Hansel and Gretel...

Life was harsh for the country people who told this story to relieve the  cruel reality of their daily existence.

Hansel and Gretel encounter abandonment, fear, hunger, cannibalism, and magic...they are lost in a cruel world of kill or be killed.

The children must rely on their own courage and ingenuity to survive and prevail.   

Welcome to the world of the wonder tale.

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Wonder Tales before the Grimms 

During the reign of Louis XIV, cultural endeavors in all the arts were encouraged and highly regarded in the court of Versailles. Writers, including Moliere, Racine and Marais, were respected and often admired. Ideas were in the air in the salons of Paris and in the court itself.  

Good but Grimm Bedtime Reading

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The Grimm's Wonder Tales Sweep England in the Nineteenth Century

David Blamires, in a very comprehensive and rather scholarly article for Open Book Publishers, details the impact on readers in England of the  Edgar Taylor translation (1823) of the Grimm's original Childrens and Household Tales. The article provides both overview and details of the English versions throughout the 18th Century. Blamires credits the illustrations by George Cruikshank as being very important to to wide popular acceptance. 

 "Without a shadow of doubt the single most important German contribution to world literature is the collection of traditional tales made by the Brothers Grimm and first published in two small volumes in 1812-15. It outshines Goethe’s Faust and such twentieth-century classics as Mann’s Death in Venice or Kafka’s The Trial by virtue of an infinitely greater readership. Not only have the tales been translated in whole or in part into virtually every major language in the world, but they have generated countless new editions and adaptations and become the cornerstone of the study of folktales not only in Germany, but throughout the world... 

When Edgar Taylor made the first translation of the Grimms into English
as German Popular Stories, translated from the Kinder und Haus Märchen, collected by M.M. Grimm, from oral tradition (London: C. Baldwyn, 1823), the fairytale as a genre was very much in the grip of the French. Of course, such truly English fairytales as ’Jack the Giant-killer’, ’Whittington and his Cat’, ’Tom Hickathrift’, ’Tom Thumb’ and ’Jack and the Beanstalk’ had circulated in chapbooks, but English tales were not systematically collected until later. It was the fairytales of Charles Perrault, Madame d’Aulnoy and Madame Leprince de Beaumont that dominated the scene..." 
The illustrations of Rapunzel and Cinderella are by George Cruickshank.

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Born Without A Tail Returns

The enhanced second edition of Born Without A Tale, by C.A. Wulff will be published later this month by Barking Planet Productions. The book is a heartwarming life journey memoir by of Wulff's never ending rescues, healings, and adventures with a melange of dogs and cats. 

Here's a description of the first edition from Amazon:

When your home has a revolving door for abused and abandoned animals, keeping pets takes
on a whole new dimension! Sometimes hilarious, sometimes heart-rending, Born Without a Tail chronicles the true-life adventures of two animal rescuers living with an ever-changing house full of pets. The author takes us on a journey from childhood through adulthood, sharing tales, (mis)adventures and insights garnered from a lifetime of encounters with a menagerie of twenty remarkable animals.--

And here is an abridged sample of a review...there are many more on Amazon : 

"I can't say too much about this book, it's more than a 'dog book' it's a people, animals, life book. I was hooked from the first page and read it straight through... The writer has a great way of drawing you in, making you at home in her world. Anyone who's ever had a heart dog, a misfit cat, ever been touched by the love of an animal should enjoy this book. It's a keeper."                                     -- Bookpleasures.com

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Lost Wonders Found In An Immersive Theatrical Experience

Imagine walking into a warehouse converted into an environment of wonder where you find clairvoyant ravens, a runaway princess, and elves with magic powers.  I discovered all of this is happening in London when I read a recent post by Kristen in her Tales of Faerie blog. Here is an excerpt...  

"Any readers who live in England/will be travelling to the UK this spring? There's a unique fairy tale play going on, Philip Pullman's Grimm Tales for the Young and Old: An Immersive Fairy Tale, adapted and directed by Philip Wilson....

