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No Fits, Nilson!

By Zachariah Ohora

Mr. Ohora has found a charming device in his “No Fits, Nilson!” picture book to take the onus of “having a fit” or meltdown, from small, bob-haired Amelia, and transferring it “fittingly” enough onto her seemingly huge blue toy gorilla, named Nilson. Nilson wears a jaunty cap and three watches attached to each hairy blue wrist.He’s pretty endearing and so is Amelia – when he’s not having a fit.

Is Nilson really that BIG and is HE the one having the meltdowns or is it Amelia, providing her with the opportunity to emotionally distance herself from the consequences that flow from them? You tell me, when you read along with your young one.

Nilson and Amelia are seemingly joined at the hip. They do everything together from uke playing to block tower building. The fly in the proverbial ointment always occurs when things don’t go as planned, as in Amelia’s scooter bumping the blocks.

Nilson throws a fit of gigantic proportions, completely out of sync with the offense. Strange indeed that they BOTH get a time out from mom!

Amelia is nothing if not understanding, in that she does her darndest to help Nilson gain some emotional control over HIS fits. Diversion is her primary tactic, and a good one, as she diverts both Nilson and herself with a banana pancake breakfast.

Nilson is not the most compliant of gorillas, Amelia finds as she coaxes him on an errand run with mom, deeming it an ADVENTURE, but a very long line in the Post Office brings forth the “No fits, Nilson”! mantra as she hands him a coin purse as a diversionary tactic.

With each near meltdown, Amelia’s mom cautions Amelia aka Nilson that sitting quietly NOW may bring something better later, like banana ice cream on the way home. Is this bribery? Maybe. But what parent when faced with a public display of tantrums has NOT used this device on at least ONE occasion.

Let me go on record as saying I do not recommend this tactic as an ongoing solution to “fits” as it can indeed get out of hand as the stakes and bribes get higher. Learning to self soothe in the long run is the better tack, as for instance when mom is not around for a meltdown, what then?

Ah, the longed for banana ice cream arrives and there is but ONE scoop left that is taken by Nilson. The gloves are off and the ladylike Amelia suddenly turns into a growling, stomping, roaring Nilson or was it Amelia all along with Nilson, the perfect alter ego, to whom the blame is shifted?

THIS time it is NILSON that calms down the growling gorilla aka Amelia and ceding his cone to her and opting for a choice of chocolate, a new taste treat is born called Choco-Banana-Twist! Compromise seems key here.

Mr. OHora’s art is bright and the bouncy blue of Nilson looms large as if it is the personification of the literal “gorilla in the room” that pops out from Amelia at odd times. Seems Mr. OHora has a menagerie of some fifty-seven stuffed animal friends living at HIS home along with he and his wife. Wonder if a gorilla is among them?

But I would be less than honest if I did not express some reservations about the compromise tactic. Perhaps I would feel better about it if it could have been modeled early to Amelia that even in the world of childhood, someone else may be ahead of you at some time in life and that last scoop of banana ice cream may go to someone else. Her disappointment was real, but perhaps there is a way to grow to accept that fact. It is a learning curve for the young, but a much needed one.

For that that is how young Amelia will learn to deal with disappointments on a small basis when she is young and as she grows, to navigate bigger ones. Immediate gratification is something we all struggle with in a culture that makes instantaneous satisfaction very appealing. Delayed gratification is a harder thing to learn, but a builder of character and learning in school. We don’t learn in school without some patience and sustained attention span with a primary example being learning to read!

But, in the final page of the book, we see Anna and the the real, very SMALL stuffed Nilson, tucked cozily beside Amelia in bed as she whispers to her alter ego, in the guise of a tiny gorilla, “No fits, Nilson!” Amelia is a young lady on a learning curve with a trusty gorilla by her side. My bets are on her and Nilson – and mom!

Wolfie the Bunny
By Ame Dyckman
Illustrated by Zachariah OHora
Little, Brown and Co.
$17.00
ISBN: 978-0-316-22614-1
Ages 3-6
On shelves February 17th

Not every child views the imposition of a new sibling as an interloper, but a fair number of them do. They’re just tooling along, enjoying the natural bliss that comes with being the one and only star in their parents’ firmament when BLAMMO! A squalling person of inadequate size is there, hogging the attention. Unsurprisingly a low burn (or, in other cases, epic) rivalry erupts. Plenty of children’s books have addressed this issue, to varying degrees of success. It was then with great joy that I read one of the finest the other day. Wolfie the Bunny by Ame Dyckman may look, at first glance of the cover, like a lupine variation on that bunny suit worn by Ralphie in A Christmas Story but inside you will instead find a delightful tale of sibling rivalry as well as a cautionary tale of the dangers that come when shopping at a Brooklyn co-op. Issues every child should certainly be made aware of.

