do a lot of interviews, I talk to many of them now on a pretty regular basis. As for how blogging has changed my reading habits, I tend to have less time for novels (though I still read them as much as I can), since I'm blogging about picture books and illustration. But it's worth it. I love writing about picture books and art.
Little Willow: What books did you love as a child that you still love just as much today?
Betsy: I was recently weeding my bookshelves, so this question was already in my mind. On my part, I think I'll always love Edward Eager, E. Nesbit, Tasha Tudor's A Time to Keep, various Steven Kellogg titles, The Secret Garden, The Girl With the Silver Eyes, and any number of Apple paperbacks found via the Scholastic Book Fairs.
Jules: Shel Silverstein, the Grimm Brothers, Trina Schart Hyman, Maurice Sendak, Beverly Cleary.
Little Willow: Would you rather travel with Max to meet the Wild Things, or go with Harry Potter and attend Hogwarts?
Betsy: Hogwarts. Is there any question? I wonder about folks who would say Wild Things. You'd have to be a very particular kind of person, I suspect. For me, there's no contest.
Jules: The Wild Things, without any doubt. Because maybe perhaps possibly if Sendak is there, too, we can chat.
Little Willow: Would you rather visit Narnia or Never Never Land?
Betsy: That is a very hard question. I go back and forth. Narnia, I guess. Though they both dwell in very distinct metaphors. But I should like to see a faun, so Narnia wins.
Jules: You're going to think I'm just saying the opposite of Betsy now, just to mix things up, but honestly I'd go to Never Never Land. I want to meet Mrs. Darling first, though.
Little Willow: Would you rather have a sip at the tea party in Wonderland or snag a treat from Willy Wonka's Chocolate Factory?
Betsy: Wonka. Admittedly, you'd never be entirely certain what the Wonka treat would do to you, but I also suspect that the food at that tea party can't be entirely hygienic (there's a dormouse in one of the teapots, for crying out loud!). Plus there's always a chance that Wonka will look like Gene Wilder and I've always had a hardcore crush on that guy.
Jules: Well, given the theme of my blog, I gotta attend the Mad Tea-Party, yes?
Little Willow: Would you rather have the job of The Giver or be the head gamemaker for the Hunger Games?
Betsy: I don't think I'm skilled enough to pass muster as a gamemaker. I suspect I'd construct some little landscape and forget to do something essential like install the video cameras. And I'm always telling and retelling stories of the past ad nauseum anyway, so maybe I'm halfway to Giver-ship already!
Jules: Oh, The Giver! Definitely that. I recently read that book again---this time I read it aloud to my daughters---and it blows my mind how good it is.
WILD THINGS! Acts of Mischief in Children's Literature by Betsy Bird, Julie Danielson, and Peter D. Sieruta is now available at a bookstore near you.
Blog: The Open Book
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To celebrate the release of her debut novel Drift last week, author M.K. Hutchins has been stopping by blogs throughout the week to talk about her writing process, Maya culture, and more.
Here’s a bit about Drift:
There’s no place for love on the shores of hell.
Tenjat lives on the shores of Hell, an ocean filled with ravenous naga monsters. His island, a massive Turtle, is slowed by the people living on its back. Tenjat is poor as poor gets: poor enough, even, to condescend to the shame of marriage, so his children can help support him one day.
But Tenjat has a plan to avoid this fate. He will join the Handlers, those who defend and rule the island. Handlers never marry, and they can even provide for an additional family member. Against his sister’s wishes, Tenjat joins the Handlers. And just in time: the Handlers are ramping up for a dangerous battle against the naga monsters, and they need every fighter they can get.
As the naga battle approaches, Tenjat’s training intensifies, but a long-hidden family secret—not to mention his own growing feelings for Avi—put his plans in jeopardy, and might threaten the very survival of his island.
You can read sample chapters from Drift online here. Kirkus Reviews has called it “totally fresh” and Sarah Beth Durst, author of Vessel and Conjured, has called it “a fantastic adventure set in a stunning, original world. . . . Some of the best worldbuilding I’ve ever read.”
M.K. Hutchins’ tour schedule is below, so if you haven’t picked up Drift or you have and loved it, check out the following blogs for some great insight and conversation into this fantastic world!
