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Viewing: Blog Posts Tagged with: Anne Greenwood Brown, Most Recent at Top [Help]
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1. Victorian Poets and Paranormal Romance: Anne Greenwood Brown


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When people ask me where I got the idea for LIES BENEATH, a YA novel about murderous mermaids on Lake Superior, I tell them that the initial image came to me in a dream, which is the truth. But the inspiration--the thing that fueled the novel--was Victorian poetry.

I’ve always had a love for the Victorian-era poets: Shelley, Tennyson, Dickinson, Rossetti, and the Brontës, just to name a few. In particular, I’m drawn to the way they mix their images of death and romance: the beautiful corpse, so to speak. For example, Dickinson speaks of death being a suitor come courting in a fine carriage:  

Because I could not stop for Death
He kindly stopped for me.
The Carriage held but just Ourselves
And Immortality.

But the Victorians don’t have a monopoly on this juxtaposition of romance and death. It is also a familiar image in modern-day paranormal romance.

The paranormal genre is filled with vampires, faeries, angels, and mermaids--all beautiful creatures who bring romance to unsuspecting mortals, just as easily as they bring death. So why are we drawn to them? They should repel us, but we are transfixed. Perhaps it is because we long to be consumed by love, just as surely as death will consume us all. Perhaps it’s the notion of “‘til death do us part” taken to its most extreme conclusion.

LIES BENEATH (the first book in the trilogy) is the story of Calder White, a merman, who falls in love with Lily Hancock, a human girl whose family has a history with monsters in the lake. The novel was inspired by three Victorian poems about beauty, love, and death, all written by Alfred, Lord Tennyson: “The Merman,” “The Mermaid,” and “The Lady of Shalott.” 

Tennyson describes the merman as a beautiful creature, living a king’s life. He’s flirtatious and bold, but without real love, his life is lonely, empty, and shallow: 

Who would be
A merman bold,
Sitting alone
Singing alone
Under the sea,
With a crown of gold,
On a throne?
                      -The Merman

But the mermaids are more straightforward in their warning that death lurks behind the beautiful façade of their lives:

Till that great sea-snake under the sea
From his coiled sleeps in the central deeps
Would slowly trail himself sevenfold
Round the hall where I sate, and look in at the gate
With his large calm eyes for the love of me.
                      -The Mermaid

In LIES BENEATH, Calder recognizes the emptiness of his life, wants more, but fears he cannot escape his own nature. That is, until he meets Lily Hancock, a modern-day Lady of Shalott.

Like the Lady of Shalott, Lily Hancock lives under a curse. While the Lady is teetering on the edge of a mental breakdown, Lily’s perception of the world is colored by her belief that she is destined for insanity, just like her grandfather before her. Both Lily and the Lady long for love and an end to the curse, even if seeking it out will surely lead to death.

When the Lady sees Lancelot, the object of her desire, Tennyson describes him just as dazzling and golden as he described the merman:

The gemmy bridle glittered free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
As he rode down to Camelot:
                                     -The Lady of Shalott

Both Lily and the Lady put on white dresses, board a boat, and seek an end to their family curse. One of them is successful. The other pays the ultimate price. But can we say they did not both achieve their goal?

Some argue that YA paranormal romance sets a bad example of love for teens. I disagree. I would suggest that argument is looking at the genre through the wrong set of lenses. Rather, if considered through the lens of poetry, the reader quickly realizes that paranormal romance--like so many Victorian-era poems before it--presents a metaphor for sacrificial love. And, in the end, isn’t that the greatest love of all?

Anne Greenwood Brown is the author of  Lies Beneath (Random House/Delacorte June 12, 2012), Deep Betrayal (Random House/Delacorte March 12, 2013), and Promise Bound (Random House/Delacorte spring 2014). She lives in Minnesota with her amazingly patient husband and their three above-average children. Follow her on Facebook and Twitter.


4 Comments on Victorian Poets and Paranormal Romance: Anne Greenwood Brown, last added: 4/15/2013
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2. Trailer Tuesday: Shadow and Bone, Lies Beneath

Shadow and Bone by Leigh Bardugo
Release Date: June 5, 2012
Read and write reviews on this title here!





Lies Beneath by Anne Greenwood Brown
Release Date: June 12, 2012
Read and write reviews on this title here!

0 Comments on Trailer Tuesday: Shadow and Bone, Lies Beneath as of 1/1/1900
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3. WOW Wednesday: Anne Greenwood Brown on Climbing Through Windows

Today's WOW guest, Anne Greenwood Brown, writes MG and YA fiction on a quiet suburban street in Minnesota. LIES BENEATH, the first book in her debut series about mermaid assassins on Lake Superior, will be published summer 2012 by Delacorte Press, an imprint of Random House Children's Books. You can "like" her on Facebook, or "follow" her on Twitter, or just say "Hey," when you pass her on the street.

Climbing Through Windows
by Anne Greenwood Brown

There are two kinds of people in this world: Control Freaks and Flow Goers. When it comes to writing, the Control Freaks outline. If you go with the flow, they call you a “Pantser.” I am a major Control Freak. I plan; I outline on index cards; I draw lots of arrows on Post-it notes. So it should come as no surprise that when it came to pursuing a writing career, I had The Master Plan to End All Plans.

What a waste of an index card.

My mother said not to worry. She said, "When God closes a door, he opens a window." I'm not a big fan of this line. I mean, it's pretty awkward climbing through windows, plus there's that big drop on the other side. But, of course, she was right. That's exactly what happened to me on my road to publication. Planning schmanning.

In April 2010, I was querying my second novel and finishing my third. (Don't ask what happened to the first. It did not meet with a pretty demise.) The second novel was a Serious Piece of Work. The third was a MG novel I wrote for fun and for my kids.

So, armed with that Serious Piece of Work, I went to my first writers' conference and prepared for the terrifying tradition known as the agent pitch session. I couldn't believe I was going to pitch my novel to honest-to-God literary agents from New York City! New York City, people! AGGGGH!

The First Door.
Friday morning, I met with an agent who shall remain nameless. She was everything my Midwestern mind conjured up when I thought of publishing professionals from Manhattan: tall, beautifully dressed, glossy, didn't pronounce the letter R. She proceeded to tell me that my Serious Piece of Work was derivative and uninspired.

And Then a Window:
But never fear! I still had another pitch session scheduled! Maybe agent Molly Lyons would like it. Based on the brochure, she looked nicer anyway. Plus she went to Amherst College, my dad's alma mater. I reasoned that she had to be nice to me because I knew all the words to the Amherst fight song.

Then a Second Door.
Thirty minutes before my pitch session with Molly, the conference coordinator announced that Molly was sick and unable to make the trip.

Then a Second Window.
But her colleague, Jacqueline Flynn, had come in her place!

Then Another Door.
I quickly googled Jacquie on my Blackberry. Her bio said she represented Nonfiction.
What?!


Moment where I Go with the Flow and Make Crucial Decision.
I almost bailed on the meeting. I'd already been told my Serious Piece of Work was a piece of something else. Why bother?

Nevertheless, I decided to meet with Jacquie, for no other reason than to practice my pitch. Strange thing though. When I sat down, I forgot to mention my Serious Piece of Work and instead told her about that MG novel I wrote for my kids.

Then a Window.
"That sounds interesting," Jacquie said. "Send me that."
So I sen

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