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Blog: drawboy's cigar box (Login to Add to MyJacketFlap)
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Blog: OUPblog (Login to Add to MyJacketFlap)
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Established in 2001, Jazz Appreciation Month celebrates the rich history, present accolades, and future growth of jazz music. Spanning the blues, ragtime, dixieland, bebop, swing, soul, and instrumentals, there's no surprise that jazz music has endured the test of time from its early origins amongst African-American slaves in the late 19th century to its growth today.
The post A Jazz Appreciation Month Playlist appeared first on OUPblog.
Blog: OUPblog (Login to Add to MyJacketFlap)
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By Scott Yanow
When I was approached by the good folks at Oxford University Press to write some entries on jazz artists, I noticed that while the biggest names (Louis Armstrong, Duke Ellington, Charlie Parker, Miles Davis, John Coltrane, etc.) were already covered, many other artists were also deserving of entries. There were several qualities that I looked for in musicians before suggesting that they be written about. Each musician had to have a distinctive sound (always a prerequisite before any artist is considered a significant jazz musician), a strong body of work, and recordings that sound enjoyable today. It did not matter if the musician’s prime was in the 1920s or today. If their recordings still sounded good, they were eligible to be given prestigious entries in the African American National Biography.
Some of the entries included in the February update to the Oxford African American Studies Center are veteran singers Ernestine Anderson, Ernie Andrews, and Jon Hendricks; trumpet legends Harry “Sweets” Edison, Kenny Dorham, and Art Farmer; and a few giants of today, including pianist Kenny Barron, trumpeter Roy Hargrove, and clarinetist Don Byron.
In each case, in addition to including the musicians’ basic biographical information, key associations, and recordings, I have included a few sentences that place each artist in their historic perspective, talking about how they fit into their era, describing their style, and discussing their accomplishments. Some musicians had only a brief but important prime period, but there is a surprising number of artists whose careers lasted over 50 years. In the case of Benny Carter, the alto saxophonist/arranger was in his musical prime for a remarkable 70 years, still sounding great when he retired after his 90th birthday.
Jazz, whether from 90 years ago or today, has always overflowed with exciting talents. While jazz history books often simplify events, making it seem as if there were only a handful of giants, the number of jazz greats is actually in the hundreds. There was more to the 1920s than Louis Armstrong, more to the swing era than Benny Goodman and Glenn Miller, and more to the classic bebop era than Charlie Parker and Dizzy Gillespie. For example, while Duke Ellington is justly celebrated, during the 49 years that he led his orchestra, he often had as many as ten major soloists in his band at one time, all of whom had colorful and interesting lives.
Because jazz has had such a rich history, it is easy for reference books and encyclopedias to overlook the very viable scene of today. The music did not stop with the death of John Coltrane in 1967 or the end of the fusion years in the late 1970s. Because the evolution of jazz was so rapid between 1920 and 1980, continuing in almost a straight line as the music became freer and more advanced, it is easy (but inaccurate) to say that the music has not continued evolving. What has happened during the past 35 years is that instead of developing in one basic way, the music evolved in a number of directions. The music world became smaller and many artists utilized aspects of World and folk music to create new types of “fusions.” Some musicians explored earlier styles in creative ways, ranging from 1920s jazz to hard bop. The avant-garde or free jazz scene introduced many new musicians, often on small label releases. And some of the most adventurous players combined elements of past styles — such as utilizing plunger mutes on horns or engaging in collective improvisations — to create something altogether new.
While many veteran listeners might call one period or another jazz’s “golden age,” the truth is that the music has been in its prime since around 1920 (when records became more widely available) and is still in its golden age today. While jazz deserves a much larger audience, there is no shortage of creative young musicians of all styles and approaches on the scene today. The future of jazz is quite bright and the African American National Biography’s many entries on jazz greats reflect that optimism.
Scott Yanow is the author of eleven books on jazz, including The Great Jazz Guitarists, The Jazz Singers, Trumpet Kings, Jazz On Record 1917-76, and Jazz On Film.
The Oxford African American Studies Center combines the authority of carefully edited reference works with sophisticated technology to create the most comprehensive collection of scholarship available online to focus on the lives and events which have shaped African American and African history and culture. It provides students, scholars and librarians with more than 10,000 articles by top scholars in the field.
