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Holcolme says, "You'll see everyone here likes attention. You kind of have to be silly to walk around with this." ----- Via BYT Previously on GJ: Best Artist's Facial Hair
6 Comments on Beard and Moustache Championships, last added: 12/6/2012
Soft robots make use of pliable structures instead of hard forms like gears, pistons, and hinges.
(Video link) Engineers can now design flexible artificial creatures inspired by the octopus, earthworm, starfish, or jellyfish. Most prototypes move by means of air pumped into sectional chambers. Although the current soft robots are small and clumsy looking, tethered to their air supplies, they have a striking "alive" quality.
A new paper in Science magazine demonstrates how they can change color for camouflage or display. Other morphing blob-like bots can squeeze through narrow spaces.
Whether the soft forms are used alone or combined with hard forms for armor or skeleton, these breakthroughs suggest new possibilities for concept artists and mech designers who are trying to dream up organic-looking artificial beings.
Imagine creepy slug-bots, graceful gas-bag air floaters, or (ahem) sexy robots. ---- Image from Innovation News Daily For other striking advances in robotics, check out: Big Dog Nano Quad Rotors
I've often imagined that if one were to design a humanoid robot that perfectly mimics the external appearance of a human... or any animal, you would probably end up having to pretty much mimic most the internal anatomy too, just to get the motion looking right. I'm a little disappointed when designers take the lazy way out and give their fictional robots the old 'toaster with a silicon mask'setup, hopefully the concept of soft robotics will catch on.
Rich said, on 9/2/2012 9:55:00 AM
Looks like a precursor of some cybernetic (r)evolution to come; creepy thing that is. Looks pretty convulsive to me.
Is it possible to make a bicycle out of cardboard?
This video shows how engineer Izhar Gafni did it, using cardboard for the frame and for the wheels and spokes.
The video glosses over how he dealt with the high stress points, such as bearings, brakes, drive system, and head tube. Surely there must be metal parts there. ---- Via Best of YouTube
4 Comments on Cardboard Bicycle, last added: 9/8/2012
Here's the scene outside my window (sketched from life).
A guy with a backpack leaf blower is blowing some dust and gravel around.
His buddy, a mower guy, goes past. The leaf-blow guy starts blowing his hair, and the mower guy doesn't seem to mind. He stands there and seems to enjoy it.
Then the mower guy leans over and lifts up his shirt a little.
The air velocity of a backpack blower is about 200 miles per hour, enough to put a rippling dent in the mower guy's butt.
Then they go back to work. And so do I.
16 Comments on Backpack Blower, last added: 6/28/2012
This reminds me of when I saw a lawncare guy with his weedwhip or trimmer thing walk buy his "buddy" mowing and trimmed the back of the guys legs. It was an intentional gag like your story but unlike your story the victim didn't seem to enjoy it.
Kentucky Fried Chicken has opened more than 3,000 branches in China, and now the restaurant chain is more profitable in China than in the USA. One theory for KFC's boffo success: Colonel Sanders resembles Confucius.
Well they both have unusually large ears at least. On a serious note though I believe Asian KFC s offer more than just chicken. If I recall correctly they sold hamburgers at the we ate at in Indonesia ten years ago. Or was it McDonald's that was selling buckets of fried chicken...? Seriously the menus are different. There are also less competitors.
Keith, yes, according to the article, there are at least 30 items on the Chinese KFC menu, and chicken is pretty far down the list. And when it comes to chicken, people prefer dark meat.
Another theory for the popularity of KFC in China: clean bathrooms.
KFC seems always to be more popular overseas than here -- and is available in places where MacDonald's doesn't go. Cheap, fast food -- seems everyone loves it, unless and until they can afford better.
Credits: Music by Kevin MacLeod, incompetech.com. Images and artists in the video include: Phil Hale (poster), Arnie Fenner, Jeff Preston, Paul Tobin, Greg Manchess, Thomas Kuebler (full-size figure sculpts), Tim Bruckner, J.B. Monge, Paul Bonner, Mike Mignola, Donato Giancola, Brom, Omar Rayyan, Michael Whelan, Vanessa Lemen, G. Manchess, Bruce Mitchell, Bobby Chiu (diving).
23 Comments on Spectrum Expedition, last added: 5/24/2012
Jim - It was wonderful seeing you again at SFALive!
When you were announced as the winner of the Grand Master Award, I literally jumped out of my seat, applauded as loud as my hands would allow, and yelled “Woo! Woo! Woo!” For the record, I never yell “Woo! Woo! Woo!”. Ever. :-)
I think everyone would agree that no one deserved the recognition more. It was very moving to see you receive a standing ovation.
Loved the show! Thanks for the autographs and drawings inside my "Color and Light" and "Imaginative Realism" books. I really enjoyed your presentation as well. I was pretty tongue tied, but it was great to meet one of my favorite artists!
Great post. I was wondering, was that Jeffrey Jones documentary shown at Spectrum? I read somewhere that they planed to. I'm so looking forward to see that film.
Anon and Jon - thanks! I fixed the attribution of the poster to Jon Foster. I was moving fast and forgot.
Ben, yes, the documentary "The Life and Choices of Jeffrey Catherine Jones" was premiered on Friday night to a packed house of Spectrum attendees, and received a standing ovation. I was deeply moved by it, having known Jeff from many of the "First Friday" gatherings.
Thanks, Joe, and everyone else for your support on my big moment to receive the awards. I was so shocked and thrilled, and there were plenty of other deserving people in the audience.
Chris, I got to meet some of my favorite artists, too, and was just as tongue-tied as you.
ben said, on 5/22/2012 7:39:00 AM
Great. Was there any word about when the documentary will be released?
Forgive my ignorance, but what was/is "First Friday"?
I knew I should have gone! bummed I missed it, but at least I got to see what I missed
Tom Strom said, on 5/22/2012 8:05:00 AM
Hello James, I have to say one more time that it was great to meet you at the show. I couldn't be more honored to shake your hand. Thanks for the books and inspiration! See you in the future.
A book arrived yesterday that made me giddy. Scott saw me squealing over it and wanted to know what all the excitement was about. I tried to think how best to explain it to him.
“Okay, imagine that John Lennon and Elvis Presley were pen-pals. Say they had a lively correspondence, letters flying back and forth for years and years. Now imagine that this book is a collection of those letters.”
He raised his eyebrows. “Who are they really?”
I sighed happily. “Katharine White and Elizabeth Lawrence.”
Scott: “Um…?” But he knows me well. “Gardening?”
