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Viewing: Blog Posts Tagged with: Bill Finger, Most Recent at Top [Help]
Results 1 - 25 of 136
1. How Marc Tyler Nobleman Rescued the Legacy of Batman Co-Creator Bill Finger

Detective_Comics_27For decades, Bob Kane was the only person credited for the creation of the Batman. However, as Nobleman argued at 92Y, Bill Finger was the man who did most of the work.

1 Comments on How Marc Tyler Nobleman Rescued the Legacy of Batman Co-Creator Bill Finger, last added: 2/12/2016
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2. To do Feb 9: Marc Tyler Nobleman talks about Bill Finger

We recently noted that writer Marc Tyler Nobleman was on the hunt for a video of a particular panel from WonderCon about Bill Finger. He writes to tell us that he has a Finger-related event coming up in NYC on February 9th: As you know, 9/18 was the day DC Comics announced that (after 76 […]

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3. Interview: Marc Tyler Nobleman on Bill Finger and the Secret Origins of Batman

Photo by Kendall Whitehouse

For years, comics’ professionals have been hiding a well-kept Batman secret. Batman has been listed as being created by Bob Kane for decades, but the secret creator of the other half of Batman has been in hiding, signing bad deals and contracts, and being lost to the general public. Despite the immense popularity of Batman, only a fraction of people that enjoy the character have any clue as to who created the hero. Bob Kane has been listed as the sole creator of Batman in almost every piece of media that fans have devoured since his initial appearance in May 1939. Marc Tyler Nobleman has led a crusade to make it known that Batman was created by both Bob Kane and Bill Finger. He did so via a meticulously researched all-ages illustrated book entitled Bill the Boy Wonder: The Secret Co-Creator of Batman. We caught up with Nobleman for an interview on the secret origins of the creation of Batman.

How do you think Bill Finger would react to the resurgence of different media finally coming together and seeing his contributions to Batman?

Humbly and gratefully.

What do you find interesting about the men and women who have created various superheroes?

With respect to the three I have written about (Jerry Siegel, Joe Shuster, Bill Finger), I find it especially interesting is how these young men were building modern myths from unassuming apartments and (at least in Finger’s case) seemingly without a sense of their cultural significance. Finger’s creative influence could not be more disproportionate to the recognition he got for it in his lifetime. In other words, staggering influence, almost no credit for it.Bill the Boy Wonder - cover sketches 1 (six total)

Is there any information on Finger’s exact contribution to some of the other DC heroes and villains such as Green Lantern (Alan Scott) and Wildcat?

He wrote the first stories to feature both.

Have you studied the reactions of younger fans when they read the book? What are their reactions like?

Because I have the privilege of speaking in schools around the world (including Tanzania, Chile, and the United Arab Emirates), I regularly experience the reactions of fans both young and young-at-heart. It has been immensely gratifying to see how impassioned kids can be over what they perceive as an injustice to Bill Finger. Here’s one of my favorite projects in response to the book – kids pretending to be Bill’s only child Fred and writing a letter as Fred to Bob Kane: http://noblemania.blogspot.com/2013/11/letters-from-bill-fingers-son-to-bob.html. There are some profound thoughts in there.

Did you find any conflicting reports on the research of Finger based on a ‘he-said, she-said’ basis?

Other than the absurd amount of Batman aspects Kane originally took credit for but later attributed to Finger, no.

How did the collaboration with industry veteran Ty Templeton come about?

Having been a longtime fan, I emailed him to ask if he’d be interested. He said yes with more than a passing knowledge of Finger’s tragic career, and I loved that he was already passionate about the subject. My publisher (obviously) also liked Ty, so we were on.

Bill the Boy Wonder - title treatment - black on yellow Have there been any talks about adapting this story into a different medium?

Yes, daily – in my head. And quite often after I speak, someone in the audience will say “This HAS to be a movie.” I have had a few talks with film people. So far nothing has gotten past the exploratory phase but I am confident one day it will. I just hope I am involved!

Aside from the obvious accreditation being taken away from Finger, are you satisfied with the nature of comic books nowadays being more creator-driven among fans of the industry?

On one level yes, but I continue to hear stories of contemporary creators who have felt exploited by comics’ publishers. Certainly the Internet and the explosion of proactive fandom have done much good in the way of acknowledging the talent no matter what the publishers do or don’t do.

