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Viewing: Blog Posts Tagged with: linda ravin lodding, Most Recent at Top [Help]
Results 1 - 4 of 4
1. A GIft for Mama: Linda Ravin Lodding and Alison Jay

Book: A Git for Mama
Author: Linda Ravin Lodding
Illustrator: Alison Jay
Pages: 32
Age Range: 4 to 8

When A Gift for Mama arrived, my daughter took one look at the cover and said: "We have another book about that boy." She wasn't strictly correct, but she did recognize that the boy on the cover of this book looks a lot like the boy from The Cloud Spinner, by Michael Catchpool. Both books are illustrated by Alison Jay, and she has a very distinctive illustration style. This works well, because of the tone of the two stories is similar.

In A Gift for Mama, a young boy in old-time Vienna buys a gorgeous yellow rose as a gift for his mother's birthday. Oskar thinks that the flower is "the perfect present" until an artist offers to trade a paint brush for the flower. Oskar decides that if he paints a picture for his Mama, that will be "the perfect present." But then a conductor needs the paintbrush as a temporary baton, and offers Oskar something else in return. And so on. Oskar's mood fluctuates as these trade keep occurring, some without his consent at all, but his innate optimism keeps him thinking that each thing is "the perfect present." 

An author's note at the end of the book gives brief historical context to the Viennese figures that Oskar has encountered, including the Empress Sisi and the artist Gustav Klimt. Understanding who these figures are transforms Oskar's story into a tour of Vienna in 1894. This information isn't really necessary to appreciate the book, but it does add another layer. 

In truth, my almost four year old was a bit baffled by this book, asking "Why does everyone keep taking the boy's things?". But this didn't stop her from wanting to read it again. Oskar is an appealing character, with his up and down moods, and his clear love for his mother. There's a scene in which Oskar experiences a particular disappointment, and my daughter could absolutely relate to his hunched posture (exactly the same way she hunches over sometimes when things don't go her way). 

Lodding's text is full of exclamations and drama, and uses relatively advanced vocabulary. Like this:

"With a tug on the reins, the carriage lurched to a roll.
"Mama's book!" cried Oskar. "It's ruined."

But as Oskar looked up, there was the Empress herself!
She held out a box. "Candied violets," she said kindly. "To say sorry for your book.""

Oskar bower. "Thank you Your Highness!"
The dainty, delicious sweets were the perfect gift for Mama!"

Here Oskar's words as he declares the book ruined, as well as "the perfect gift for Mama" are in slightly larger text, encouraging the adult reader to emphasize those sections. I like books that give cues like this for read-aloud. 

But what I love are Jay's sepia-toned illustrations. They have faint jigsaw lines across each image, like one would see on a very old painting. The people are a bit rounded, wide in their waists, and the use of perspective emphasizes Oskar's powerlessness as the large (and famous) adults manipulate him. 

A Gift for Mama is going on our "keep" shelf. Next to The Cloud Spinner, of course. The conbination of story and pictures leaves readers with a warm feeling. And the fact that there is a bit of historical knowledge hidden in the book adds a special bonus. Recommended for ages four and up for home or library use. 

Publisher: Knopf Books for Young Readers (@RandomHouseKids)  
Publication Date: March 25, 2014
Source of Book: Review copy from the publisher

FTC Required Disclosure:

This site is an Amazon affiliate, and purchases made through Amazon links (including linked book covers) may result in my receiving a small commission (at no additional cost to you).

© 2014 by Jennifer Robinson of Jen Robinson's Book Page. All rights reserved. You can also follow me @JensBookPage or at my Growing Bookworms page on Facebook

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2. PiBoIdMo Day 26: Linda Ravin Lodding Knows What To Do At The End

by Linda Ravin Lodding

Here’s the problem with doing a PiBoIdMo blog post at the end of the month:

I was going to write about setting. But Tammi did that.

I was going to doodle. But Debbie already did that.

I was going to send you an Inspiration Fairy. But Courtney already sent you one.

I thought about chicken nuggets. But so did Sudipta.

So, what’s left?

Endings!  Big, bold, surprising, clever, tender, awww-inspiring endings!

As we ease into the final stretch of PiBoIdMo, like you, I have a list of ideas. Some I’ve even started writing. But none of them have endings. (Yet.)

Many of us experience the first flush of excitement when  a new idea tickles us until we have to put words down on paper. We have an idea! A character! A setting! Maybe we even have conflict!  But, if you’re like me, you hope that by the time you hit the 700 word mark the ending will just write itself. But here’s the problem with endings that just write themselves. They’re usually flat.

And no wonder. A great ending is as difficult to write as an opening sentence. And as important.