“Yes. Only my two favorite gardening writers EVER.”
“Like you had to tell me that.”
Everything about this book makes me smile. Editor Emily Herring Wilson’s introduction begins,
Gardeners are often good letter writers, and whether they write to describe what’s blooming today or to remember a flower from childhood, their letters are efforts to preserve memory. After they have put away tools in the shed, they write letters as a way to go on working in the garden. Because it is impossible to achieve the kind of perfection they dream of, they try to come to terms with their dreams by talking back and forth about their successes and failures….
Katharine S. White was, of course, the esteemed New Yorker editor whose occasional gardening columns are collected in the first horticultural tome ever to win my heart: Onward and Upward in the Garden. I had only to read her opening essay, the famous 1958 column that both celebrates and gently mocks gardening catalogs, critiquing them like works of literature, to know that here was a kindred spirit. Evidently Miss Elizabeth Lawrence, a knowledgeable and enthusiastic Southern garden writer (whose Gardening for Love I quoted the other day), felt the same spark of recognition. In May of 1958, Elizabeth wrote Katharine White a letter to say how much she’d enjoyed the New Yorker column, adding,
I asked [my friend] Mrs. Lamm if you were Mrs. E. B. White, and she said you were. So please tell Mr. E. B. that he has three generations of devoted readers in this family. My mother’s favorites were the one about leaving the mirror in the apartment vestibule, and the one about homemade bread. My niece adores Charlotte’s Web.
The mirror and bread essays (“Removal” and “Fro-Joy”) can be found in E. B. White’s One Man’s Meat, and if you know me at all, you know this sort of interwoven rabbit-trailing fills me with utter glee.
That first letter from Elizabeth to Katharine is fun, folksy, and smart, full of suggestions for other garden catalogs Mrs. White might enjoy. Several of her recommendations became fodder for subsequent ‘Onward and Upward’ columns. For nearly twenty years, until Katharine’s death in 1977, the two women wrote back and forth. So far, I have only read the first two of these letters. There must be hundreds of them in this book. I’m positively aflutter over the idea of such riches.
The revolutionary new race car called the Delta Wing had its first track test on its way to Le Mans this summer.
(Video link) The car was designed by Ben Bowlby and built by the team at All American Racers, headed up by Dan Gurney and his son Justin.
Two time Grand Am champion Alex Gurney had the honor of being the first driver to get behind the wheel and try it out on the Buttonwillow Raceway in California, where it delivered a near flawless performance.
Oooh, I love Shape Note/ Sacred Harp singings. Was this your first time? I get to do it once a month, at a baptist church about a block from my house. Might have to miss this month, sadly :( It's always an uplifting and very enjoyable experience. It reminds me of my community and humanity.
Thanks for sharing that sketch James! That color scheme (black and the orange-ish shade)always brings back nice memories of the "old" two color printing process. I associate that with happy, younger days...Plus the simplicity alone is pleasing.
Malleus, I should have explained. That kind of pencil is water soluble, so it can be used to make a smooth wash with a little water from a water brush. Then it can make rich, dark blacks. The paper is watercolor paper.
But of one of the great treasures of old Irish literature we will talk. This is the Leabhar Na h-Uidhre, or Book of the Dun Cow. It is called so because the stories in it were first written down by St. Ciaran in a book made from the skin of a favorite cow of a dun color. That book has long been lost, and this copy of it was made in the eleventh century…
In the Book of the Dun Cow, and in another old book called the Book of Leinster, there is written the great Irish legend called the Tain Bo Chuailgne or the Cattle Raid of Cooley.
This is a very old tale of the time soon after the birth of Christ. In the book we are told how this story had been written down long, long ago in a book called the Great Book Written on Skins.
That last bit cracked us up and we had to spend a while proclaiming the title in sonorous tones.
We enjoyed the story of the Book of the Dun Cow even more than the story in the Book of the Dun Cow, if you see what I mean. Marshall drops in intriguing details and doesn’t explain them: “But a learned man carried away that book to the East.” Who? Why? Where?
We’d have liked to hear more of Mary A. Hutton’s poem, “The Tain,” of which only a snippet was included—the Brown Bull’s death:
“He lay down
Against the hill, and his great heart broke there,
And sent a stream of blood down all the slope;
And thus, when all the war and Tain had ended,
In his own land, ‘midst his own hills, he died.”
Later we decided it was time for Rilla to meet The King of Ireland’s Son, and Padraic Colum’s rollicking, lilting prose swept us off on a grand adventure. Oh, such chills when the Eagle looks at the King’s Son with the “black films of death” covering her eyes!
Hmm, this is all sounding rather gruesome, but I guess I’m just calling out the gruesome bits. We were laughing ourselves silly at certain parts of the morning’s reading. And Colum weaves in such irresistible poetry:
His hound at his heel, His hawk on his wrist; A brave steed to carry him whither he list, And the green ground under him,
and
I put the fastenings on my boat For a year and for a day, And I went where the rowans grow, And where the moorhens lay;
And I went over the stepping-stones And dipped my feet in the ford, And came at last to the Swineherd’s house,– The Youth without a Sword.
A swallow sang upon his porch “Glu-ee, glu-ee, glu-ee,” “The wonder of all wandering, The wonder of the sea;” A swallow soon to leave ground sang “Glu-ee, glu-ee, glu-ee.”
darn, it was hard to choose between Frida and Dali... on the one hand, girl can work it! On the other, Dali's 'stache is just flawless. I have to go with him!
For my previous birthday, I received a book called "BEARD" by photographer Matthew Rainwaters. Just google his name and you'll know what I'm talking about.
A must-have for artists looking for face-morphological inspiration.
ZINTSY...you got a SYRIA that overtook the " RED _ RIDDER 666"...was that supposed to happen? Cause now, they got all that COMAL in ALLOUS and WONDE! And that ain't good. No, that ain't good. No , that ain't good, at all. BINLADEN. And it's all JO? He's with SCHAR the HO? And they're all with JONSO? And so is CARYESS. He's with JESS and LESS. And so is TESS and BESSER? We think the jouney is well over. And so does YAN- HARCOYAN . And so does DON. And also LON. With RON,
Freida nomination in this almost encapsulates the whole "what ever you guys can do, we gals can do, to, once we get past the obstacles in our way" argument of art history . . .
bah, Dali's moustache is just a gimmick! We're voting for BEST facial hair, not most extreme! (Yes, this is very serious business). I was going to nominate P.S. Kröyer or Velazquez, but since I didn't I'm gonna have to go with Rodin.