For more information, take a look at Marc’s blogBill the Boy Wonder: The Secret Co-Creator of Batman is on sale now. Kendall Whitehouse shot the featured photograph seen at the top of the page.

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4. DC puts Bill Finger’s name on the cover of Detective #27

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DC has done a  nice thing by putting the name of writer Bill Finger on the covers of the special edition of Detective #27, a  giveaway  that will be part of the July 23rd celebration of Batman Day. Finger, who was hired by Bob Kane to ghost write the series, is the uncredited writer of Batman, who came up with many of the Dark Knight’s most iconic elements, Although Kane must contractually be credited as the sole creator of Batman due to a contract he signed with DC by pretending he had been underage when the character was created, it’s nice to see Finger’s name given some prominence in a comic that a lot of people will see.

Of course, there is still some rancor within the Finger family over these matters.

The new Detective #27 contains a new version of Batman’s first story by Brad Meltzer and Bryan Hitch , and is designed by Batman enthusiast Chip Kidd. Other giveways for Batmanday include capes and masks. Retailers are getting a swell timeline poster seen below.

batman-timeline24-Final-1-1e136

3 Comments on DC puts Bill Finger’s name on the cover of Detective #27, last added: 6/9/2014
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5. FInger family is “not okay” with DC despite other statements

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I think this statement from the family of Bill FInger, the long uncredited co-creator of most of the Batman mythos speaks for itself. The long memories of comics aren’t just for issue numbers, people.

During a recent WonderCon Anaheim panel for Batman’s 75th anniversary, an audience member asked panelists for opinions about the fact that writer Bill Finger does not get a creator credit alongside Bob Kane, who is credited as the legendary character’s sole creator even though Finger came up with defining qualities for this character before Kane ever signed his first contract to produce the Dark Knight’s adventures. Finger wrote the first Batman story, his tragic origin, and hundreds upon hundreds of comic book stories for more than a quarter of a century. He named both Bruce Wayne and Gotham City, he created Commissioner Gordon, he developed many other supporting characters, he created or co-created one fantastic villain after another, and yet he died broke and relatively unknown more than 40 years ago.

After a moment of silence following the audience member’s question, panelist Brian Buccellato joked, “Crickets.” The panel’s moderator, DC Comics’ Larry Ganem, then said, “We cherish what Bill Finger did and his contribution to creating Batman, and we’re all good with Finger and his family.”
The aforementioned Finger family, which consists only of Bill Finger’s granddaughter and her son, later learned about this exchange and did not agree with Mr. Ganem’s “all good” assessment.

ATHENA FINGER RESPONDS: “75 years of Batman! No one could have predicted the longevity and the continued relevance of this comic book hero that has become a cultural icon when my grandfather, Bill Finger, collaborated with Bob Kane back in 1939.  My grandfather has never been properly credited as the co-creator of Batman although was an open secret in the comic book industry and is widely known now.  It is now my time to come out of the shadows and speak up and end 75 years of exploitation of my grandfather, whose biggest flaw was his inability to defend his extraordinary talent.  Due to what I feel is continued mistreatment of a true artist, I am currently exploring our rights and considering how best to establish the recognition that my grandfather deserves.”

In his autobiography, Bob Kane acknowledged, “Now that my long-time friend and collaborator is gone, I must admit that Bill never received the fame and recognition he deserved. He was an unsung hero.” Regarding the issue of giving Finger official credit, Kane specifically said, “I often tell my wife, if I could go back fifteen years, before he died, I’d like to say, ‘I’ll put your name on it now. You deserve it.’”

This fall, the Warner Bros. television series GOTHAM will feature many Bill Finger creations, including the city itself. Will the series that carries the name he gave to Batman’s city credit him in any way?

