by Kristi Valiant
Are you ready to jump in? Do you have a few picture book ideas youâve been keeping secret so you can write them down today and count them? Now for some moreâŠ
Start an ongoing list of things you adore or loathe or laughed out loud at or evoked some kind of emotion that stuck with you. Is there a tradition or memory from childhood that comes to mind? What about that time your friend got in trouble for something silly? Write down that funny thing your grandchild or pet did that you keep telling everyone about. It could even be a ridiculous incident your cousinâs yoga instructor mentioned in a Facebook post that youâre still laughing about.
For example, my adorable 2-year-old girl in pigtails walked up to some older kids on the playground and growled in their faces so theyâd move and she could play on the slide by herself. I then explained to her that we donât growl at people. We arenât bears or monsters. I wrote that down as a picture book idea. But itâs not really a whole picture book, and having Mommy step in to fix the problem is a big no-no in picture books. I can use that real-life experience as a starting point for a character whose personality doesnât match her appearance, and then make it a better story.
Donât be afraid to change the way something happened. Writing fiction is lying in a good way. Sometimes we get so stuck on basing our manuscript on a real-life experience or a sweet person or animal we love, that weâre preventing our manuscript from becoming a fully realized, great book.
I illustrated a picture book written by Danielle Steel that just came out this week called PRETTY MINNIE IN PARIS. (Cue the celebratory chocolate lava cake!) This book is based on Danielleâs own teacup-size Chihuahua named Minnie. Did Danielle write Minnie true-to-life? Nope!
In the book, Minnie loves being out and about in Paris, but Danielleâs real pet Minnie is squeamish about touching sidewalks or even being set down outside. In the book, Minnie is a fashionable pup with an outfit for every occasion, but when I visited Danielle and the real Minnie in Paris last year, Danielle had a blast dressing Minnie up for me, but Minnie was mortified! She is not a fan of doggie clothes. Minnie has even rolled on her back and refused to get up when Danielle dressed her in a snowsuit before. That one tidbit made it into the book, but the rest of the book is mostly made up.
If youâre basing a story on real people or animals in your life, you may have a tendency to try to protect them in your story or to make them too perfect. I have a sketch dummy ready to submit thatâs based on my husband and daughters and a chasing game we play. I have to admit it was a bit hard to make my little girl shed tears in that story. I had to keep telling myself itâs not really her. Donât go easy on your characters. They arenât your real kids or pets.
To sum it up, be inspired by real-life incidents, people, and animals, but then ask, âWhat would make this an even better story?â Thatâs where the fun starts.
Kristi wrote and illustrated the picture book PENGUIN CHA-CHA and illustrated Danielle Steelâs picture book, PRETTY MINNIE IN PARIS, as well as the Little Wings chapter book series, THE GOODBYE CANCER GARDEN, CORA COOKS PANCIT, and others. Her books received a Starred Review from School Library Journal and won some shiny awards. Kristi graduated magna cum laude from Columbus College of Art & Design with a major in Illustration. She grew up in Wisconsin, studied in Ohio, danced in Texas, taught in China, and now lives in Indiana with her husband, daughters, and a room full of hippos, monkeys and sneaky penguins.
Visit Kristi online at KristiValiant.com or on Facebook at http://www.facebook.com/kvaliant.
PRETTY MINNIE IN PARIS has its own website (http://www.randomhousekids.com/brand/pretty-minnie) with a look inside the book, Minnieâs map of Paris, and a paper dog activity in which you can print out Minnie and dress her up in lovely outfits. Oh la la!
Kristi Valiant will sign a copy ofÂ PRETTY MINNIE IN PARISÂ for a lucky winner!
This prize Â will be given away at the conclusion of PiBoIdMo.Â You are eligible for this prize if:
- You haveÂ registered for PiBoIdMo.
- You have commented ONCE ONLY on todayâs post.
- You have completed the PiBoIdMo challenge. (You will have to sign the PiBoIdMo Pledge at the end of the event.)
Good luck, everyone!