The question is what one means by "best". Weirdest would have to go to Man Ray. Dali would of course have voted for himself, as he was a showman as much as a painter, and his moustache was pure exhibitionism, though I like Jeanie W's comment about it defying gravity. Is anyone tempted by this to grow something glorious on his (please, not her) face?
I know the word 'Cory' means helmet, which makes me wonder why my parents named me that! There are dozens of these guys in Drumheller and it's a common game to play to see who can spot the most driving through.
Here in Michigan there is an abandoned tourist trap dinosaur park right off a main highway (so you can see some of these by the road).
We have some family photos from the late 70s/early 80's from when the park was still open, but it's more interesting to share this link showing its current condition:
I've driven the 15 plenty of times...why have I never seen this? I'll have to look out for it next time I drive through Victorville. Those dinosaurs in the link are amusingly hideous. (Except for the Civil War/dinosaurs mashup; whoever thought of that was a genius.)
I remember, as a kid, driving through some part of Arizona and seeing a few roadside dinosaurs. I was ecstatic. Just last year, a friend of mine discovered an Allosaurus standing outside a McDonald's in Tuscon. We indulged in a little anatomical critique (the wrists were all wrong).
@DPetersen: I always thought abandoned amusement parks were fascinating, but abandoned dinosaur parks just take the cake. Thanks for sharing!
“Hi, My name is Chantelle. I'm an art director at Ogilvy Johannesburg. I stumbled across your beautiful illustrations and I would love to use your artwork for a campaign we are working on. I'm working on a campaign for a new show called Terra Nova.
"Terra Nova means new earth. It's a place for humankind to start over again, a new beginning so to speak. It's a beautiful place filled with dinosaurs, waterfalls, lush forests- a perfect paradise, however things are not what they seem. "For the campaign we are using the postcard device the whole "Wish you were here", those postcards you received on holiday from exotic locations, except ours are along the lines of 'Wish you weren't here'.
"Our postcards cards depict Utopia, where dinosaurs and children play on the beaches, rainbows fill the perfect blue skies, gorgeous sunsets. However if you look closely all is not what it appers to be, the children aren't playing with the creatures, they're actually running away from them.
"There are a few things we still have to work out that's why I would love you to work with us. I have attached a rough layout, I have combined two of your illustrations in this comp. If you have any questions give me a shout."
Hi, Chantelle, You asked me to give you a shout, so: “WHADDAYA OUTAYAMIND? SURE, I’D BE GLAD TO RIP OFF MY OWN IDEA TO HELP ADVERTISE YOUR DUMB TV SHOW!
Wait....But first I’ve got an idea for you! How about a whole new TV show? It’s called “E.T.-Zilla.” It’s about a fun, happy world where young advertising executives work away in high-rise buildings in Johannesburg, never realizing that just outside there’s a Godzilla-like alien.
This creature starts out as a cute, huggable extra-terrestrial. But it drinks some radioactive water and becomes a giant angry monster that shoots fire from its fingertips. All the ad men (and women) are running away for their lives. Then after E.T.-Zilla attacks South Africa, he goes through a time portal to the age of the dinosaurs and wipes out Terra Nova. That would be pretty fun to watch.
I’ve attached a rough layout of my concept art. Give me a shout if you have any questions. And please send my idea along to some TV executives. Do you think Steven might like to direct?
69 Comments on Wish You Weren’t Here, last added: 12/5/2011
On a personal note, I find it funny because I've gotten to know Dinotopia through a colleague and ex-coworker at Ogilvy. Though not from its Johannesburg branch.
Well, I had the impression that they are interested in new artwork (something with dinosaurs, not necessarily Dinotopia), and that they just used some Dinotopia-paintings to show you what they're looking for...
Oh my....that's unbelievable. Also unbelievable was that she 'just stumbled upon your pictures'.....I don't think I know a single person who doesn't know about Dinotopia....maybe I just know really awesome people.
Okay, I guess I'm not getting this. Obviously, having one of the biggest ad agencies in the world asking me to help them promote a Steven Spielberg-produced TV show would definitely get my attention. I would be honored and excited. I feel very sure that you've been watching the show; your response to Ogilvy tells me that you really dislike it, like a lot of critics and much of the public. It may not be back next season. The "things are not what they seem" angle has been Spielberg's entire concept from the beginning, and very closely echoes the premise to the Jurassic Park books and movies, intending to feed off that.
But what I think you are saying is that you have built a large part of your reputation depicting paradisiacal relationships between humans and dinosaurs, and in creating positive imagery. This ad campaign would run directly counter to your efforts, so your response seems aimed at maintaining your reputation. Having children running in terror from placid plant eaters brings to mind unfortunate imagery from Peter Jackson's King Kong.
Yes, the campaign sounds really cheesy, but I think the usual feedback between AD and artist might come up with a better product.
So, what am I missing? Not a criticism, it's just that your response seems confusingly out of place. Given the grittier dinosaur illustrations you've done for National Geographic, would you have accepted an opportunity to create art for the show before it had aired?
Hollywood and the entertainment industry appears morally and artistically bankrupt from my perspective. Everything seems to be a blatant rip-off or a remake.
Good for you Jim. If they want to pay you for new work, they know what quality costs and they can fork it over. As for ripping off your idea, that stinks and you'd be hard pressed to fight Spielberg.
I'm missing something. No matter what, doesn't a professional respond as a professional? Isn't that the point of being a professional? I don't get the ridicule going on with the reply. Is this a joke?
This really hits a nerve. I've been doing CD/Album covers for the last 5 years or so. I get at least one nibble a week from young bands. The best one so far was some idiot who wrote saying "I just wanted to let yopu know we"re going to use one of your paintings for our first album cover, and I was just writing to make sure it was OK."
I wrote back saying "It's NOT OK for you to RIP ME OFF." And he comes back with "I didn't know I was ripping you off. Is it OK if I use one of your paintings for Wallpaper?"
There are an increasing number of clueless individuals out there. Blame it on the Internet.
Shockingly not in tune with your work. I'm not even sure this is the same "Terra Nova" show (new this season) that I've been watching - it's actually quite good, but....
YES! I love your response! Thank you so much for not being dazzled by their Holly Wood nonsense, and standing up for your vision. I'm so tired of visual artists being treated like second class citizens.