15 Comments on FInger family is “not okay” with DC despite other statements, last added: 5/10/2014
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6. The kindness of students


For the second year in a row, I was invited to speak at Gregory-Portland Intermediate School in Portland, TX. And for the second year in a row, my kind host Cati Partridge sent me a thick stack of thank you letters from the students who were forced to listen to me for an hour. And for the second year in a row, I was struck by many of them. Here are some comments that stood out:

  • “It takes a real man to look up that much information! If it were my opinion, you actually made history!”
  • “Out of all the guest speakers, you were the best…and the most hilarious. You have inspired me to follow through with all of my dreams and goals. My first goal is to make varsity soccer and my second is to become an open heart surgeon. I think you helped a lot with making them come true.”
  • “I honestly thought it was going to be another boring author, but you turned out to be really interesting! Superheroes aren’t real but I can certainly see one in you!”
  • “I think your dedication to your writing is very inspiring and many other authors could learn from you. You’re a funny, awesome, and a nobleman [sic].”
  • “Now you’re famous and you inspired many people in my school, including me. You are the best person I know that has good speeching [sic] skills.”
  • “In Language class, we’re doing a project where we pick an author and research them. I wish I would’ve known about your books!”
  • “What is it like to be a superhero…writer?”
  • “I want to do what you do—investigate and look for stuff people don’t even know about. Mr. Nobleman, is all of this you do worth it?”
  • “If only Bill Finger or Batman could see you now.”
  • “I was stunned when my teachers told us that an author was coming to our school. I thought that our little town was finally getting recognized by people. But then I remembered that you came last year and we were already on the map thanks to you.”
  • “Thank you, not just for coming to our school but for taking time out of your life to find these things out. To give credit to those who were given none and to shine light on those who were put in darkness. To me, however insignificant this letter may be, you are a hero.”
  • “When my dad picked me up from school, I told him everything [you said]! He said I’ve never said I liked something at school.”
  • “Halloween would have been much more boring without [Bill Finger]!”
  • “You are a loyal, great, hard-working fan of superheroes. It’s almost like you’re their hero.”

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7. Similarities between Bill Finger and me

As they research and write, some biographers develop a sense of identification with their subjects.

Bill Finger and I were nearly three generations apart—I remember how jarring it was when I asked someone if Bill liked the Beatles and was told he probably didn’t listen to any rock and roll—yet at times I saw myself in him, or vice versa:

  • not fond of driving (Bill never had a license, I waited for six months after turning 16 to get my license)
  • fond of extensive research and reference clipping
  • finance management not strongest suit
  • like Batman

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8. Those who work, those who take credit

On the Barnes & Noble in Bethesda, MD is a quotation that could have been the subtitle for Bill the Boy Wonder: The Secret Co-Creator of Batman. (What? The one I ended up using is long, too.)



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9. Meet Athena Finger, grandaughter of Bill

Today, Bill Finger’s lone grandchild, Athena Finger, makes her first appearance at a comic convention, in St. Louis. In Bill’s entire career, he appeared for certain at one con and possibly one more. Athena will overtake him before the year is out.


Here is the bio I helped her whip up for her primetime debut:

Athena Finger knew all along that she was the lone grandchild of Bill Finger, co-creator and original writer of Batman…it was Batman fans who didn’t know. Born two years after Bill died, Athena never met her grandfather, but heard about him from her father Fred. When Athena got married, she kept her maiden name out of respect for the man who gave life not only to her (indirectly) but also to the world’s most popular superhero. Since Marc Tyler Nobleman, author of Bill the Boy Wonder, found out about Athena in 2007, she has slowly made her presence known to comicdom. She lives in Florida with her son Ben and teaches math at Broward College.

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10. Bill Finger app

Friends and I got to talking and I mentioned I plan to develop apps based on a few of my books. One friend, Sara, said, “Bill Finger?”

We then collaborated on the idea for such an app: open the app and walk by any comic containing any Batman story and it will tell you if that Batman story was written by Bill Finger.

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11. Interview with co-author of Bob Kane’s autobiography

According to the official Warner Bros. release kicking off the 75th anniversary of Batman, he debuted (via Detective Comics #27) on March 30, 1939. 

Also of note in that release: no use of the word “creator.”

In 1989, coinciding with Tim Burton’s Batman, Bob Kane’s autobiography came out.


But as with most of the output Bob’s name is on, he did not create it alone. His co-author was Thomas Andrae, who through my Bill Finger research became a friend.



Though I’ve known for a while how important Tom is to Bill’s legacy, given what he’d told me about how he’d persuaded Bob to include Bill in the book as much as possible, I only recently realized that this story-behind-the-story should be documented. In my eyes, what Tom did on Bill’s behalf was heroic.

Interview answers © Thomas Andrae 2014.

How did you come to co-author Bob Kane’s autobiography Batman & Me?

