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"Meanwhile" follows four characters traversing a city, each lost in their own separate worlds, trapped in their memories, regrets and frustrations.

The post ‘Meanwhile’ by Stephen McNally appeared first on Cartoon Brew.

Discover the art of Mak Ying-Ping, Cartoon Brew's Artist of the Day!

The post Artist of the Day: Mak Ying-Ping appeared first on Cartoon Brew.

Through memories and interviews, "Yellow Fever" focuses on African women's self-image and the almost schizophrenic pursuit of beauty imposed by a globalized society.

There are small people wearing hats in the society.

Marcus Armitage's BAFTA-nominated, Annecy-winning graduation film is our pick of the day.

We are all born as wet as a banana, around 75% water.

The mundane story of a heartbroken man, an online gambling addict, an alcoholic kleptomaniac, and an anxious loner living in the same apartment building.

A man enters a bathroom and finds a lot of pairs from his own body. This discovery makes him thinking he is a sum of two. The thought leads him becoming two. 'Wow, look at this,' he says to his double.

Dave Prosser studied illustration at Norwich School of Art and Design and animation at the Royal College of Art in London, and is part of the Moth Collective as well as the Late Night Work Club (which is due to premiere its first anthology of animated shorts very soon).

Dave’s bold work lives comfortably at the nexus of the illustration, design and animation worlds.

You can find more personal work at Dave’s Tumblr sketchlog, and also examine his commercial direction and illustration work on his portfolio website.

Nicolas Ménard is an artist from Montreal currently studying at the Royal College of Art in London. His website is NicolasMenard.com.

Nicolas’s work straddles graphic design and animation. He also creates illustrations and prints.

See the colorful, blown-out graphics of Woop woop, chop:

Or the unique crayon-animated Micromachines:

Nicolas Ménard is an artist from Montreal currently studying at the Royal College of Art in London. His website is NicolasMenard.com.

Nicolas’s work straddles graphic design and animation. He also creates illustrations and prints.

See the colorful, blown-out graphics of Woop woop, chop:

Or the unique crayon-animated Micromachines:

Fresh off the festival circuit, Gergely Wootsch’s trippy graduation film from UK’s Royal College of Art.

Cartoon Brew | Permalink | No comment | Post tags: Gergely Wootsch, Royal College of Art, UK

Matthias Hoegg whose earlier student short August was featured in Cartoon Brew TV’s Student Animation Festival, has followed up with an even more impressive graduation short Thursday. Produced at the Royal College of Art in London, the short was nominated for a BAFTA last year. The slice-of-life love story takes place in an unsentimental near-future where emotion struggles to break through an onslaught of techno-gadgetry.

Patterns, rhythms and color dominate the visual design of the film. Hoegg says in this Motionographer interview that he was inspired primarily by American quilts and Eduardo Paolozzi’s mosaics. Credit also belongs to the sound designer Marian Mentrup, whose rich layer of audio adds a degree of warmth and humanity to the images.

See concept art from the film on Matthias’s website.

CREDITS
Sound Design and Music by Marian Mentrup
“Thursday’s Space Waltz” written and performed by Marian Mentrup
Published by Kobrow Musikverlag
Additional Animation by Aaron Lampert
Additional Modeling by Mattias Bjurström
Foley Artist Günther Röhn
Mixed at Talking Animals Studio Berlin

(Thanks, Fiachra Hackett)

Cartoon Brew: Leading the Animation Conversation | Permalink | No comment | Post tags: Matthias Hoegg, RCA, Royal College of Art, UK

New week, new film in our Cartoon Brew TV Student Animation Festival: August by Matthias Hoegg was created at the Royal College of Art. To read Matthias’s notes on the making of the film or to make comments and ask him questions about it, visit Cartoon Brew TV.

Continuing our Student Animation Festival, we’re proud to present August created by Matthias Hoegg at the Royal College of Art. He has created that rare student film which manages to be stylish not just visually but also through its unconventional and layered approach to storytelling. Shoot questions and comments to Matthias in the comment thread below. Here are Matthias’s notes about his film:

I made my film August whilst on my two year Masters course in Animation at the Royal College of Art in London. I started the course with a loose idea for a film based around a Japanese fable, “The Dream of Akinosuke”. In the fable a wealthy landowner takes an afternoon nap in the shade of a big tree during a picnic with friends. He has an epic dream in which he’s married to the princess of a remote island empire for several years. When he awakes shortly after his friends tell him that a yellow butterfly, a symbol of the soul, appeared to have come out of his mouth when he was sleeping before being grabbed by an ant and dragged underground. Digging open the ants nest the men uncover an entire ant kingdom, in which Akinosuke immediately recognizes a model version of the island kingdom from his dream.

I was really intrigued by the fable’s blend of metaphor and natural reality. So the starting point for my film was really to use a colony of ants activities to reflect the internal process of a human character’s mind. Looking for a more contemporary setting that would involve ants I remembered my first awkward attempts at having a holiday of my own with friends as a teenager. After making a complete tip of our campsite we had to keep moving our tent onto different spots so that the ants that we attracted wouldn’t catch up with us. Perhaps I should mention here that I am originally from Munich, Germany and if you have ever been to a German-style campsite you may have witnessed campers dedicating their entire holiday to tidying and keeping a perfect order in the great outdoors. We were clearly the weakest link in that community. In August I wanted to use the ants to create anticipation and a sense of adventure that the boys are looking for in their holiday, when in fact they fail to realize any of it on a human scale.

I started storyboarding the film in late 2008 and had finished it by early June 2009. All elements of the film were drawn digitally and then animated in a cut-out style. I enjoyed working with the constraints of the cut-out approach and the sense of awkwardness it evoked in the characters. My friend the 3D modeler Mattias Bjurstom got on board with this project and he created the 3D set for the film based on a cardboard model of a camper van and various textures that I provided him with. Most recently I have put the final touches on my graduation film at the RCA. It is called Thursday and it follows two characters through and out of the repeating patterns of everyday life, but in a future world. Its style is more simplified and graphic, using a range of patterns that were created in 2D and 3D to evoke the dazzling futuristic world that the characters inhabit. I am represented by Beakus in London, a new animation studio started by Bafta-award winner and Trunk founder Steve Smith.

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