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Viewing: Blog Posts Tagged with: Liz Vacco, Most Recent at Top [Help]
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1. Join the September Read & Romp Roundup!



I returned from Barnes & Noble a few hours ago with a stack of picture books and chapter books I'm going to take with me tomorrow to the National Book Festival in Washington, DC. I've removed a stack of older picture books from our shelves and am going to take those with me as well. Eilleen Spinelli, Anna Dewdny, Judy Sierra, and Marc Brown are among the picture book authors and illustrators I am hoping to meet and have sign my books. I am so excited!

Since books are on my mind tonight, I thought it would be a good time to put out my monthly call for submissions to the Read & Romp Roundup. I just realized that all the authors I mentioned above write in rhyme, so I guess poetry is on my mind, too!

If you have a recent (or even not so recent) blog post related to picture books or children's poetry AND dance, yoga, or another form of movement, leave your link in a comment on this post. I'll round up all the links and post about them together on my blog in a few weeks. 

Submissions are open until Sunday, September 30, 2012.

In case you didn't see it, I also have a giveaway going on through September 30, 2012. Dance educator Liz Vacco is giving away a copy of her Petite Feet DVD for kids. You can learn more about the video, hear how Liz uses storytelling to teach dance, and enter the giveaway here. Have a wonderful weekend!

8 Comments on Join the September Read & Romp Roundup!, last added: 10/1/2012
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2. Petite Feet: An Interview and DVD Giveaway!


Choreographer, performer, and dance educator Liz Vacco guest posted a few months ago about how she uses the picture book Silly Sally in her children's dance classes. Perhaps it's because of her strong background in theater, but Liz is no stranger to using storytelling in dance! Liz has even created a children's story of her own -- The Story of the Dancing Dolls -- and incorporated it into a new DVD called Petite Feet to teach the fundamentals of ballet to children. 

Well, Liz is back with us today to answer a few questions I had about using storytelling in dance -- both through picture books and through the Petite Feet DVD. Liz is also generously giving away a copy of the DVD to one lucky reader who comments on this post. Read to the end of the interview to find out the details!

Thanks so much for agreeing to an interview, Liz! For a little bit of background, how long have you been teaching dance for children? And how did you get started?

I’ve been teaching dance to children regularly for 11 years. I spent my first year after college in New York City waiting tables while pursuing my acting and dancing career. The restaurant where I worked was downtown and was affected by 9/11. After some time off while the restaurant was being rebuilt, I realized that I did not want to go back to waiting tables. I had reassessed my values and knew I wanted to share with children the very things that I love -- dance and theater.

How long have you been incorporating different types of stories into your classes?

From the beginning, I believe. Because of my training as an actor as well as a dancer, I have always been drawn to the expressive aspects of dance -- be that expressing a feeling or an entire narrative. I quickly saw that my young students were equally excited when the emphasis of class was on expression and storytelling. 

As we know, children make no secret about what their favorite things and activities are (and their least favorite, too), so I knew pretty quickly that I needed to include a story in class every week. Throughout a class, we still stretch and learn vocabulary and age-appropriate technique, but the students always know they will be rewarded with a story at the end.

What are the benefits of using picture books in your classes? 

Sometimes, as a teacher, it’s a lot to have a new story in your head every week. I’ve memorized a bunch of stories, and I’ve created a handful as well, but every so often it’s nice to have the words right there in front of me. I think having illustrations to reference makes it fun for the children as well. The process of taking in an image and then transferring it into their bodies is an important exercise and a first step toward becoming creators of art. It’s what I continue to do to this day when I create original work based on texts with my multimedia performance company Immediate Medium.

Any challenges to using picture books?

The biggest challenge is often just a question of coordination -- dancing while holding the book and not losing my place, and also maybe holding one of my little dancer’s hands at the same time!

Are you drawn to any picture books in particular? If so, what makes them special to you?  

I love to use From Head to Toe by Eric Carle at the beginning of the semester, especially with my littlest students. After years of teaching, sometimes I take for granted the fact that this could be a student’s very first experience in a movement class, or any class for that matter. From Head to Toe lets us take it slow and step by step, exploring each body part and its movement possibilities. By the end, we get up on our feet and really move through space, which is always a great finale. The always vibrant Eric Carle illustrations and animal imagery really help engage the children as well.