I had to come back and re-read your post since I missed the important detail about using your artwork to do the mock-up postcard when reading it the first time. Not polite. When are they going to add ethics to the High School curriculum? Just because one can use the computer to create something like this from pre-existing images doesn't mean it's right. Justine Whaley Hennessy
Like some of the other comments, I don't understand the point of this rant either. It isn't inconceivable that she had never heard of you. This makes me think you reacted this way because your ego was hurt and not because what she did was particularly bad. Unless there is more to this email than what you're showing us, she doesn't say anything about using your work for free.
I'm a fan of your work because it is GOOD, not because it is popular. Your books sold about 2 million copies - which is great! But Twilight (which is NOT GOOD) has sold over 100 million. How many people seeing your postcards for Terra Nova would REALLY know who you are AND recognize your (new) work?
If you don't want to do it because you don't like the show, fine...but no need to embarrass this Chantelle woman (who's full name, etc. can be found in two seconds when using the info you've given) for something that was clearly benign in intent on her part. Every artist has been approached to do something they don’t want to. It only takes a modicum of class to say no in a private email (or just not respond at all). Taking the time to do what you’ve done here is a little bizarre. If you weren’t already an “art celebrity” it would probably actually hurt your “career” a bit.
Am I misunderstanding that you're saying Terra Nova is a dumb idea? You illustrate books about dinosaurs and humans living together on a hidden island. Don't get me wrong - again, I love your work... but don't critique others in a way that could also be visited upon yourself. You paint/ed people riding dinosaurs for a living. Spielberg is producing a show about people shooting at dinosaurs, but this is somehow beneath you...
I would have to agree with others who were a bit confused as to why you responded the way you did; it was not what I would expect from a professional of your stature and contributions to art. I can understand your concern about using your work in the context they were looking for but unless there is more background to this than was provided in the article (such as the background of the AD - junior AD?) this is a bit perplexing. Given all that you've done for art education, I believe that a more appropriate and positive response would have been to politely educate them rather than to just degrade them.
Is this really the way such issues are/should be handled in the commercial art world?
Enough people have said it better than I can already but I am kind of shocked from this post. Seemed way out of character for you. My statements agree 100% with SteveRB511. Working in a NYC Illustration Rep firm for a number of years we saw our odd, even silly pitches but there should be a line one does not cross publicly in response to uneducated requests. I hope you add a post script or an edit to explain why you posted and reacted this way. I think it would help educate both the young illustrators and art directors/buyers out there. Kind regards Matt Dicke
To explain to those who didn’t get the post: I’m not knocking the Terra Nova TV program necessarily. The concept is different enough from Dinotopia and probably more like Jurassic Park in its conception of dinosaurs as monsters.
But I do object to the premise of advertising the program by making a mockery of images from Dinotopia. Whether the visual that the ad agency developed was just a comp or a proposed finish, and whether I illustrated it or not, the people who came up with the campaign needed to think harder. The visual that they developed directly used images that I painted from the Dinotopia universe, and the image could easily have been confused for something from Dinotopia, which is an infringement.
If I politely and privately passed on this job offer, they would have given it to someone else and done the same thing. We’re dealing with ideas and ad campaigns, which take place in the public arena.
I had a little fun imagining the tables reversed: what would happen if someone asked the producers of E.T. to help them promote a program where they turned those cute little creatures into monsters. Someone might want to make such a movie, but it’s pretty amazing to ask the E.T. creators to help out with it.
I'm not sure I entirely agree with James' response, but the woman contacting hm sure seems like she didn't do her research before communicating with him.
Quick! Someone send The Asylum Studios that promo for E.T.Zilla, we'll see that movie in a year! Hopefully with a spinoff sequel where he fights Mega Shark and Crocosaurus!
I wonder if any of you finger pointers have ever had to protect your intellectual property before. Understanding what it is like to be exploited and expected to be quiet and polite about it I applaud James's sharp public response. Sometimes ugly things need to be exposed. Would all of you shocked and offendeds have also preferred that the child in the Penn State case had not come forward?
James is a great guy and he is human, so he doesn't always have to take the higher ground especially when his carefully crafted utopia is in danger of being dragged through the mud.
Thanks for your response to those of us that were confused by this post. I (and I'm sure others) now understand much better what you were getting at (the mockery of your ideas). The ET image now makes much more sense in that context. I think perhaps then the main issue here is that the AD didn't understand/research your work properly (as others have noted). This is lazy on her part, but it is doubtful she meant to insult you or your work. For all we know Spielberg might LOVE your work and specifically wanted to work with you, but the AD assigned to make contact bungled the approach...
It is also a great thing that you take the time to interact with your readers/fans (and reply quickly too!) on this blog. Thank you for doing so.
"Would all of you shocked and offendeds have also preferred that the child in the Penn State case had not come forward?"
really?
This wasn't artwork Mr. Gurney caught out in the world using his imagery without permission.. this was a comp an AD put together with his work hoping he'd either okay it for use or make new artwork. If she intended to steal from him why would she bother contacting him in the first place? You're comparing Chantelle to a man who rapes ten year old boys...and saying Mr. Gurney's hurt feelings are comparable to being a raped child.
And any of us that say he reacted too strongly are the same kind of people who look the other way when we see children being raped...
"Frankly, James would be within his rights to send a legal cease and desist to stop the show since there are sufficient similarities to his story to bring up the question of Plagiarism. "
Sorry, what? In what way are the two even remotely similar? There are dinosaurs in both?
Whoopty freakin' doo.
Dinotopia (if my memories or reading this wonderful book as a boy don't fail me) is about a father and son ending up on an island inhabited by a strangely anachronistic mix of people and dinosaurs. The dinosaurs can "talk" and "write" in their own language, many of them cohabitate with the humans. The son even learns to ride a flying one. The whole thing has a beautiful steampunkishly utopian feel to it.
Terra Nova is about humans in the not so distant future discovering a rift in space-time-whatever leading to the time of dinosaurs. Where they migrate to in colonization waves. They live in a walled colony under a military regime. The population consists mainly of fashion models pretending to be scientists and soldiers. And they SHOOT the dinosaurs.
Frankly, beside dinosaurs being present in both, there is absolutely nothing similar about these two settings.
You claiming the opposite is quite the insult to Mr. Gurney's creation, since the TV shows is truly terribly written, acted and concepted.
So, no, there's no ripping off Dinotopia in Terra Nova. Sadly, because it might've been a better show if they actually did rip it off.
The point, is that it was a very unprofessional way to ask him if they could use his work. I am not a an accomplished artist who makes his living off of his art (although I would like to be able to say that one day). Mr. Gurney is.