We are extra lucky today as not one but two experts have concocted a gourmet feast of their Top 10 favourite multicultural stories about food.Â It seems fitting that authors Grace Lin and Jama Rattigan should each select food as their theme, since they have both written stories revolving around tasty recipes – as you will discover by looking at each of their menus.Â In fact, each has put a book by the other on her menu, while unaware that the other was cooking up their own recipe, so it seems fitting that we should bring you the whole spread for you to gorge on at a single sitting – and it’s also interesting to see which books come up as double portions…
Jama Rattigan is the author of Dumpling Soup illustrated by Lilian Hsu-Flanders (Little, Brown Books for Young Readers, 1998);Â The Woman in the Moon: A Story from Hawai’i illustrated by Carla Golembe (Little, Brown Books for Young Readers, 1996); and Truman’s Aunt Farm illustrated by G. Brian Karas (Sandpiper, 1996).Â As well as her website (check out the recipe for Dumpling Soup), Jama also hosts the truly delectable Jama’s Alphabet Soup, a must-visit blog for anyone interested in children’s books, food, or both at the same time.
Grace Lin‘s latest book is Starry River of the Sky (Little, Brown Books for Young Readers, 2012), the much-awaited companion novel to Newbery Honor Where the Mountain Meets the Moon (Little, Brown Books for Young Readers, 2009).Â She has written and illustrated many books for a wide age-range of children, including The Ugly Vegetables (Charlesbridge Publishing, 1999) and Dim Sum for Everyone (Knopf Books for Young Readers, 2001); and picture books she has illustrated include Where on Earth is my Bagel? by Frances and Ginger Park (Lee & Low Books, 2001).Â You can read our 2010 interview with Grace here, and view some of her beautiful artwork in our Gallery here and here.Â And do check out Grace’s website and blog, where she has a fantastic giveaway on offer in celebration of the launch of Starry River of the Sky.
Top 10 Favorite Multicultural Picture Books about Food by Jama Rattigan
Whether it’s a big platter of noodles, warm-from-the-oven flatbread, fried dumplings, or a steamy bowl of Ugly Vegetable Soup, there’s nothing tastier than a picture book about food. You eat with your eyes first, then step into the kitchens or sit at the tables of friends and family from faraway places, all of whom seem to agree that love is the best seasoning for any dish, and food tastes best when it is happily shared. These tasty tales always make me say, “More, please!”
~ Apple Pie Fourth of July by Janet S. Wong and Margaret Chodos-Irvine (Harcourt, 2002)
~ Aunty Yangâs Great Soybean Picnic by Ginnie Lo and Beth Lo (Lee & Low, 2012)
~ Bee-Bim Bop! by Linda Sue Park and Ho Baek Lee (Clarion, 2005)
~ Cora Cooks Pancit by Dorina K. Lazo Gilmore and Kristi Valiant (Shenâs Books, 2009)
~ Duck for Turkey Day by Jacqueline Jules and Kathryn Mitter (Albert Whitman, 2009)
~ Hiromiâs Hands by Lynne Barasch (Lee & Low, 2007)
~ Hot, Hot Roti for Dada-ji by F. Zia and Ken Min (Lee & Low, 2011)
~ The Have a Good Day CafĂ© by Frances Park and Ginger Park, illustrated by Katherine Potter (Lee & Low, 2005)
~ The Ugly Vegetables by Grace Lin (Charlesbridge, 1999)
~ Too Many Tamales by Gary Soto and Ed Martinez (Putnam, 1993)
My Top Ten Food-Themed Multicultual Books by Grace Lin
In my family instead of saying hello, we say, “Have you eaten yet?” Eating and food has always been a successful way to connect us to culture, familiar as well as exotic–perhaps because it’s so enjoyable! So these books about food can be an appetizer to another country, a comfort food of nostalgia or a delicious dessert of both. Hen hao chi!
~ Hiromiâs Hands by Lynne Barasch (Lee & Low, 2007)
~ Ganeshaâs Sweet Tooth by Sanjay Patel and Emily Haynes, illustrated by Sanjay Patel (Chronicle Books, 2012)
~ Bee-Bim Bop! by Linda Sue Park,illustrated Ho Baek Lee (Clarion, 2005)
~ How My Parents Learned to Eat by Ina R. Friedman, illustrated by Allan Say (Sandpiper, 1987)
~ Apple Pie Fourth of July by Janet Wong, illustrated by Margaret Chodos-Irvine (Harcourt, 2002)
~ Everybody Cooks Rice by Norah Dooley, illustrated by Peter Thornton (Carolrhoda Books, 1992)
~ Yoko by Rosemary Wells (Hyperion, 1998)
~ Auntie Yangâs Great Soybean Picnic by Ginnie and Beth Lo (Lee & Low, 2012)
~ Peiling and the Chicken-Fried Christmas by Pauline Chen (Bloomsbury, 2007)
~ Dumpling Soup by Jama K. Rattigan, illustrated by Lillian Hsu Flanders (Little, Brown, 1998)
In fourth grade,Â Kristi often got in trouble for drawing too much during class.