June 19: John Scalzi’s Whatever Blog - M.K. Hutchins on worldbuilding and cultural ecology here
June 20: Supernatural Snark – M.K. Hutchins on being inspired by Maya mythology here.
June 23: It’s All About Books – M.K. Hutchins’ top 5 most influential books here.
June 25: Read Now Sleep Later - Check back for the link!
June 26: The Brain Lair - Check back for the link!
Still want to learn more about M.K. Hutchins and Drift? Check out her blog and follow her on Twitter!
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Please welcome Sarah Zettel to GreenBeanTeenQueen! Her amazing historical
fantasy series, The American Fairy Trilogy, concludes with book three, Bad
About Bad Luck Girl: After rescuing her parents from the Seelie king at Hearst Castle, Callie
is caught up in the war between the fairies of the Midnight Throne and the Sunlit Kingdoms.
By accident, she discovers that fairies aren’t the only magical creatures in the world. There’s also
Halfers, misfits that are half fairy and half other—half paper, half steel girder, half electric spark.
As the war heats up, Callie’s world falls apart. And even though she’s the child of prophecy, she doubts she can save the
Halfers, her people, her family, and Jack, let alone herself. Bad Luck Girl, they call Callie, and she’s starting to believe them.
The American Fairy Trilogy is historical fantasy. What about history inspires
you to write?
That’s a big question. I guess the first reason would be because history is full
of people and people are endlessly fascinating and inspiring. The actions of people
who did big things, small things, good things, bad things, both, who survived, who failed to, are the raw stuff
of stories. Add to that a dramatic landscape, like, say, the Dust Bowl or Chicago in the age of Depression
and jazz, and how could anybody fail to find inspiration? Plus, I am very much interested in the way things
work, and it’s only by studying history and trying to understand it that we find out how the present works,
and how the future might work. One of the reasons I write is to learn, and writing about history is one
heck of a way to learn about history.
What does it feel like to have your trilogy come to an end?
There’s a certain amount of relief. It means I don’t have to work on it anymore. For me, there comes
a point when, no matter how much I love a story, I just never want to see it again. There’s a certain amount
of satisfaction as well, as there always is when you’ve finished a big job. Of course, I’m a little sorry too.
I spent a lot of time with Callie, Jack and their world. I had a lot of fun, a lot of frustration and I certainly
learned a lot with and from the process of writing these books, and it’s always hard to let that go.
What are you working on next?
I always have more projects in the hopper than is good for me, or my long-suffering, hard-working
agent. I’ve just finished the third book in my other YA historical trilogy: Palace of Spies. Book #2 in that
series, Dangerous Deceptions, is coming out this November. I have a mid-grade book about a girl who
finds unicorns and monsters living in the shopping mall her parents manage. I’m working on another
historical YA set in Greenwich Village during the Red Scare. Oh, and did I mention the thriller,
and the epic fantasy and…
What time period would you travel back in time to if you could?
Me, personally, I wouldn’t go back. I like history, I enjoy the mental exercise of setting stories there.
But when it comes down to it, the past is a messy, uncomfortable place where I wouldn’t have had
many rights, not to mention conveniences like antibiotics and eyeglasses. If I was going to time travel,
I’d go forward, maybe fifty years? Maybe a hundred? See what the future holds.
Thanks to Green Bean Teen Queen for letting me stop by!
Greetings Illustrator Amigos! Today I am part of a blog tour!
I was invited by the super talented illustrator and banjo player, Russ Cox! Before I begin, let me introduce you to Russ!
Russ Cox was raised by a pack of crazed hillbillies in the back woods of Tennessee. Without much in the way of modern conveniences, like a television set or running water, he spent his time drawing and whittling away the hours. All of that drawing paid off. He has illustrated the Freddy the Frogcaster series written by Janice Dean (Regnery Kids). Major Manner Nite Nite Soldier, by Beth and Mike Hofner (Outhouse Ink). A Merry Moosey Christmas by Lynn Plourde (Islandport Press Fall 2014) and his first book that he wrote and illustrated, Faraway Friends, will be released in April 2015 by Sky Pony.
You can find out more about Russ and see his work at his website, www.smilingotis.com and his blog, www.smilingotis.blogspot.com.
