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We’ve collected the books debuting on Indiebound’s Indie Bestseller List for the week ending Dec. 13, 2015–a sneak peek at the books everybody will be talking about next month.

(Debuted at #10 in Early & Middle Grade Readers) How Machines Work: Zoo Break! by David Macaulay: “Follow the mad antics of Sloth and his sidekick Sengi as they try to find their way out of the zoo with the help of machines. Their efforts are brought to life through novelty elements including pop-ups, pull-outs, and lift-the-flaps, allowing readers to explore in greater depth how and why machines work. Spreads highlight the use of simple machines in everyday objects, such as scissors and clocks, mixers and whisks, bikes and brakes, while the story contains clear and simple text to engage the reader.” (Oct. 2015)

(Debuted at #14 in Paperback Fiction) The Story of a New Name by Elena Ferrante: “The two protagonists are now in their twenties. Marriage appears to have imprisoned Lila. Meanwhile, Elena continues her journey of self-discovery. The two young women share a complex and evolving bond that brings them close at times, and drives them apart at others.” (Sept. 2013)

Nursery Rhyme Comics
Edited by Chris Duffy
Introduction by Leonard S. Marcus
$18.99
ISBN: 978-1-59643-600-8
Ages 9-12
On shelves October 11, 2011

Nursery rhymes. What’s up with that? (I feel like a stand up comedian when I put it that way). They’re ubiquitous but nonsensical. Culturally relevant but often of unknown origins. Children’s literary scholar Leonard Marcus ponders the amazing shelf life of nursery rhymes himself and comes up with some answers. Why is it that they last as long as they do in the public consciousness? Marcus speculates that “the old-chestnut rhymes that beguile in part by sounding so emphatically clear about themselves while in fact leaving almost everything to our imagination” leave themselves open to interpretation. And who better to do a little interpreting than cartoonists? Including as many variegated styles as could be conceivably collected in a single 128-page book, editor Chris Duffy plucks from the cream of the children’s graphic novel crop (and beyond!) to create a collection so packed with detail and delight that you’ll find yourself flipping to the beginning to read it all over again after you’re done. Mind you, I wouldn’t go handing this to a three-year-old any time soon, but for a certain kind of child, this crazy little concoction is going to just the right bit of weirdness they require.

Fifty artists are handed a nursery rhyme apiece. The goal? Illustrate said poem. Give it a bit of flair. Put in a plot if you have to. So it is that a breed of all new comics, those of the nursery ilk, fill this book. Here at last you can see David Macaulay bring his architectural genius to “London Bridge is Falling Down” or Roz Chast give “There Was a Crooked Man” a positive spin. Leonard Marcus offers an introduction giving credence to this all new coming together of text and image while in the back of the book editor Chris Duffy discusses the rhymes’ history and meaning. And as he says in the end, “We’re just letting history take its course.”

In the interest of public scrutiny, the complete list of artists on this book consists of Nick Abadzis, Andrew Arnold, Kate Beaton, Vera Brosgol, Nick Bruel, Scott Campbell, Lilli Carre, Roz Chast, JP Coovert, Jordan Crane, Rebecca Dart, Eleanor Davis, Vanessa Davis, Theo Ellsworth, Matt Forsythe, Jules Feiffer, Bob Flynn, Alexis Frederick-Frost, Ben Hatke, Gilbert Hernandez, Jaime Hernandez, Lucy Knisley, David Macaulay, Mark Martin, Patrick McDonnell, Mike Mignola, Tony Millionaire, Tao Nyeu, George O’Connor, Mo Oh, Eric Orchard, Laura Park, Cyril Pedrosa, Lark Pien, Aaron Renier, Dave Roman, Marc Rosenthal, Stan Sakai, Richard Sala, Mark Siegel, James Sturm, Raina Telgemeier, Craig Thompson, Richard Thompson, Sara Varon, Jen Wang, Drew Weing, Gahan Wilson, Gene Luen Yang, and Stephanie Yue (whew!). And as with any collection, some of the inclusions are going to be stronger than others. Generally speaking if fifty people do something, some of them are going to have a better grasp on the process than others. That said, only a few of these versions didn’t do it for me. At worst the versions were mediocre. At best they went in a new direction with their mat

Wells, Rosemary and Secundino Fernandez. My Havana: Memories of a Cuban Boyhood. Illus. by Peter Ferguson. Candlewick, 2010. Ages 8-12.

Memories can move us forward or backward, depending on how we use them. My Havana: Memories of a Cuban Boyhood evokes the intensity of one child’s connection to his home in 1950s Havana. Prolific children’s book author Rosemary Wells once heard a radio interview with the Cuban-American architect Secundino Fernandez and years later located Fernandez and worked with him to produce this resonant little historical novel burnished with hope and light.

