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Viewing: Blog Posts Tagged with: Oh Yeah Wow, Most Recent at Top [Help]
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Music video for Mat Zo and Porter Robinson. Credits:
Directed By Louis & McCourt
Art Direction by Bjorn Aschim
Animators: Jonathan ‘Djob’ Nkondo, James Duveen, Sam Taylor, Wesley Louis, Tim McCourt
Backgrounds and Layouts: Bjorn Aschim, Mike Shorten
Compositing: Sam Taylor, Jonathan Topf
3D VFX Directing by Jonathan Topf
Graphic Design by Hisako Nakagawa
Producers: Jack Newman, Drew O’Neill
Produced by Bullion
“Time to Go” directed by Darcy Prendergast and Seamus Spilsbury (Australia)
Music video for Wax Tailor produced by Oh Yeah Wow. Credits:
Animators: Sam Lewis, Mike Greaney, Seamus Spilsbury, Darcy Prendergast
VFX supervisor: Josh Thomas
Assistant animators: Alexandra Calisto de Carvalho, Joel Williams
Compositors: Josh Thomas, Jeremy Blode, James Bailey, Alexandra Calisto de Carvalho, Keith Crawford, Dan Steen
Crotchet sculptor: Julie Ramsden
Colour grade: Dan Stonehouse, Crayon
Jayden Dowler of Melbourne, Australia-based Oh Yeah Wow directed, designed and co-animated (with Andrew Bowler and Keith Crawford) this bit of techno/break-dancing music video madness. Darcy Prendergast produced.
Over 6 months in the making and almost 3 years after Lucky, their first light painting collaboration, Darcy Prendergast and her creative team at Australia’s Oh Yeah Wow have again teamed with Melbourne-based musicians All India Radio to create their latest music video, Rippled. Painstakingly animated frame by frame, the piece is “all shot in camera, by real people, in the real world, using long exposure techniques”.
Director Darcy Prendergast of Melbourne, Australia-based Oh Yeah Wow had one golden rule for this music video: “Nothing should be created in a computer. All of the elements were created in camera, then masterfully assembled by visual effects wizard Andrew Goldsmith. We animated the plasticine blood, the cat, the flames, the smoke—all in stop motion with a motion control set up. Andrew then composited all these elements together.”
This stop-mo video was created with over 12,000 pieces of construction paper, shown as it was shot, with no effects added in post. A collaboration between director Erez Horovitz and animator Sam Cohen.