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Viewing: Blog Posts Tagged with: Comic, Most Recent at Top [Help]
Results 1 - 25 of 287
1. Comics Illustrator of the Week :: Michael Del Mundo

 

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Michael Del Mundo is an artist who’s responsible for so many great comic book covers of late, but I didn’t realize, until recently, who he was. The new Marvel Now Elektra series features both cover art, and interiors by Del Mundo, and it’s received a ton of well deserved critical acclaim. In fact, he, and writer William H. Blackman have impressed Marvel so much with their work that they’ve been promised another project once Elektra ends.

Del Mundo has brought the same unconventional, and dynamic style to his interior artwork, that has made his covers so memorable. I’m looking forward to see what comes next for this exciting, young artist!

Michael Del Mundo is from the Philippines, and currently lives in Toronto, Ontario, Canada. You can follow his blog here.

For more comics related art, you can follow me on my website comicstavern.com - Andy Yates

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2. Comics Illustrator of the Week :: Farel Dalrymple

 

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Farel Dalrymple is a comics illustrator who’s been relentlessly chugging away at his craft for the last dozen years, or so.. His brand new graphic novel, The Wrenchies, takes place in the same post-apocalyptic future as his previous work, It Will All Hurt, and follows a group of kids who have to fight the evil shadowsmen to survive. Farel’s unique style reminds me a little of Maurice Sendak, and Tim Burton, but still wholly his own voice. The Wrenchies is an exciting work, in that it represents an artist reaching a new level of excellence in their craft.

Farel is also co-founder of the New York based Meathaus art collective, as well as a regular contributor to the Portland based Study Group Comics Magazine. He recently had a collection of early work, sketchbook art & rarities published by AdHouse Books, titled Delusional. He was recently a part of the stable of great artists that contributed their hand to the recent Prophet comic book relaunch, written & curated by Brandon Graham.

His early comics work, Pop Gun Warwas a Xeric Grant winner and won a gold medal from The Society of Illustrators.

You can follow the latest Farel Dalrymple news on his website here.

For more comics related art, you can follow me on my website comicstavern.com - Andy Yates

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3. ANXIETY - grounded in reality


This episode actually doesn't have any Anxiety in it.

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4. Comics Illustrator of the Week :: David Lapham

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It was great news when it was announced that Stray Bullets would be returning to comic stands again, with the new series Stray Bullets: Killers. I’ve been a fan of David Lapham’s work since 1995, when a local comics shop owner handed me a copy of Stray Bullets #1, and said, “I know you like different stuff. You should try this.” Well, Stray Bullets was different than your average super-hero/cartoon comic book, that’s for sure. It read like a mixture of Pulp Fiction, and Mean Streets. The series was self-published, and self-marketed for 10 years, with 40 issues produced, which is quite an impressive feat in the volatile comics market. Lapham took a break from Stray Bullets in 2005, and did writing/drawing work for many of the major publishers, including Young Liars for DC/Vertigo, Daredevil vs. Punisher for Marvel, and Crossed for Avatar Press.

It makes perfect sense that he would take the long awaited final issue of Stray Bullets, #41, and the spin off series Killers to Image Comics, since the publisher has now become a safe haven for the type of original, creator owned comics that David Lapham was an early pioneer of.

In addition to Stray Bullets: Killers, Lapham recently completed his first all-ages series, Juice Squeezers, and he’s currently writing the comics adaptation of the hit FX TV series(and series of books) The Strain, both published by Dark Horse Comics.

You can follow David Lapham on Twitter here.

For more comics related art, you can follow me on my website comicstavern.com - Andy Yates

The post Comics Illustrator of the Week :: David Lapham appeared first on Illustration Friday.

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5. Paula: Late August Cruisin'

This was a fun piece--Fresh OFF the drawing board! I thought this befitting for late August. : )

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6. Samples: Late August Cruisin’

This was a fun piece–Fresh OFF the drawing board! I thought this befitting for late August. : )

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7. ANXIETY - update

Hey there!
It seems like time to give you an update on this comic about Anxiety I am doing.
In short: it's still going on, tehre weren't many updates because I am working on a picture book, but I have planned and written and collated and thought. There will be more soon, and there will be a book eventually.