I had done an interview with Jerry Siegel and Joe Shuster in 1981. It was reprinted in the Overstreet Price Guide in 1988, in celebration of Superman’s fiftieth anniversary. I thought it might be a good idea to follow this up with an interview with Bob Kane for Batman’s fiftieth anniversary in the 1989 Price Guide, so I contacted Bob and he was amenable to the project.
 

When I went down to interview Bob, he told me that he had written his autobiography. [It was] a very long manuscript (about 800 pages) that wasn’t publishable. It was too self-centered according to those of us who read it. There were far too many uses of “I” in it, for example.

[But] I...thought, in the interest of comics history, the manuscript should be published, [so I] offered to find a publisher.

What was your job/primary work focus at the time?

I was a graduate student and working for Bruce Hamilton at Another Rainbow Publishing as an editor of the Carl Barks Library 30-volume set of his works. 


 Carl Barks and Tom Andrae

Had you met Bob before you began the book?

This was the first time I contacted him.

What was your first impression of Bob?

He was a very charming guy and quite friendly. Bruce Hamilton and I went down to L.A. together to meet him. After the inteview, we went out to dinner with him and his wife Elizabeth.

Did you meet with him in person to discuss/write the book? If so, how often and where? If not, how did you work together?

I didn’t meet with him again in person. We had many phone discussions and some correspondence for about a year or more while working on the book and when we were producing and marketing it. In this period I got to know Bob quite well, and he seemed fairly open about his life, up to a point. I felt that we were friends.
 

I edited [the book], took out some chapters, and created a number of new chapters based on interviews with him and on my own research. All in all I probably wrote close to half the book in this manner. 

Did your impression of him change during the process?

Yes. He had a tremendous ego, although he was very insecure. I asked for a byline and got one. He pretty much had to do this: I was supposed to get the manuscript into publishable shape—which was quite a task. I was responsible for not only rewriting the book but for advertising it, formatting it, and getting a publisher for it.

But he told the publisher that my byline was too big so they reduced its size. From what I gather from others who had worked with Bob, I think that I was lucky to receive a byline at all. It may have been a first.

How was he to work with?

Pretty easy, but he could be temperamental. When Bob Overstreet decided to go with a Jerry Robinson cover rather than one by Bob, [Bob] threatened to nix the publication of the interview. I convinced him otherwise, because we were taking orders for the book in an ad in the Price Guide and it would have sabotaged the book project to kill printing the interview.

No one wanted to publish his bio until I asked Eclipse to do it. I got the idea to take out a pre-publication ad for the book that appeared in the 1989
Price Guide. We received 1,500 orders; that proved it was a viable project and helped get a publisher for it. I did all the work in this initial stage of order-taking.

Do you remember how the subject of Bill Finger first came up during the process?

Yes. Bob felt guilty about how he had treated Bill, although he was afraid to acknowledge Bill as co-creator of Batman, or to give him a byline, for fear it might open the door to a challenge to Bob’s legal status as the sole creator of Batman. He feared a [Finger] byline would quite negatively impact his Batman royalties.

What was Bob’s reaction when you suggested including Bill?

It was Bob’s idea to give Bill some credit for having invented aspects of the costume and for creating the Joker. But Bob also claimed he co-created many of the villains since he, Bill, and Jerry discussed everything before it was published and Bob drew the art for the stories with the characters.

But Bob was mistaken about who created what, such as the Penquin or Catwoman, which were Bill’s creations, and Jerry did much of the art as well, with Bob and sometimes without him. In general, Bob failed to give Bill credit for creating most of Batman’s villains, claiming that he created them. Bob’s memory was not very good. Also, he was willing to go only so far in giving Bill credit.

I tried to add more about Bill’s contributions in creating the initial concept and image of Batman, but Bob refused to include them, claiming that he, not Bill, was the creator of Batman, which was a gross exaggeration.

Did Bob express—or did you glean—his personal feeling about Bill Finger?

I think he liked Bill and genuinely felt guilty about how he had treated him and how Bill ended up in near poverty when he died. Bob confessed that his ego prevented him from giving Bill the credit he deserved. But his attempt to remedy this was, in my mind, quite, quite inadequate. Also, he never gave others, like Shelly Moldoff, who was his ghost artist for twenty years, any credit, nor Jerry Robinson for his creation of the Joker. Bob expressed a lot of anger towards Jerry, stemming, I think, from being jealous of him, of his artistic ability, and of the recognition that he had received.