Reviewers seem overall very impressed with the play, especially the format. Instead of an audience sitting in chairs in an auditorium, they follow the characters through a large warehouse with different sections set up as each fairy tale. Props to the creators of this play for not only staying faithful to the Grimm fairy tales, but introducing audiences to lesser known tales, such as "Faithful Johannes" and "The Three Little Men in the Woods" (which seems to be the audience favorite)."

In the words of Philip Wilson (Director & Adapter) of this theater piece:

"I love the fact that, in German, these are known as 'wonder tales' rather than the more twee term 'fairy tales': and so audiences coming to the Bargehouse will find themselves plunged into a parallel universe in which extraordinary adventures happen - and the darker side of these stories will come to light..."

For more information and a video, visit Grimm 

Photo by Angela B; Illustration by Hermann Vogel

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Paws Giving Independence (PGI) is a multi-faceted, grass roots organization, located in Peoria, Illinois, that does wonderful work in providing service dogs for people with disabilities. Their dogs serve people ranging from the Jesse Brown Veteran's Hospital in Chicago to the Peoria Children's Home Youth Farm. 

The photo on the left is of Monty, who recently had his first day of school with his new friend, the young girl in the photo. They are both in fourth grade. Monty now lives with her in her home, and they go everywhere, including the school bus, together.

Monty was trained by a Bradley University student as part of the Wags for Mags program, initiated by Paws Giving Independence (photo on the right).This ongoing program of student volunteers works directly with people and training the dogs for service. Anyone with a disability can apply for a PGI service dog. Saturday, June 6, 2015, is the day for PGI's  Running With The Dogs Day. 

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Dogs As Healers in the Planet Of The Dogs Series

 In the first book in the Planet Of The Dogs we are introduced to Bella, the healer lady of Green Valley. And it is through Bella that people have their first experience with dogs as healers...the first Therapy Dogs. Here is an excerpt...

"The next morning, just as daylight brightened their home, Tomas and his family had another visitor, Bella, the healer lady. Bella helped the people of Green Valley when they were having babies, or when they were sick. She had a large garden of flowers and herbs that she used when healing people. All the people in Lake Village, including Omeg, liked her and respected her. Bella had been dreaming of the dogs and understood the reason they had come to Planet Earth. 

Before Bella reached the house, Robbie and Buddy, who now slept in the barn, sensed her arrival and ran up the road to greet her. The family was happy to see her and to find that she welcomed the dogs. They  were  surprised that Bella was  so comfortable with Buddy, who lay at her feet while she sat at the table drinking a refreshing cup of mint tea. Bella had an even bigger surprise for everyone. She said, “From my dreams, I have learned that the dogs can help me in my work. I know they have the power of love and the power to help people heal,” she said. Tomas and Sara looked at her in amazement. Daisy and Bean were not so surprised. Then Bella said, “I want to take the little dog to visit Delia, the sad one...”

For sample chapters from Planet Of The Dogs, Castle In The Mist, and Snow Valley Heroes,  A Christmas Tale -- and more information about all of our Barking Planet books -- visit our Planet Of The Dogs website.  

Free copies of the Planet of The Dogs book series  for therapy dog organizations, individual therapy dog owners, and librarians and teachers with therapy reading dog programs...simply send us an email at [email protected].

"In PLANET OF THE DOGS, Robert McCarty weaves an enchanting story that will delight the young reader as well as the young reader's parents or grandparents. Parents and grandparents should be forewarned, however, that their young readers will be pleading with them unrlentingly for a visit to Green Valley."  Warner V. Slack MD, Professor of Medicine, Harvard Medical School; Father, Grandfather
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All Barking Planet Productions Books are available on the internet at Barnes & Noble, Amazon, and other booksellers --  as well as your local independent bookstore. 

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LitWorld and World Read Aloud Day

LitWorld brings literacy, reading, books, and empowerment to disadvantaged children.

LitWorld celebrated their annual World Read Aloud Day on March 5th.