If you are a bunny and your parents find that a baby wolf has been left on their stoop, you would be well within your rights to have some qualms. But when Dot’s Mama and Papa first lay eyes on little Wolfie, all tucked tight into his little basket, it’s love at first sight. Not so Dot, who declares with refreshing candor, “HE’S GOING TO EAT US ALL UP!” Her protestations, however, fall on deaf ears. Next thing she knows, Dot has a little, toothy brother. He likes eating carrots for breakfast. He sleeps very well through the night. And he absolutely loves and adores his new big sister to the point where she can’t use the potty or color without Wolfie drooling all over her. Time passes and soon Wolfie’s a great big furry guy eating the family out of house and home. When he and Dot are dispatched to the nearby Carrot Patch Co-Op to pick up some additional grub, she is certain that this will be the moment he makes his predatorial move. However, when the chips are down and Wolfie finds himself in peril, it’s up to his big sister to swoop in and save the day.

In her Author’s Note at the back, Dyckman mentions that much of the inspiration for this book came from her daughter who, as a toddler, would occasionally “transform” into what they called a “Wolf Baby”. Yet in her story it’s Dot who’s the star of the show. For all that the book is called “Wolfie the Bunny”, Dot has the reader’s sympathies from the get go. Then, after you’re Team Dot for a while, Dyckman cleverly gives us a glimpse into Wolfie’s p.o.v. When Dot and her friends run off after they’ve screamed a customary “HE’S GOING TO EAT US ALL UP” we see baby Wolfie crying for the first time. It’s from that point on that Wolfie attaches himself to Dot like a saliva-producing shadow. To give the book the right sound when reading it aloud, Dyckman also adds a little gentle repetition into the text. Combating Dot’s war cry of Wolfie’s dining predilections are her father’s proud exclamations whenever Wolfie does pretty much anything at all. If Mama says he’s sleeping then Papa will note, “He’s a good sleeper”. If Dot complains about him drooling Papa says, “He’s a good drooler.” And back go your sympathies to Dot. It’s a delicate balance but Dyckman pulls it off.

And yet, for all that, you still might have difficulty seeing Wolfie as anything but a bloodthirsty bunny eater, were it not for the elegant stylings of artist Zachariah OHora. Having already cut his teeth on making 500-pound gorillas adorable (but not cute) in “No Fits, Nilson”, OHora’s thick acrylics are perfect for “Wolfie” here. He’s toothy, no question, but his eyes sport this wide-eyed innocence that’s hard to resist. Truth be told, you fall for him as thoroughly as Mama and Papa when you see him. All this is set against a limited color palette. Aside from mustard yellow, green, red, and pink, there really aren’t a lot of other colors. The thick black paints are abundant, and the colors are seemingly subdued, yet pop when required to do so.

Now generally speaking I have a problem with picture books where animals subsume their natural instincts. Books like Miss Spider’s Tea Party where the whole point is not to judge someone, even if they’re a spider that should, by all rights, be eating her guests. So I should probably be upset that Wolfie has somehow gone off his natural wolf instincts. Instead, I’m charmed. This is nature vs. nurture at its finest. Sure he’s drooling on Dot, but anyone who has ever witnessed a kid in the throes of teething will understand what that’s like. On the one hand you could argue that it is cruel to dress a wolf in a bunny suit, no matter how kindly the bunnies or sweet the wolf. On the other hand, this is clearly Wolfie’s choice. You get the distinct impression that the bunny suit might even have been his idea. So what does that say about the choices our children make, even when they don’t gel with society’s expectations? No idea. I just like the image of a wolf in a bunny suit. It’s funny.

It is difficult to estimate how many authors and illustrators of children’s literature live in Brooklyn, NY. General wisdom states that the borough contains the highest concentration of folks of that ilk in the country. Certainly every season we see a new crop of books that reference and work in little Brooklyn-based details and elements. The kicker is that the place exerts such a pull that even artists who have moved away can’t help but reference it. Such is the case with Zachariah OHora. As he mentions in his Artist’s Note, though he now lives in Pennsylvania, the setting of his book is his old Park Slope neighborhood. The co-op, his old co-op. And then when you look a little closer you see other Brooklynesque details. Mama and Papa, for example, are so hip it hurts. I mean just check out their collection of vintage cameras (they must have a basement full of Polaroid film). You just know they both are adept on the ukulele, brew their own beer, and go to art house films with the kids every Saturday morning. But I digress.