When you say “Bob confessed that his ego prevented him from giving Bill the credit he deserved,” what do you mean exactly—that Bob was willing to say in print that Bill’s name deserves to be on Batman (as the book does) but not go so far as to ask DC to officially change the credit line?

I think he meant that he should have put Bill’s name on the Batman strip when it appeared. But the point is moot because I don’t think he would ever put Bill’s name on Batman. He never gave byline credit to any of his ghosts.

What do you remember about the passage that stands out most to me: “Now that my long-time friend and collaborator is gone, I must admit that Bill never received the fame and recognition he deserved. He was an unsung hero ... I often tell my wife, if I could go back fifteen years, before he died, I would like to say ‘I’ll put your name on it now. You deserve it.’” How did Bob feel to include that—nervous? Conflicted? Redeemed? Other?

I believe that Bob sincerely felt some remorse about how he had treated Bill. He describes his spiritual conversion in Batman & Me. But Bob never felt guilty enough, in my estimation, or realized the full extent of Bill’s contribution. Bob was asked to give Bill credit as co-creator by the Finger estate when the first Batman feature film was in production and he declined.

Have you seen my account of this? If so, do you remember any other details that I didn’t cover?

I’m reporting what Bob told me about his decision in a conversation with him. I don’t think you covered this.

How did you feel convincing Bob to include more Bill?

I felt that it was a slight victory in correcting a massive injustice, but too little too late.

Did you talk with Bob’s wife Elizabeth during the process? If so, how was that/she?

She was a very nice, sweet person, but knew little about Bob’s work, so we didn’t talk about the book.

Do you know what her reaction was when Bob would tell her that he felt Bill deserved credit for Batman? Perhaps first I should ask if you believe he actually did tell her that?

Yes, he did, but I don’t know what her reaction was.

Do you remember if you asked Bob if he would consider recasting his contract with DC Comics to reflect his statement about Bill? If so, what was his response?

He was not amenable to this and told me so. 

How honest do you feel Bob was in recounting stories?

I think he was fairly honest but too self-centered to see reality clearly enough and had a bad memory to boot. His ego was always in the way. He primarily remembered what he did on Batman—and that was usually inflated—rather than others’ contributions. I constantly had to fact-check what he told me because he had a predisposition to aggrandize his work on Batman.

What was the media response to the book?

We got some favorable media attention, but not going on The Tonight Show like Bob thought would happen.

What was Bob’s feeling about the final product? Do you think it got the recognition he wanted? Do you think he did not get anything he wanted from it?

He liked the book very much and frequently carried it around with him when he went on public appearances. But he was a little disgruntled that I cut out some of his nostalgic asides. He was a garrulous writer. No one would publish it until I asked Dean Mulanney and Cat Yronwode to do it. I designed four editions including a signed edition with Bob’s original art that sold very well. I think Bob made over $200,000 on the book plus more on the second edition

Professionally, what did the book do for your career?

Nothing in academia but I got some credibility among fans and the popular press.

Is there anything about the book you would now change if you could?

Give full credit to Bill as Batman’s co-creator and give him a byline indicating that, and give full credit to Jerry Robinson and the other artists who did much of the work that Bob got credit for. I would have liked Bob to publicly acknowledge Jerry as the Joker’s creator and Shelly Moldoff as the chief artist on Batman for the decades that he drew the strip.

Were you involved with the “sequel,” Batman & Me: The Saga Continues? If so, how was that process compared to working on the first autobiography?

Yes. I edited most of the new material; Bob took my name off the cover (though it’s still on the title page).

What do you think Bob Kane’s legacy is?

I think that Bob was responsible for creating the original germ of the idea of a Batman superhero, which Bill fleshed out and made viable, and for partially drawing the strip for a number of years. I think that Bob’s art, crude as it was, gave the strip an Expressionistic, nightmarish look which helped establish the gothic ambiance of the early stories. To me, the art he did with Jerry as his ghost was very compelling. Thus he made a great contribution to Batman’s legacy. Unfortunately his treatment of Bill, Jerry, and Shelly is a dishonorable part of that legacy.

Anything you’d like to add?

Thanks for giving me the opportunity to talk about my role in creating the book. This is the first time I’ve done so publicly.