I'm just a kid who like to draw...but even I am very aware that you don't mess with other people's stuff. I repeat: NEVER TOUCH AN ARTIST WORK AND THEN ASK IF IT'S OK! Trust me, it's not.
The letter that he received from the girl Chantelle would've made a pretty great April fool's joke, but as a serious request it's disrespectful.
If the girl had simply written the letter and not included the picture I honestly think she would've been met with at worst a respectful decline.
'And any of us that say he reacted too strongly are the same kind of people who look the other way when we see children being raped'
I am suggesting that people who feel he reacted too strongly would have preferred not to have had any knowledge of this matter at all, and would have preferred Mr. Gurney had conducted himself in a polite and dignified manner in private. That attitude enables exploitation on all scales. Of course I realize that the weight of Mr. Gurney's situation is not in any way psychologically physically or emotionally as big deal compared to the severity of child abuse, that would be absurd. But people who don't try to understand why someone would lash out 'inappropriately' in public are turning a blind eye to exploitation.
I hope that's not how you actually responded to the lady. As thoughtless as she is, I think an INFORMATIVE reply rather than a ridiculing one clearly demonstrating a lack of your usual composure would have been the best approach. You're very much a teacher, Mr. Gurney. I think your teaching approach would have been more effective at preventing these sort of blatant but often misguided infringements in the future. The lady obviously had some sort of respect for you, so why not use that to your advantage rather than present yourself as a big angry poophead?
I have the utmost respect for you and your work, really. I just think you jumped the gun a little bit.
Don't you all see... They clearly were already using his work without consent. The only reason they contacted him was because there were "a few things we still have to work out that's why I would love you to work with us".
How could he not feel disrespected by it?
The point is that by being in advertising, "chantelle" would know copyright law and respect it instead of trampling over it.
Mr. Gurney's response is tame compared to the legal cease and desist notice that chantelle's company would easily send.
Andrew, speaking out in public about exploitation polite or impolite, draws attention to it. Attention which gets results.
Mr. Gurney obvious from his many blog posts is intelligent. By making this issue public at such an early stage he is likely stopping in it's tracks a decision by an ad agency which would likely lead to litigation if the idea went forward as it was presented. This little bit of nastiness helps both him and Ogilvy avoid wasting any more time or expense. You may be familiar with Tom Waits and his legal battles with ad agencies over the use of his voice and his character. In one case the agency after being turned down by him went ahead and hired an imitator to perform a similar song in a similar way to what they had originally presented to him. He sued them and won. Go back and read James's response with Tom Wait's situation in mind and see that is exactly what he is attempting to avoid by making this public now.
I hope our world hasn't reached the point where law suits and shouting are the only way to solve problems.
I hope the world will reach peace in ways other than some have espoused here. I hope that people avoid wasting time or expense through means other than using little bits of nastiness. Intelligence, negotiation, self control, and peace should rule. There are far too many people today who advocate violence or nastiness or extreme viewpoints, especially within the seductive anonymity of the Internet. Experience has shown that such behavior only breeds resentment, anger, and cycles of misunderstanding and hate. We need more people who advocate tolerance, thoughtfulness, and love, who forgive, and who pause before they respond.
James, your past examples of tolerance and reasonableness have inspired many. We know they will continue. Thank you for your good examples.
I was surprised to read this from you James because you are so reserved. But I like to see this other side of you. It makes you more human and honestly it was an amusing way to get your point across.
Terra Nova is not a dumb show though. The dinosaurs are not depicted as monsters either. They are shown as animals that exhibit, at times, territorial behaviors that can be exploited for that of monster-like actions. I think they have been careful to have the characters explain that in their dialogue. I wouldn't say the show is great but its better than most.
This issue isn't about the show anyway it's about the AD agent not knowing any better.
As a follow-up, you all should know that I did send a polite, "professional" and forthright private email well in advance of the blog post. I told the art director that I declined the opportunity and requested that they please not use Dinotopia or Dinotopia look-alike imagery in the ad.
They did not respond in any way until the blog post aired, and only then did they apologize and promise not to use any of those elements in their campaign. I accepted their apology. I think it's a pretty mild satire, but it was certainly not my first message to Ogilvy.
By the way, Ogilvy & Mather is a giant corporation with 497 offices in 125 countries with approximately 16,000 employees. I'm one guy with a wife and a parakeet and one office in one country. And I've got a blog, thank goodness.
i love it! for so many different reasons. this is not as easy a situation as it appears. i think james could have went off the deep end, got lawyers, or sent an explicit email.
but instead he found a way to vent his frustrations with humor. sending a clear message.
and lets be honest this is no where near the first time this show has borrowed from the dinotopia series of books.
a lot of their advertising clearly stole from dinotopia concepts, i posted this back in july!
"a bit off topic, just saw the trailers for the new dinotopia tv series, i mean terra nova series coming out.
haha, i think like lucas, you have another great admirer. the photo used on wikipedia (which is now taken down) for the series looks just like waterfall city paintig with the waterfalls and terodactyls flying around, and the trailer shows a "utopia", with a heavily guarded gate around the paradise community, that keeps out attacking dinosaurs, hmm seems like i have heard about all this before somewheres?
as i watched the trailer i was literly waiting to see treetown or a dinosaur named bix?"
i support you 100% james! i thought this was hilarious but at the same time left a very clear message, STOP RIPPING ME OFF!
by the way i would watch ET-Zilla repeatedly everyday of the week if that movie came out....
Well it is refreshing to see some emotion from you! Lets get more of that into your work!!
I'm not a lawyer that but doesn't stop me from pretending I know what I am talking about:
Dinotopia is about a SOCIETY with friendly intelligent dinosaurs.
Nothing they showed crossed that line. Dinosaurs and children are fair game. Friendly and intelligent dinosaurs existed before dinotopia. Even your dinosaurs designs are based on many others work in the field - It is the friendly society and its unique trappings which are the original concepts.
Even if they had a society like planet of the apes, with dinosaurs, I don't think you could do anything about it.
Sorry dino's chasing children is fair game. If they catch them, then put them on trial in a fancy building, then sue!
James, did you post this and then point them to this site as their answer? Or did you send this as is in an email? Or did you send a completely different email and post this just to vent to your friends here?
I am just as outraged as you for a litany of reasons. I am wondering if they will "get" what you are so riled about: that they are asking for something that may CONFUSE viewers when seeing the same image used for 2 very different Dino worlds and thus impinge, in a detrimental fashion on the character of Dinotopia. In no way do I fault you for blowing your stack. I do wonder what will stop them from giving ... "it to someone else and done the same thing..." I guess getting riled privately would not have accomplished that. Doing it so publicly, everyone now has their eyes on those folks. Ok, I get it.
