There are two kinds of clocks. There is the clock that is always wrong, and that knows it is wrong, and glories in it; and there is the clock that is always right--except when you rely upon it, and then it is more wrong than you would think a clock could be in a civilized country.
This is an extremely short essay on clocks, exaggeration, keeping up appearances, and Time. It was an enjoyable read; perhaps it isn't as WONDERFUL as some of Jerome K. Jerome's other works, but, it was worth the few minutes it took to read.
The second type of clock:
The man who can live in the same house with one of these clocks, and not endanger his chance of heaven about once a month by standing up and telling it what he thinks of it, is either a dangerous rival to that old established firm, Job, or else he does not know enough bad language to make it worth his while to start saying anything at all. The great dream of its life is to lure you on into trying to catch a train by it. For weeks and weeks it will keep the most perfect time. If there were any difference in time between that clock and the sun, you would be convinced it was the sun, not the clock, that wanted seeing to. You feel that if that clock happened to get a quarter of a second fast, or the eighth of an instant slow, it would break its heart and die. It is in this spirit of child-like faith in its integrity that, one morning, you gather your family around you in the passage, kiss your children, and afterward wipe your jammy mouth, poke your finger in the baby's eye, promise not to forget to order the coals, wave at last fond adieu with the umbrella, and depart for the railway-station. I never have been quite able to decide, myself, which is the more irritating to run two miles at the top of your speed, and then to find, when you reach the station, that you are three-quarters of an hour too early; or to stroll along leisurely the whole way, and dawdle about outside the booking-office, talking to some local idiot, and then to swagger carelessly on to the platform, just in time to see the train go out!On his own "special" clock:
But the great charm about my clock is its reliable uncertainty. It works on no method whatever; it is a pure emotionalist. One day it will be quite frolicsome, and gain three hours in the course of the morning, and think nothing of it; and the next day it will wish it were dead, and be hardly able to drag itself along, and lose two hours out of every four, and stop altogether in the afternoon, too miserable to do anything; and then, getting cheerful once more toward evening, will start off again of its own accord. I do not care to talk much about this clock; because when I tell the simple truth concerning it, people think I am exaggerating. It is very discouraging to find, when you are straining every nerve to tell the truth, that people do not believe you, and fancy that you are exaggerating. It makes you feel inclined to go and exaggerate on purpose, just to show them the difference. I know I often feel tempted to do so myself--it is my early training that saves me.
Truth and fact are old-fashioned and out-of-date, my friends, fit only for the dull and vulgar to live by. Appearance, not reality, is what the clever dog grasps at in these clever days. We spurn the dull-brown solid earth; we build our lives and homes in the fair-seeming rainbow-land of shadow and chimera.
© 2012 Becky Laney of Becky's Book Reviews
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