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12. Noirish tributes to Bill Finger's most iconic creations

Courtesy of the thorough and tireless and stylish Bill Finger Appreciation Group:

 Batman

Robin (Dick Grayson)

 Green Lantern (Alan Scott)

Joker

 Catwoman 


Penguin

 Commissioner James Gordon


Lana Lang


Riddler

Wildcat

Bat-Mite

Catman

A profile now recognizable among Batman fans

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13. The first longer-form book on Bill Finger…

…is the second ever, and the first Spanish-language book on Bill Finger. The author is the ace researcher David Hernando. 

A description:
 

Batman: Serenata Nocturna. El origen del Caballero Oscuro (Batman: Night Serenade. The Origin of the Dark Knight) is a hardcover, 160-page Spanish book on Bill Finger to be published in Spain in May 2014. It follows, in a fiction style narrative, all of Bill Finger's life and legacy, based on interviews and statements from Dennis O'Neil, Jens Robinson, Gary Groth, Denis Kitchen, Michael Uslan, Brad Meltzer, Gerard Jones, Danny Fingeroth, Graham Nolan, and Alan Porter, among others, like the unique contributions from Marc Tyler Nobleman and Athena Finger, Bill’s only grandchild. The book will feature an introduction by Roy Thomas and a cover by Paco Roca, one of the best-selling graphic novel authors in Spain today.

A glimpse at the evolution of the cover, which ends beautifully:



 

Note the paperweight.

And radio.

And gimmick books.

And Popular Mechanics.

And tweed jacket.

And the shape of the papers on the floor...

As I alluded to above, Finger is in good hands here.

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14. Father of “Fathers of the Dark Knight”

Roberto Williams is the director of an upcoming play in the Bronx called Fathers of the Dark Knight. It will feature the first known theatrical portrayal of Bill Finger. The production values look exceptional.



We recently exchanged messages regarding the play and the Google doodle campaign. He kindly permitted me to share the following humbling excerpt:

I tell you, Marc, this thing has grown SOOO much larger than the simple school play I was originally planning with my students two years ago when I first was inspired by a copy of Bill the Boy Wonder

You're been an inspiration to MANY people, Marc, with your crusade to get Bill is proper recognition.

Keep an eye here for more on the play, in particular when and where it will run.

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15. Bill Finger’s obituary: better 40 years late than never

Bill Finger died on January 18, 1974, in New York City.

The main mind behind Batman received no obituary in the New York Times.

Or anywhere else.

Except in The Amazing World of DC Comics #1:



I’m not dismissing this; I am glad someone did something. But Bill deserved so much more attention.

And who says an obituary must be published immediately after a passing?

Therefore, some time ago, I proposed to, I think, the New York Times and to the Huffington Post that I write Bill’s obituary to be run now.

An excerpt:

I am not suggesting a standard obit but rather a feature presented as an obit with an intro explaining that an actual obit should’ve run 40 years ago and this is a humble attempt to rectify that oversight. It is unthinkable now that someone of his cultural significance could die with no fanfare.

Because it’s Batman, and because Batman fans are passionately frustrated by Finger’s neglect, and because Batman is a New York story, I am confident that this particular approach would get a lot of attention—considerably more than a straightforward article. How often do you see a “posthumous obituary” (you know what I mean)?
 
I’ve long dreamed of seeing an obit for Finger in the NYT, the paper of the city in which he radically changed pop culture...

I did not hear back.

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16. “New,” previously unpublished Bill Finger photo 6 of 6

The title of my post way back on 7/21/08, five months after I launched this blog, was “‘New’ Bill Finger photo 1 of 9.”
 

But there were no subsequent posts unveiling photos 2-9.

Until now.

(Less three I published in Bill the Boy Wonder: The Secret Co-Creator of Batman, plus one I have found since.)


Bill (standing) at the (second) wedding of his friend Charles Sinclair, 1964

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17. “New,” previously unpublished Bill Finger photo 5 of 6

The title of my post way back on 7/21/08, five months after I launched this blog, was “‘New’ Bill Finger photo 1 of 9.”
 

But there were no subsequent posts unveiling photos 2-9.

Until now.

(Less three I published in Bill the Boy Wonder: The Secret Co-Creator of Batman, plus one I have found since.)