Life is good, I have a great studio now, and I'm really enjoying my projects. Inbetween drawings and writings I am building kites.
From The Penguin Book of Kites

Sode kite

research

Kite made from pigeon feathers, staws and string

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8. Comics Illustrator of the Week :: Amanda Conner

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Artist Amanda Conner has been working in comics since the late 80′s. She’s been in the top tier of mainstream comics creators for a long time now, but with  DC Comics’ recent New 52 reboot, Amanda Conner got the chance to relaunch the new Harley Quinn series, and has in the process solidified herself as one of the greats, while also redefining one of today’s most popular characters.

Conner developed her drawing skills at The Kubert School in Dover, New Jersey, one of the first technical schools for sequential art founded by comics legend Joe Kubert. She met her future husband, and current collaborator on Harley Quinn, writer/inker Jimmy Palmiotti, in the early 90′s when he was an editor at Marvel.. The couple was also responsible for a recent popular run on DC Comics’ Power Girl. Throughout her career, she’s worked with some of comics’ top creators, including Warren Ellis, Peter David, Garth Ennis, and Darwyn Cooke.

Her work has also been featured in The New York Times, MAD Magazine, and Revolver.

You can follow Amanda Conner on Twitter here.

For more comics related art, you can follow me on my website comicstavern.com - Andy Yates

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9. Comics Illustrator of the Week :: Andrew Robinson

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After serving his country in Desert Storm, artist Andrew Robinson attended The Savannah College of Art and Design in the early 90′s. He bounced around the south-eastern states for a while before settling on the west coast in sunny Pasadena, CA. His early comics work first appeared in popular anthologies such as Dark Horse Presents, and Negative Burn.

In the late 90′s he created the critically acclaimed independent comic, Dusty Star, and started to get high profile cover work for DC Comics on titles such as Hawkman, and Starman.

He’s had a resurgence in his comics work of late, with a multitude of new cover illustrations in recent years for Marvel, DC, and Dark Horse, just to name a few. In addition to that, he illustrated the fully painted, award winning graphic novel, The Fifth Beatle: The Brian Epstein Story, which is set to be a major motion picture, soon.

To keep up with the latest news, and artwork by Andrew Robinson, you can go to his blog here.

For more comics related art, you can follow me on my website comicstavern.com - Andy Yates

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10. Paula: "What I Learned This Summer" Cartoon

I enjoyed working on this cartoon for Group! The spread and take-outs, below...

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11. August ’14 Samples: “What I Learned This Summer”

I enjoyed working on this cartoony spread for Group! The spread and some take-outs, below…

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12. Gezundheit

mustard sneeze ©Sparky Firepants

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13. Comics Illustrator of the Week :: Toni Fejzula

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Serbian born artist Toni Fejzula has worked on many comics, and illustration projects in, and around his current residence of Spain. The new Dark Horse Comics series, Veil, has finally brought him to the attention of American comics fans. His artwork, with it’s unique coloring style, perfectly fits the moody atmosphere of Greg Rucka’s story.

Fejzula has contributed covers to Cthulhu, created the science-fiction album ‘Central Zéro’ at Soleil Productions, and co-created the series ‘Nephilim’ at Delcourt.

Toni Fejzula news, new project updates, and more of his awesome art can be found on his on his facebook page.

For more comics related art, you can follow me on my website comicstavern.com - Andy Yates

 

 

 

 

 

 

 

 

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14. Comics Illustrator of the Week :: James Stokoe

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James Stokoe is a self taught artist from Canada who occasionally releases a new issue of his ongoing opus, Orc Stain, from Image Comics. He began his comics career in the mid-2000′s with titles such as Wonton Soup from ONI Press, Popgun Volume 1, and 24Seven from Image. He was banned from the U.S. for a few years for working(drawing comics) here illegally, but he has put those darker days behind him now.