Now on to the questions. This blog tour topic is Writing Process. Here is a little bit about my writing process!
1. What am I working on?
I am working on a new picture book- title to be revealed soon- that I have written and am now illustrating. The characters in the book are all sheep and goats set in an ancient (yet strangely modern) middle eastern style royal court. Right now I'm working on character design- it has been a struggle at times, but mostly a blast! Character design sketches to be posted here soon!
2. How does my work differ from others of this genre?
I have always loved fairy tales and spoofs on fairy tales. My stories usually don't take place in the every day life of a child like many picture books do. I do like to write books that are character driven, but my stories often take place in fantasy or fairy tale- like settings.
Also a lot of children's illustrations use very flat and stylized and local color , whereas in my illustrations, although stylized, I like to use light and shadow and atmosphere.
3. Why do I write what I do?
For a long time, I tried to write and illustrate things I thought would work well in the market- what I thought everyone else would want to read.
But I was not writing what really resonated with me and with who I was.
So I decided to write and illustrate something that I would want to read, and that's when I really started feeling happy and successful about my work.
4. How does my writing process work?
When I write my story, I am already thinking of where I can show things with pictures instead of words. I usually write a few drafts of my story before I take it to my critique groups, and then revise it again a few times.
Then I design the characters and do some other visual development for the book. This takes a while, because I want to get the characters just right for the story. Some of this takes place later in my process- every thing is ongoing.
Next, I make a pacing book which is 8 pieces of paper, folded in half and stapled together. I tape the words of my story into the book and then turn the pages, and rearrange them until I like the pacing.
After that, I make a storyboard and revise that a few times. At this point I will show the story to my agent and critique group, and do a few more revisions.
Then I make my dummy book/ more polished sketches, which will also go through a few revisions.
In other words, write, revise, write, revise, draw, revise, draw, revise, draw again, revise, rewrite, redraw....that's my process!
So now that you know a little bit about my process, I hope you will join my friends next week (July 3rd) to find out about their writing processes. Hopefully hearing from all these amazing talented artist illustrators will give you some good ideas about what you can do to improve your writing craft.
So without further delay, I would like to introduce you to some of my writer/illustrator friends!
First up, we have Mr. John Nez! I will let him introduce himself. Take it away, John!
I've illustrated over 50 books of every sort, from toddler board books to historical non-fiction. I'm now also writing and illustrating my own picture books and interactive e-book apps, which is a lot of fun.
I draw mostly in a whimsical style with the goal of conveying lots of feeling in my pictures... happy, sad, sneaky, mad, hopeful, afraid... whatever. I'd guess that's about the main point of any illustration.
I work in Photoshop and Illustrator, which greatly expand the illustrator's toolbox. The combination of traditional and digital mediums allows for amazing new possiblities... and lots of fun.
You can find more about John by visting his website at www.johnnez.com and his blog at johnnez.blogspot.com.
Next up is my food friend, Manelle Oliphant. Here's a little about Manelle:
Manelle Oliphant graduated from BYU-Idaho with her illustration degree. She loves illustrating historical stories and fairytales. She lives with her husband in Salt Lake City, Utah.
You can see her work and download free coloring pages on her website at www.manelleoliphant.com.
And last but not least is another great friend of mine, Sherry Meidell. Here's a little bit about Sherry:
Sherry Meidell loves to tell stories with paint. She is a signature member of the National Watercolor Society, Utah Watercolor Society, and Western Federation of Watercolor Societies. She has received numerous awards and is a member and illustrator coordinator for the Society of Children’s Book Writers and Illustrators. She keeps her paint brushes busy painting watercolors and illustrating children’s picture books.
Blog: Perpetually Adolescent
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I promised myself I wouldn’t cry. Well, maybe a few tears towards the end might be acceptable, but of course, I was dealing with another verse novel by Sally Murphy, so dry eyes were definitely no guarantee.
It’s not just the subject matter of Roses are Blue that tugs at ones heartstrings. Murphy is simply master at massaging sensitive issues into refined, understated yet terrifically moving poetic verse. Her words whisper across the pages with the soft intensity of a mountain breeze. They are beautiful and arresting; a joy to read.