Bill and son Fred, Bronx Zoo, 1951 or 1952

Tune in tomorrow to see the sixth and final glimpse of Bill that has never been published.

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18. “New,” previously unpublished Bill Finger photo 4 of 6

The title of my post way back on 7/21/08, five months after I launched this blog, was “‘New’ Bill Finger photo 1 of 9.”
 

But there were no subsequent posts unveiling photos 2-9.

Until now.

(Less three I published in Bill the Boy Wonder: The Secret Co-Creator of Batman, plus one I have found since.)


Bill (right) with sister-in-law Irene Flam, 
Ellis Epstein (Bill’s wife Portia’s grandfather), 
and James Epstein (Bill’s father-in-law), 1950s

Tune in for the next two days to see two more glimpses of Bill that have never been published.

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19. “New,” previously unpublished Bill Finger photo 3 of 6

The title of my post way back on 7/21/08, five months after I launched this blog, was “‘New’ Bill Finger photo 1 of 9.”
 

But there were no subsequent posts unveiling photos 2-9.

Until now.

(Less three I published in Bill the Boy Wonder: The Secret Co-Creator of Batman, plus one I have found since.)


Bill with his first wife Portia, son Fred, and Portia’s father James, 1949

Tune in for the next three days to see three more glimpses of Bill that have never been published.

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20. Bill Finger’s sole official credit in his lifetime...on Superman?

Only once in his lifetime, Bill Finger received a “written by” credit on a first-run Batman story, and it wasn’t a comic book.

And though he wrote Superman stories, too (he created Lana Lang!), same deal—one credit, in TV:



This is from The New Adventures of Superman, a Filmation series of animated shorts that debuted in 1966.




Though there is currently almost no trace online that Bill wrote for this series, in 2006, I did follow a path to determine that this was the case. But I didn’t look for the visual proof until now.

Thank you to Bill Davis of Toronto for prompting me to revisit this.

Adios, Señor Superhombre.

Bonus:

Excerpts from emails with Bill’s second wife Lyn Simmons, and one other, in figuring this out:

From: Marc Tyler Nobleman
To: Lyn Simmons
Sent: Saturday, October 14, 2006 9:02 AM
Subject: Hi Lyn - Superman movie

You said they called Bill to ask him to come to California to write a script for the Superman movie. I've talked with a few people who were involved with the film and they don't remember that. Are you sure?

There was another writer named Alfred Bester who was friends with Bill who was definitely asked—there are written accounts online. Did you know Alfred? Is it possible you're confusing the two? Can you remember any more details?

From: Lyn Simmons
Sent: Saturday, October 14, 2006 4:25 PM

good to hear from you marc. bester's name rings a bell but don't think i ever met him. i'm pretty sure that bill received invitation to ca to write superman films. it's so long ago and i could be mistaken but I don't think so. in any event he never went. he had anxiety about flying and about leaving nyc.

bill may never have told his fellow writers about ca because he didn't want to explain why he wasn't going.

From: Pierre Spengler
Sent: Wednesday, December 13, 2006 1:05 PM

We purchased the rights in november 1974 and therefore started hunting for writer in the beginning of 1975. Very soon thereafter we engaged Mario Puzo. Therefore we never approached Bill Finger.

From: Lyn Simmons
Date: Tuesday, December 19, 2006 10:18 AM

i believe he was asked to come out to ca in the late 60s. i'm pretty sure it was superman. maybe they wanted him out there for ideas or stories a year or so before he died which i think was in '74. but perhaps it was for cartoons.

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21. Two Bill Fingers, one large, one small

Bill Finger, uncredited co-creator and original writer of Batman, often incorporated giant versions of everyday items (“oversized props”) into his scripts.






So I was intrigued to discover that another Bill Finger, a Seattle photographer, is currently focused on tiny versions of everyday items—in fact, tiny entire scenes. Making this even more fun, this headline makes him sound like a Batman villain—the Master of Miniatures.





All photographs © Bill Finger.

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22. "Chicken Soup for the Soul: Inspiration for Writers"

I've contributed cartoons to several Chicken Soup for the Soul books.

And now I've contributed a story to one as well.



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23. Three critical junctures for Bob Kane: 1939, 1965, and 1998

In the Batman creation story, there are two villains: Bob Kane (the cartoonist who, to this day, is the only person officially credited) and, to a lesser degree, Bill Finger (star of Bill the Boy Wonder: The Secret Co-Creator of Batman).


