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1. Sheds - Celia Rees



I recently visited the Boathouse in Laugharne. I'd been there before, and peered into Dylan Thomas' Writing Shed, but this time I was with my friend, the artist Julia Griffiths Jones http://www.juliagriffithsjones.co.uk, and she'd been inside! She had been allowed to go into the shed to draw. When she showed me the drawings that she had made there, and the photographs that she had taken, I must admit to being gripped by a strange excitement and considerable envy. There is something about the place where a writer works that exerts a peculiar fascination. Just to see what he or she had on the desk by way of distraction or because a particular object was special in some way; to see the pictures pinned up on the wall; the view, or lack of it from the window. These things serve to bring alive some of the process of mind that produced the work that one admires.



In Dylan Thomas' writing shed - Julia Griffiths-Jones

What I found especially wonderful here was the sheet of paper, stained and wrinkled, crisped by time, that was covered in lists and lists of words. Dylan Thomas is famous for the lyrical precision of his poetry,  the startling originality of his images, the sheer exuberance of the words he chooses. He once said that his first introduction to poetry was through nursery rhymes:

I had come to love the words of them. The words alone. What the words stood for was of a very secondary importance.
17 Comments on Sheds - Celia Rees, last added: 5/17/2012
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