After graduating magna cum laude from Columbus College of Art and Design as an Illustration major, I worked in the graphics department at an educational publisher. Now I write and illustrate children’s books.
She’sÂ represented by Linda Pratt from Wernick & Pratt Agency.
I’ve illustrated the following: THE LITTLE WINGS Chapter Book Series (Random House 2012) THE GOODBYE CANCER GARDEN (Albert Whitman & Co., March 2011) DO YOU LOVE ME MORE? (Standard, Jan 2011) OLIVER’S FIRST CHRISTMAS (Accord, Oct 2010) DANCING DREAMS (Accord, Sept 2010) CORA COOKS PANCIT (Shen’s Books, 2009)
Kristi is the Indiana Regional Advisor of the Society of Children’s Book Writers and Illustrators (SCBWI)Â and has great news she has just made her debut as author/illustrator with the publication of PENGUIN CHA-CHA from Random House.
And I have Great News for all of you. Kristi has agreed to give away a Penguin Prize Package – a signed book along with a magnet, sticker, and bookmark for this adorable book. Anyone that leaves a comment will get their name put in the hat one time. If you would like to collect more entries into the hat you can do the following:
One entry everything you tweet this link (One a day)
One entry for putting the link on facebook or your blog.
Five entries if you read the book and talk about it on your facebook page or blog.
Please leave what you did in the comment section, so I know how many times to put your name in the hat. You have until this coming Thursday to enter to win the Penguin Prize Package.
I think she looks excited. Here is Kristi Showing her process.
Sketch drawn on Wacom Centiq – fromÂ the original dummy submitted.
Quick color studiesÂ paintedÂ in PhotoshopÂ to find the overall color scheme of the page.
Blocking in the color.
Painting the details and muting the background so Julia stands out more in Photoshop.
Above: This is the finished piece.Â Below: An Early Version of Penguin Cha-Cha.
How long have you been illustrating?
I illustrated my first book while still in art school, so Iâve been illustrating childrenâs books for 14 years.
I see you graduated magna cum laude from Columbus College of Art and Design as an Illustration major. That is pretty impressive. Can you tell us a little bit about how you decided to attend CCAD?
My high school art teacher showed me a promotional book from CCAD with work by CCAD students. I had looked at other art schools, but loved the illustration work from this art school the best. The decision was made even easier when I received a partial art scholarship to CCAD and one of my closest friends decided to go to Ohio State in the same city.
What types of classes did you take?
Itâs a 4 year art school, and all of our courses had to do with art in some way. Freshman year I took classes like perspective drawing, figure drawing, art history, 2D design, 3D design, color concept, typography, painting, etc. After freshman year I was able to take courses in my specific major of Illustration as well as electives.
What classes were your favorites?
Digital illustration, advanced Photoshop, an illustration class taught by C.F. Payne, color concept, and fashion illustration.
Did the School help you find work?
Yes. From a job fair at CCAD, I received some freelance illustration work from Bath & Body Works drawing Christmas characters for on merchandise, and I found an internship at a tiny childrenâs book publisher called Berry Books. During my senior year, all illustration majors had an assignment in which we illustrated a few pages from a childrenâs book by an educational publisher called Seedling Publications. The publisher choose me as the final illustrator for the book. I went on to work in their graphics department laying out childrenâs books after I graduated as well as illustrating more books for them.
Do you feel that the classes you took influenced your style?
Thatâs hard to say. Iâd like to think my style is my style and I would have drawn the same no matter what, but Iâm sure learning specific techniques and seeing the work of other students and masters definitely influenced what I do. In C.F. Payneâs class we had to put together a binder of artwork that inspired us. Looking through each studentâs binder was very telling as to what styles they loved. But then C.F. Payne encouraged us to find different styles and learn to respect and see the mastery in that work as well. Itâs opened me up to playing more with color and texture and different kinds of things that I notice in different art styles than my own.
