Thanks for talking to Boomerang Books, Trinity. My pleasure! Pieces of Sky (Allen & Unwin) is your first published YA novel. How did you get published – an agent or through the slush pile? I got my deal through my agent. What is the significance of your title, Pieces of Sky? In the novel the […]
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Blog: Perpetually Adolescent (Login to Add to MyJacketFlap)
JacketFlap tags: Author Interviews, CBCA, Melina Marchetta, Australian Society of Authors, kirsty eagar, cath crowley, Book Reviews - Childrens and Young Adult, Joy Lawn, Australian YA, Pieces of sky, #LoveOZYA, Maggie Stiefveter, Trinity Doyle, Add a tag
Blog: The Great Raven (Login to Add to MyJacketFlap)
JacketFlap tags: CBCA shortlist 2011, Selena Wang, Graffiti Moon, Cath Crowley, Add a tag
Guest blogger Selena has been helping me to read the books on this year's CBCA short list. Here are her thoughts on Cath Crowley's Graffiti Moon:
The best thing about this book is how the author put this amazing story in one night.
Graffiti Moon is a lovely and interesting book, and I enjoyed every page of it. I never thought I would enjoy a romance story, but I loved this one very much. When the author talks about Shadow’s painting, it’s as if I can see it with own eyes; the author made Lucy’s glass work so interesting, now I just want to try them myself.
Blog: readergirlz (Login to Add to MyJacketFlap)
JacketFlap tags: cover stories, cath crowley, a little wanting song, Add a tag
Cath Crowley's A Little Wanting Song needed a cover that conveyed music, friendship and romance, a tall order for any designer. Here's Cath to tell us how her final cover came to be:
"I don’t usually write with a cover in mind. I know what my characters look like and I write with the image of their landscape in my head. While I wa
s working on A Little Wanting Song I saw an image of Charlie, a girl with long dark hair, playing guitar on the back porch. I saw Rose, restless and angry, sitting on a hill overlooking a highway.
"Mostly when I write I hear the character’s voices. So it’s the soundtrack of the novel that I’ve got playing in my head – the dialogue and in the case of this book, Charlie’s songs.
"The cover for the book is so much more evocative than any of the images I had in my head. The designer has captured how I feel when I’m writing. To me the cover and the pages have sound escaping from them – and this is similar to my writing process.
"My editor showed me both covers after they were finished and we talked about what we loved about them. I didn’t give any input before the art department started working because I think more in terms of sound than visuals. Also, I’d heard that the designer had read my book and
loved it – and I think writing the book is my input. I trusted her to see what I’d written..."
Read the Cath's full Cover Story at Unabashedly Bookish on bn.com.
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