Coming off of increased interest in his work on Orc Stain, and other high-profile projects like Sullivan’s Sluggers(a wildly successful Kickstarter project with writer Mark Andrew Smith), Stokoe was hired to write & draw Godzilla: Half Century War for IDW in 2012, which received high praise from critics. This week sees the release of Avengers 100th Year Anniversary, an imaginary “what if?” future story, which is a perfect type of project for Stokoe to run free with some of Marvel’s most iconic characters.

More Orc Stains are in the works, and fans will wait patiently for their release, because a talent like James Stokoe is certainly not one to be rushed.

James Stokoe sometime posts updates on his site here.

For more comics related art, you can follow me on my website comicstavern.com - Andy Yates

 

 

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15. Paula: Karate for Kids!

Something on the drawing board...

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16. Comics Illustrator of the Week :: Brian Bolland

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Brian Bolland is a legend in comics, and would be just for his covers alone, but he’s also responsible for drawing classics like Batman: The Killing Joke, and Judge Dredd. He started his art career in his native United Kingdom illustrating his own fanzines while at art school, and then he moved on to contributing to underground publications like Friendz, Oz, and International Times. After he finished his course at The Central School of Art & Design in London in 1973 Bolland joined the talent agency Bardon Press Features, and was assigned various small comics jobs including a bi-weekly Nigerian comic called Powerman about an African superhero. Steady work continued from there, and he would eventually get to work on future comics hits 2000 AD, and Judge Dredd in the late 70′s.

He was recruited by Green Lantern artist Joe Staton who discovered him at a comics convention while visiting England, and thus the British Invasion of comics officially began! He started off doing covers for DC Comics, and then moved onto bigger projects like the 12 issue maxi-series Camelot 3000 with writer Len Wein. Later on he would be put more to use as a cover artist exclusively, rather than an interior artist, because his cover work is so detailed, and striking that I can only imagine how many thousands of comics he sold just based off his cover illustrations alone! Legendary covers for Grant Morrison’s Animal Man, The Invisibles, Wonder Woman, and The Flash solidified Brian Bolland as a legend in the industry. Throughout his carreer Bolland would also work on personal projects like the more sketchy styled Mr. Mamoulian, and the provocative The Actress and the Bishop.

In 2006 the book The Art of Brian Bolland was published, and it provides a very comprehensive overview of Bolland’s career including just about all of his classic covers, and examples of his photography work that he took while traveling the world over the years.

Brian Bolland has won numerous comics industry awards including over 5 Eisners, an Inkpot Award, and Favourite Artist in the British section of the Eagle Awards.

You can follow Brian Bolland on his blog here.

For more comics related art, you can follow me on my website comicstavern.com - Andy Yates

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17. Illustrator and Cartoonist Jillian Tamaki

Sometimes, you get stuck at a crossroads between two things you really love doing. For me, it’s being an illustrator and a musician. Years ago, I thought that I’d eventually have to drop one to wholeheartedly pursue the other. I was never able to decide what I loved more, because although different in myriad ways, my love for playing/creating music and my love for creating art are completely equal in nature.

Jillian Tamaki is a bit of a kindred spirit in this sense, although hers is a tug-of-war between illustration and cartooning. She’s been able to integrate both of these passions into an impressive creative career, having released two graphic novels with her cousin Mariko Tamaki and two books of personal work on her own–not to mention the plethora of illustration awards she’s achieved. Her ever-growing client list includes the likes of The New York Times, National Geographic, Penguin Books, The New Yorker, and WIRED.

Jillian grew up in Calgary, Alberta, Canada, and went on to study illustration at the Alberta College of Art & Design. While she originally intended to focus on design, she fell in love with illustration and began freelancing after a brief stint at Bioware, a Canada-based video game company. She works both digitally and physically, showcasing her general badass brushwork and drafting skills in addition to embroidery (!!!).

Her creative process is impressively flexible, shifting between rapid-fire deadlines and long-term projects.

