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Viewing: Blog Posts Tagged with: Matt Kohl, Most Recent at Top [Help]
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1. The Oxford Comment: Quickcast – BADA-BING!


With the Academy Awards right around the corner, we thought it might be fun to look at the lexical impact of films and some words that were actually coined by movies. Joining us for this Quickcast are two “excellent” members of the esteemed Oxford English Dictionary team.

Want more of The Oxford Comment? Subscribe and review this podcast on iTunes!
You can also look back at past episodes on the archive page.

Featured in this Episode:

Katherine Connor Martin, Senior Editor – OED

Matt Kohl, Senior Editorial Researcher – OED

And should you be interested in getting a hippopotamus for Christmas

*          *          *
Lights, camera, lexicon: the language of films in the OED

By Katherine Connor Martin

Film, that great popular art form of the twentieth century, is a valuable window on the evolving English language, as well as a catalyst of its evolution. Film scripts form an important element of the OED’s reading programme, and the number of citations from films in the revised OED multiplies with each quarterly update. The earliest film cited in the revised OED, The Headless Horseman (1922), actually dates from the silent era (the quotation is taken from the text of the titles which explain the on-screen action), but most quotations from film scripts represent spoken English, and as such provide crucial evidence for colloquial and slang usages which are under-represented in print.

Scripts as sources

It is therefore no surprise that, although the films cited in OED represent a wide range of genres and topics, movies about teenagers are especially prominent. The film most frequently cited thus far in the OED revision, with 11 quotations, is American Graffiti, George Lucas’s 1972 reminiscence of coming of age in the early 1960s; second place is a tie between Heathers (1988), the classic black comedy of American high school, and Purely Belter (2000), a British film about teenagers trying to scrape together the money to buy season tickets for Newcastle United FC. But the impact of cinema on English is not limited simply to providing lexicographical evidence for established usages. From the mid-twentieth century, the movies as mass culture have actually shaped our language, adding new words to the lexicon and propelling subcultural usages into the mainstream.

The use of a word in a single film script can be enough to spark an addition to the lexicon. Take for instance shagadelic, adj., the absurd expression of approval used by Mike Myers in Austin Powers (1997), which has gained a currency independent of that film se

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2. Frak is a Shibboleth!

By Michelle Rafferty

127 years ago today the Oxford English Dictionary published its first volume (A to ANT), so I thought I’d pay tribute with the story of how I recently learned the word “shibboleth”:

While rubbing elbows with fancy people at the recent OED re-launch party, I had the chance to meet contributors Matt Kohl and Katherine Connor Martin. Naturally the topic of conversation came to words, and I brought up one I had been using a lot lately: frak (the fictional version of “fuck” on Battlestar Galactica). I explained that I just started watching the show (better late than never, no?) and had been testing “frak” out in conversation to pick up other fans. Matt said, oh that’s a “shibboleth.”

A whateth? According to the OED:

The Hebrew word used by Jephthah as a test-word by which to distinguish the fleeing Ephraimites (who could not pronounce the sh) from his own men the Gileadites (Judges xii. 4–6).

Matt told me that he had first heard the word on The West Wing. Martin Sheen sums it up nicely: a password. A more recent sense in the OED defines shibboleth as:

A catchword or formula adopted by a party or sect, by which their adherents or followers may be discerned, or those not their followers may be excluded.

The sect, in my case, is  Battlestar enthusiasts. I e-mailed Katherine later for more examples. She said:

I think politics affords some good examples. The pro-life movement is distinguishable by its use of certain buzz-words (abortionist, abortion-doctor, etc.), and the pro-choice movement by terms like “anti-choice”. Republicans use the word “democrat” as an adjective, while Democrats use the adjective “democratic”. If you ever hear someone talk about the “Democrat Party” on cable TV, you can be sure s/he is a conservative.

Shibboleth, it’s frakking everywhere!

(Thank you to Matt and Katherine for your countless hours spent keeping the OED alive, and for helping me realize the educational value of my addiction.)

"Let's get he frak outta here!" -Kara Thrace, S4E7

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