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Image Credit: Kenny Barron 2001, Munich/Germany. Photo by Sven.petersen, public domain via Wikimedia Commons
The post Jazz lives in the African American National Biography appeared first on OUPblog.
Blog: Amy June Bates (Login to Add to MyJacketFlap)
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Blog: Quake: Shakin' up Young Readers (Login to Add to MyJacketFlap)
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We are a unique ensemble of characters interacting in a common forum. We all have knowledge to share and the Internet is a remarkable venue to perform in.
Like the big bands of the early thirties, writers are often viewed as an oddity or a curiosity. It is assumed that life in the publishing industry is all glitz and glamour. Not true.
Unlike Glenn Miller, Benny Goodman, and Count Basie, we don't have the luxury of well-attended clubs and the nightlife to bring fans to us. We've got to go out and find fans on our own.
But that doesn't mean we can't show the world a little sparkle when we step out. The key is to make certain that you know the right people in the right places. This is where networking comes in.
Don't just assume that because you are a part of the industry that you have all the connections you need to succeed. Every song has it's own unique beat, and you as an author, reader, publisher, reviewer, whatever, need to ensure that when someone sees your name or your company or product, that they know who YOU are.
So whether or not you are in the mood, get your business cards out there, get your Blog address circulating around the Internet, and make certain that everyone knows YOUR name.
Get into the swing and rub elbows with other authors, booksellers, librarians, and who ever else is breathing. Your book, company, product, whatever is what you do. Don't think that it is who you are, but understand that it is what you do.
I want to be clear on what networking is. Networking is making yourself familiar with those who are in some way involved with what you do or what you have to offer. It is also encouraging others to be familiar with you and what you have to offer.
So get into the groove and jazz up your road to success with some big band networking.
©Karen L. Syed
Blog: ThePublishingSpot (Login to Add to MyJacketFlap)
JacketFlap tags: Writing Resources, Publishing Spotted, Michael Chabon, email writing, Add a tag
Over the last 24-hours, we went from bitter cold to slush to cold rain in New York City. Who can write with weather like that?
For today's writing wisdom, I went to sunny California, where the LA Times Jacket Copy reports on recent developments of literary import.
The Cohen brothers have picked up Michael Chabon's The Yiddish Policemen's Union. I really, really enjoyed that novel, but I couldn't manage to score an interview.
The Cohen brothers will rock that detective novel set in an imaginary Alaska. Check it out, and imagine a movie set in an even colder place than a frozen New York.
Secondly, half of this writing business is all about sending emails; to editors, to other writers, and to sources. Learn the email craft from the best. The Urban Muse has a post on email perfection, which include this nugget:
"The archives of Deb Ng's Cover Letter Clinic are filled with other writers'cover letters, as well as Deb's excellent feedback."
Finally, if you haven't checked out our interview with the Smith Magazine Editors ; well then, you are missing out. It's like writing encouragement sunshine in daily installments.
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Absolutely true! Thanks for sending me this link on Facebook.
Angela Wilson
http://www.marketmynovel.com
Good advice, Karen. Thank you!
Heidi M. Thomas
Cowgirl Dreams
"So get into the groove and jazz up your road to success with some big band networking."
True dat. Good post.
This blogging thing has widened my network. It didn't happen instantly, but now my circle of cyber buddies is widening. The problem is once I start following them, I get sucked into their lives and posts and want to find out what happens next.
It's a good and bad thing. Good - on my days off and I can devote time to blogs. Bad - when I'm at my day job on my break, but my network card on the laptop doesn't want to work. Then I have to wait until I get home to find out what my friends are up to. It's almost like a daily soap opera.
Morgan Mandel
http://morganmandel.blogspot.com
http://bloodredpencil.blogspot.com
http://makeminemystery.blogspot.com
Yes, great post ~ all about building mutually beneficial relationships off and online. Thanks, Karen!
One of my early 2009 goals is working on my website to incorporate a bunch more book blogger links ~ I've been so wrapped up in author interviews and content that tends to get pushed to the back burner ~ but oh so important. Wish I could afford an assistant ;-)
Best to you all,
Carrie
This is a good rallying march to getting ourselves out there. Thanks!