This One Summer and Skim, while not necessarily limited to the teen reading section, exemplify the Tamaki cousins’ wish to expose more nuanced examples of teenage girls in literature (“not-slim, would-be Wiccan goth”) and graphic novels/comics. They don’t shy away from the heavy stuff–sexual identity, suicide, being a general loner. And perhaps there’s no better way to tell the stories of these painful experiences than through Jillian Tamaki’s gorgeous, expressive linework. Skim went on to win The New York Times’ award for Best Illustrated Children’s Book of 2008.

Jillian’s exuberant, sarcastic personality is only complemented by her genuine desire to help others, especially in the creative community. She’s provided a wealth of advice on her website in the FAQ section, and also welcomes questions on her blog.

You can follow along with her at her websiteTwitterblog, and Tumblr. She also runs a webcomic at Mutant Magic, which will soon be published by Drawn & Quarterly in 2015. Jillian also teaches illustration at School of Visual Arts.

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18. Comics Illustrator of the Week :: Leila del Duca

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I recently discovered Leila Del Duca’s work on the excellent new comic Shutter, published by Image Comics. It’s exciting to see a young artist find the perfect project for their specific set of skills, and watch them tap into their potential month in, and month out.

Leila has been drawing comics since she earned her Bachelors degree in illustration from the Rocky Mountain College of Art and Design in Denver, CO back in 2007. She’s had a prolific career so far, drawing a number of comics including Escape From Terra, The Pantheon Project and Deadskins. She also served as Art Director for the Denver-based anthology Cellar Door in 2011.

She currently lives in Missoula, Montana, and you can follow her on her blog here.

For more comics related art, you can follow me on my website comicstavern.com - Andy Yates

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19. How does Comic Artist David Daneman Create “The DaneMen” Web comic series

If you’ve ever perused the online web comic community Tapastic.com, you’re sure to have seen the slice of life webcomic “The Danemen” featuring the DaneMan himself. The silent (word-less) comic transcends language through the use of visual queues that brings drama and comedy to the viewer. It’s like watching a classic Chaplin act and waiting for the finale, which never disappoints and is almost always unexpected.

In the video below, David shows us his work process and how it defines his unique style. Make sure to take notes, and don’t forget to support his Patreon campaign so he can make comics until the end of days!

http://www.patreon.com/DaneMen

http://danemen.com/

 

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20. L’alphabet/The Alphabet: Letter B

Slowly making way through the alphabet. Below is an illustration for the letter “B”…

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21. Paula: L’alphabet/The Alphabet--Letter B


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22. Comics Illustrator of the Week :: Tradd Moore

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Tradd Moore broke into the comics scene with the indy series The Strange Talent of Luther Strode, and it’s sequel The Legend of Luther Strode with writer Justin Jordan. His distinct, dynamic style, and liberal use of squash & stretch with his characters has quickly propelled Tradd Moore to the top of the mainstream comics world. He graduated from the Savannah College of Art and Design in 2010, and jumped right into illustrating comics after that.

Today, Tradd Moore has a bonafide hit on his hands with his work on the new, revamped Ghost Rider with writer/artist Felipe Smith for Marvel Comics. He also provides cover art for other Marvel books, like Secret Avengers, and Deadpool. When he can find the time, he continues to work on independent comics like the new Image series Zero.

You can see more artwork, and follow Tradd Moore on his blog.

For more comics related art, you can follow me on my website comicstavern.com - Andy Yates

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23. Home once again, at least for a moment…

Commission Sketch of Chris Hemsworth.

Commission Sketch of Chris Hemsworth.

After a whirlwind tour of the southwest, I am finally home and ready to take a nap. Yet there is no rest for the wicked, new art to do, a book to illustrate, shows to prepare for, and generally going crazy… in a good way. So where to begin? Let’s start with a short recap of the shows I attended.

First up was there was the Long Beach Comic Expo which this year expanded to two days this year. This turned out to be a great move as attendance was great this year and everyone had a great time. We had an odd placement for our table that had me a bit worried, but it all worked out quite well. Lots of great costumes, fun panels for all ages, plus perfect Long Beach weather, what more could one ask for? Next year they are holding it earlier in the year on February 28th and March 1st, plus they are moving into the larger halls, roughly about five times of the space they had this year. So they are going bigger and better, hopefully they are not expanding too big, too fast as I love this convention and want to see it continue for years to come.

