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By:
Betsy Bird,
on 12/6/2011
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The Luck of the Buttons
By Anne Ylvisaker
Candlewick Press
$15.99
ISBN: 978-0-7636-5066-7
Ages 9-12
On shelves now.
There are kids out there that like historical fiction. I know that there are. I’ve met them. They come into my library and curl their lips in disgust at the covers with the shiny dragons and sparkly motes of dust swirling and whirling. The thing is, they don’t know the term “historical fiction” and even if you told them that was the kind of book they preferred they’d look at you like you were attempting to make them eat something green and leafy. All they know is that they like stories about real kids and if those kids happen to live in the past, so be it. Why slap a label on what they love? Because if I don’t make it clear that this is a genre that gets read we’re going to find less and less books of that ilk appearing on our library and bookstore shelves. That would be a real pity too since books like The Luck of the Buttons by Anne Ylvisaker are some of the best in the biz. A svelte little novel that’s chock full of plum, pluck, and vinegar, Ylvisaker gives us a heroine you can believe in but never pity. And the readability? Through the roof, man. Through the roof.
If you’re growing up in Goodhue, Iowa then you probably know the Button family. More to the point, you probably know that they’re just about the most luckless group of nobodies ever to place a foot on God’s green earth. This has been true for generations and there’s no reason to think that Tugs Button would be any different. Yet this year, she seems to be. First thing, Tugs wins the three-footed race with fancy Aggie Millhouse as her partner (Aggie’s another story right there). Next, she wins the essay content for a piece of writing she though she’d dumped in the trash. And then third, she wins a raffle for a real, honest-to-goodness, Brownie camera. A gorgeous camera that takes great photographs. If the luck of Tugs is turning around, she’d definitely going to need it. There’s a fast-talking newspaper man in town taking donations for a new paper, and Tugs is certain the fellow’s up to no good. The result is a story of a girl who’s been sleepwalking through her own life until, one day, she gets lucky.
There are two books out this year where smooth-talking shysters try to talk some money out of the local rubes. In The Trouble with May Amelia by Jennifer L. Holm, the shyster gets away scot-free. In Luck of the Buttons . . . well, I shouldn’t give anything away. Suffice to say, Tugs is onto this Harold Hill wannabe, pretty much from the get-go. And part of what I respect about Ylvisaker’s writing is that Tugs has her reasons. She also has her handicaps. There is, first and foremost, the fact that she’s a girl, and second there’s the fact that her family lies on one of the lower rungs of their small town’s status. Who’s going to believe the suspicions of somebody that inherently (through no fault of her own) untrustworthy?
In fact, it’s the small town mentality here that I really loved. It’s easy to condemn small towns for their single-mindedness and stubborn memories. It’s also easy to hold small towns up as bastions of truth, justice, and the American w
By:
Betsy Bird,
on 11/7/2011
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The Romeo and Juliet Code
By Phoebe Stone
Arthur A. Levine (an imprint of Scholastic)
$16.99
ISBN: 978-0-545-21511-4
Ages 9-12
On shelves now
It seems unfair that my attention was first drawn to The Romeo and Juliet Code because of its cover. No book deserves to be held responsible for its misleading jacket and Phoebe Stone’s latest is no exception. Set during the Second World War, the book looks like a rejected shot from a GAP catalog more than a historical novel (pink Converse?? Really??). When ire was aimed at the jacket early on I remember many a supporter saying, “It’s such a pity it has that cover because the story is wonderful!” Willing to give it the benefit of the doubt (after all, The Trouble with May Amelia has a similar problem and is a magnificent bit of writing) I plucked up a copy from a friend and started to read. Oh my. No book, as I say, deserves to be held responsible for the sins of its jacket, but this book has sins of its own above and beyond its packaging. Ostensibly a kind of mystery for kids, folks with a low twee tolerance would do best to steer clear of this one. It is indeed beloved in its own right but this particular reviewer found its style to be strangely grating. As historical fiction goes, this does not go to the top of my list.
Flissy has found herself unceremoniously dumped. One minute she is living happily in her flat in England with her parents Winnie and Danny (though she doesn’t much care for the bombing going on outside). Next thing she knows they’ve managed to hitch a ride on a ship bound for America and she is left in the care of an unmarried uncle, an unmarried aunt, and a grandmother, none of whom she has ever met before. Her initial homesickness and loneliness are partly appeased when she starts uncovering the secrets lurking in the house. A hitherto unknown cousin by the name of Derek is found upstairs. Uncle Gideon is receiving strange coded messages and they seem to be coming from Flissy’s Danny. And why does everyone keep talking about the whispers in the nearby town? What other secrets can one family harbor? Flissy doesn’t know but with the help of her cousin she is bound to find out the whole truth.