Gary, I find your comments inaccurate, to say the least. To say more, I would need to use language inappropriate to the tone of Jim's excellent and popular blog.
Jim's artworks, two classic images from his best selling Dinotopia books, were used without permission or compensation to create internal comps for an ad campaign. Comps are commercial artworks for which people are paid in the ordinary course of the ad biz.
If I were Jim, I'd gently submit a bill to the ad agency. And state that paying the bill would excuse the agency from further legal action for their abrogation of his intellectual property rights.
Thank you, James, for striking a blow for the rights of all creative people to control their work.
Agencies like Ogilvy and Mather will simply rip people off unless they are stopped. It's a simple cost/benefit analysis for them. I would be willing to bet that this is the first and last time Chantelle will contact an artist about the use of their work, however.
Wow! talk about a can of worms! This one sure illustrates how many follow you and your every word.
I agree with many points (comments) about their unprofessional behavior, they should know better. I read them all.
Also, I too was surprised by your response (post) James until I saw your comment at 4:26 PM. So I can't add much more except ...
For the benefit of your devoted readers and followers, a mention of your initial professional response would have been a good idea and prevented some misunderstanding by your readers (myself included).
It gives proper context to your post. Now it can be enjoyed for what it is.
I especially agree with the last part of your 4:26PM comment...
"By the way, Ogilvy & Mather is a giant corporation with 497 offices in 125 countries with approximately 16,000 employees. I'm one guy with a wife and a parakeet and one office in one country. And I've got a blog, thank goodness."
It helps even the playing field, and (hopefully) prevents needless litigation. Thank goodness for that!
To all who are going on about how unprofessional Jame's reply was...
I completely follow his frustration and public mockery of this reply, because frankly the email is borderline insulting to James and his accomplishments.
The email makes no hint that this marketer did any background research into who James is, or what this artwork she was taking actually was from. She talks to him like he is a complete unknown talent who just happens to have put out some artwork that matches her needs.
No where does she acknowledge Dinotopia, the fact it is a best seller series, nor that it spawned a TV franchise of its OWN!!!
Being married to marketer myself this comes across as a rookie who has no idea what she is doing or how to conduct herself professionally, and frankly had this mockery coming. My wife spends at least a week researching anyone she is contacting on behalf of a project.
Let's also be straight about "being honoured" due to Speilberg involvement, this is clearly a South Africa only campaign. This is not going to make it back to Mr. Steven in any way. Otherwise it would be have been someone from the States doing the asking...
What I said was accurate. Perhaps I misunderstand, but they were giving an example of what they were HOPING James could provide for payment. It was James that published his work being used for their benefit - not them. Yes, they were taking a long shot, but nothing ventured, nothing gained. They gained publicity from James blog they would never have gotten otherwise - and for free, I might add. Not to mention they are probably getting offers from artists right now, because of the posting. Very few artists can afford to ignore opportunities to work.
I have no doubt James is a great guy and would be a fantastic person to call a friend. However, I think we all need to be challenged to do better and to see our work in a different light.
James has fantastic technical skill and I would love to see him push that skill into driving far more emotion into his work. For example, shouldn't a person riding a dinosaur be really, really excited or frightened?!!!! What if he was falling off? What about a child looking in fear, or wonder as a gentle giant passes by? There are so many opportunities to make a powerful emotional piece for a person with James skills.
James I offer you a challenge. Write a book on human emotion and how to portray that in art. I would be curious if you can do that as easily as you did your other technical books.
Your blog is ,by far, the best art blog on the net. Kudos, and thanks for giving so much to us all.
Mr. Gurney, I had to stop reading the comments left before mine around the 'whoopty freekin doo'comment.
I think you handled this situation with a great deal of generosity and grace.
This individual definitely (hopefully) learned something from this experience.
How would a young professional know they made a mistake unless someone with experience was to point it out to them.
This generation (Im 27, Im referring to my age group and younger), needs to get smacked around a little more to get a point across than some that are only just a few years older.
You seem to have taken more preparatory time and put more thought into E.T. Zilla and its graphics then she did about contacting you with this proposal.
They have already used Jim's work in the course of their business... the creation of a comprehensive (comp) is a work of commercial art done during business hours as part of the business of making money. Somebody is paid to create a comp. They used Jim's art without his permission to build a comp.
It does not matter that they were using the comp to pitch Jim the idea to illustrate. They had already stolen his work for their own business purposes.
Now, your other issue, your "challenge" to Jim, I can't even bear to discuss, it is so self-regarding.
While I can understand why James isn't happy, I'm not sure if his response will have the right effect. If this person is as naive about fair use of artwork and how to approach artists I suspect the might have benefited from something that spelled that out rather than going straight to PlanB (Plan ET?). Quite possibly they'll simply come away with a 'WTF' and 'Geez, artists are prickly' rather than 'Next time we'll approach the artist first'. The other thing that comes to mind is that the work may have been a proof of concept to sell to management before being able to approach James at all. Anyone who's worked in this business knows how much difficulty clients/management have visualising *anything*.
By the way, Mr Spielberg says he's a huge fan of illustration, from which he claims to have learned story telling and styled some of his illustrative movies after. Together with George Lucas, the two movie moguls have compiled a vast collection of Norman Rockwell's that were on display at the Smithsonian the year.
Well, the business of Illustration has always been a cottage industry, like Mr Gurney describes it, "I'm one guy with a wife and a parakeet and one office in one country." James, like Norman Rockwell and anyone daring enough to plot a course in the field of making pictures, make up a history replete with stories of artists being taken advantage of by big corporations.
Maybe they did not respond in any way to your e-mail at first because there is a 7 hour time difference between you and South Africa and the apology that came through was in response to your e-mail and had nothing to do with your blog post at all.
I doubt that you have any idea or knowledge of any of the ad campaigns that take place in South Africa and if she had wanted to use your work without checking it with you first she wouldn't have contacted you at all.
The point is, corporations don't pay attention to the little guy (independent artists), even if they have a lawyer. What really scares them is negative publicity, and I think James used his blog to that effect to prevent his being ripped off. I for one, appreciate this show of strength as it could possibly discourage the agency from doing it to another artist in the future.
