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Viewing: Blog Posts Tagged with: The Great Scarab Scam, Most Recent at Top [Help]
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1. Heroes and Heroines


Just in time for NaNoWriMo: How well do you know your characters? By now you might be familiar with their physical features, their taste in evening clothes, and what they like to eat for breakfast, but what about their personality quirks and motivations?

One of my favorite writing how-to books to help uncover more about my characters' inner worlds and psyches is one by Tami D. Cowden, Caro LaFever, and Sue Viders:


Originally written for screenwriters, The Complete Writer's Guide to Heroes and Heroines, Sixteen Master Archetypes is a great tool for all writers, poets too, I can imagine! Based on the idea that there are 16 character "types" common to all fiction and mythology, the book is a great one to read just for fun as well as for research.

The other day I thought it would be interesting to re-examine where and how the three heroines from my published novels fit into the various categories. I also used the templates to evaluate the Pinterest boards I had created for these books: What kind of pins could I add to each? I started with:

The Great Scarab Scam

See The Great Scarab Scam Pinterest Board!

The Great Scarab Scam is my Egyptian mystery for young readers 8-12 years, so obviously there isn't the conventional male-female interaction you might find in a book for older readers. However, my  main character, eleven-year-old Lydia Hartley, definitely falls into the category of "The Spunky Kid," and not just because of her age. Her other traits and story difficulties include:
  • She's stuck between two brothers--one a little bit older and one quite a bit younger.  Although neither of her brothers are particularly "heroic" 
  • She's a reader--and even enjoys doing homework!
  • She's fiercely loyal to her father, a university professor and archaeologist.
  • Loves history, especially ancient Egyptian history.
  • She's curious about the world around her, but can be shy in social situations.
  • She's brave, but a little reckless too.
  • And she's very motivated when it comes to helping others. 

Better Than Perfect

See the Better Than Perfect Pinterest Board!

My Young Adult novel set in New Zealand, Better Than Perfect, follows fourteen-year-old Elizabeth Haddon when she is sent from London to live with her wealthy relatives in Auckland. Elizabeth falls into "The Waif" category.  She's:
  • Lonely
  • Unwanted
  • The "poor relation"
  • Insecure
  • Smart, but without direction
  • Prone to envy, especially when she continually has to make do with second best
  • And she has a serious crush on an unconventional "bad boy."
And although Elizabeth does manage to find her true north and come to grips with real life in the course of the story, she does so with all the handicaps of a victim and lost child.

Overtaken

See the Overtaken Pinterest Board!

Written for an adult audience, Overtaken includes some of my most complex characters, especially my heroine of Sara Bergsen.  I had a bit of trouble discerning exactly which archetype she truly was, but in the end I decided she was "The Librarian."
  • She's essentially a loner.
  • Her chosen career as a portrait artist reflects her powers of observation and love of order. Abstract painting doesn't interest her in the least.
  • Her wardrobe, at least in the beginning of the book, consists of practical pieces in black and gray--great for work!
  • And this girl does loves work. She's disciplined and dedicated to deadlines.
  • At the same time she takes risks because she is confident in her own ability to succeed.
  • She's a reader--which has also led her to believe in the possibility of a happy ending.
One of Sara's main challenges is to confront and understand the three men in her life: a Warrior, a Lost Soul, and a Charmer.

Tip of the Day: The Complete Guide to Heroes and Heroines is an excellent reference for any stage of your manuscript, even your published stories. For your WIP's see where your characters match up to the suggested archetypes, and pay particular attention to the sections on how they all work (or don't work) together. For your published manuscripts, you can still use the book to help describe your characters in your marketing material. You may be surprised at what you find!


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2. My Trip to Mood (and other NYC Sites Along the Way)


Yes, I really went to MOOD last week! And in New York too! Which I guess is only momentous if you are, like me, a total Project Runway fan. In case you're not a fan or have no idea what I'm talking about, I promise that I did take advantage of touring other New York sites, too.

At the moment, though, I'm still a little breathless, and not just from wheeling my suitcase through the airport. It all happened so fast, and there was so much to take in, and there's so much I want to say about the trip . . .  where to start?

How about at the Metropolitan Museum of Art where I saw the Egyptian collection:


This was particularly special for me as Egyptian antiquities were the inspiration for my book The Great Scarab Scam. Added bonus: some great ideas for future pottery and ceramic work:


It was also a thrill to see the samurai collection at the museum because it's the basis of my current National Poetry Month project on Japan. (Samurai armor has always intrigued me; so much so that I used it in a section of Overtaken):


And it felt very elegant (if not a little dangerous) to be served a Metropolitan Martini on the museum balcony while a string quartet played in the background:


Unforgettable: walking through Greenwich Village and bumping into Pillow Fight Day. (Or that's what I thought it was. I could be wrong; maybe Rizzoli's ran out of signed copies of Overtaken?)


Seeing the ice skating rink at Rockefeller Center was a big highlight too; especially as when I went back there the next day the maintenance crew was a) closing the rink for the spring/summer season, and b) retrieving the biggest, goldest, bling-iest bracelet ever from a flower pot as I watched with great surprise and interest. I did my best to refrain from insisting it was MINE: "Yes, Officer, I was right here on this very spot only yesterday. Honest."


And of course there was the totally unexpected river taxi ride that just happened to go to my hotel while passing the local statuary:


But on the very last day of all, after the Guggenheim (Solomon R. in the guidebook), Central Park, Fifth Avenue, and more pasta than I'm sure is legal, all my dreams came true and I went to MOOD! I played with Swatch! I pulled his ears! (I don't think you're really supposed to pull his ears, but he didn't seem to mind.)


Swatch refusing a signed copy of Overtaken:


In case you're interested, that's the inside of my coat on the chair along with the Mood bag holding the fabric I bought (see top photo again) as well as an amazing sketchbook called a Fashionary. Each page of this nifty little book has 3 templates of "models" you can draw the clothes on whenever you're seized by the muse: A dress just like the Empire State Building! A cape made from faux Central Park squirrels! The possibilities are endless and might even land you on Project Runway one day.

So, yes, I had a really, really good time. And I finally understand all those I-heart-New York souvenirs because you can't not love New York. Now all I need is a nap and time to design some pants for Swatch in my Fashionary. Catch you all later.


Tip of the Day: Be spontaneous--take a risk. I hadn't made serious plans to go to New York; it just sort of happened. Which also means I had no itinerary whatsoever, and it couldn't have worked out better. Just like writing and artwork, once you dive into a project, you can work out the details later. The important thing is to go there. Bon Voyage!











1 Comments on My Trip to Mood (and other NYC Sites Along the Way), last added: 4/16/2013
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