"World Read Aloud Day allows members of our year-round programs to invite more people into their literacy community and brings LitWorld’s messages to the rest of the world. World Read Aloud Day is now celebrated by over one million people in more than 80 countries and reaches over 31 million people online. The growth of our movement can be attributed in large part to our network of partner organizations and “WRADvocates” – a group of reading advocates and supporters taking action in their communities and on social media."

Visit their website and learn more about their wonderful work: LitWorld

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The Wind In The Willows

 

"But Mole stood still a moment, held in thought. As one wakened suddenly from a beautiful dream, who struggles to recall it, but can recapture nothing but a dim sense of the beauty in it, the beauty! Till that, too, fades away in its turn, and the dreamer bitterly accepts the hard, cold waking and all its penalties."--Kenneth Grahame, The Wind In The Willows; Illustration, E.H. Shephard

 
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I was drawn to read this book. 

The Motherless Child Project is terrific and timely. The central character, Emily Amber Ross, a 16 year old girl, is bright, interesting, conflicted, and very likable. The fact that she lives in a home where there can be no mention of her mother and her childhood becomes a driving force in her life. The story builds into a suspenseful, compelling, poignant rush of events. The ending is exciting and satisfying. I would think that word of mouth will be significant. In addition to being an excellent, and meaningful read -- The Motherless Child Project would make a great YA crossover movie. 

Janie McQueen and Robin Karr are the co-authors of The Motherless Child Project

 

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 The Unintelligible Truth of Folktales

Laura Miller, in Salon, conducted an excellent interview with Maria Tatar on the occasion of the publication of The Turnip Princess. Here is an excerpt:

What do you in particular find so compelling about this form?

"What I really love about fairy tales is that they get us talking about matters that are just so vital to us. I think about the story of Little Red Riding Hood and how originally it was about the predator-prey relationship, and then it becomes a story about innocence and seduction for us. We use that story again and again to work out these very tough issues that we have to face. My hope is that this volume will get people talking about not just the stories and the plot but the underlying issues.

Milan Kundera has this quote in “The Unbearable Lightness of Being” about painting that goes something like: Painting is an intelligible lie on the surface, but underneath is the unintelligible truth. Folktales are lies, they misrepresent things, and they seem so straightforward and so deceptively simple in a way. It’s the unintelligible truth beneath that’s so powerful, and that’s why we keep talking about them. They’re so complicated. We have a cultural compulsion about folklore. We keep retelling the stories because we can never get them right."  Illustration by Lancelot Speed

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"He now felt glad at having suffered sorrow and trouble, because it enabled him to enjoy so much better all the pleasure and happiness around him;” 

 “It is only with the heart that one can see clearly, for the most essential things are invisible to the eye.” 
― Hans Christian Anderson, The Ugly Duckling

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Animated Movies and Inspiration from Tales of Wonder 

Last year (2014), the Oscar for the best animated film -- Frozen -- was "inspired" by Hans Christian Anderson's classic story, The Snow Queen. In addition to substantive story changes, this Disney fantasy removes the dark fear and danger of the original and substitutes dazzling animation, fast pacing, and romantic gloss. Frozen has a sound track of soaring romantic music. the film also won an Oscar for best song: Let It Go.

Disney achieved their goal. In addition to recognition by their peers in winning the Oscars, the film has been extremely popular and made a great deal of money, grossing $1,274,219,009. That figure represents an incredible number of children and adults experiencing the Disney version of the story.

Here is an excerpt from Anderson's original Snow Queen, which, unlike the film, I find permeated by a sense of the ominous, of danger and events beyond control...

"There stood poor Gerda, without shoes, without gloves, in the midst of cold, dreary, ice-bound Finland. She ran forwards as quickly as she could, when a whole regiment of snow-flakes came round her; they did not, however, fall from the sky, which was quite clear and glittering with the northern lights. The snow-flakes ran along the ground, and the nearer they came to her, the larger they appeared. Gerda remembered how large and beautiful they looked through the burning-glass. But these were really larger, and much more terrible, for they were alive, and were the guards of the Snow Queen... but all were dazzlingly white, and all were living snow-flakes."