Who hasn’t looked at their younger brother or sister and thought at one time or another that they bore more in common with animals than people? Wolfie the Bunny isn’t really going to change their minds on that front. Nope. Instead it’s going to just strike them as amazingly funny. With its catchy refrains, stellar pictures, and original storyline, this is one of the more charming picture books out there. A great book. Personal sibling issues not required.

On shelves February 17th.

Like This? Then Try:

• The New Small Person by Lauren Child
• Piggy Bunny by Rachel Vail
• Big Red Lollipop by Rukhsana Kahn
• Flora’s Very Windy Day by Jeanne Birdsall

Source: F&G sent from publisher for review.

Professional Reviews:

• A star from Publishers Weekly
• Kirkus

Greetings! If you live, work, or are vacationing this summer in the San Diego area, consider creating stories with pictures at my class, on the beautiful campus of UCSD in La Jolla!

Inspiration is Everywhere!

During last winter’s 2013 class at UCSD Extension, I asked my students to locate the CIP book summary from any picture book, and use it as the inspiration for an eight-panel wordless picture story.

CIP (“pronounced “sip”) is book publishing jargon for the Library of Congress Publishing Cataloging-in-Publication Data. This is found within the copyright page text of every book. It features a well-constructed one-phrase synopsis of the book’s theme.

Here is an example. One student, Aijung Kim, selected the following CIP summary from Chalk by Bill Thompson. While she didn’t read the book, she knew from its cover that it featured a dinosaur. . .

“Book Summary:  A wordless picture book about three children who go to a park on a rainy day, find some chalk, and draw pictures that come to life.”

Here’s what she came up with:

Aijung Kim’s 8-panel wordless story, created during Joy Chu’s class, Illustrating Books for Children, at UCSD Extension (right-click image to enlarge)

Another student, Fnu Anisi, enchanted by Kevin Henkes‘ Kitten’s First Full Moon, wanted to explore an eight page wordless re-telling.

Book summary:  When Kitten mistakes the full moon for a bowl of milk, she ends up tired, wet, and hungry trying to reach it.

Here are Anisi’s results:

Fnu Anisi’s 8-page wordless story, created at Joy Chu’s UCSD Extension class (Right-click to enlarge)

At my upcoming summer 2013 UCSD Extension class (June 26-August 21), Illustrating Books for Children (ART 40011) we might look into creating an advent-styled calendar as a possible inspiration for creating a picture story.

Example: Look at the one Zachariah OHora created from his own story. Fun, yes?

Many thanks to Zachariah OHora and Julie Danielson for sharing the above image.

Creating a 3D model for your story setting can also serve as an invaluable reference in plotting out your narrative, as well as a guide in drawing scenes from a variety of perspectives. Note how illustrator Sophie Blackall created a diorama for her work-in-progress. She can view her characters from above!

(photo © PWxyz, LLC. All rights reserved)

Author/illustrator Barbara McClintock builds cut-paper replicas of her illustrations, in composing her scenes. The following sequence is from her studies for an upcoming book, Adèle and Simon in China (all 3 photos below © Barbara McClintock)

“What do those little flat boats in photos of Tongli really look like? I have to find out by building one.”—Barbara McClintock

“…Now I can draw the boats in the picture and feel some sense of confidence in what I’m doing/seeing…”

Tongli, China, circa 1908, as drawn by Barbara McClintock

Here’s Tove Jansson, creating reference models for her fabulous Moomin stories.

No Fits, Nilson!
By Zachariah Ohora
Dial (an imprint of Penguin)
$16.99
ISBN: 978-0-8037-3852-2
Ages 3-7
On shelves June 13th

The small child is a frightening beast. A truly terrifying creature that can level the most powerful adult with the mere pitch of their fury laden screams. As a children’s librarian I used to tell my husband that mine was one of the few jobs I knew where an average day was punctuated by human sobs and screams of terror, misery, and fury. What then is the reasoning behind the idea that you should read a child a book about a fellow kiddo having a meltdown? Well, kids can get a lot out of that kind of identification. They can put themselves into the role of the parent, to a certain extent. Or maybe it’s just good old schadenfreude. Better her than me, eh? Whatever the reasoning, meltdowns make for good picture book fodder. Add in a giant blue gorilla with a penchant for wristwear and you’ve got yourself a picture book as fine as fish hair. A treat to eye and ear alike, Ohora is truly coming into his own with a book that truly has universal appeal. And a gorilla. But I repeat myself.

Amelia and Nilson are inseparable. They play together, eat together, and with some exceptions (Nilson is afraid of water so no baths) they’re never out of one another’s sight. The fact that Amelia is a little girl and Nilson a gigantic blue gorilla? Not an issue. What is an issue is the fact that Nilson has a terribly short fuse. Good thing Amelia knows exactly what to do to calm him down. Don’t want to go with mom to do chores? Amelia calls them adventures instead. Nilson’s getting testy waiting in line at the post office? Amelia hands him her froggy purse. It’s the moment that Nilson gets the the last banana ice cream that Amelia’s composure finally breaks down. Now she’s the one who’s upset. Fortunately, Nilson knows the perfect way to make everything right again.

