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Viewing: Blog Posts Tagged with: Jim Averbeck, Most Recent at Top [Help]
Results 1 - 12 of 12
1. A New Mentor Text for Opinion Writing

Finally! I've found a new picture book I can use in opinion writing units of study. Learn more about One Word from Sophia by Averbeck and Ismail in this post. Then, leave a comment on this post for a chance to win a copy of this book.

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2. Diversity – What does it mean for writers and young readers?

I’m thrilled to be back blogging after a stellar three-month summer hiatus. I completed the first draft to my contemporary YA, which is my MFA thesis. I attended a superb writer’s craft conference for the benefit of the non-profit Sierra … Continue reading

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3. Jim Averbeck and Ed Porter: Positioning Your Work For The Common Core

Jim Averbeck is an author, illustrator and author/illustrator of picture books (including the Charlotte Zolotow Honor Book, In a Blue Room) and novels. His first novel is just out, A Hitch at the Fairmont, and it has been positioned for use with Core Curriculum State Standards.

Ed Porter is a former superintendent of schools in Long Island. Currently, he is an educational consultant who, among other things, coaches schools in understanding and implementing the Common Core Standards.

Jim Averbeck (left) and Ed Porter


Ed and Jim start with explaining that The Common Core is evolving. "Call it Common Core 1.0"

You can check the standards out at corestandards.org

The handout packet is hefty, and its cover is a map of which U.S. states have adopted Common Core (most), which have similar standards (a handful), and which have rejected it (four.)

Ed gives us an overview of the evolution of Common Core so far.

Today, we're asking students to have skills and attributes beyond what the old K-12 standards could offer them. Things like self-regulation, critical thinking and problem-solving, effective oral and written communication and resilience.

And Common Core is one of many responses to this. Another response is "The 4 C's in STEM: Collaboration, Creativity, Communication and Critical Thinking."

Jim and Ed also share a metric called "Webb's Depth of Knowledge" that breaks down knowledge about a book into four levels. Here are examples of text questions at each level:

1st level of knowledge: What are the names of the characters?
2nd level of knowledge: What happened?
3rd level of knowledge: Why did something happen?
4th level of knowledge: What would happen if…?

Common Core aims to have students go deeper, into those 3rd and 4th levels.

Jim aims to have his book and Common Core tie-in

"Easy for teachers to choose, easy for teachers to use."

Jim explains how texts are evaluated to be used in classrooms, based on "text complexity." It's a mix of Quantitative (like Lexile scores determined by computer - Jim's Hitch book was a Lexile 770, recommended for grades 3 and 4), Qualitative (like judging the complexity of the story, an evaluation performed by educators, and based on this analysis by teachers, Hitch moved up to 4th through 6th grades) and Reader & Task measures (individual teachers choosing things for individual classes and students.)

So what might we do to help teachers choose our books to use in the classroom?

There are group exercises through, like one that demonstrate to attendees how contemporary and speculative fiction can tie into the common core, and also tap into those 3rd and 4th levels of knowledge.

Jim shares his advice on what to do before the writing, during the writing, and after the book is published.

Here's one example for each:

Before: connect your fiction to research

During: Include appendices and author notes that surfaces research where appropriate

After: Create a "Common Core Selection Guide" that summaries the text complexity

They walk us through a page from the actual "Common Core Activity Guide" Ed created for Hitch! You can see and download the entire guide at Jim's website here.

And they even share a giant list of where to distribute your supplemental materials.

So much great information!


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4. Video Sunday: The Swankiest Bathmat in Town

It’s hard to have a favorite part of the Newbery/Caldecott Banquet to look forward to, but definitely up there is the red carpet interview portion.  Each year Jim Averbeck whips out the camera and questions and has the luminaries of the field give their thoughts and opinions on a variety of schtoofs.  2011 was no different and he was joined in his efforts this year by fellow co-hosts Kristin Venuti and our own Katie Davis. Here is one of the many videos Jim has placed on the marvelous Kidlit On the Red Carpet blog.  Extra points for interviewing bloggers like Liz of Tea Cozy and Sondra Eklund of Sonderbooks in addition to authors and illustrators like David Diaz, Yuyi Morales, Ellen Hopkins, Jenny Han, John Rocco, Katherine Paterson, Clare Vanderpool, Margi Preus, Alan Katz, Javaka Steptoe, Kirby Larson, Lin Oliver, Duncan Tonatiuh, Kimberly Marcus, Jeanette Larson, and Adrienne Yorinks.  Check out the Facebook page if you’ve half a mind to do so.