I have an unattractive habit that comes out whenever a book starts to grow repetitive in some way. I count. Which is to say, I count the number of times that repetitive element appears. When I read Eragon for the first time I counted how many times a chapter began with some version of “Eragon woke up” (final count: twenty-one chapters do this). In the case of The Romeo and Juliet Code my weirdness was prompted by the author’s use of the term “ever so” as in “I was ever so interested in the number of times `ever so’ appeared in this book.” There are thirty-seven moments when the phrase pops up. In two cases the phrase appears twice on a single page. Reading an advanced readers galley of the book I was convinced that this had to be a typo of some sort. Surely the author got a little carried away and the copy editor would lay down the law before publication time, yes? Apparently not. On the child_lit listserv the book’s editor spoke about the ubiqui
By:
Betsy Bird,
on 11/4/2011
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Belle, the Last Mule at Gee’s Bend: A Civil Rights Story
By Calvin Alexander Ramsey and Bettye Stroud
Illustrated by John Holyfield
Candlewick Press
$15.99
ISBN: 978-0-7636-4058-3
Ages 4-8
On shelves now
Certain historical figures inspire multiple generations of children’s authors to go a little hog wild and pig crazy writing up their lives for general posterity. The biography section of my children’s room, like many out there, suffers from an overabundance of Lincoln/Edison/Washington/etc. bios. Even utterly worthy folks like Dr. Martin Luther King Jr. get a little overdone, causing one to wonder why folks even bother. Do authors keep writing about the same five folks because schools concentrate only on those people and therefore it is more lucrative to give them credit over and over again? How hard is it to find new takes on overdone cultural heroes? Enter Belle, the Last Mule at Gee’s Bend by Calvin Alexander Ramsey and Bettye Stroud. Shelved in the fiction picture book section of your local library, the book actually places the bulk of its attention on a true moment in history, little remembered in schools and textbooks. Though it is couched in a made up story, Ramsey and Stroud have found a way to give Dr. King’s legacy a new tale and take. The end result is a book that may straddle the line between story and truth, but there will be few who argue that it straddles the line between good and bad.
Alex is bored. His mom has dragged him along to Gee’s Bend so that she can buy a quilt, but while she’s doing so he’s stuck on an old porch with nothing to look at but an old mule chomping on somebody’s garden of collard greens. When an old woman joins him on the bench and introduces herself as Miz Pettway Alex inquires as to why the mule is allowed to eat all the greens it wants. She explains that Belle isn’t just any old mule. Back in the day when segregation was rampant Dr. Martin Luther King visited Gee’s Bend. After encouraging the residents to take the ferry the people find that the white folks in Camden across the river are so intent to deny the vote that they’ve closed down the ferry. Undeterred the Benders had their mules pull them along and around the river the long way. Later when Dr. King died, Belle and a mule named Ada were selected to pull his coffin along its funeral route. Of course state policeman tried to stop the mules from arriving, but when it was clear that there would be a national incident if the mules were not taken to the funeral, state troopers escorted the animals the rest of the way. That is why Belle, for all that she’s a mule, is important. As Alex himself says, “even an old mule can be a hero.” An Author’s Note explaining the true history of this incident alongside a photograph of the actual mules pulling Dr. King’s coffin, is included at the end.
Many is the children’s librarian who has picked up a work of historical fiction like this and encountered what can only be described as Needless Exposition: The Book. Let me describe it to you. In such a book a child character walks up to an adult and asks something along the lines of, “Grandpa what was World War II / Jim Crow / The Bay of Pigs?” (take your pick). Then the adult tells them what they want the reader to know and there you go. Instant book. Such stories don’t always make a lot of sense either. Oftentimes you’ll encounter a narrator who by all rights would have been told such
By:
Betsy Bird,
on 9/9/2011
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Wonderstruck
By Brian Selznick
Scholastic Press
$29.99
ISBN: 978-0545027892
Ages 9 and up
On shelves September 13, 2011
Hype. What’s the point? A publisher believes that a book is going to be big so they crank up the old hype machine and do everything in their power to draw attention to it long before its publication date. That’s what they did for Brian Selznick’s Wonderstruck and I was sad to see it. As far as I was concerned, Selznick’s The Invention of Hugo Cabret was too tough an act to follow. Here you had a book that managed to get hundreds of librarians across the nation of America to redefine in their own minds the very definition of “picture book”. Cabret was remarkable because it combined words and pictures in a manner most closely resembling a film. Indeed the whole plot of the book revolved around filmmaking so what would be the point of writing another book in the same vein? If Cabret credits its success in part to its originality, doesn’t that give his Wonderstruck a handicap right from the start? You’d think so, but you might also forget something about Cabret. While the art was spectacular and the plotting just fine, the writing was merely a-okay. By no means a detriment to the book, mind you. Just okay. And maybe that’s partly why Wonderstruck works as well as it does. The art is just as beautiful as Cabret’s, the plotting superior, and the writing not just good, but fantastic. Where Cabret wowed readers with spectacle, Wonderstruck hits ‘em where it hurts. Right in the heart. For once, we’re dealing with a book that is actually worth its own hype.