There are no chapters in this novel. The story ebbs and flows organically in a pleasing natural rhythm. Gabriel Evans’ tender ink and painted illustrations cushion the gravity of the story even more allowing the reader to connect with Amber and her world visually as well as emotionally. Youngsters cultivating their reading confidence will appreciate this generous visual reinforcement on nearly every page.
Amber Rose’s world is turned upside down when tragedy strikes her family leaving her mother devastatingly ‘different’. Overnight, everything is altered: there’s a new school, new friends, new home, new secrets and perhaps hardest of all, a new mum to get used to. Amber vacillates between wanting to fit in and appear normal, aching for how things ‘used to be’ and trying to reconnect with her damaged mum.
As Amber’s mother struggles to free herself from her new entrapment, so too does Amber fight to hang onto to their special shared love until, like springtime roses, hope eventually blooms. Roses are Blue addresses the complex issues of normality, family ties, friendships and maternal bonds with gentle emphasis on how all these relationships can span any ethnicity or physical situation.
To celebrate Amber’s story, Sally Murphy joins me at the draft table with a box of tissues and a few more fascinating insights on Roses are Blue. Welcome Sally!
Q. Who is Sally Murphy? Please describe your writerly self.
My writely self? I try hard to think of myself as writerly – but often fail miserably because I think of other writers as amazingly productive, clever , creative people, and myself as someone slightly manic who manages to snatch time to write and is always surprised when it’s good enough to get published.
But seriously, I suppose what I am is someone who writes because it’s my passion and I can’t not do it. I’ve been writing all my life, pretty much always for children, and my first book was published about 18 years ago. Since then I’ve written picture books, chapter books, reading books, educational resource books and, of course, poetry and verse novels.
Q. I find verse novels profoundly powerful. How different are they to write compared to writing in prose? Do you find them more or less difficult to develop?
I think they’re very powerful too. It was the power of the first ones I read (by Margaret Wild) that made me fall in love with the form. But it’s this very power that can make them hard to get right – you have to tap into core emotions and get them on the page whilst still developing a story arc, characters, setting, dialogue and so on.
Are they more or less difficult? I’m not sure. For me I’ve been more successful with verse novels than with prose novels, so maybe they’re easier for me. But it is difficult to write a verse novel that a publisher will publish – because they can be difficult to sell.
Q. How do you think verse novels enhance the appeal and impact of a story for younger readers?
I think they work wonderfully with young readers for a few reasons, which makes them a wonderful classroom tool. The fact that they are poetry gives them white space and also, room for illustration and even sometimes text adornments.
What this means is that for a struggling reader or even a reluctant reader, the verse novel can draw them in because it looks easier, and gives them cues as to where to pause when reading, where the emphasis might be and so on. They will also feel that a verse novel is less challenging because it is shorter – there are less words on the same number of pages because of that white space.
But the verse novel can also attract more advanced readers who recognise it as poetry and thus expect to be challenged, and who can also see the layers of meaning, the poetic techniques and so on. Of course, once they’ve started reading it, the reluctant and struggling reader will also see those things, meaning there is a wonderful opportunity for all the class to feel involved and connected when it’s a class novel, or for peers of different abilities to appreciate a book they share.
Q. Judging by some of your previous verse titles, Pearl Verses the World and Toppling, you are not afraid to tackle the heftier and occasionally heartbreaking issues children encounter. What compels you to write about these topics and why do so in verse? Do you think a verse novel can convey emotion more convincingly than prose alone?
Afraid? Hah – I laugh in the face of danger! (Sorry, couldn’t help myself). But seriously no, I’m not afraid, because I think these are issues kids want to read about. All kids experience tough times – sometimes it’s the loss of a loved one, or illness, or a tragedy like Mum being sick/injured/absent. Other times it’s a beloved pet dying, or a best friend who suddenly doesn’t want to be friends. Either way, these tough times can feel like the end of the world. I think when children read about tough topics they connect with empathy or sympathy, and thus have the opportunity to experience vicariously something which they may not have. And if they have been through those really tragic tough times, or they do in the future, I hope they’re getting the message that life can be tough but you can get through it. Terrible things happen in the world – but good things do too. It’s really important to me that my stories have happy times too, and even laughs.
