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Perspective is a thing so integral to understanding a story. It can even be the reason why an author thinks to lift a pencil and write a story. Yet perspective is a difficult concept, particularly for six-year-olds.
As a first grade teacher, I have found that teaching about a character’s perspective is at times an easier task than having students contemplate an author’s purpose. I have come to the conclusion that somehow characters are more tangible to students. They feel more real. They are living, acting, speaking things in the story, so of course they must think something too! Right?
Authors, however, are an abstract people for them. Although they create a book’s very words and images, they are removed from the story. For an elementary school child, understanding that this person has a message to get across is not only an exceptionally high level skill, but it can also be downright confusing.
Luckily two authors came to my rescue as I attempted to undergo teaching this comprehension skill. These authors have a clear purpose and point of view. Their stories carry with them important messages and ideas —and these messages come from the most unlikely of places: informational texts.
Typically, when teaching students how to uncover an author’s purpose, I have thought strictly in terms of how they write. Do they write to entertain, to persuade, or to teach? This year I found that some authors can do a little bit of each.
Suzanne Slade and Martin Jenkins are two of these very authors. They write stories that are not only instantly engaging through their images and diagrams, but informative. Most importantly, embedded within their facts and illustrations are persuasive messages they are trying to convey.
Suzanne Slade’s, What If There Were No Bees?: A Book About the Grassland Ecosystem, captures readers through its cause-and-effect plot. Students begin by learning about pollination, ecosystems, and food chains. Then, in a clever twist, Slade describes what would happen to these ecosystems if one animal, the honey bee, were simply removed. This text helps scholars learn about ecosystems and food chains, but there is also a message in this story: Bees are important and should stick around.
Similarly, Martin Jenkins creates a beautiful picture book detailing the background and history of extinct and endangered animals. In Can We Save the Tiger? students are exposed to stunning illustrations of tigers, emus and other animals. They learn facts about these animals, yet, they also learn how to prevent the extinction of current endangered species. Like Slade, Jenkins has a purpose: tigers (and other animals!) are in danger, but are worth saving.
When Slade’s and Jenkins’ books are paired with more traditional informational texts, such as textbooks, or books in which facts are simply stated, their perspective becomes all the more clear and refined. I found these pairings integral to the teaching of this reading skill this year. Students were immediately able to discover the distinction between the tones of the texts and thus — the authors’ perspectives!
Yesterday I went with Vanessa Sorensen for a little walk at Spring Grove and some sketching. It is so beautiful there.
It is interesting because I did not know that Spring Grove was constructed in the 1830s after a Cholera epidemic and the overcrowding of little church cemeteries was unsightly.
This is the Robinson Mausoleum. I found out after that it was built in 1874 for $35,000. The Robinson family owned Robinson’s Circus from 1824 to 1916 when they sold it to the American Circus which later merged with Ringling Brothers. The place is cram-packed with these historical goodies.
I forgot to post a couple weeks ago this sketch of the dock at my in-laws at Lake Barkley in Kentucky. It was a great place to view birds. I saw herons, a turkey vulture,and many others.
My little setup next to my sketch...
Finally, I just started a new blog. It is meant to be a place where I develop children's stories. First off is Francis Tales. I did a dummy a few years ago. This is a new iteration of that to start, but it will be a home for stories, experiments and little nugget ideas. Stop by and say hi: http://christinawaldtales.blogspot.com/
4 Comments on Spring Grove, A Lake in Kentucky and A New Blog, last added: 10/9/2012
These are terrific little watercolours Christina ! I have to ask - what are you painting on ? It looks like a moleskine. Do they make them for watercolour or are you using a regular one, and if so, how does it take the paint ?
Beautiful watercolor sketches. They have such a sturdy feeling and so much self-assurance; they have that powerful sense of mastery of the medium and a confidence that frees you to do exactly what you *want*, not what you struggle to *try*. Just a pleasure to look at, makes me feel I'm there.
Thanks Zina! I really, really enjoy doing them. I love drawing something just for me that really has no commercial purpose although I think it helps all my work improve.
Opposnakes a Lift the Flap Book about Opposites by Salina Yoon is a great concept teaching tool. Bright and lively illustrations with friendly faced snakes introduce opposites in a fun way! Few words are used which will engage young ones and also emerging readers can confidently read their own way to the end. Really great find!
Who knew that a perfect square could be transformed into so many things? In his stunning follow-up to last year’s MY HEART IS LIKE A ZOO, Michael Hall creates rivers, mountains, and parks out of a single square of paper. The storytime possibilities are limitless: give kids a square of paper and scissors and see what they can create. So often as a librarian, I would create elaborate artwork for the kids to do during storytime but, sometimes, all you need is a single piece of paper.
What’s buzzy about PERFECT SQUARE? It has received FOUR STARRED REVIEWS! Here’s what they’re saying:
“A smart lesson in thinking outside the box (or the square).” ~ Publishers Weekly (starred review)
“Memorable for reading aloud and terrific for inspiring creative play with the simplest materials.” ~ Booklist (starred review)
“As its week progresses, the narrative turn of events in the square’s world encourages page-turning to discover the results. What will the square do next? This is a not-to-be-missed adventure for all young readers.” ~ School Library Journal (starred review)
“Young readers will absorb the visual lessons effortlessly and with delight.” ~ Kirkus (starred review)
I decided to take some time to scan a few things from my sketchbooks so far this year.
Some are studies of anatomy I made from “Anatomy and Drawing” by Victor Perard, some are studies from a book about animation and other’s are studies of animals and also various things from my head.
I’m just going to lump them all here as a gallery.
Big, Bigger, Biggest written and illustrated by Nancy Coffelt. Henry Holt, 2009 (978-0-8050-8089-6) $16.95
From its small format and laughing hippo cover, you'd expect this to be a pretty standard simple toddler book, and for the most part it is. But language lovers will find treats far beyond the usual fare, with unexpected words like "rapacious," "viscous" and "somnolent." Adults reading aloud could also dig up words to introduce like "superlatives," "synonyms," and "antonyms," if they like.
Each page features a different animal, who tells us a little about itself: "I'm slow," says the turtle. "I'm plodding. I'm languid. I'm ponderous." But the sloth is slower: "I'm poky. I'm laggard, I'm slothful." And the slug tops them all as the slowest: "I'm sluggish. I'm lethargic. I'm lackadaisical!" The topics are big/small, fast/slow, hungry, slimy and sleepy, so it's not completely symmetrical.
Illustrations are basic but animated, showing little scenes of the boldly outlined animals against colored backgrounds; the simplicity is an effective counterpoint to the complicated words. An excellent book for introducing concepts as well as stretching verbal horizons. (2-4)
You have a few different books you want to nominate; but you know, much like Highlander, there can only be one. One nomination per category.
So, you're sitting back, waiting, hoping some of your favorites will be nominated by other people, so that you don't have to decide to pick one; rather, once 3 of your 4 titles are picked, you'll nominate that title.
These are terrific little watercolours Christina !
I have to ask - what are you painting on ? It looks like a moleskine. Do they make them for watercolour or are you using a regular one, and if so, how does it take the paint ?
Anyway - great work !
Thanks Larry!
Beautiful watercolor sketches. They have such a sturdy feeling and so much self-assurance; they have that powerful sense of mastery of the medium and a confidence that frees you to do exactly what you *want*, not what you struggle to *try*. Just a pleasure to look at, makes me feel I'm there.
Thanks Zina! I really, really enjoy doing them. I love drawing something just for me that really has no commercial purpose although I think it helps all my work improve.