You mentioned that From Head to Toe is a great book for your littlest students. Do you think some picture books are better suited for your older students?

I teach children from 18 months to 12 years old. I think picture books are most effective with my students ages 2-5 years. Within that range, there are definitely certain books that are more appropriate for 2-year-olds than for 5-year-olds and vice versa. 

I love using From Head to Toe, We're Going on a Bear Huntand Mouse Paint for 2- and 3-year-olds. Silly Sally, which requires dancing backwards, and It Looked Like Spilt Milk are great for 4- and 5-year-olds. For dancers 6 and up, I tend to focus more on stories from the classical ballet canon (when it’s a ballet class, of course). Occasionally I show the students a photo from a ballet or an illustration inspired by the ballet before we choose roles and dance the story in a more drawn-out fashion.

Thanks for answering so many questions about picture books! To change the subject a little, how did you come up with the idea for the Petite Feet DVD?

I think after the tenth or so parent came up to me and said “You should really make a video of your ballet class,” I knew I couldn’t put it off any longer. Parents also often told me that when they videotaped open classes or recitals, their children would watch them over and over again at home. 

I wanted Petite Feet to be more interactive than just a still camera capturing a dance class or performance. I wanted it to include all the elements of one of my classes, and especially the story, but I wanted it to feel like the kids at home were as much a part of the class as the kids in the DVD. Making the DVD was a great opportunity for me to invent a new dance story as well -- and now I use The Story of the Dancing Dolls in my classes regularly.

How do you recommend the DVD be used? And by whom?

I think the DVD is great as an introduction to dance for brand new dancers, and it also can be a supplement for children who are already enrolled in dance classes. A lot of parents of my current students tell me that when they have to miss a class, they make up for it by using the DVD at home. 

I have also received feedback and occasionally photos from many families around the world who’ve purchased the DVD, and there are some stories that really warm my heart. One family in Japan lost their home in the tsunami but stayed to help rebuild. When they couldn’t find a class in the small town where they currently live, they bought the DVD and sent me such a grateful email. So I recommend that the DVD be used by anyone who feels inspired -- and the more the merrier, for sure!


Wow. That is a really incredible story, Liz. Thanks for much for sharing it. And thanks, also, for giving our readers a chance to win their very own copy of the DVD. 

If you'd like to enter the giveaway, all you have to do is leave a comment on this post telling us what role storytelling plays in your life or the lives of your children or students. The giveaway will close on Sunday, September 30, 2012, when we'll randomly pick a winner. Good luck!

4 Comments on Petite Feet: An Interview and DVD Giveaway!, last added: 10/4/2012
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3. Guest Post by Liz Vacco: Silly Sally

I have a special treat for you today! Choreographer and performer Liz Vacco is here from sunny California to share how she incorporates a very special -- and very silly! -- picture book into the classes she teaches for young dancers. Incorporating books and other forms of storytelling into her lessons is one of many strategies Liz uses to make dance fun. She has even created an original dance video called Petite Feet that uses storytelling to teach young children the fundamentals of ballet. We have another post in the works about that, so stay tuned! And in the meantime, enjoy getting to know Liz and her "silly" ideas. Thanks for joining us, Liz!

In my experience teaching classes to young children, the word “silly” is a magic word.  If a lesson plan is not quite playing out as successfully as planned, I find a way to make it silly -- or just call it silly, for that matter -- and chances are I have my students’ rapt attention once again. The teaching and learning can still happen, simply disguised in a silly way.

Therefore, it’s no surprise that a book that employs this magic word in its title is a perfect activity for a kids’ dance class. The book to which I’m referring is SillySally by Audrey Wood. The fact that Sally is silly means that she does everything backwards and upside down -- dancing, leaping, singing, you name it! 


When using this book in class, I like to establish a movement or movement phrase with the dancers in a forward direction first. Once they’ve had a chance to try the movement in a forward direction, I challenge them to try it backwards. I encourage the students to explore the backwards movement on their own before offering my own interpretation for them to try, if they so choose. 

Then, in a similar fashion, we proceed to turn the movement upside down. Of course, whatever the young dancers do is valid -- and often extremely inspiring, as they may surprise me with interpretations I have never considered. After the upside down dancing, we combine the two, moving both backwards and upside down -- carefully -- so that we don’t dan

2 Comments on Guest Post by Liz Vacco: Silly Sally, last added: 7/31/2012
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