For me the verse novel form enables me to convey that emotion, but I don’t think it’s the only way it can be done. If you look at the Kingdom of Silk books by Glenda Millard, for example, you’ll see how brilliantly prose can be used to explore emotional situations.
Q. Many verse novels I have read are in first person. Is this a crucial element of ensuring stories in verse work well or is it something that you fall into naturally?
Off the top of my head I can’t think of any verse novels written solely in third person. There’s no rule that they have to be in first, but I do feel they work best that way for me, although I’m looking forward to experimenting with point of view in a verse novel I’m planning. I think first works so well because it creates an intimacy which the poetic form enhances.
Q. I particularly loved your reference to the Bobby Vinton 1962 hit, Roses are Red. What inspired you to use these lines in Amber’s story?
It’s actually a bit of a nod to Pearl, from Pearl Verses the World, who writes a roses are red poem about her nemesis Prue – but surprisingly no one has asked me about the connection before. I was looking for something for Mum to sing, and there it was. Of course the fact that Mum loves to garden, and their surname is rose means it all ties together nicely.
Q. Gabriel Evans’ illustrations are very endearing. How important do you think it is for illustrations to accompany verse stories?
For younger readers, some visual element is essential, and I am delighted with the way Gabriel has interpreted the story. Who couldn’t love his work? Again, the illustrations can help struggling readers connect with the story, but they are also important for all levels of reading ability. Some people are much more visual learners and thinkers than others, and seeing the story really enhances the experience. And gosh, they’re so gorgeous!
Q. What’s on the draft table for Sally Murphy?
A few things. I’m working on a historical novel (prose), several picture books and lots of poetry. I’m also in the early stages of a PhD project in Creative Writing and, as part of this, plan to produce three new works, all poetry of some form, as well as writing about why/how poetry is important.
Just for fun Question, (there is always one!): If you were named after a gem or colour like Amber and her friends, which would you choose and why?
I can choose a name for myself? That IS fun. I was nearly called Imelda when I was born, and (with apologies to the Imeldas of the world) have been forever grateful that my parents changed their minds. Sorry, that doesn’t answer your question. I think if I could name myself after a colour I’d be silly about it and say Aquamarine, because surely then no one else would ever have the same name as me. It’s also a lovely colour, so maybe some of that loveliness would rub off on me and make me lovely too.
Thanks so much for having me visit, Dimity. It’s been fun, and you’ve kept me on my toes!
An absolute pleasure Sally (aka Aquamarine!)
Be sure to discover the magic behind Roses are Blue, available here now.
Walker Books Australia July 2014
Stick around for the rest of Sally’s beautiful blog tour. Here are some places you can visit.
Tuesday, July 22nd Karen Tyrrell
Wednesday, July 23 Alphabet Soup
Thursday, July 24 Kids’ Book Review
Friday, July 25 Write and read with Dale
Saturday, July 26 Diva Booknerd
Sunday, July 27 Children’s Books Daily
Monday, July 28 Boomerang Books Blog
Tuesday, July 29 Australian Children’s Poetry
Wednesday, July 30 Sally Murphy
If you like multiplayer RPGs and graphic novels, then you should pick up IN REAL LIFE by Cory Doctorow and Jen Wang when it hits the shelves on October 14th. This full-color graphic novel, which has a front-cover blurb o' praise from Felicia Day of Geek & Sundry, is based on Cory's short story. Thanks to Gina at First Second Books, I had the opportunity to read the book early and then virtually meet writer-illustrator Jen Wang. Let's dive right into our interview:
Creative types the world over have had to take day jobs to pay the bills, and many have stories about their worst day job - but let's stay positive here and ask, what has been your favorite day job?
My favorite day job was working the front desk at a hostel in San Francisco, sometime after college. Every day was a different set of people and it was fantastic for observation. Being the host can be challenging but you also got to talk to a lot of cool people who want to know all about your city. I was actually inking KOKO BE GOOD at the time and would try to do a page or so during the slow hours of my shift. There weren’t that many!
What are your favorite mediums and tools of the trade?