Hopefully, many more children, having experienced the Disney version, will be drawn to read the original.

Illustration of the original Snow Queen is by Vilhelm Pedersen.

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Little Red Riding Hood...There are many versions and many interpretations in film, TV, theater and illustration of Little Red Riding Hood. The story had a major role last year in Disney's production of Into The Woods, a film inspired by a popular Broadway musical.

On a more modest scale, Cale Atkinson, a talented young Canadian illustrator, created a delightful short animated  version (1:37) of Red Riding Hood on Vimeo.

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Disney's Big Hero

This year, Big Hero 6 , also a Disney film, has won the Oscar for best animated film. This time , inspiration for the film was inspired by a Marvel comic story. The film is a significant departure from the original. Humor, imagination and outstanding animation bring Hiro, a brilliant teenage robotics inventor, Baymax his robot, and the fantasy future world of San Fransokyo to fun-filled life.

Disney, through the collaboration between Winnie the Pooh director Don Hall, and Chris Williams, director of Bolt, succeeded in adding charm and fun to the original premise; as a result, Big Hero 6 found a large audience worldwide: $546,225,000 (this figure will grow with winning the Oscar).

Here is a link to the delightful trailer: Big Hero 6.

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 Disney Returns with Cinderella on March 13. 

Cinderella back and, once again, has a cruel stepmother ... If Kate Blanchett was my cruel stepmother, I would be most grateful if Helena Bonham Carter was my fairy godmother --  especially if Kenneth Branagh was my director. This comment is based on watching the trailer for Cinderella - the next Disney movie.  

See for yourself:  Cinderella Trailer...and listen to the soaring music.

The advance reviews suggest this Cinderella will please and delight young girls and their families. Personally, I'm still marveling at the movie created by Linda Woolverton, Robert Stromberg, and Angelina Jolie in Malificent, inspired by Sleeping Beauty.

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JRR Tolkien’s fantasy novels have been elbowed out of the annual lineup of the most popular books for schoolchildren by a deluge of dark dystopias and urban fantasies.

The seventh What Kids Are Reading report, which analyses the reading habits of over half a million children in over 2,700 UK schools, revealed today that Tolkien’s books have dropped out of the overall most popular list for the first time since the report began six years ago. In previous years, Tolkien’s titles have featured within the chart’s top 10 places, mostly among secondary-school children.

Instead, this year in secondary schools the most popular title was John Green’s tale of a heartbreaking teenage romance, The Fault in Our Stars, followed by two dystopian stories: Suzanne Collins’s Catching Fire, from the Hunger Games series, and Veronica Roth’s Divergent, set in a world where people are classified according to their personality traits...."

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 Nancy Houser posted an informative article in Way Cool Dogs on Separation Anxiety in Dogs. To people who don't know dogs, this may sound a bit over the top. Dog owners, however, will appreciate this fact-filled article.

"Separation anxiety in dogs is that dreadful moment as they fall apart in front of our eyes as we walk out the door, leaving them … alone. We could be be having a medical emergency, a day of shopping, a day of hard work, an exhausting afternoon at the grocery store … or maybe even a quick trip outside to check our mail. And truthfully, it does not matter. Every situation becomes a period of hell for dogs with separation anxiety, an animal who is a social animal that needs a lot of companionship.

Where and when we  go does not matter; what matters is the fact that we are gone and they are not. They are at home, and alone.  Mother Teresa once said, “The most terrible poverty is loneliness, and the feeling of being unloved.”   She was speaking of humanity, of course, but current dog studies are proving that dogs not only have intelligence but similar emotions and emotional disorders as we do, and should be treated as such.

What is canine separation disorder?

According to dog experts, canine anxiety is divided into three different categories:

• Noise anxiety
• Separation anxiety
• Social anxiety.

Canine separation disorder is considered to be one of the most common causes of behavioral problems in dogs..."