Now let us begin today’s trailerfest with a remembrance of notable librarians past.  The great children’s librarian Anne Carroll Moore had no tolerance for children’s books that she considered gimmicky.  Pat the Bunny, for example, was hardly up her alley.  So one wonders what she would make of this children’s book coming out this November from McSweeney’s McMullens.  It’s called Keep Our Secrets by Jordan Crane and I can honestly say I’ve never seen a book for kids do this before . . .

Apparently the ink never fades and works like this every time.  They say that, but when I was a kid we had hypercolor shirts.  So I’ve been burned before, McSweeney’s.  That pain of seeing what happened to my shirt when it went through the wash never really went away.  Oh, the humanity.

Let’s do a more traditional picture book trailer now.  Thought: Can you can something “traditional” if the medium itself has only been in existence a couple of years?  In any case, I rather liked this trailer for David Mackintosh’s Marshall Armstrong is New to Our School.

Thanks to Pamela Paul for the link.

Of course it’s an extra special treat when a trailer includes the author and even gives some background on the creation of the book itself.  And look!  Behold the remarkable Jarrett Krosoczka and his first new picture book in years!

5 Comments on Video Sunday: The Swankiest Bathmat in Town, last added: 7/31/2011 Display Comments Add a Comment
5. Video Sunday: “And barbarian lords with feathered hair . . . from Delaware!”

Ah.  Sweet screen capture.  Only you could give me the chance to get just the right angle on this video of M.T. Anderson singing (YES, singing!) his Delaware song.  And truth be told, the man does a lovely acapella rendition of the ode.  The only thing that could make it even more complete would be to hear Hank Green set it to music.  Of course, Hank is more of a tenor and could not do justice to Anderson’s lilting baritone.

*blog posting is briefly put on hiatus as I rewatch Will You Miss Me When I’m Gone From Your Pants for the umpteenth time*

Ahem.  Very well.  In lieu of a Hank adaptation, let’s just watch Anderson sing this again.  Only instead of being at SCBWI in LA, it’s an even more recent video taken by Kathi Appelt at the Vermont College of Fine Arts.

Throws himself into it a bit more, does he not?  I think he’s loosening up as he goes.  By October I will insist upon the addition of props.  Or at least a monk or two for back-up.  Thanks to Kathi for the link!

My problem with this next video is not the content.  I welcome the sexy librarian stereotype.  Heck, I’m a fan.  No, what shames me about this next clip is that I had no idea there was a Britcom out there called The Old Guys.  What kind of a Britcom fanatic am I if I do not keep up with the times?  There’s more out there than just The Good Neighbors (slash The Good Life) after all.  Here then is a clip in a library.

Thanks to AL Direct for the link.

Someone once asked me whether or not there is a single repository for all the videos out there of children’s authors and children’s illustrators talking about their life and art.  There isn’t as far as I can tell, but that doesn’t mean we can’t just start collecting now.  Here then is illustrator Oliver Jeffers giving a talk about his own art.  I can understand the Ungerer and the Sendak influence, but I have to admit that The Giving Tree baffles me.  Such a divisive book.

3 Comments on Video Sunday: “And barbarian lords with feathered hair . . . from Delaware!”, last added: 8/15/2010

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6. Jim Averbeck Gives us the scoop on the Peer Critiques

You can still join in - tonight, 7:30pm, Constellation 1

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7. Peer Critiques!

One of the super-cool things you can do at the LA Summer Conference is that on both Friday and Sunday night there are two hours of peer critiques!

Led by the able Jim Averbeck, attendees broke into groups of 3-5 people, and, following Jim's great advice on HOW to critique constructively and with kindness, we read and critiqued the night away!

Fresh eyes, new perspectives about our work, and encouragement filled the room and the hallways as each group settled in to work on our craft.



Peer Critiques. Just another one of the amazing benefits of attending the LA Summer Conference!


Posted by Lee Wind

1 Comments on Peer Critiques!, last added: 8/10/2009
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8. Jim Averbeck's session: HOT TIP for picture book writers!

Replace your visual details with sensory descriptions.


Awesome advice!


Posted by Lee Wind

1 Comments on Jim Averbeck's session: HOT TIP for picture book writers!, last added: 8/9/2009
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9. Jim Averbeck's Session! Opening The Door: Writing For Illustration



Jim is the author of the beautiful and multi-award winning "In A Blue Room."

Starting quote: The Illustrator is the other partner in writing a picture book. The trick is to get them to love your words and visualize what they want to do.