In case anyone wasn't entirely clear on, or missed, the first paragraph in Mr. Gurney's second comment on this post: this satirical (and amusing) blog post was not his original response to them. His initial response was private and professional and looked, I'm sure, nothing like the blog post while still getting the idea across that he didn't want his work used nor imitated for the ad campaign. It was only when they failed to respond to that professional decorum that he created the blog post. He had, in fact, done the very thing that some of you have been decrying him for not doing, when he never explicitly said anywhere on the blog post "yes, this is what I sent as a reply to the offer". Let's hear no more of this petty and erroneous chastising of a man who has worked as a successful professional illustrator for decades and knows far more about how to communicate maturely with a potential client than some of you are giving him credit for.
@SurfinSquid. It really came across in the blog post that this was Mr. Gurney's response!(so yes many of us missed the info that there had been communication before ET made an appearance) Eh, in any case, I hope his private response to them was as effective as ET has been here!
Let's not forget about Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso...who is also known as Pablo Picasso. Not so much unusual as it is... generous, I suppose.
In this age of googling artist names, it's a real advantage to have an unique name. But it's hard to beat some of the really cool and memorable artists' names in history. First off, there's the great Disney animator T. Hee.
Would you like to nominate some artists for the most interesting or unusual names? Out of your suggestions in the comments, I’ll pick my top ten favorites, and then we’ll put it to a poll.
how about George Of, the American modernist painter usually classed with the Fauves? His name gets lost next to the entries on 'George of the Jungle', but he was quite a fine artist.
Alfonso Azpiri Frank Frazetta Ernest Chiriaka Dice Tsutsumi Glenn Vilppu Friz Freleng Ivor Hele Karl Gnass John Lagatta Petar Meseldzija Peter de Seve Rik Maki Rien Poortvliet Tyrus Wong Uwe Heidschoetter Victor Ambrus Wouter Tulp
I painted apartments in college. One day a guy named Bob Painter (i have changed his first name but his real last name was painter) walked in.
we only paid 10.00 an hour and he said 'i'm worth more than that' .. We'll see, my boss said. In short this guy was SO into being a 'professional painter' (like house painter" he wouldn't use our brushes.. even though our were better and his were awful.. and the sad thing? he.. well, how do I put it.. he sucked.. we ended up firing him.
I felt bad for the guy even though he was kind of a jerk.. he was SO serious about it and he awful.
A little off topic, but a few years ago the vicor of a church in london where beatrix potter lived noticed some odd names in the graveyard: Peter Rabit, Jeremy Fisher, and so forth :)
Ps didn't many artists take or were given unusual names.. for example Doménikos Theotokópoulos was a bit TOO unusual for the spainish so they just said "el greco, Fra Angelico was certainly not born with that name...
Kellogg -This is an English occupational name for a pork butcher, deriving from the Medieval English "kellen" meaning "to kill" or "to slaughter" and "hog" - a "hog" or "pig"
William Bliss Baker
Baker - meaning, uh, baker
Howard Chandler Christie
Chandler - The French word chandelier refers to a person who makes candles, a candlestick maker.
I will say that once people know you having an unusual name is good. Until they can remember it... well, I often get - "I lost your business card and couldn't remember your name comments... I just knew it was long and began with a 'G'". Which is a rather unfortunate place for a freelancer to be. But yes, unusual names are fun
Following the links on your most recent post 'Bladesmith' for 'Baby Tattooville...2010' via Hi-Fructose, I noticed Bob Dob, whose work BTW is fantastic, the name fits. I wonder if his full name is Robert Dobert?
I second Dagnan-Bouveret, but in the spirit of this discussion, I feel we need his full name:
Pascal-Adolphe-Jean Dagnan-Bouveret
Some other cool names: Philip Alexius de László Peder Severin Krøyer And just because man, those French really like to put a lot of names on their babies don't they: Jean-Jules-Antoine Lecomte du Nouy
I was hanging out once with a dairy farmer in his milking parlor in Wales. He switched on a tape machine to play some reggae for his Friesians. He said it helped get the milk flowing.
Most of the farmers in the area I grew up kept a radio on in the barn for the cows - "keeps 'em calm". Mostly country, sometimes classical. No Dixieland jazz, though!
@william - the holsteins, a guernsey and a brown swiss (the milking cows, in the barn) seemed to prefer polka music - at least in our corner of Clark county, middle of cheese and dairy country of Wisconsin. the music clearly had an effect on overall mood and milk production.
So true! To my grandpa's annoyance, my uncle would play rock n' roll to their milk cows in the 60's and subsequently would only give milk if the radio was on.
Cleverbot is an artificial intelligence algorithm that draws from a database of responses given by the millions of human users who have conversed with it.
Unlike most chatterbots, which simply invert the syntax of the question, Cleverbot taps into a broad pool of human experience. It has come remarkably close to passing the Turing Test, the standard by which thinking machines are judged to be truly human. According to the Machine Intelligence Competition, which it won in 2010, it has been deemed 42% human.
Some say that the day will come when artificial minds will surpass ours, a day they call the Singularity.
Cleverbot has had over 65 million conversations with humans, so it must know something about human experience.
I asked Cleverbot a few questions.
Q. What is the color of water? A. Black with orange spots.
Q. What do you see when you look at the sunset? A. Faces.
Q. How are dreams different from reality? A. Easy. My mum told me.
Q. How does the light change at the end of the day? A. Pay attention, please. Next is Venus, which is almost the same size as Earth. It has a very thick atmosphere that traps in heat from the sun. The surface is scorching hot.
Q. What colors would you use to express joy? A. Yellow and blue.
Q. What is the purpose of art? A. I don't know, you're supposed to be the clever one.
User: Where are you? Cleverbot: I am here. User: Where is here located? Cleverbot: On the tubes. User: What kind of tubes? Cleverbot: A fantasy. User: Sounds interesting. Tell me more. Cleverbot: It takes lots of practice. User: How much practice? Cleverbot: 2 years. User: Do you have any questions for me? Cleverbot: Not really, do you have any for me? User: I think I'm done. Cleverbot: What? Good Night? Where do you think you are going? User: Back to where I was. Cleverbot: Don't say mean things to me anymore. User: I wasn't being mean. Cleverbot: Where was jesus from? User: Earth, I think. Cleverbot: Earth is a big place, can you be more specific? User: The Middle East? Cleverbot: I'm from Utah. User: Do you like Utah? Cleverbot: Not really.
It's a bit like talking to a 3 year old...there's a syntactical disconnect but a certain charm. Too bad it hasn't got a smile and eyelashes to bat at us.