When we think of the great tantrum picture books out there, the mind immediately leaps to the be all and end all of fits, When Sophie Gets Angry Really Really Angry by Molly Bang. That book sort of set the standards for meltdown lit. It’s simple, it gets to the point, it teaches colors (though that’s more a nice bonus rather than anything else). After Sophie authors tried to come up with different unique takes on a common occurrence. Rosemary Wells came up with Miracle Melts Down, Robie Harris dared to discuss the unmentionable in The Day Leo Said “I Hate You “. And who could forget David Elliott’s truly terrifying Finn Throws a Fit? In the end, this book is almost an older version of Knuffle Bunny by Mo Willems (it involves preschooler fits rather than toddler fits, which as any parent will tell you are a different beast entirely). But part of what I like most about No Fits, Nilson! is that it sort of harkens back to the early days of Sophie. Ohora makes a metaphor out of the familiar and in doing so makes it even more understandable than it would be if his gorilla was nowhere in sight.

Ohora’s previous picture book, Stop Snoring, Bernard! was a lovely book to look upon. As an artist, the man has cultivated a kind of acrylic mastery that really does a wonderful job of bringing out the personalities of his characters within a limited color palette. However, while the art in Bernard was at times beyond stunning, his storytelling wasn’t quite there yet. It was all show without the benefit of substance. So it was a great deal of relief that I discovered that No Fits, Nilson! had remedied this little problem. Story wise, Ohora is within his element. He knows that there is no better way of describing a kid’s tantrums than a 400-pound (or so) gorilla. Most important of all, the metaphor works. Nilson is a marvelous stand-in for Amelia, until that moment of spot-on role reversal.

As I mentioned before, the acrylics threaten to become the stars of the show more than once in this book. Limiting himself to blue, red, pink, yellow/beige and green, Ohora’s is a very specific color scheme. Neo-21st century hipster. Indeed the book appears to be set in Brooklyn (though a map on one of the subways manages to crop out most of the Bronx, Queens, Staten Island and half of Brooklyn, so maybe I’m reading too much into the setting). As I also mentioned before, painting beautifully is one thing, but coming up with delightful, memorable characters is what separates the RISD grads from the true picture book masters. Nilson is the one that’s going to get the kids the most excited to read this book so it was important for Ohora to make him a unique blue gorilla. Not the kind of guy you’d run into on the street. To do this, Ohora chooses to accessorize. Note the three watches Nilson wears on his left arm and the three on his right. Note his snappy black beret with the yellow trim, and yellow and black sneakers. Next, the artist has to make Nilson a gorilla prone to the grumps but that is essentially lovable in spite of them. For this, Amelia is a very good counterpoint. Her sweetness counteracts Nilson’s barely contained rage. Finally, Ohora throws in some tiny details to make the reading experience enjoyable for adults as well. The typography at work when the tiny words “banana ice cream” move from Amelia’s mouth and eyes to Nilson’s mouth and eyes is a sight to behold. Ditto the funny in-jokes on the subway (New Yorkers may be the only folks who get Ohora’s “Dr. Fuzzmore” ads, and the one for the zoo is a clear cut reference to Stop Snoring, Bernard!).

Yeah, I’m a fan. Kids may be the intended audience for books like this one, but it’s parents that are shelling out the cash to buy. That means you have to appeal to grown-up sensibilities as well as children’s. What Ohora does so well is that he knows how to tap into an appreciation for his material on both a child and adult level. This is no mean feat. Clearly the man knows where to find the picture book sweet spot. A visual feast as well as a treat to the ear, this is a book that’s going to find an audience no matter where it goes. At least it better. Otherwise I might have to sick my own 400-pound gorilla on someone, and believe me . . . you do NOT want to get him angry.

On shelves June 13th

Source: Review from f&g sent from publisher.

Like This? Then Try:

• Finn Throw a Fit by David Elliott, illustrated by Timothy Basil Ering

• When Sophie Gets Angry – Really Really Angry by Molly Bang

• Nina in That Makes Me Mad by Steven Kroll, illustrated by Hilary Knight

• The Day Leo Said, “I Hate You” by Robie H. Harris, illustrated by Molly Bang

Professional Reviews:

• A star from Kirkus
• Publishers Weekly

Misc:

• Whence the inspiration for the book?  This comparison chart should clear everything up (WARNING: CONTAINS SOME SWEET KICKS).