What was the first thing you did where someone paid you for your artwork?
As a young teen I face-painted at events, and as a freshman in high school I created an airbrush t-shirt business after learning how to airbrush in art class. Then I did murals at my local YMCA and Walmart in high school too.
What was the first thing you did for children?
My first childrenâs book that I illustrated was for a tiny publisher called Berry Books.
How did that come about?
I met the owner of Berry Books at a job fair at my art school. He hired me to help with graphic design, marketing, book layout, and so on. It was such a tiny publisher that there were only 3 of us. The owner also owned a berry farm, and during berry season, weâd head out to pick berries and eat bowls of vanilla bean ice cream with berries for lunch. Yum!
When did you decide you wanted to illustrate for children?
Iâve always loved childrenâs books and have a special one with gorgeous illustrations from when I was a child (actually, itâs my brotherâs, but donât tell him). Itâs called Deanâs Mother Goose Book of Rhymes, illustrated by Janet and Anne Grahame Johnstone. I think thatâs one of the main reasons I chose to illustrate for children. I made my first book in elementary school. My teacher asked me to read it to a younger class, and I was hooked.
Have you done any work for childrenâs magazines?
Yes, for Highlights magazine. What a wonderful company!
Have you worked for educational publishers?
Yes, Iâve illustrated over 30 books for educational publishers and I worked in the graphics department of an educational publisher, Seedling, after graduating from art school. It was a family run business and a joy to work there. Iâve also illustrated hundreds â perhaps thousands â of black and white vector illustrations for educational publishers.
How many childrenâs books have you published?
A hand full of hardcover picture books in the last four years for various publishers as well as a chapter book series called Little Wings for Random House (the 5th in that series just came out), and before that I illustrated dozens of educational childrenâs books.
Was CORA COOKS PANCIT (Shen’s Books, 2009) your first picture book?
Yes, CORA COOKS PANCIT was my first picture book for the trade market. It was the Picture Book Winner of the 2010 Asian/Pacific American Awards for Literature (APALA)! The author, Dorina K Lazo Gilmore, and I both flew to Washington DC for the award during ALA. It was such an honor for our book to win the award and I loved meeting Dorina!
How did that connection come about?
I happened to send a postcard art sample to Shenâs Books just as they were looking for an illustrator for that book. What perfect timing! The bookâs main character is a Filipino girl named Cora and I had sent an Asian girl on my art sample that they liked.
Can you tell us a little bit about Shenâs Books?
Shenâs Books is a small publisher of multicultural books based out of California. Their books are lovely!
In 2010 you published two books with Accord. Could you fill us in on that publisher and share the story of getting those contracts?
I honestly donât remember how Accord found me. They create innovative childrenâs books that have some kind of novelty to them usually. Both of the books I illustrated for them, DANCING DREAMS and OLIVERâS FIRST CHRISTMAS, are part of their AniMotion series in which the illustrations appear to be animated as you turn the page. I illustrated them as normal spreads keeping in mind exactly where the animated part would fall, and they created the animations.
Then in 2011 you published DO YOU LOVE ME MORE? with Standard. How did that come your way?
I think Standard found me through my website. This book has a wonderful way of explaining Godâs grace. Standard is a great publisher of Christian books.
How did you end up being represented by Wernick and Pratt Agency? When did that happen?
I met Linda Pratt at a dessert party during an SCBWI conference. I had sought her out when I felt I was finally ready for an agent, because I really liked her clients and thought we may have a bit of the same taste, so perhaps sheâd like my work. She had just seen my artwork on display for winning the illustration contest at the conference and commented on it. We had a great chat and she invited me to submit. I was very blessed to have had such an easy time finding my dream agent.
How many contracts have they gotten for you?
Linda became my agent just as Random House wanted to acquire PENGUIN CHA-CHA, so she negotiated that one. Sheâs also negotiated a number of books Iâve illustrated: the Little Wings contracts, a book cover, and now PRETTY MINNIE IN PARIS, a picture book written by Danielle Steel that will be published by Doubleday/Random House in fall 2014.
When did you decide to start writing and illustrating?
In 2007 I started writing some manuscripts and joined a critique group to help with my writing. Writing picture books really means learning a whole separate skill set. It took years to get one manuscript that was solid.
Is PENGUIN CHA-CHA from Random House the first book where you were the author and the illustrator?