The article continues to analyze of canine anxiety disorders; Read more:Separation Anxiety.             The illustration is by Nancy Houser

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The Wonders of Reading for Children

An excerpt from Neil Gaimon's impassioned presentation on the importance of libraries, books and reading:

"There are no bad authors for children, that children like and want to read and seek out,
because every child is different. They can find the stories they need to, and they bring themselves to stories. A hackneyed, worn-out idea isn't hackneyed and worn out to them. This is the first time the child has encountered it. Do not discourage children from reading because you feel they are reading the wrong thing. Fiction you do not like is a route to other books you may prefer. And not everyone has the same taste as you.

Well-meaning adults can easily destroy a child's love of reading: stop them reading what they enjoy, or give them worthy-but-dull books that you like, the 21st-century equivalents of Victorian "improving" literature. You'll wind up with a generation convinced that reading is uncool and worse, unpleasant..."

This link, Neil Gaimon, will take you to all of this excellent presentation as reprinted in the Guardian.  Illustration of Tom Thumb by Alexander Zick.

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 “We read books to find out who we are. What other people, real or imaginary, do and think and feel... is an essential guide to our understanding of what we ourselves are and may become.” 
―  Ursula K. Le Guin      

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 How To Greet A Dog...and How Not To Greet A Dog (or cat)....

Unlearn polite human greeting behaviors … greet a dog or cat safely...Here is an excerpt and link to an article by Anna Nirva...

Yesterday at the shelter where I volunteer, a group of new volunteers were being led through the dog kennel room as part of a shelter volunteer orientation tour. I was returning a dog to a kennel after a
walk, and several of the volunteers left the group to investigate the dog as I was leading him toward his enclosure. Two well-meaning people quickly approached the young dog straight-on, with hands outstretched, staring directly into the eyes of the shelter dog. Chief, the dog, a young, sensitive coonhound mix, feeling threatened, immediately moved through the open gate to the back of the kennel with his tail tucked and head lowered. “What’s wrong with him?” one of the new volunteers asked.

I had just found the topic for my weekly post...

In the western world, we are taught at an early age to greet new people by approaching them with upright posture, looking directly into their eyes and offering a hand to shake or squeeze. It becomes second nature to us, so as a result, many of us animal lovers greet every living thing–except bugs–using those same “good manners.”...

We must UNLEARN that set of social rules to avoid frightening dogs, cats, and other animals... read it all on SunBear Squad

The illustration from Snow Valley Heroes, A Christmas Tale is by Stella Mustanoja-McCarty

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" You think dogs will not be in heaven? I tell you, they will be there long before any of us." -- Robert Louis Stevenson

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Salon’s Laura Miller has offered a 10 best Graphic Novels list for 2014, a nice eclectic mix with publisher like SelfMadeHero and Nobrow represented. The list is arranged in a slideshow format that requires you to click many times, but I’ve cheated and made a text list.

 

Beautiful Darkness by Fabien Vehlmann & Kerascoët

Climate Changed by Phillipe Squarezoni

Here by Richard McGuire

Kill My Mother by Jules Feiffer

The Motherless Oven by Rob Davis

Nobrow 9: It’s Oh So Quiet by Various

Over Easy by Mimi Pond

The Shadow Hero by Gene Luen Yang and Sonny Liew

Shoplifter by Michael Cho

Through the Woods by Emily Carroll

 

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Salon chose eight novel excerpts for its first Good Sex in Fiction Contest, and asked Louis Bayard, Walter Kirn, Laura Miller, and me to judge and discuss them. I ranked the Franzen highest, and also outed myself as a total pervert.

The problem with these excerpts is — and I didn’t entirely realize this until I started reading for the contest — that the sex I respond to most in fiction is really fucked-up. It’s definitely not that I want to experience the anonymous sexual assaults of Nicholson Baker’s The Fermata (though I confess, I did think that book was hot, in its autistic way), or get involved with a porn-obsessed televangelist as in A.L. Kennedy’s Original Bliss, or abduct a man and use him as my sex slave, as in Rupert Thomson’s The Book of Revelation, but those stories stay with me because they reveal something incredibly dark and twisted and, to me, true about desire and obsession. I like fiction, whatever the subject, that exposes the surprising longings its characters harbor in their heart of hearts. Mary Gaitskill’s “The Other Place,” in the latest New Yorker, is a perfect example, though it’s not actually about sex at all.

