Since it’s apparently football season (or at least that’s what the trending topics on Twitter seem to imply) think of this as a kind of post-game recap of what went on yesterday in the land of ALA Media Awards. Each year I like to look at what I got right, what I got wrong, what I got horrendously wrong, and what I got so wrong that it’s a miracle I’m even allowed to blog anymore. And because I believe in eating my cake before my dinner, we’ll start at the top and work our way down (metaphorically speaking).
First up:
Newbery Winners: I Got Them Moves Like Gantos
When I posted my review of The Great Cake Mystery yesterday and happened to include at the end an image of Dead End in Norvelt: British Edition (called just plain old Dead End and shown here) I hadn’t even considered the possibility that the darn book was poised to win the greatest honor in the field of children’s literature. Why had I recovered from my Gantos fever? Well, I think Jon Scieszka put it best yesterday when he tweeted his congrats to Jack and applied the hashtag #afunnybookfinallywins. Ye gods. He’s right. I ran over to ye olde list of past Award winners and while some contain elements of humor, none of them have been as outright ballsy in their funny writing as Gantos was here. I mean, you can make a case for Despereaux or Bud Not Buddy if you want, but basically even those books drip of earnestness. And on some level I must have figured the funny book couldn’t win. I had forgotten myself the moniker I had applied to this year. The Year of Breaking Barriers. Well if giving a big award to a funny title isn’t breaking a barrier here or there, I don’t know what is.
It’s really funny to read my mid-year and fall predictions in regards to the Gantos title. In the middle of the year I mentioned the book as a possibility but even then I wasn’t putting too much hope there. I wrote:
This is undoubtedly wishful thinking on my part. Gantos has never gotten the gold, and he deserves it someday. This book, of course, has a weird undercurrent to it that may turn off a certain breed of Newbery committee member. Not everyone is going to find Jack’s constant brushes with death as interesting as I do. Still, I hold out hope that maybe this’ll be a Gantos-luvin’ committee year. Stranger things have happened.
Stranger indeed. By the fall I was mentioning it, but only in passing and with the feeling that it was an unlikely bet so that by my last prediction it had fallen off the radar entirely.
By: Betsy Bird,
on 11/3/2011
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JacketFlap tags: Uncategorized, nonfiction, nonfiction picture books, Marshall Cavendish, biographies, picture book biographies, Raul Colon, nonfiction middle grade, Carmen T. Bernier-Grand, 2011 reviews, 2011 nonfiction, 2011 nonfiction picture books, 2011 biography, Pura Belpre contenders, Add a tag
When I was a kid I took a fair amount of ballet. I liked it. Kept me on my toes (yuk yuk yuk). I retain fond memories of that time in my life, but don’t be fooled. I’m just as likely to groan when I see a children’s biography of a ballerina as anyone. “Not another one!” I’ll kvetch. Never mind that ballerina bios don’t exactly stuff my shelves to overflowing. Never mind that when artists like Raul Colon are involved the end result is going to be magic. Never mind that author Carmen T. Bernier-Grand has attempted to sate my unquenchable thirst for original biographies of people never covered in the children’s sphere before. It was only when my fellow librarians repeated the phrase, “No. Really. It’s incredibly good” to me in about thirty different ways that I finally picked the dang thing and cracked it open. Fun Fact: It’s incredibly good. Who knew? [Aside from all those children's librarians, of course.] From the pen of Ms. Bernier-Grand comes a biography that tells the balanced, nuanced story of a woman pursuing the art form she loves in the face of personal tragedies, political upheavals, and worldwide acclaim/blame.
A child named Alicia Ernestina de la Caridad del Cobre Martinez y del Hoyo dances in her Cuban home. “Like light, / she’s barely aware / of the floor beneath her dancing feet.” Few could suspect at the time that she would grow up to become perhaps the greatest Cuban ballerina in the world. After years of practice she marries at fifteen to a fellow dancer and moves to New York. It’s there that she is discovered, just in time for her retina to detach. But even blinded she dances in her head and when she comes back to the stage her toe shoes are glued to her feet with blood. Back in Cuba she starts a dance company that suffers under the dictator Batista and does better under Castro. When the decision comes to dance for Cuba or the U.S. she stays with her roots, to the admonishment of the exiles. To this day she dances still. A final author’s note, list of ballets she’s performed, awards received, a Chronology, Glossary of terms, Sources, Website, and Notes appear at the end.
Books for children that deal with Cuba make me wish I had been a better student in school. My knowledge of the Cuban Revolution comes in bits and pieces, fits and starts. Recently we’ve seen quite a few titles concerning this moment in history but often I found them strangely black and white. In books like “The Red Umbrella” for example, characters were portrayed as incredibly black and white. When one starts to join with Castro, she becomes evil near instantaneously. Sometimes historical choices and moments have bits of gray in there, though. Part of the reason I liked Alicia Alonso as much as I did had to do with these gray areas. First off, it was one of the few books to speak about Dictator Batista. Next, here you have a woman who chose to stay in Cuba. As the Author’s Note explains, “Alicia had
Once again, the Caldecott award proves it is nothing more than a lottery. If you told me that these four books were not even considered for an award yesterday, I would not have blinked an eye. They all have some nice things going on, but it seems so unfair that these books will go on to launch the illustrators careers to another level, when there are many many other illustrators who don’t even seem to get a sniff from the committee who are just as deserving.
There is no answer, I guess they just have to wish and hope that their number gets pulled someday.
Jefferson’s Sons?
I share your disappointment in AMELIA LOST. Such a shame. However, as you pointed out, the reason I love these awards so much is their unpredictability. Can’t wait to get my hands on BREAKING STALIN’S NOSE, DRAWING FROM MEMORY, CAZUELA, and SOLDIER BEAR. On SOLDIER BEAR particularly as I was convinced PRESS HERE was a lock for the Batchelder.
To be fair, Chaz, last year the Caldecott went to an unknown debut illustrator. And certainly on the Newbery two newbies got Honors. I think of it less as a lottery and more as a litmus test of professional opinions. Or maybe an experiment in consensus.
Oh, and yes. Jefferson’s Sons. Would have loved to see it get something, but at least it got a lot of debate and attention early on. Still, disappointing.
Elizabeth, I really like the “experiment in consensus” phraseology. That helps put the results in a better light.
Thanks.
I finished Breaking Stalin’s Nose and Under the Mesquite this weekend (snow, ice, and a wicked cold gave me plenty of time for reading!), so I was very happy to see that they were recognized. Do read Under the Mesquite; it’s well worth it.
I am very sorry that Amelia Lost did not win anything. I was quite happy that The Running Dream won the teen division in the Schneider Family award. Personally, it was a good day for local pride: Virginia author Maggie Stiefvater was a finalist for the Printz (I knew that already, though), and Printz and Morris winner John Corey Whaley is from Louisiana, my home state!
So happy to hear the NYPL ordered more copies of A Ball for Daisy. I had put it on hold a while ago and the status indicated it was “on order.” Then it changed to “in library use only.” I hope some will be available for borrowing soon!
Oh yes, pearls were clutched at the announcement of the Schneider picture book non-decision! Library scandal!
The Horn Book should be pretty pleased with the Newbery results. Breaking Stalin’s Nose wasn’t even on my radar until it made their Fanfare list.
On the topic of funny Newbery winners – what about A Year Down Yonder? Sure, there’s some earnestness, too, but that one had me howling at times. I would call Bud Not Buddy a funny book, too, and also Holes. I haven’t read Dead End yet so I can’t compare relative humor, but still.