Kristi and her editor, Michael Joosten in front of the illustrator’s wall at Random House on the kid’s editorial floor. Some big name illustrators have drawn on that wall, and Kristi says sheÂ was thrilled when Michael askedÂ her to addÂ her penguins to it!Â
Tell us a little bit about the story and how you came up with the idea.
PENGUIN CHA-CHA began as an illustration for in my portfolio. I was in a swing and Latin dance group and wanted to draw some dancing illustrations. I like penguins and thought it would be fun to make them dance in a Latin dance competition, so that became a portfolio piece. Editors and art directors kept pointing out that illustration in particular in my portfolio and asking for a story to go along with it. I wrote story after story about dancing penguins until I finally got one that I really loved. Julia discovers that the penguins at the zoo are dancing when no one is around. She wants to join their jitterbug, but they freeze like penguin Popsicles whenever she approaches. Will they ever dance with her?
How long have you been Regional Advisor for the SCBWI in Indiana?
Since 2010. SCBWI has been instrumental in my career, so itâs an honor to volunteer in the role of Regional Advisor.
Have you ever illustrated a book for a self-published author?
Yes, twice when I was first starting out and needed pieces for my portfolio. I donât anymore. One was a great experience and one wasnât.
Where does most of your paid work come from?
I focus my time on my books, and I still illustrate black & white line vector drawings for one particular educational publisher.
Do you do any marketing on your own to find illustration work?
Not anymore. Before I had an agent I would send sample postcards a few times a year to editors and art directors.
What is your favorite medium to use?
I work all digitally. My book illustrations are done in Adobe Photoshop and my vector drawings are done in Adobe Illustrator.
Not counting your paint and brushes, what is the one thing in your studio that you could not live without?
I donât use paint and brushes except with my kids! I love my Cintiq â itâs a large monitor that I can draw on with a stylus. I also need my large collection of picture books that inspire me.
Do you try and spend a certain amount of hours every day working on your art?
I have two little girls, so I need to work quickly while theyâre in preschool and childcare or napping. I have deadlines and try to schedule out how fast I need to work to get done in time, but sometimes an illustration doesnât come together like I want it to and I end up working late into the nights.
Have you ever won an award for your writing or illustrating?
Recently, I won a regional art show with a Prodigal Son theme in 2012 for my artwork titled âLove That Lifts a Child.â A couple of my books have won awards: THE GOODBYE CANCER GARDEN won 2011 Best English Language Children’s Book at the Sharjah International Book Fair and CORA COOKS PANCIT was the Picture Book Winner of the 2010 Asian/Pacific American Awards for Literature (APALA). I won some illustration contests and one picture book writing contest at SCBWI conferences. I won a marketing grant from SCBWI for PENGUIN CHA-CHA.
Do you take pictures or do any research before you start a project?
It depends on the project as to how much research or photos are required. Right now Iâm illustrating a book that takes place in Paris, so of course, I HAD to visit Paris with my husband and try out all the pastriesâŠ I mean take lots of photos for visual reference, since there are tiny visual details, like electrical outlets, that look different in Paris than here. For CORA COOKS PANCIT, I definitely had to research the Filipino culture, try my hand at making Filipino food (yum!) just like the main character, and I took lots of photos of a little Asian girl as a model for Cora. Other books, like my PENGUIN CHA-CHA, didnât require taking photos, but I have a dance background and was able to move into the dance positions myself in order to feel how to draw them. I usually always collect lots of references of clothes, colors, textures, and perspectives that I want to use in each book as I go.
Do you think the Internet has opened doors for you?
Oh yes. My website has brought new clients, and Iâm able to research and be inspired so much easier. I recently joined Pinterest and am loving all the fashion pins as I draw a picture book thatâs heavy on fashion. I also use the Internet to connect with other writers and illustrators as well as reach new readers. I have a book trailer for my PENGUIN CHA-CHA picture book, and seeing the number of hits it has is fun. Being on blogs like this one is also wonderful!
Do you use Photoshop with your illustrations?
Yes, I draw and paint my books entirely in Photoshop!
Do you own or have you ever tried a graphic Drawing Tablet?
Yes, I used to draw with a drawing tablet, but now I only use that when I travel. I use a Cintiq at home. Itâs a large monitor that I draw on and is attached to an arm that allows me to turn it easily like you would a piece of paper and bring it right down into my lap to draw comfortably. I love it!
