Head on over to the main PaperTigers website to read our new interview with the wonderful Lisa Yee and find out about the background to some of her best-selling books.
After having my emotions wrenched between tears of laughter and genuine weeping during Lisa’s presentation at Serendipity 2012 in Vancouver earlier this year, I came back to the UK laden with her books. Older Brother, Younger Brother and I have been hijacking them from each other ever since – and it’s just as well I’ve read them as Younger Brother will bring a character matter-of-factly into conversation while I now have the necessary knowledge to do the mental somersault towards the fictional identity of this “person”. So if you don’t yet know Lisa’s books, I can thoroughly recommend them for you and any middle-grade/YA readers you know. In the meantime, head on over to our interview to find out more…
Continuing our theme of Water in Multicultural Children’s Books, new on the PaperTigers website is an interview with author Linda Sue Park, in which she talks to us about her novel A Long Walk to Water, awarded the 2011 Jane Addams Children’s Book Award in the Books for Older Children category. Here are a couple of snippets to whet your appetite:
But of course, hope alone is never enough. In my experience, smart choices and hard work are essential as well, and my stories reflect that. It’s up to young readers to decide whether those values become important to them too. Hope, smart choices, hard work—that’s a pretty good formula in my opinion.
The most common reaction from young readers is that they want to meet Salva. I’m always sorry to have to disappoint them—Salva is now living in South Sudan, and working so hard that he doesn’t have much time to visit the U.S. At the same time, I find this response from readers truly moving. So often the people they dream of meeting are movie stars or professional athletes or rock musicians, and it’s terrific that Salva is right up there on that list!
When Water for South Sudan puts in a well, the knock-on effect is staggering. [...] Most important of all, nearly every village that has received a well has started a school for the local children, who no longer have to spend their days fetching water. Clean water directly linked to education—that was a real eye-opener for me!
Continuing our exploration of the world of e-books for children, we’re asking practitioners and people on the ground about some of the challenges and triumphs for them personally, as well as for the children’s publishing industry as a whole.
Today we have with us Janet Wong, former lawyer turned children’s book author of numerous books, including A Suitcase of Seaweed, Me and Rolly Maloo, Twist: Yoga Poems, and Once Upon a Tiger, an illustrated e-book poetry collection about endangered animals, as well as three e-poetry collections, co-designed and edited with Sylvia Vardell: Poetry Tag Time, p*tag and the recently released Gift Tag. Janet’s many awards include the International Reading Association’s “Celebrate Literacy Award”.
We first interviewed Janet in 2008 and it’s great to welcome her back to PaperTigers to talk here about her experiences with e-books.
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What was your inspiration for writing e-books? Was that your intention from the get-go, or was there an evolution in your creative process?
Sylvia Vardell and I hatched our PoetryTagTime project one year ago at the NCTE convention with one simple goal: to make poetry an impulse buy. Poetry books are too often neglected, left to collect dust on bookshelves. We wanted people to hear about our books, read a sample poem, click “buy” (for no more than the cost of a cup of coffee)–and fall in love with poetry!
Children’s books, particularly picture books, present specific challenges to the e-book industry in terms of faithful reproduction of art and story. They also present exciting opportunities for new forms of interaction. What limitations or challenges, expected or unexpected, have you personally experienced creating e-books for children, and in turn, what benefits have you discovered as compared to printed books?
Designing for the small black-and-white screen of the Kindle isn’t easy, especially since you can’t know what size font a reader will choose. A child who chooses a large font might end up breaking a poem’s lines in places where a line break might be, well, ugly. For our third PoetryTagTime venture, GIFT TAG, Sylvia came up with the name “Kindleku” to describe the form that we “invented” for the Kindle screen. This form allows a maximum of 10 lines and 25 characters per line (including spaces)–the most that will fit on a Kindle screen when it is set at Font Size 6 (though Font Size 4 is, in my opinion, the best size for reading most e-books). Douglas Florian called this form the “Kindlekuku” and we acknowledge in the intro that it was cuckoo to limit our poets to 250 characters per poem–but we think the poems are terrific!