Jim is a writer first, who moved into illustrating as well.

For "In a Blue Room," he wrote the words and Tricia Tusa illustrated.

Then he illustrated a story by Linda Sue Park, "Long Walk To Water." (A serialized novel that came out in newspapers. To be published by Clarion.)

"Except If," his upcoming Picture Book, is one he wrote AND illustrated.

So he's looked at this from all three angles!

And here are just a few of his great tips for authors:

Choose a subject with a strong sense of time and place.

Variety of setting is really important.

Action and movement - but can you do it with nouns?

Increasing visual complication!

Character Attitude (Like Alexis O'Neill did in "The Recess Queen.")


WOW - so much great advice and insight!



Posted by Lee Wind

0 Comments on Jim Averbeck's Session! Opening The Door: Writing For Illustration as of 8/9/2009 4:29:00 PM
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10. Now it's time to say good night...


I love "go to sleep" books. To this day, I can recite Goodnight Moon from memory because it was such a favorite with my entlings before bedtime. It is still my gift of choice as a baby shower gift.



Am I right in my feeling that children's bedtime rituals are being left behind these days? I hope not but frequently, in schools, I meet kids who live almost separate from their families. Each child has a cell phone for individual communication/texting and a computer and television in their bedroom. On different schedules, families often do not even eat dinner together, much less, share bedtime stories and tuck-ins.

I hope this is not indicative of a wider trend because there is something so important and cozy and meaningful about seeing a child safely off to dream land.




In a Blue Room by Jim Averbeck, illustrated by Tricia Tusa, Harcourt 2008

A mother patiently and tenderly sees her little one off to sleep with fragrant flowers on the nightstand, a cozy quilt , and wind chimes. The little girl only likes the color blue and protests at each offering of tea, the quilts, flowers because they are not blue. When the mother turns off the light though, the moon fills the room with a beautiful blue light that Tricia Tusa renders in a soft blue wash.

Averbeck's text rocks as gently as a lullaby as Tusa's scenes grow quieter and quieter.
What a treasure.

Jim Averbeck website




Wynken, Blynken and Nod by Eugene W. Field, illustrated by Giselle Potter, Schwartz Wade Books 2008

I hear my mother's voice when ever I read this poem as it was in my childhood copy of The Bumper Book: A Collection of Stories and Verses for Children. Illustrated by Eulalie (Platt & Munk, 1946.) that she read to us when we were small. The imagery of the wooden shoe remains a vivid childhood memory. Giselle Potter illustrates this classic of childhood using the lines of the poem as part of the action as the young fishermen toss their nets "in the twinkling foam."

Potter includes a note about Eugene W. Field and the history of the poem at the end of the book.

Be sure to read the Seven Impossible Things Before Breakfast interview with Potter here.
Giselle Potter website




The Sandman by Ralph Fletcher, illustrated by Richard Cowdrey, Henry Holt 2008

A tiny little man named Tor cannot sleep. One day he finds a dragon scale. As he files down the scale's sharp edge, a breeze blows the scale dust into his eyes which results in "a great wave of sleepiness." When he awakens, he determines that the dragon scale sand can be used to help wide awake children fall asleep. Alas, he needs a supply of them to stay in business so he must go to the dragon's lair to get them.

Richard Cowdrey's illustrations called to me the moment I saw the cover. Tor's tiny home furnishings include a thread spool end table, pencil stub window frames, a thimble cup and a soup ladle bathtub. Cowdry was inspired by Tolkien's Smaug for his double page dragon illustration. Dragon lovers will rejoice at his rendering. The dragon scale sand gleams like emeralds and Tor's mouse-drawn cart is just too adorable. There is warmth and a bow to tradition in Cowdrey's artwork. He is the talent that paints the Guardians of Ga'hoole covers.

The Sandman, (like Jack Frost--see The Stanger by Chris Van Allsburg) does not have many stories told about him. In fact, I cannot think of one. This is a nice addition to bedtime canon.

Ralph Fletcher website
Richard Cowdrey website

3 Comments on Now it's time to say good night..., last added: 7/25/2008
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11. Interview with Jim Averbeck, author of In a Blue Room

There's quite a buzz in the kidlitosphere about Jim Averbeck's new picture book, In a Blue Room (read my review here).

I recently had the fortunate opportunity to interview Jim Averbeck. Here's what he had to say.