Do you think your style has changed over the years? Have your materials changed?
I used to illustrate educational books, so when I decided to work on breaking into the trade book market, I had to evolve my style to work with that market. I attended SCBWI conferences and had every portfolio critique with an art director in childrenâs books that I could find. One art director in particular, Laurent Linn, was very helpful at explaining the difference in my illustrations between the educational book look and the trade book look. I still am learning and developing my style. I think I always will. As for materials, in art school I had to learn how to use many mediums. In the educational books I tried out various mediums and styles. But Iâve always been one who enjoys being spontaneous and not planning everything out in the painting first but experimenting as I go. The problem with real paint is that you canât move things around and resize them in your painting after you paint it. But digitally you can! Digital illustration has come a long way and some of my editors and art directors donât even realize I work digitally until I tell them.
Do you have any career dreams that you want to fulfill?
To continue to write and illustrate my own books as well as illustrate othersâ books that I really enjoy. I could say I want to win a Caldecott or something like that, but since that isnât a goal that I have control over, Iâll stick with really enjoying my own books and hoping that others enjoy them too!
What are you working on now?
Iâm illustrating a picture book written by Danielle Steel called PRETTY MINNIE IN PARIS! Itâs a lovely book full of fashion, Paris, a teacup Chihuahua, and a stylish little girl. So much fun to illustrate! I visited Danielle and met the real Minnie when I visited Paris, and they were both a delight.
Do you have any material type tips you can share with us? Example: Paint or paper that you love – the best place to buy – a new product that you’ve tried – A how to tip, etc.
Since I illustrate in Photoshop, I would suggest not using the awful pencil tool that comes with Photoshop, but instead create your own or download lots of free Photoshop brushes (search online for Nagelâs or others). Play with the brush settings such as shape dynamics, scattering, texture, etc. It took me years to create a pencil tool that looks and feels like a real pencil, but now I love sketching in Photoshop. Whenever I sketch on real paper with a real pencil, I want to hit the undo button!
Any words of wisdom on how to become a successful writer or illustrator?
Join SCBWI and volunteer. Meet other writers and illustrators and make friends. If you want to write or illustrate books, you need to read, read, read those books currently being published. Study whatâs out there and figure out how to make your mark while staying true to who you are. Find out what makes your face light up â what subjects and themes and characters â and do that kind of work. Love what youâre doing!
Thank you Kristi for sharing your process and journey with us. Penguin Cha-Cha looks like such a cute picture book. I wish you much success with that and your future books.
You can visit Kristi at the following sites: www.kristivaliant.com – http://kristivaliant.blogspot.com – www.penguinchacha.comÂ - Facebook: https://www.facebook.com/kvaliant – Twitter: https://twitter.com/KristiValiant
Free Penguin Cha-Cha Storytime Activity Kit:Â http://www.penguinchacha.com/Penguin_Cha-Cha/activities.html
Remember all you have to do is leave a comment for Kristi to receive one entry for your chance to win a signed copy of Penguin Cha-Cha. Hope you help spread the word for Kristi’s debut as author/illustrator.
Filed under: Advice
, authors and illustrators
, How to
, Illustrator's Saturday
Tagged: editor Michael Joosten
, Kristi valiant
, Penguin Cha-Cha
, Random House
CORA COOKS PANCIT by Dorina K. Lazo Gilmore,
pictures by Kristi Valiant (Shen's Books, 2009).
Picture book for ages 4-8, 32 pp.
Here's a thoroughly delicious, lip-smacking picture book, perfect for celebrating Asian Pacific American Heritage Month!
Just released by Shen's Books in April, Cora Cooks Pancit is the heartwarming story of a little girl's first experience helping her mother prepare a favorite Filipino noodle dish.
As the youngest in the family, Cora usually gets stuck with little kid jobs, like drawing pictures in the flour or licking the spoon. But one day, while her older siblings are out busy with other things, Cora, who longs to be a cook, finally gets her chance to be Mama's assistant. When Mama asks Cora what she wants to make, this is what happens:
All her favorite Filipino foods danced in her head.
Lines of lumpia pranced in rows.
Adobo chicken legs be-bopped in time.
She saw a large bowl of pancit.