You can read the contenders, the winner (from my pal James Hynes’ Next), and our discussion over at Salon. For more distorted sexuality in fiction recommendations, see The Paris Review Daily’s latest advice column. I also love my friend Alexander Chee’s fabulously disturbing and complex Edinburgh. And finally, I re-recommend James Hynes’ piece on “The Dreamlife of Rupert Thomson.”

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Yesterday, Jessica discussed Laura Miller’s book on CS Lewis, and today I bring you more of her wisdom, this time from Salon. Earlier this week, Miller recommended we all try something new in 2010: read a book we think we won’t like. I’ll admit that while I’ve grown much more open since I began working in publishing, with my personal reading, I invariably leap for the same sorts of books I’ve always loved. My “free time” reading piles at home have the same general character as the ones that were in my college dorm rooms. When taking the luxury of reading purely for my own enjoyment, I rarely think it’s worth reading trying something I’m not naturally excited about. But I know from my professional experience that sometimes wonderful books are hiding in categories we hesitate to touch or under plots that seem at first glance unappealing.

I’m not generally one for New Year’s resolutions (as it’s universally acknowledged that those are merely things we pretend we’re going to do or else we’d have begun them when we decided they were important rather than arbitrarily on January 1st…er, 7th…oh, by early February at the latest), but I’ll take Miller’s suggestion on in 2010: I will read, for my personal reading, at least one book I’m convinced I will hate.

Since I’m the naturally contrary sort, it shouldn’t be too hard to find something wonderful that I’d normally shove aside. And hey, if I do hate it, I might’ve wasted my time, but I’ll also feel totally vindicated.

Is anyone else prepared to take on this challenge? And does anyone have ground rules about what’s unreadable as delightful and random as Miller’s? If anyone has a graphic novel about 20-something magicians living on a ranch in Prague while working in the silent movie business and feeling disenchanted with their relationships with rabbis, they may want to suggest their publicist steer clear of Miller’s desk at review time. (But they should probably send that manuscript to me, because I bet it’s amazing!)

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My friend Jim Donahue of The Velvet Blog, a great copyeditor and literary curmudgeon (in the best sense of the word) pointed me toward this piece in Salon. I admit that I, too, find it irritating when writers decide to do away with punctuation and other grammatical and syntactical rules and claim artistic license as their excuse. Seems to me it’s mostly laziness. But then, I may be a little OCD about the whole thing. How do you all feel about quotation marks gone AWOL?

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It’s open season on book critics apparently. On the heels of the Alice Hoffman-Roberta Silman feud, Alain de Botton is upset with the fact that Caleb Crain gave his book, The Pleasures of Sorrow and Work, a bad review. De Botton commented on Crain’s blog:

Caleb, you make it sound on your blog that your review is somehow a sane and fair assessment. In my eyes, and all those who have read it with anything like impartiality, it is a review driven by an almost manic desire to bad-mouth and perversely depreciate anything of value. The accusations you level at me are simply extraordinary. I genuinely hope that you will find yourself on the receiving end of such a daft review some time very soon - so that you can grow up and start to take some responsibility for your work as a reviewer. You have now killed my book in the United States, nothing short of that. So that’s two years of work down the drain in one miserable 900 word review. You present yourself as ‘nice’ in this blog (so much talk about your boyfriend, the dog etc). It’s only fair for your readers (nice people like Joe Linker and trusting souls like PAB) to get a whiff that the truth may be more complex. I will hate you till the day I die and wish you nothing but ill will in every career move you make. I will be watching with interest and schadenfreude.