Maleficent and Evil Queen looking good... I mean evil.

Maleficent and Evil Queen looking good… I mean evil.

Then it was off to the surface of the sun… I mean Arizona for the Phoenix Comicon, which was a fantastic show. There were over 77,000 fans in attendance that kept me and Shawn busy through the weekend. I was amazed at the cosplayers that braved the heat in full costume, brave dedicated fans they are. On a note about Phoenix, I love this show so much that next year is a big thing is happening. Drum roll please… I am moving out of the artist alley into a booth for the show next year. It is amazing and nerve wracking at the same time, but the correct move as my business moves forward and grows.

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The minion of Mystical Apothecary

Shawn and I stayed in Phoenix for the week (thank you Keith), as we had a show the following weekend, Mad Monster Party. This was a small horror convention that took place in downtown Phoenix. It was a fun little show (lots of fun because we were next to our friends from The Mystical Apothecary) that has promise if they bring it back next year, lots of cool fans of horror showed up and there were some great celebrity guests to meet. One of the problems was that since it was the week after the comic con and there might have been some fans that were too worn out to come to this event. There were also some people that seem to find out about the event by happenstance and were unaware of the Mad Monster Party before hand. Their main show is in Charlotte, NC and that one has a great turnout; so maybe with some patience and love, the Phoenix show will grow to attract more attendees.

Diana versus Bumblebee... plus Justin and Hilary Orr photo bombing.

Taking Bumblebee down… plus Justin and Hilary Orr photo bombing.

Finally we headed north to the Amazing Las Vegas Comic Con, a show I vended at last year on their inaugural show. Taking place at the South Point Casino (which is quickly becoming one of my favorite casinos), this year it was bigger and better organized in the placement of tables and booths. Attendance was up this year, but sales were down slightly, but overall a successful show. Thanks to our booth neighbors of Abe Lopez and Stuart Smithee; also thanks to the photo bombers supreme of Justin and Hilary Orr from across the aisle.

With Abraham Lopez... with Nic Cage?

With Abraham Lopez… and Nic Cage?!?

I have a few weeks off before San Diego Comic Con (sadly still no booth, but I will have art up in the Sails Pavilion gallery there), so I must go work on some new art pieces for the upcoming shows.

Have fun and keep creating…

–Diana

The post Home once again, at least for a moment… appeared first on Diana Levin Art.

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24. Happy Canada Day!

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25. Comics Illustrator of the Week :: Lauren R. Weinstein

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Lauren R. Weinstein is a cartoonist, illustrator, and graphic storytelling teacher based out of New Jersey. Her work is distinct in it’s raw, humorous approach to the human condition, and sometimes ventures into the realm of a dark, surreal head trip. After graduating from Washington University in St. Louis, her first comics would start popping up in various publications like the Seattle Stranger, and gURL.com. Then, a few years, she would debut the critically acclaimed Inside Vineyland, her first collection of comics. Girl Stories, a memoir of her teenage years, and the over-sized Goddess of War, a tale about the God of Thunder’s great-granddaughter’s exploits, would soon follow.

Her work has been featured in The New York Times, Glamour, Nautil.us, Lucky Peach, and Kramer’s Ergot.

She was a recipient of the Xeric Foundation’s grant for self-publishing comics for Inside Vineyland, and her comics have been featured in The Best American Comics book series twice.

She is currently teaching at the School of Visual Arts in New York City, and working on her next graphic novel, a follow-up to Girl Stories.

You can read her latest work Carriers, a very personal webcomic about a very serious health situation with her unborn child, and the life lessons she took away from that experience.

You can keep up with the latest news, and see more of Lauren R. Weinstein’s art on her website.

Click here to read my interview with Lauren R. Weinstein.

For more comics related art, you can follow me on my website comicstavern.com - Andy Yates

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