I’m pretty standard when it comes to tools. I draw comics with a mechanical pencil and ink with a #2 Raphael 8404 brush. I also have an assortment of Pentel brush pens at various stages of dryness that I like to play around with. I held off for the longest time but I’m ready to get a Cintiq. I think that’s the next step for me!
KOKO BE GOOD, your first full-color full-length graphic novel published by First Second Books, is set in San Francisco, your old stomping ground. What are/were your favorite San Francisco haunts?
I haven’t lived in San Francisco for a while so things have probably changed a lot, but I still love the Castro Theater. They have great programming and nothing is better than that pre-show organ player.
Any cool writing courses, groups, or spots you'd recommend to aspiring authors and artists in the Bay Area?
Unfortunately I didn’t take advantage of many art and writing resources in the Bay Area when I was there, but there’s always volunteering for 826 Valencia, which does great writing workshops for students. There’s also events like Litquake and SF ZineFest that can get you in touch with other creative members of the community. A met a ton of peers just going to A.P.E. (Alternative Press Expo) every year!
What inspired KOKO BE GOOD?
KOKO BE GOOD started with the main character in a short comic I drew my second year of college. Like most people that age I was going through a lot of big changes in my life and she encapsulated all those feelings I couldn’t quite articulate and gain any sort of perspective on. After college I wanted to expand on the story and close out that period of my life with a big project and KOKO the graphic novel was born.
How was it writing a full-length book versus single comics and anthology contributions?
The main difference between the full-length book and the short comic was it took a super long time! Drawing the short comic took maybe less than a week but the book took more than a year to complete.
IN REAL LIFE was based on a short story by Cory Doctorow. Tell us about the journey from short story to graphic novel.
After KOKO I was struggling with my follow up project and First Second approached me about doing the adaptation for ANDA’S GAME, Cory’s short story. I’d never talked to Cory before but he had previously written a great review of KOKO for Boing Boing and was looking forward to working with me and that was super exciting.
Was this your first adaptation based on someone else's story?
Yes! I’d never adapted anything before and part of the appeal was First Second allowed me a lot of flexibility in translating the story to comics. Cory’s prose is very dialogue driven, which would’ve been a little visually static, so I was able to move it in a more action-driven direction. It allowed me to use my skills as a writer too, which made the overall experience more fun for me.
Describe the collaboration process - Did you and Cory review the original short story together, decide what would be changed and what had to be kept, and then you put pen to paper following an agreed-upon beat sheet or storyboard, or did you launch right in and get notes as you went?
I wrote a couple different drafts of the script, and Cory would go over each one and make notes and suggestions. Interestingly the first draft was a very literal translation of ANDA’S GAME, and it was clear I wasn’t very good at faking a Cory voice. The more I followed my gut instincts and wrote as myself the more natural the story became. The final story is very different from the original but it is a combination of my voice and Cory’s vision.
I love the shift in the colour palette between the story's real world and the gaming world. Which colour scheme did you decide on first? Which world was "easier" to create and plot?
The real life material came more naturally, so it was easier to draw as well. I liked drawing real life Anda with her fuller figure and messy hair. For the color palettes, I put a more monochromatic filter over the real life stuff and in the gaming world I just added more textures and didn’t skimp on the color!
Which parts of Anda's story resonate with you?
On a very basic level I indentified with Anda as a teenager who spent all her time afterschool holed up in her room talking to internet friends. I started meeting other cartoonists online at her age and having a place where I could meet peers and indulge in my interests really changed my life. But also Anda is naïve and learning a lot about how the world works. She doesn’t have a lot of life experience, she’s just reading about everything on the internet and thinks she understands it all when she doesn’t. The idea of being well-intentioned but still making mistakes and learning from that is something that really resonates with me.
Are you a gamer?
I’m not that much of a gamer, but I like a lot of indie games.
What games do you play and recommend?
More recent ones I’ve played that I’ve liked are Gone Home, Analogue: A Hate Story, and Monument Valley. There’re also a bunch of cool interactive fiction games out there like the Twine game Howling Dogs by Porpentine. Of course I also play a lot of games on my phone. IN REAL LIFE would not have happened without a lot of Tetris and Plants Vs. Zombies.
I love Tetris.
What artists -- musicians, actors, painters, authors -- have inspired your personal style?