In evaluating Bob’s actions toward Bill, I see three critical junctures.

1939 - the year in which Bill and Bob created Batman and the year in which Batman debuted


As my book (and numerous other sources) recount, Bill designed the costume and Bob alone took the design to editor Vin Sullivan; there was no backstory yet. When Vin expressed interest in running Batman, Bob went back to Bill and suggested that Bill write it, Bob draw it, and only Bob’s name appear on it; Bob would pay Bill out of the money the publisher paid Bob. Arrangements such as this were not uncommon in the comic book and comic strip world in 1939. Bill said yes. So in that case, Bob’s actions, while not admirable, are defensible by the standards of the time.

1965 - the year the truth about Bill Finger came out to fans


Thanks to fandom legend Jerry Bails, the public began to learn of Bill’s role in the creation of Batman. When Bob learned that Bill had (civilly) revealed that Bob was not alone at the beginning of Batman, Bob must have been terrified that his ruse would crumble. He responded combatively, still maintaining that he was the sole creator. In other words, in calling Bill a liar, Bob was actually the one lying. This is inexcusable by any standard.

1998 - the year Bob died


In Bob’s 1989 autobiography, he credited Bill far more than he ever had before, going so far as to say he wished he could go back in time to when Bill was alive (he had died in 1974) and put Bill’s name on Batman. It seemed Bob, in his golden years, had embraced his conscience. Yet his gravestone undermines his autobiography. 


It was then when Bob could have set the record straight for good and atoned for his sins, but instead he reverted back to the myth he had perpetuated for most of his life, and in doing so, disrespected Bill for posterity. 

The gravestone likens Bob to the wrong Batman character. Talk about Two-Faced. 

I’m quite sure that Bob had that copy written before he died. This is appalling and unforgivable. 

I need a stronger word, actually, but am failing to find one.

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24. Light the Empire State Building in Bill Finger's honor

The Empire State Building is only a few years older than Batman, and like Batman, it stands iconically above a city.

Unlike Batman, however, it does not remain in shadow. 


The colors change regularly. In fact, anyone can request a specific lighting scheme.


So, of course, I did.

Here is an excerpt from my application:



I am the author of Bill the Boy Wonder: The Secret Co-Creator of Batman, the first-ever biography of Bill Finger, the uncredited co-creator and original writer of the Dark Knight…who was created in 1939 right there in New York.

Finger is the main mind behind one of the most influential fictional icons in world history yet his onetime partner, cartoonist Bob Kane, took full credit for Batman. Finger designed Batman's costume; wrote the first Batman story and many of the best stories of his first 25 years (including his groundbreaking—and heartbreaking—origin); wrote the first stories of popular supporting characters including Robin and the Joker; named Bruce Wayne, Gotham City, and the Batmobile; and nicknamed Batman "the Dark Knight," which has influenced the titles of two of the highest-grossing movies of all time. Yet while Kane never wrote a Batman story, Finger never saw his name as co-creator in a Batman story.

In 1974, after a career in which most of his beloved work was published anonymously, Finger died alone and poor. No obituary. No funeral. No gravestone.

No kidding.

Finger was largely responsible for one of our greatest fictional champions of justice. It is time for justice for Finger himself. An Empire State Building lighting tribute would poignantly give Finger the honor he deserves in the city where he quietly made pop culture history. It’s just too bad he won’t be there to see it.

Why February 8, 2014? It would have been Finger’s 100th birthday (and 2014 is also the 75th anniversary of Batman, not to mention the 40th anniversary of Finger’s death).

Why the requested colors? They correspond with Batman’s original costume (largely the same as today’s, only at first he had purple gloves). If it’d be possible to somehow incorporate a bat, that would be fantastic.

Thank you for your consideration. I can guarantee you lighting a legacy to Bill Finger would get many people talking in a good way. It’s an American story. It’s a New York story. It’s a noble gesture.

Justice has no expiration date.

They said no.

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25. Crusader and vandal in one

My children, unsurprisingly, have a number of superhero books in their collections. 

I opened up one and was more than proud to find that my then-eight-year-old had taken matters into her own hands:


In truth, neither of my kids are as passionate about superheroes as I am, but a sense of social justice knows no genre.

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