Secundino, or Dino, relishes his city avenues “lined with coral-stone archways, ancient doors, and window frames painted bright as birds-of-paradise.” As twilight arrives, neighbors begin their checker games, and the cafes fill with people. Dino loves to sketch the buildings, with their porticoes and marble columns. The first time Dino leaves the city of his heart, he crosses the Atlantic to spend time with his grandparents in Spain. When he finally returns home, he expects to stay. Dictators — first Batista, then Castro — take over, though, and the family abandons their restaurant to join relatives in New York City.

So homesick in this dark and dreary new environment, Dino relies on his memory to recreate his beloved Havana in the confines of his bedroom. With great care, he cuts out cardboard to represent its archways, balconies and cafes. Aluminum foil glued to plywood and glazed with blue nail varnish becomes a sparkling turquoise harbor. The double-spread illustration depicting the imaginative boy, scissors in hand, beautifully captures his resourceful nature. The novel closes with Dino adapting to his new world: “New York sunlight, shimmering with the promise of summer, settles round my shoulders like the arms of my mother. It is almost like my Havana.” This brief novel would brighten units on immigration, Cuba, or architecture.

Macaulay, David. Built to Last. Houghton Mifflin, 2010. Ages 9 and up.

In my decade as a school librarian, I often watched children poring over Macaulay’s remarkable architecture books. Rather than merely compiling his acclaimed books, Castle, Cathedral, and Mosque, Macaulay has created new colored illustrations, revised the text, and clarified some explanations.

While some might still long for the previously published cross-hatched illustrations, Macaulay’s changes enhance the reader’s experience of the architecture of the past. He ushers us into his Castle, for instance, with a double-spread illustration of a purple-robed king surveying a map, with pawns awaiting strategic placement. The castle Macaulay highlights is imagined but based on castles built for the conquest of Wales between 1277 and 1305, His interesting perspectives of the workers and how they go about building still capture the hearts of readers, young and old. In Cathedral, Macaulay was inspired by the 13th-century Gothic cathedrals of France. It’s hard to resist sharing Macaulay’s passion for the plans, methods and tools used by those builders “whose towering dreams still stand today.” Finally, the least changed a

Yeah, this week is party week, baby!  First I recap a Robert Forbes party alongside Cynthia von Buhler’s event of the year.  Now I turn my attention to a party beneath a bridge.  The 59th Street Bridge, if you’re going to be technical about it.  Picture, if you will, a glassed enclosure nestled sweetly beneath one of the city’s smaller bridges.  The place was Guastavino’s and the event The Eric Carle Honors of 2010.

You see, each year my favorite Museum (The Eric Carle Museum) honors folks in the children’s literary community that have made a contribution in some manner.  These honors are split into four parts.  You have your “Bridge”, your “Mentor”, your “Angel” and your “Artist”.  More on those later.

On this particular day I was flying in from Chicago, desperately hoping to get an early flight so that I’d make it to the Honors on time.  In point of fact I did finagle a flight and even managed to get home, dress up, and run hell-for-leather in the direction of the subway with enough time.  That doesn’t mean I didn’t walk limping and dripping sweat into the restaurant.  But I was a limping, sweaty, ON TIME individual and really, isn’t that what truly matters?

The party was hopping by the time I arrived anyway.  Lots of tiny food and, as readers all know, tiny food = excellent party.  Particularly when that tiny food involves prosciutto in some way.  Prosciutto is the cupcake of the meat world.  It’s like salty meat-flavored gum.  Delicious.

Each Carle Honor event tends to auction off original art by the luminaries in the children’s literary field.  I do not usually participate since auctions suggest disposable income and children’s librarianship suggests nothing of the sort.  Still, it’s a lot of fun to look and see what other folks are bidding on.  As I circled (and stared with great longing at my personal favorite, an Art Spiegelman work shown here) I thought about original art and where it belongs.  It has occurred to me that if I were an artist, a big time children’s illustrator of some sort, and I wanted to donate my life’s work to someone, I would probably want to give it to an organization like The Carle.  Giving my work to a big library or museum is all well and good, but I’d prefer to hand it over to a group that cares entirely about children’s art for the good of the whole and not as a side venture.

These thoughts swam in my head in part because I learned tha

If you are a fan of David Macaulay's books then you might like to register for his live webcast which is taking place on Tuesday October 7th at 10:00am (EST). The plan is to talk to him about his new book The way we work, to see him talk to students, and to ask him questions, all in real time. To find out more about David Macaulay please visit his website.

Tuesday, October 7, 2008 10:00AM EST
Register to watch him discuss his career and new book, and ask him questions in real time.

Click here to register your class, book group, or library.

How David Macaulay Works (Click to View)

New Roaring Brook Imprint...

Today's PW Daily reports that Roaring Brook Press will launch a new imprint (in a few years):

"Roaring Brook Press has signed a deal with author David Macaulay establishing a new imprint, David Macaulay Studio, which will launch in 2011. The news comes three months after the retirement of Walter Lorraine, Macaulay’s longtime editor at Houghton Mifflin. The imprint will publish future books by Macaulay, who will serve as creative director, as well as titles by other authors and illustrators."

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