Here’s what’s on an ending’s “to do list”:

  • An ending has to resolve the story problem in a satisfying way (no plot points still hanging);
  • It has to have the main character solving the conflict by the last page;
  • It should either be predictable enough to emotionally resonate with the reader or unpredictable enough to delight;
  • If it’s a humorous picture book it needs to deliver the final punch line;
  • And, like a fine wine (or peanut butter fluffernutter sandwich), it needs to linger on your reader’s palette long after the meal in consumed.

So let’s think of how we can use page 32 to offer the perfect ending to your story.

Here are some possibilities:

Surprise Ending

Think beyond the obvious ending and offer the reader a surprise – the opposite of what’s expected.  It should still be logical, but it doesn’t have to be inevitable. Emma Dodd does that in “What Pet to Get” as does Cynthia Rylant in “The Old Woman Who Named Things.”  Both offer surprise endings but do so in very different ways.

Circular Ending

In my picture book OSKAR’S PERFECT PRESENT (2013), Oskar starts his journey looking for the perfect present for his mother. On the first page, he finds it—a  perfect rose! But as Oskar makes subsequent trades along his journey home, he is left without a present.  On the last page, however, he is reunited with the same rose he traded away at the start of his journey.  Circular endings—or those that somehow mirror the opening—are among my favorite endings since they offer closure in an often clever way.

Fulfillment

Sometimes a last page is simply the climax of the story, the fulfillment of the character’s desire. In “When Marion Sang”, Pam Munoz Ryan’s book about opera singer Marion Andresen,  Marion is denied to sing on many American stages because she was African American. The last page of the story reads, “. . .and Marian sang.”  In  my picture book THE BUSY LIFE OF ERNESTINE BUCKMEISTER, Ernestine is the queen of over-scheduled set, and she just wants to play. In the end, she does just that and the final words, “And sometimes she just played,” underscore that Ernestine is fulfilled.

Wordless

And ending can be wordless,  relying on a single-spread illustration to close the story. While the ending is wordless, it still needs to be “written” within the visual. This type of ending can be used effectively in both quiet books and humorous

10 Comments on PiBoIdMo Day 26: Linda Ravin Lodding Knows What To Do At The End, last added: 11/26/2011
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3. Review: The Busy Life of Ernestine Buckmeister

By Nicki Richesin, The Children’s Book Review
Published: September 9, 2011

The Busy Life of Ernestine Buckmeister

by Linda Ravin Lodding (Author), Suzanne Beaky (Illustrator)

Reading level: Ages 5 and up

Hardcover: 32 pages

Publisher: Flashlight Press (October 1, 2011)

Source: Publisher

Trying to “make every moment count” as her father advises, Ernestine Buckmeister is shepherded to and from her daily tuba, yoga, karate, knitting, sculpting, water ballet and yodeling lessons by her Nanny O’Dear. Linda Ravin Lodding’s amusing send-up to overscheduled children who don’t have time to frolic and just enjoy being kids imparts a very wise lesson disguised as a comic adventure tale.  Poor Ernestine’s hectic schedule doesn’t allow for much downtime to play with her friend Hugo, so she tricks Nanny into skipping her tuba lesson to play for one “heavenly” afternoon. They spend it doing all the things they have missed out on like staring at the clouds, playing pretend, building twig forts and making daisy crowns. As a result, Ernestine’s family decides together to redefine “living life to the fullest.” The Buckmeisters bike to work and help Ernestine build a tree house while Nanny O’Dear discovers the joy of flying kites. Suzanne Beaky’s lightheartedly silly illustrations, of Ernestine’s teachers like Pearl Stitchem, Grand Master Hi Ya and Mr. Oompah, make this book even more playful and fun. For a sneak peek at The Busy Life of Ernestine Buckmeister, check out this entertaining book trailer.

Add this book to your collection: The Busy Life of Ernestine Buckmeister

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Nicki Richesin is the editor of four anthologies,What I Would Tell Her: 28 Devoted Dads on Bringing Up, Holding On To, and Letting Go of Their DaughtersBecause I Love Her: 34 Women Writers Reflect on the Mother-Daughter Bond;

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4. That'll be the Debut - fourth of a series - Picture Book Writers

by Addy Farmer Featuring Juliet Clare Bell, Linda Ravin Lodding and Julie Fulton On Notes from the Slushpile, we chronicle the slings and arrows of trying to make a dream come true so we get embarrassingly excited about debut authors. In our new series That’ll Be The Debut, we meet debut authors and get the lowdown on what life is like beyond the Slushpile. Here is the fourth of the series in

10 Comments on That'll be the Debut - fourth of a series - Picture Book Writers, last added: 7/30/2011
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