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Bob Chilcott, as conductor, and John Rutter, as producer and engineer, join forces with some talented freelance professional singers in a church in Highgate, London every February. For three days these singers become The Oxford Choir, formed to record Oxford University Press’s latest choral publications so that choral directors worldwide can discover new repertoire.
The post A behind-the-scenes look at OUP’s recording sessions of new choral music for 2015 appeared first on OUPblog.
How can modern singers recreate Renaissance music? The Musica Dei donum series by Oxford University Press explores lesser known works of the Renaissance period. Early music specialists and series editors Sally Dunkley and Francis Steele have gone back to the original manuscripts to create authentic editions in a practical format for the 21st century singer. Every piece includes an introduction to the work and its composer, tying together historical context with performance issues and notes are included by pre-eminent performers and performance scholars in the field of early music.
Sally Dunkley, series editor of Musica Dei donum, speaks to Griselda Sherlaw-Johnson, choral promotion specialist, about the series and the importance of performing from reliable editions. The Sospiri Choir performs.
Click here to view the embedded video.
Sally Dunkley was a student at Oxford University, where she sang with the pioneering group the Clerkes of Oxenford. Since then, her career as a professional consort singer has developed hand-in-hand with continuing in-depth study of the music as editor, writer, researcher, and teacher. She is a founder member of The Sixteen and sang with the Tallis Scholars.
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Oxford Sheet Music is distributed in the USA by Peters Edition.
The post In conversation with Sally Dunkley appeared first on OUPblog.
