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The Internet animation community is talking about one thing today: a series of tweets last night by "Adventure Time" storyboard artist Emily Partridge in which she identified artist Skyler Page, the creator of the Cartoon Network series "Clarence," as sexually assaulting her.

While this week’s "Steven Universe" opened a lot of doors as far as characterization and parallels, it was simply okay. Mr. Pizza was comical relief but other than that you had to dig for the entertainment.

There’s something about Steven’s dad Greg that doesn’t add up. Will we ever really know why Greg distances himself from his son? This week in “Onion Trade," we explored a dad’s horrible ability to remember things, witnessed Steven’s lack of male role models, and learned a lot more about Onion, a character who revealed quite a few new layers.

“So Many Birthdays” 
Written and Storyboarded by Raven M. Molisee and Paul Villeco. “Lars and the Cool Kids” Storyboarded by Lamar Abrams and Matt Braly. Usually I walk away from Steven Universe having laughed a little, often forgetting what had happened as soon as it’s over but if things continue to be like “Giant Woman” and “So Many Birthdays” this show could end up meaning something special to me. This episode’s theme was heavy on the idea of growing up and the end result was a great realization that everyone should take into consideration. Once again we start with Pearl and Amethyst arguing about something irrelevant. A smell lingers in the air, and the Gems and Steven stumble upon a five-year-old burrito (likely the cause of the stench) and an “old timey” picture of the Gems and Steven’s mother. This brings us all to wonder how old the Gems really are. Thankfully, the always-inquisitive boy asks. The Gems live a long time, but they don’t show signs of aging like humans although they can get hurt. Steven then has to badger on about their birthdays – Garnet admits that’s not something Gems do or care about. Much like Steven, I was appalled by that. He then pledges to throw them each a birthday party.  Each Gem got her own special day that ended as a failure, even though they’re all wearing Steven’s lucky birthday suit–a cape and crown. Amethyst doesn’t understand the concept behind piñatas and asks the question I think we’ve all wondered: “You had candy and you just didn’t give it to us?” Steven tries to step it up by performing as a clown for Pearl’s party and telling jokes. They go over her head and she cringes at the pie-in-the-face bit. When Steven proclaims Garnet’s will be the “ultimate birthday,” you think, yeah – this is where it’ll all turn around. Nope. Kazoo racers weren’t a hit because riding in miniature cars and playing kazoos doesn’t sound appealing to the Gems. Their hesitance towards celebrating their birthdays leaves Steven questioning if he’s too old to blow out the candles on his special day anymore. This mental breakdown was probably my third favorite moment in this series so far; the first one came in a previous episode (we’ll touch on that later) and the second was in this week’s again, later on. Anyways, his breakdown led to a very interesting result…  Walking through a fog both in reality and in his mind, Steven continued to question birthdays and growing up. As he did this, his gem glowed and he started to age. At first it was just simple puberty; four hairs on his upper lip, noticeable vocal changes and acne. As he came to a store and decided a job was what he had to get, he became a five-o’clock-shadowed man standing tall. By the time he got to Lars’ shop, he looked like George Costanza from Seinfeld. After being run out of the store due to a misunderstanding about his ‘birthday suit’…his aging process escalates from looking like his dad to grandpa status; Gandalf beard and all. He is returned to the Gems thanks to his lion. Yup, that lion from “Steven’s Lion” was back this week, but didn’t play an essential part other than party attendee before this point. The Gems always show concern for Steven when he gets himself into a pickle but this was the first time they showed an emotional concern rather than an instinct to save. This was probably because they had to face death. With Steven being half-human, his death was a possibility and actual fear swept over his three gal pals as they tried to reverse his aging by over-celebrating the birthday rituals they’d learned: piñatas, tiny cars, clowns, and pies. Pearl, in tears, while trying to complete the clown bit was a hilarious moment in a tense situation.  Steven’s age starts to fluctuate with his state of mind, going back and forth between a boy and a man. Turns out, you’re as old as you feel. This lesson was my second favorite moment and goes hand in hand with my first, which so happens to be from “Frybo,” the episode that played wonderfully after this week’s new one – both of those dealt with the essence of adulthood and the way it feels like it’s strangling you even when you’re years from it. One can only hope that this theme continues because as much as Pearl and Amethyst butting heads is entertaining, these episodes that capture Steven’s journey to manhood are way more interesting. Since “So Many Birthdays” was the best I’ve seen from Steven Universe, I didn’t expect much from what Steven and Lars had to offer when they encountered the so-called cool kids in “Lars and the Cool Kids.” It was just okay, and the best part was a tossup between Steven defending his mother and Lars bombing at being cool. The Gems and Steven come across a huge quarry of nasty moss growing out of control that Steven’s mother planted once upon a time. Pearl points out that Steven’s mom, Rose Quartz, always saw “beauty in everything, no matter how gross,” which also might explain why she was with Steven’s dad in the first place. You can refer to the opening credits to check out what he looks like if you’ve forgotten since we haven’t seen him for a long while. After Pearl produces some police tape to keep the humans out of the moss, we lose the Gems for the rest of the episode as Steven heads out on his own for lunch at Fish Stew Pizza. There he comes across a reluctant Lars and fails to engage him with a high five. Lars is trying to play it cool as he lurks in the parlor’s window staring in at the cool entourage he’d die to become a part of. There’s Jenny, an in-charge black girl who’s dad owns the pizza place. She’s surrounded herself …

I love Lamar Abrams’ comics, both the Adhouse Books -published Remake and Remake Special, and his own Ferzan series of self-published mini comics. But lately I’ve been in love with Lamar’s Instagram feed. There’s plenty of the regular stuff you expect from that kind of thing, food, cats, etc., but Lamar puts up a lot of pictures of things he’s working on, from thumbnails to inked comics to digital work onscreen. Lamar’s style is SO stylized, but still so conversational and relaxed, that there’s something really fascinating about these little up-close glimpses of his work. Not to mention it’s really shown me what a strong draftsman he is, which it’s easy to forget when you’re laughing at his jokes.

If you’re on Instagram check him out, he’s “neo_rama”. Instagram is alone maybe in being one of the most popular social networks that it’s virtually impossible to link to from outside a mobile app (?!?), but there are numerous mirror sites, like this one, to check Lamar (or whoever) out on, from any device.