Geesh. Hoffman’s remarks pale in comparison but are still pretty bad. Hoffman got a lukewarm review for her new novel, The Story Sisters, in the Boston Globe by critic Roberta Silman. Hoffman on her twitter called Silman a moron and an idiot. She also insulted the Globe and the city of Boston. Hoffman goes on to give out Silman’s email address and phone number. Hoffman apologized and took down her twitter account but was mad at the fact that Sillman, gave away the plot of her novel. Memoirist Diane Joseph said that Hoffman’s apology was pretty passive aggressive.

Mary Elizabeth Williams has great article in Salon about Hoffman and past author-critic feuds. There are some good ones. Stanley Crouch vs. Dale Peck. Caleb Carr vs. Laura Miller. Richard Ford vs. Colson Whitehead and ironically Alice Hoffman was once the in the critic’s place when she gave Richard Ford a bad review for The Sportswriter. Mrs. and Mrs. Ford went out back and shot copies of Hoffman’s book with a gun.

Touché!

{image courtesy of Salon.com}

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Your humble writer this week was blessed had the task of trying to fill the shoes of Johanny Vazquez, at this month's Palabra Pura. La Divina is in Puerto Rico where I'm sure she's enjoying family and holding court. In a bedrock venue of Chicago's Mexican community, Decima Musa, Palabra Pura offered  two dynamic poets, and the pre-show conversation was a lively, full-bodied discussion on female aesthetics and female presence on stage. The evening resonated with work that puts flesh on the bone, that breathes a sense of everyday spirituality and working-class nobility into their work. 

Naomi Ayala is the author of This Side of Early (Curbstone Press, 2008) and Wild Animals on the Moon (Curbstone Press, 1997). Her third collection of poems is forthcoming from Bilingual Review Press in 2009. Ayala’s work has appeared in numerous journals and has been anthologized in Seeds of Fire: Contemporary Poems from the Other USA (Smokestack Books/U.K., 2008), Boriquén to Diasporican: Puerto Rican Poetry from Aboriginal Times to the New Millennium (University of Massachusetts Press, 2007), The Wind Shifts: New Latino Poetry (University of Arizona Press, 2007), and Latino Boom: An Anthology of U.S. Latino Literature (Longman, 2005). Ayala works as an education consultant (with a specialty in curriculum design and development), a translator, and teacher, and is currently serving as the Director of Development for Fiesta DC.

From Consortium, about This Side of Early...These poems straddle two landscapes—contrasting the imprints of gentrification with the supernal, come by way of the woods. Ayala’s poems deconstruct the political world of man, offer hope through a compelling, lyrical spiritual intimacy, and bridge the gap between the two with words full of ecological intensity. Her deep connections with the working class combine with a love of the land to offer us lilt and dream, revelation and foretelling. Many of the "seeings" she brings us walk the edge of cultural resilience, where the illusion we see of the outside world speaks to us most when we turn within.

Diana Pando is a megaphone for Latinos in the arts. She has been Managing Director of Teatro Vista, Interim Managing Director for Teatro Luna, and worked with Luna Negra Dance Theatre and DeLaTorre Fine Arts. Through Teatro Vista she has been able to initiate dialogue between communities and arts groups resulting in youth outreach programs in the Back of the Yards neighborhood and increased Latino theatre in Little Village. She is one of the founding members of Proyecto Latina, a collaborative between Teatro Luna and Tianguis Bookstore and former contributing writer for Dinero Magazine. She has contributed writing to Teatro Luna's critically acclaimed show MACHOS, Lunaticas, collaborated with artist Luis DeLaTorre and maintains a blog called Art Botanas for Latinos in the arts.

She is a member of the Latina Leadership Council for the Chicago Foundation for Women. This October she will be the featured reader at Proyecto Latina hosted at RadioArte. Currently, she works with the Community Media Workshop helping nonprofits tell their stories. She is a lifelong resident of the Bridgeport neighborhood where she resides with artist Luis DeLaTorre and their dog Cometa

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I've been drawing quite a lot this week. Had a week off work which helps. I was going to keep this until tomorrow to post. But I can't wait until tomorrow. I'm proud of this one and I want to post it now. Hope you like it too. It's my wallet.

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