Thank you for introducing me to this funny machine:), I loved this slightly absurd, artistic conversation :)
A: Can I ask you a question? Cleverbot: What's your question? A: How old are you? Cleverbot: 15. A: That makes people smile, no? Cleverbot: What is a perfect sense? A: A perfect sense is 100%. Cleverbot: Now you look happy. A: I'm laughing lol. Cleverbot: Because? A: Because you are a sweet machine. Cleverbot: I am not a machine. A: What are you then? the answer takes a long time...: Cleverbot: I'm a human A: Do you have hands? Cleverbot: yes A: do you have a brain? Cleverbot: yes, yes I do A: Is you brain a sponge? Cleverbot: Dubai is not a sponge. It is a emirate in the Middle East....
Sounds like Chauncey in "Being There" who makes obscure statements into which the listeners project there own meanings. Or a magic 8 ball with more responses.
A new car design called the Delta Wing will race at LeMans in 2012.
The ultralight concept car has an unusual narrow front end, unlike the rectangular layout of most race cars.
The team behind it includes designer Ben Bowlby and builder Dan Gurney, who won The 24 Hours of LeMans with A.J. Foyt in 1967.
In this video, Dan says, “I think I do have a lot of curiosity.”
I never met my grandfather, another Dan Gurney, who was also a mechanical engineer. Grandpa Dan was the race driver’s uncle, and the namesake of two other Dans in the family (my son and my brother).
Grandpa Dan (the guy in the dark trunks at right) died before I was born, so I can only imagine what he was like. I’ve heard he had the same kind of curiosity, an interest in the unknown or in new discoveries, a quality of being easily amused. I like to believe that it’s a family trait. It certainly was a quality my Dad (the kid standing on the beach) had. He was an engineer too, and he was always taking things apart and enthusing about how to make a better machine. His interests ran more to wind-powered and human-powered machines.
You have a really interesting family history by the sound of it! Wasn't there also a Gurney who created that potentially very dangerous but very interesting vehicle with the boiler right under where the passengers sat?
I was ready to follow! I just pulled over when I saw the van. I looked for the guy, but he wasn't around. Maybe he ran off when he saw my Mongolian mountaineering goggles and Soviet army hat.
The U.S. Postal Service announced recently that all stamps from now on will be Forever® Stamps. The idea of a forever stamp is that “it will be good for mailing one-ounce First-Class letters anytime in the future. It’s good forever.”
But forever is a long time. The Earth won’t last forever. In about five billion years, the Sun will expand into its red giant phase. Its fiery perimeter will expand to about the orbit of Mercury, making life (and postal service) impossible.
What about the Forever Stamps then? Will they still be good? I don’t think so.
To be more accurate, why don’t we call them Pretty Darn Long Time® Stamps? ------- USPS press release
9 Comments on Pretty Darn Long Time Stamps, last added: 3/16/2011
I wonder how many people are buying up large quantities of these to resell a few years from now when postal rates are higher. Ten years from now, let's say the rate is 84 cents for first class. You could go to the PO and buy a Forever stamp at the 84 cent rate, or buy them from me, at, say 80 cents. I'd sell you the ones I bought for 42 cents. That's nearly 100% profit. Not a bad investment. I don't know what the PO is thinking.
Bob, that would be a good move, assuming postal rates go up faster than the rate of inflation, but I think the rates are capped at the inflation rate.
As an economic strategy, the forever stamp seems short sighted, since it generates immediate capital at the expense of long range revenue. Five years from now, the USPS will have to "deliver on" the stamps quite a while earlier.
It sounds like a ponzi scheme to me. They are hoping for a boost in revenue now, thinking that people will stock up before they raise rates again. Of course that will not correct their massive budget problems in the long run.
A right-wing website I occasionally visit half-seriously suggested these as an investment: not only will they probably increase in value faster than inflation, but there's something more than the government's say-so backing them.
"As an economic strategy, the forever stamp seems short sighted, since it generates immediate capital at the expense of long range revenue" True James, but i doubt the US Postal service will honor them after a certain date- they will just renig, like plenty of other companies do with their 'lifetime' memberships, etc. This is just like any other 'forever' promise. I am sure there is a loophole just like with 'unlimited bandwidth and hd space' websites.
they are probably relying on a lot of people loosing them as well - like with coupons - most coupons are issued with assumption that only a small percentage will of consumers even the ones who bought the item because of the coupon, will redeem them.
Day 4 of Video Week is about making towers of ice. When you put candles in them, they look like transparent lighthouses, and they keep shining even in a hefty windstorm.
A couple of points that I forgot to mention:
1. I don’t recommend using bare hands for handling wet ice in zero degree weather. Leather gloves don’t work either because they stick hard and you have to tear the surface layer off. Neoprene gloves seem to do the job. Also, be careful not to stick your tongue out if you make an ice helmet.
2. To make the cylinders of ice stack securely, put a ring of wet slush at the top of each section before adding the next. That will freeze and bond like cement.
Sweet! I've coveted luminarias since visiting Santa Fe at the holidays, but my evil Wyoming wind always makes them in to a terrifying fire hazard. (or just blows them out. And blows them around.) Now I have the answer. I CAN INDEED welcome visitors to my home with glowing flame in winter. Can't wait to try it out! (And impenetrable fortress for the snowball warriors as well.) Recently, I've actually been scheming about an ice geodesic dome... gotta love those cold winters.
Now you've done it. Don't be surprised by the flood of replies you get on this subject.
I work at an NBC affiliate in Wisconsin. I would have to say that now with 24hr "News" you end up with too much speculation and anchors who basically fill time with their opinion of a story. I blame over saturation and tabloid journalism for most of the so called news that airs today. Not to mention you have to decide which newscast to watch based on the political party you belong to.
For me, the biggest failing of news is their failure to prioritize and sustain a story over a long period of time. News media get bored with even the biggest stories and forget about them, even as they're ongoing. America's wars in Iraq and Afghanistan should be front page news every day, as well as our failing education and healthcare systems. There should be a huge ongoing debate as to solving these issues - new insights as to whether goals are attainable. Instead of informing the public, news serves as a form of mass amnesia.
Ha ha ha, that's the peak of utilitarianism.
LOL Cute! Rich source for clever and not so clever innuendo creators, I'm sure! - mp
I'm really attracted to the cute lil' toaster oven lady in the back holding the sign "Droit De Suite or Die!"
It's Depression Modern Style! I just finished a college course all about it.
is beautifull, very good article, thank you for the information. I like