My drawing style came out of reading lots of manga and watching Disney cartoons as a kid. The weirdest thing about that is I don’t really watch Disney movies or read manga anymore but those roots are so strong they’ve stuck.
Who would you love to collaborate with, if such things were possible?
I think it would be super fun to collaborate with a game designer! Indie games and comics have a lot in common and they’re both exploring new and exciting ways to tell stories. Doing it on my own seems daunting, but working with someone would be so cool!
You hear that, game designers? Contact Jen! :)
Do you have any beta readers who read your early drafts?
I don’t share early drafts with peers because I don’t want too many opinions muddling my focus, but I do share them with my boyfriend, Jake. He’s the perfect sounding board because we have different individual tastes but we tend to agree on what does or doesn’t work. It’s a good way to have perspective on what I’m doing.
Any words of encouragement for female artists and/or gamers who love being creative but are hesitant to realize their potential, who think of their art as a hobby but ought to really turn it into a career?
I can’t really speak for games but the advice I’d give to female artists is, just do it! There’s no reason not to! Indie comics are a very robust and female-friendly community. Put your work online, go to conventions, meet people online, and I promise you’ll find lots of people who will support your creativity. Everyone just wants to read more cool comics!
Visit Jen at http://jenwang.net
Get a sneak peek at IN REAL LIFE at firstsecondbooks.com!
Last week my friend and critique partner Kimberley Troutte tagged me as part of a Meet My Character Blog Tour. She posted about the characters from her newly released novel, God Whisperer. I can remember reading a draft of this story years ago, so it was incredibly exciting to see it released to the world […]
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I knew from the first page of Wild Things: Acts of Mischief in Children's Literature that I was going to love this book. If you work in the world of children's and teen lit, you've most likely heard from others that they think children's lit is cute, sweet, and simple. But Betsy Bird, Julie Danielson, and Peter D. Sieruta are out to prove everyone wrong. They've uncovered some wild acts of mischief in children's literature and it's an absolute blast to join them on the ride. Want an example of some fun they discovered? Check out this crazy tidbit from Betsy and Jules:
Courtney Love’s Unlikely Connection to the Newbery Award Winning Book The Slave Dancer
I’ve been wracking my brain trying to remember how I first heard about this story. Odds are SLJ reporter Rocco Staino is the one to credit. You see, when Jules Danielson, Peter Sieruta, and I first started working on our book Wild Things: Acts of Mischief in Children’s Literature, we wanted to fill it to overflowing with some of the funniest, kookiest, craziest children’s book stories out there. Everything from Robert McCloskey’s drunk ducklings to the true fate of Misty of Chincoteague. And as we were writing the book we kept our eyes peeled for any new items that might fit the bill. Well lo and behold in 2011 the article Paula Fox on a Roll came out. On the surface it was a fairly innocuous piece about how the Newbery Award winning author was being inducted into the New York State Writers Hall of Fame. Ho hum. Nothing much to catch the eye . . . until you get to the part near the bottom where Ms. Fox has this to say about, of all people, the singer Courtney Love. Quote: “She is crazy, and to use a modern term, a psychopath.” And why, precisely, would Ms. Fox weigh in on the woman who coined the phrase “Kinderwhore”? Because it’s her own granddaughter.
There’s nothing better than discovering that two seemingly unrelated beings, famous in their own right, have a connection. In the course of writing this book we had to ultimately cut out stories that talked about how Roald Dahl claimed that Beatrix Potter yelled at him as a child. We eschewed mentioning that the great Arthur Ransome, author of the British-beloved novel Swallows and Amazons, married Trotsky’s daughter. But you WILL find stories about how Roald Dahl got to know Congresswoman Clare Booth Luce veeeeeeeery well. And, you’ll follow our little research path to get to know how precisely a writer like Paula Fox becomes a grandmother to a Courtney Love.
Because to be perfectly honest with you, when it comes to the wide and wonderful world of children’s literature, nothing should surprise you. There are some pretty wild people out there.
Check out more wild and unexpected stories from Wild Things on the Wild Things tour and follow Betsy and Jules around the blogosphere for more intriguing stories. And be sure to get your hands on a copy of Wild Things: Acts of Mischief in Children's Literature-you don't want to miss out on these unexpected and surprising stories!