Particularly in English-speaking countries, a common concern is the lack of diversity in children’s books. How do you think e-books might address such concerns, and how has your work engaged with issues of multicultural children’s books?
More and more people are discovering the authors in themselves and soon will be using e-books to make their voices and stories heard. This is such an exciting time to be involved with books. There will be lots of awful books, just as there are lots of awful YouTube videos–but there will also be indie-pub
Houghton Mifflin introduced its list of books for young readers in 1937. In December of 2007 the company acquired Harcourt Education, making the combined company, Houghton Mifflin Harcourt Trade and Reference Publishing Group the largest K-12 publisher in the world. An imprint of the company’s Children’s Book Group, Houghton Mifflin Books for Children currently publishes approximately 75-100 books a year. Ranging from picture book to young adult titles and everything in-between, its line-up of contemporary authors and illustrators includes Lois Lowry, Sy Montgomery, Claire A. Nivola, Allen Say, and more.
Kate O’Sullivan, Executive Editor at Houghton Mifflin Books for Children, answered our questions about James Rumford’s Rain School, one of the books selected for inclusion in the 2011 Spirit of PaperTigers Book Set, and about the imprint Houghton Mifflin Harcourt and the children’s publishing industry in general.
Interview by Aline Pereira, former Managing Editor of PaperTigers and currently an independent writer, editor and editorial consultant specializing in multicultural children’s books.
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Please tell us a little bit about your path to becoming an editor.
A college course in mythology had me looking at ancillary interpretations of old texts; I came across illustrated versions of The Odyssey and Argonautica and was hooked by the merging of word and picture to relay narrative. I figured children’s books was where it’s at—not being a writer or artist myself, editor seemed like a good fit.
The publishing industry being as competitive as it is, I worked my first couple of years in college textbook publishing at St. Martin’s Press before getting through the door to children’s trade. That was thirteen years ago and I’ve never looked back!
What makes you passionate about the projects you acquire?
If I laugh, cry, or go goosebumpy, I’m sold. I’m always looking for convincing, authentic stories.
Rain School draws on the author’s experience of teaching in Chad, Africa to portray a village’s commitment to educating its children, against all odds. What first attracted you to Rain School when you first read it? Was the story already illustrated then?
Rain School is such a simple, spare story—but it packs an emotive punch. I love how it shows us that with hard work and determination, the rewards of an education can last a lifetime. And that it does this without ever feeling preachy or forced is no small feat. As with all of Jim’s projects, this one first arrived as a beautiful dummy with exuberant sketches.
Houghton Mifflin has published several of Rumford’s books. How long have you been working with James, and how is your relationship like?
I’ve worked with Jim since his longtime editor, Amy Flynn, left Houghton in 2003. Since then we’ve worked together on Dog-of-the-Sea-Waves, Sequoyah, Beowulf,
Chee-lin, and
Rain School. Jim is one-of-a-kind an
Adeline Foo is the best-selling author of the Diary of Amos Lee series, as well as many picture books, inluding Guai Wu:The Chinese Elf and a series of heritage books that highlight the unique Chinese-Malay-Eurasian hybrid culture of the Singapore Peranakans. Here are a couple of tasters from our new interview with Adeline:
I know in five years’ time, the scene for e-books or e-publishing is going to change drastically. People are talking about audio books and books on iPhone. Even kids as young as two are able to navigate around an ipad, so there may come a day where only classics get re-issued in print, because they have justified their shelf life in the children’s book market, but for first time authors, the direction might be to jump straight into e-publishing, thereby bypassing the need to incur cost in printing.
I was very pleased when I found a book on mating behaviours of spiders. I found it very funny that a spider’s courtship ritual is so similar to a human’s! Because my publisher warned me that I couldn’t use anatomically specific words, I had to look for alternatives, and I thought naming an arachnid’s mating organs would not get me into trouble!
As you know, most authors do not get to meet or talk to the artists in America, but in Singapore, we do things more consultatively, and the community of authors and illustrators is small.
You can read the whole interview here…