The thick noodles and vegetables curled and swirled in a dance party. Mmmm.
Wearing Mama's red apron, Cora finally gets to do grown-up jobs, like soaking the noodles and shredding the chicken. She lines up the vegetables while Mama slices them. Best of all, she gets to stir everything together in the big pancit pan. It looks and smells so good. But what will her siblings say when they find out she did their jobs? And will they like Cora's pancit?
Dorina Lazo Gilmore's text is delightful, engaging and wonderfully sensual. Mouths will water when, "The pot began to hiss and sizzle. Mama added spices too -- garlic, ginger and a splash of soy sauce. Mmmm. Cora loved the smell of garlic."
I love the mother/daughter bond in the story, and children will likely appreciate how special Cora feels, as the youngest of four, to have Mama all to herself. The red apron is also a very nice touch -- Cora learns it originally belonged to Lolo, her grandpa, who grew up in the Philippines and cooked for farmworkers in California.
Kristi Valiant's illustrations are the warm stuff of golds, browns, and rich jewel tones. Cora's expressions are convincingly hopeful, joyous, pensive, and tentative, as she anxiously tries her hand at new tasks. Kids will especially love the added storyline of the family dog, who follows Cora around with a toy in his mouth, wanting her to play. The true joys of cooking -- from the initial anticipation, through every step of preparation, and finally, the sharing and tasting, is palpable with every page turn. By the time you come to the final double page spread of the whole family at the table, you'll wish you were right there, feasting on the adobo chicken, lumpia, and Cora's first pancit.
Recently, I asked Kristi about how she created the pictures for this lovely book, and she graciously shared these thoughts:
The text for Cora Cooks Pancit is very sweet and charming. After I read through it numerous times, I created small sketches called thumbnails to get an idea of the general flow of the illustrations, and how I would divide the text between pages. Picture books by definition tell part of the story through pictures, so I tried to pick out parts that can be expanded upon to tell a deeper or funnier story by "reading" the illustrations.
For example, I like humor in picture books, so I added a dog who wasn't mentioned at all in the text. He follows Cora around and keeps bringing more and more toys hoping she'll play with him. She ignores the dog all the way through the book, until the very end when she's lying on the floor playing tug of war with him.
After I did quick sketches, I took photos of a 5-year-old and her mother as a reference for the poses, and I checked out all the books from my library about Filipino food. Then I drew more detailed sketches. I work digitally, so I do everything from sketches to the final color paintings on my mac using a wacom tablet and an electronic pen.
I played around with the brush creator in Photoshop to get my computer brushes to look like pastel, watercolor, or acrylic, and I use the electronic pen as a paintbrush. It allows a lot more editing freedom than traditional paints, and the undo button has become a big part of my process! The author, Dorina K. Lazo Gilmore, included her family recipe for pancit in Cora Cooks Pancit, so part of my process for this book was to make this Filipino noodle dish. It is delicious! Super yummy! I hope you enjoy it too.
In addition to Lolo's Pancit Recipe, there's also a short glossary, and the back flap features fetching photos of both Dorina and Kristi with their noodle bowls. I know you will enjoy this feast of a book -- not only is it a rare title featuring Filipino culture, it's so delectable, the whole family will ask for repeated servings!âș
♥ ♥ ♥ ♥ ♥
Dorina Lazo Gilmore, who grew up spending a lot of time in her Filipino-Italian family's kitchen with her mama, grandma and aunties, also has a fabulous blog, health-full, where she and her husband and daughter share budget-friendly, healthy recipes.
You can learn more about Kristi Valiant's work by visiting her website and blog. Stephanie Ruble recently interviewed Kristy here.
Check out the publisher's webpage for more about Cora Cooks Pancit!
If you're looking for a few more delicious ways to celebrate Asian Pacific American Heritage Month, click here for my 2008 posts, featuring several Asian American authors and their spicy recipes, an interview with Debbi Michiko Florence, poetry, sushi, and book reviews. I also interviewed Grace Lin and Edna Cabcabin Moran, who shared her recipe for lumpia.
The Queen of Resource Lists, Elaine at Wild Rose Reader, offers lots more here.
photo by Happy Jack Eats.
*Spreads posted by permission, text copyright © 2009 Dorina K. Lazo Gilmore, illustrations © 2009 Kristi Valiant, published by Shen's Books. All rights reserved.