Where did you get the idea for In A Blue Room? Did you base it on any of your own childhood bedtime memories?
You know, so much of writing happens on a sort of intuitive, subconscious level that it is hard to pinpoint when an idea is born, much less where it came from. I do know that with “In a Blue Room” I had decided to write a story that was a combination concept book (about colors) and a bedtime book. Then I threw in the concept of the five senses and story of a mother/daughter relationship. I tossed a few more things into the mix hoping that from all this complication simplicity would be born.Then, through multiple revisions, I somehow ended up with the 221 words that make up the story. If anything of my own childhood crept into the story, it was the love and care I received from my own mother. No doubt Alice’s patient mom finds her roots there. Of course, my mom had six kids, so I doubt I ever got the kind of time and attention Alice does in the story.

This is your first book. What inspired you to write for children?
The untold riches available to children’s authors… Seriously, when I was in the corporate world I realized that so much of your life is spent at work, that you better love what you do. I thought about what I spent most of my leisure time on: Reading! I thought it would be a coup if I could get someone to pay me to do that. Until I figure out how, I decided writing was the next best thing. I write for children because I am really just a big kid.

How long did it take you get published once you decided you wanted to write this book?
The oldest version I could find in my files was from September 2002. So, I guess that means it took 5-1/2 years from inception to publication.

Is Alice named after anyone in particular?
When I wrote In a Blue Room, I knew I wanted it to have the feel of a classic picture book - simple lyrical language about a timeless, universal experience -with a twist at the end. So when I chose a name for the little girl in the story, I chose a name from a classic of children’s literature. She’s named for Lewis Carroll’s Alice.It was probably pretty presumptuous of me. I also liked the soothing sound the name has.

What were your first impressions of the illustrations when you saw them?
When I first received the black and white sketches, I was blown away. Tricia had extended the original ending in a way that I found breathtaking. I don’t want to say too much, because I want people to experience it for themselves, but she leaves the reader with the idea that the blue room of Alice’s story is our shared “blue room” of planet earth, which helps explain why, even though Alice’s room is yellow at the beginning, the text saying Alice is “in a blue room” is correct. It’s really quite a remarkable interpretation.

Do you have another favorite book that Tricia Tusa has illustrated?
I teach a class on how illustrators can bring “more” to a picture book than the text shows without hijacking it. One way is for them to bring a broad, universal story down to a personal level. I use Tricia’s book “The Magic Hat” (written by Mem Fox) to illustrate this. I love the ending, where the great, powerful magician of the story, the owner of a magic hat that transforms those who wear it into something else, removes the hat and is revealed to be a little boy. I suppose Tricia does just the opposite for “In a Blue Room.” She brings a very personal story up to a universal level, literally.

What do you love the most about writing?
Too many things to name:Getting lost in the story… The way word choice can support what you are trying to say... The puzzle-like beauty of language… Oh! And then there are the hours, which are basically whenever I make them. Punctuation, however, I hate.

Did you have any favorite children's books when you were a child?
D'AULAIRES' NORSE GODS AND GIANTS was one I read over and over.I couldn’t pronounce half the names in it; Thor was always wielding his hammer mjolnir against Utgardsloki while Odin sat on Lidskjalf.What a bunch of jawcrackers! But I loved the stories.I also remember being moved (though I wouldn’t have called it that in the first grade) by The Giving Tree.

What authors have most influenced you?
Maurice Sendak and Ray Bradbury

When you're not writing, what can we find you doing?Mostly feeling guilty because I’m not writing.

What can we expect to see from you next?
That depends on the labyrinthine course of publication. I actually sold my first book, “Little Spoon-Ears,” in 2002. About once a year, the publisher contacts me to tell me they’re 100% behind the book. Maybe they’ll accidentally publish it in the next year or so.

What do you hope children get out of In a Blue Room?
I hope children get pleasant dreams and their parents get a good night’s sleep.


Thanks so much for your time Jim, and I wish you the best of luck!

0 Comments on Interview with Jim Averbeck, author of In a Blue Room as of 4/24/2008 11:36:00 PM
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12. Hugh Thomson in The Telegraph

Hugh Thomson was featured in yesterday's Telegraph illuminating the pleasures of Cusco, Peru:

Why Cusco?

I go back every year and it's been the launch pad for several of my research expeditions to look for Inca ruins. I often think that if Machu Picchu didn't exist, then Cusco, as the old Inca capital, would be far more of a destination in its own right.

A Pisco Sour contains local brandy, lemon juice, egg whites and bitte
A pisco sour cocktail contains brandy, lemon, egg whites and bitters

The old centre is incredibly well-preserved and it's got a sense of history that, like the Inca stonework, has resisted both Spanish invasion and earthquakes.

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