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1. "Which side were you on, Poppie?" Anzac Day excerpt from The House at Evelyn's Pond


 ‘Poppie,’ Megan asked, at a Sunday lunch not long before her tenth Anzac Day, ‘were you in the war they’re talking about?’
‘One of them,’ said Fred.
‘Which side were you on?’

Three months later, on Megan’s birthday, Fred presented her with a notebook: Poppie in the Army.
‘I’m not much of a writer,’ Fred said gruffly, ‘so I did it with cartoons.’
Small figures – ‘me’; ‘Jack’; ‘Corporal Butler’ parade outside their tents in the training camp at Trawool; the Ile de France wends its way to the Middle East; a flea hops across the desert from a camel to the unsuspecting ’me’, who on the following page is standing on a rock in front of a Red Cross hut – in the nuddy, the caption says - while a medico lances his flea boils and small girls giggle. ‘I closed my eyes so they couldn’t see me,’ Fred told Megan, and she giggled too. There are battles with the French Foreign Legion, glamorous pyramids, mosques, and another ship, the Orestes, pointing towards Fremantle, with a question mark thought bubble of Dulcie and two babies, one pink, one blue. ‘That’s your dad,’ Fred explained. ‘The last letter I’d had from Gran said the baby would be coming soon – I reckoned soon was past and the baby must be there, but blow me if I could work out if it was a boy or a girl!’
‘If Daddy was a girl,’ Megan began, starting her next month’s agonising what ifseries, ‘he’d be my mum…’ She looked at Jane and changed tack. ‘Then you found out he was a boy!’
‘And my word, what a day when I got that letter!  But it was some time coming, and I thought, ‘A bloke could go crazy wondering if the baby’s born yet and what it is. So I made up his birthday – February 4, I said, but I was three days early, that was the day your Gran wished he’d been born. Then I thought – ‘A bloke’s got to get to know his kid somehow!’ So every night when I lay down on my mat I said to myself, ‘Now I’m in Coburg again,’ and I said goodnight to your gran, and goodnight to a boy baby called Ian and a girl baby called Sandra. Every February 4th I wished them happy birthday, and in between I talked to the men who had kids and some of the doctors – ‘What do you reckon,’ I’d ask, ‘about what a kid can do when it’s six months old, or one year old?’ ‘Oh, it’ll be crawling,’ they’d say, ‘and laughing, or starting to walk,’ or whatever it was, and I’d think about Ian laughing, or Sandra learning to walk.’
‘What happened to Sandra?’
‘She never got born - I had to wait a long time for my little girl! It was queer when I found out, not saying goodnight to her any more, or happy birthday next time February came around.’
Megan clambered onto his lap, giving the others a chance to blink or surreptitiously wipe eyes.
‘But you should have seen your Poppie smile when that letter came! I still know it by heart: ‘Ian is walking well now; he is a lively little chap and everyone says quite big for eighteen months.’ I carried the letter around with me all the time, till it was all holes from being folded and opened again; you have no idea how I read it! It’s a poor look-out when a bloke’s son is two and a half years old before he even knows it’s a boy, but that’s how it was.’
Megan stared accusingly at Dulcie. ‘Why didn’t you write before?’
‘Don’t you blame your poor Gran! Prisoners didn’t get much mail, it wasn’t her fault.’
‘You weren’t in prison!’ Megan squealed, but calmed on seeing the adults’ faces. ‘Were you very bad, Poppie?’
‘Must of been!’ said Fred. ‘Now let’s get on with this story or your dad’s cows will never get milked tonight.’
The ‘me’ is now on another ship, waving goodbye to his machine gun on the pier; mortars explode in jungle; friend Jack has shrapnel pulled ‘out of his bum’, said Fred, with a wicked look at his grand-daughter, but though Megan knew he’d like her to giggle again, she’d caught her parents’ mood and was still. The pages that they would study later: a prison camp in Java, a railway built through rock and jungle, a hospital hut with skeleton patients and staff, the dark tunnel of a mine – Fred turned as one, saying Megan was too young for that now but he’d thought he might as well put it all in while he was at it.

Over the next few years something opened – not a floodgate, but a trickle of memories that Fred was finally ready to share: snapshot snippets of an unimaginable life. ‘The night before the Japanese invaded Batavia,’ he’d say, ‘Jack and me were billeted in this native hut, made of bamboo. It was fairly pissing down outside, pardon the French, and we were sleeping in muddy straw and duck manure. Jack woke me up and said, “You know, Fred, I have a feeling we mightn’t get out of this.” Then he pulled out his whisky flask: “We’d better have a drink; it could be the last chance we get.” He was right too; it was the last drink we had for a bloody long time. Which reminds me – how about a cold one?’
And Ian would know that the time for probing had passed.

An edited excerpt from The House at Evelyn's Pond, copyright Wendy Orr

available as ebook from: booku.com or ebooks.com






0 Comments on "Which side were you on, Poppie?" Anzac Day excerpt from The House at Evelyn's Pond as of 4/24/2013 2:42:00 AM
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2. The Book Review Club - Code Name Verity

Code Name Verity
Elizabeth Wein
YA

I have the very distinct impression I may be coming a little late to the Code Name Verity fan club, it's that good. Nonetheless, I can't not write about this story either. It's that riveting. It's historical fiction solidly based in history. It's storyline is so genuine, the reader is left wondering, "did it really happen"? Yet its characters are so relatable to today's young adults, there is no disconnect due to time period. Plus, the author put together an amazing author's note that explains what's real and what's not.

Basic plot line - two young British women, one a pilot, the other nobility, become friends while working in the British war effort. Queenie, the Scottish noble, becomes a spy whom Maddie, the pilot, flies her - as well as broken and repaired planes, other spies, soldiers, etc - around England and ultimately, over the Channel to France, where Queenie is caught and interrogated - first half of the book. The second half is about how Maddie, who had to crash land in France, tries to escape back to England.

The book is brimming over with fast-paced plotting and harrowing, edge of your seat, reading. 

The format is interesting in that it is essentially a journal novel written from Queenie's and Maddie's POV. By alternating POV, the reader gets a more well-rounded, yet intimate viewpoint of what is going on both behind enemy lines and allied ones.

One of the aspects of the writing that most appealed to me is that Wein made each character human. That is, each has wants and desires, both abominable and universal. It's an interesting aspect to this particular novel. It wasn't easy to hate anyone flat out, except one secondary, but high-ranking Nazi official. Wein did a great job of character development, and in so doing, in bringing to life the intricacies of war and how enemy and ally aren't as one-dimensional as the history books of my young adult years painted them. The effect is something akin to that of The Reader, remaining long after the story itself is finished and begging for further discussion.

For other great Fall diversions, stop by Barrie Summy's website!

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