Ben: Gunflint Lake, Minnesota, June 1977. Rose: Hoboken, New Jersey, October 1927. Ben’s Story – written: Newly orphaned when his mother dies, Ben comes to believe that he has a father, hitherto unknown, living in New York City. When an accident involving a telephone and a bolt of lightning renders him deaf, he sets out for the big city in search of clues to who his father really is. Rose’s Story – seen almost solely in pictures: A seeming prisoner in her own home, Rose too sets out for New York City to see the actress Lillian Mayhew for reasons of her own. The two children both end up in The American Museum of Natural History and both discover something there that will help to give them what they need to solve their own problems. And in that discovery, they will find one another.
I’ll just state right here and now that you could probably tell from the opening paragraph of this review that it’s extraordinarily difficult to talk about Wonderstruck without invoking Hugo Cabret in the same breath. This is mostly because of the unique written/image-driven style Selznick utilizes in both of these books. It’s not an unheard of technique, alternating written passages with visual ones, but it’s rarely done this well. What strikes me as significant, though, is that the style is chosen f
By:
Betsy Bird,
on 8/28/2011
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Jefferson’s Sons
By Kimberly Brubaker Bradley
Dial (an imprint of Penguin)
$17.99
ISBN: 978-0-8037-3499-9
Ages 9-12
On shelves September 15th
When I was in high school I started reading Toni Morrison’s novel Beloved on my own. At the time, my mother said something about the book that I’ve been turning over in my mind ever since. She noted that the novel was remarkable because it showed that even the best possible slave situation was still an intolerable one. There is no “good” slaveholder, no matter how nice they might be, and no matter how well they treat their slaves. I understood a bit of this but I’ve never really encountered a book for kids that approaches this idea. I’d say that a good 95% of middle grade novels written for kids about slavery tend to show the same idea. The slaveholders are all evil except for one or two wives/daughters/granddaughters who teach our hero/heroine to read. Kids know that people who own slaves are bad so what’s the point in throwing in questionable morality? Yet Jefferson’s Sons couldn’t exist under those restrictions even if it wanted to. If a good chunk of the American population has a hard time wrapping its head around the idea that the Founding Fathers owned slaves then how much harder would it be for an author of children’s literature to bring the point up? Kimberly Brubaker Bradley doesn’t just tackle the issue of someone like Thomas Jefferson owning slaves, though. She tackles the notion that he owned his own children as well. To pull this storyline off and to make it child appropriate, Bradley has a couple tricks up her sleeve. And danged if it doesn’t pay off in the end. To her I doff my cap.
Three residents of Monticello. Three boys with a connection to its owner, Thomas Jefferson. The first boy, Beverly, is the eldest son of Sally Hemings. He is also, as it happens, a son of Jefferson himself. Born with light-colored skin, Beverly comes to learn from his mother that when he turns twenty-one he is expected to leave Monticello, never see his family again, and go into the world as a white man. On this point he is conflicted (to say the least). After him comes Madison, or Maddy for short. Born with darker skin, Maddy will never be able to live as a white person like his siblings, and he fights with his anger at his father and at the system of slavery itself. Finally there is Peter, a young slave boy, who ends up suffering the most at the hands of Jefferson’s negligence. Through it all, these three boys help one another and attempt to come to terms with how a man can be considered great and yet participate in an institution of evil.
Before we get any further I’m going to cut short an objection to this book that a segment of adult gatekeepers are going to lob straight off. The idea that Thomas Jefferson sired children with Sally Hemings is widely but not universally accepted. Some people believe that her kids were fathered by a cousin of Jefferson’s. Bradley even incorporates this theory into her story, mentioning that Jefferson’s daughter Martha spread the rumor of the cousin to distract the curious from making connections she deemed inappropriate. Bradley also tackles the fact that the Hemings/Jefferson connection is something she and “almost everyone else who’s investigated the subject” believes. She offers up a plethora of research for this, including a “Report of the
I adored this book. I quoted half the first chapter in my post b/c I found the language so delightful and could so easily picture Tugs. I’ve been pushing it as a read aloud, especially in the sixth grade b/c they do a unit on the Great Depression. Loved your review and thanks for reminding me about the audio.
bk
Thanks for another swell review. I actually have a section in my classroom library labeled historical fiction and I honestly have to force some kids to choose books from other sections. I know what you mean!
I loved this one and featured it for July 4th weekend: http://booksyalove.blogspot.com/2011/07/luck-of-buttons-fiction.html. A bit of mystery, a little history, and several memorable characters. It also helps that the book itself isn’t enormously long – but has lots of story packed into it.
You just described my 3rd-grader, who says she mostly likes books about “real kids.” Preferably kids who lived a while ago. And so she’s read the first 4 Betsy Tacy books (numerous times), all of Elizabeth Enright, etc. This looks wonderful–I’ll bet we’ll be adding this to the canon…
Love love love this book.