So the other day my husband Eric, who’s the news editor over at BoardGameGeek, told me about a board game publisher that created fun Twitter games like #BoardGameBand, where tweeters would come up with fun mashups of board game titles and band names — like “Frankie Goes to Hollywood Blockbuster” or “Dungeon Petzshop Boys.”
“Why don’t you do that?” Eric said.
Ding ding ding!
Together we came up with the hashtag #killaqueryin5words, and the premise was simple: I wanted writers to offer up five-word phrases that would cause an editor to trash their magazine query.
I launched the game on Monday morning, seeding my feed with such 5-word screw-ups as “I never read your magazine,” “You don’t publish poetry, but…” and “Google says you like chocolate.”
#killaqueryin5words took off! Writers around the web got a good laugh reading hilarious (but sadly common) query snafus. (In fact, contributions are still rolling in!)
Then I had another brainstorm: Why not pick my favorite #killaqueryin5words tweeters and offer prizes?
The #killaqueryin5words Winners
Here are my top picks. If you’re listed as a winner, please choose any e-book from the Renegade Writer Store that you’d like to receive for free (yes, even the $29.99 one!) and email me your choice at [email protected].
Most Prolific
I have to give props to @GiulianoDebra because she contributed more posts than anyone! (I think someone was procrastinating on their work yesterday. ) Congrats, Debra!
Most Creative
Next, I was super impressed that @NewJerseyWriter created the graphic you see at the top of this post just for the game. She used morguefile to find the photo and Canva to create the image. She also gave me permission to use her graphic on the blog. Thank you, and please choose your prize!
Most Insightful
Another winner is @justinrbannon for his insightful tweet about the game: “Perhaps the most concerning thing about #killaqueryin5words is that it’s provided more than one actual tip.”
Most Hilarious (But Sadly True)
Finally, I had trouble choosing just one most awesome #killaqueryin5words tweet, so we have five winners:
1. @danielcasciato: I’m giving you first dibs. #killaqueryin5words @LFormichelli
2. @BretteSember: “you’re probably not interested but…”
3. @sharonnaylorwed: #killaqueryin5words “my writing group loved it!”
4. @RitaMailheau: #killaqueryin5words To Whom It May Concern
5. @BillDavisWords: I’m here in your lobby #killaqueryin5words
These tweets showcase five fatal query flaws:
1. Arrogance.
2. Under-confidence
3. Unprofessionalism
4. Laziness and lack of research, not to mention a stiff writing style!
5. Stalkerishness
Congrats to the five of you…please choose your prize!
One thing I discovered is that Twitter doesn’t seem to save hashtagged tweets for long, so if you want to check out the funny feed, do it now! It’s at https://twitter.com/hashtag/killaqueryin5words
I have a great idea for a new writer Twitter game for next week…stay tuned!
Thanks to everyone who participated in the #killaqueryin5words game. It’s been a blast!
If you write for young children, as in the preschool to first grade range, you know that this is often more difficult than writing for adults. Writers who have never attempted this can't believe it when I say how hard it is. "How can that be? There are hardly any words. The stories are so simple."
I challenge anyone to try it, and you will see. The reason why it looks so easy is because the authors who write for our favorite little people are just good at it. They have it down to a science and can find creative, new ways to introduce the big, wide world to three-year-olds while not boring them or talking over their heads. Trust me, it's not easy to do.
Besides picture books, which are also very difficult (and I'm not even going to get into how a writer can work on a picture book manuscript for a year or more!), what markets exist for 3 to 6 year olds?
Ladybug is a popular one and
Highlights for Children also has some stories geared toward this younger audience. Besides these two well-known magazines, you can also get your fiction (and possibly nonfiction) for the young child published in
Turtle,
Humpty Dumpty, Appleseeds, Knowonder, and
Guardian Angel Kids to name a few
. These are all paying markets with clear guidelines on what the editors want to see and don't want to see.
If you want to write for this audience, where do you start? I always recommend finding back issues at the library or online archives and reading as many stories as you can from that magazine. This is the best way to take the ideas you have and craft them into a format that works for the magazine--today. Most of us remember
Highlights for Children from our pediatrician and dentist's waiting rooms, but it's different today--kids are different today, and so make sure to check out recent issues and stories. Study the stories: how long are they? What are the topics? Are they written in first person or third? How many characters? How much dialogue compared to narration? It's my experience that once you are familiar with the market, it will be easier for you to write your idea for this audience.
Next, go online and READ THE GUIDELINES. Some editors and publications go to great extremes to write down what they want and what they don't. Don't ignore these. For example,
Knowonder wants stories in third-person limited, so you don't send them the first person story you just wrote last night. Either change the point of view or write a new story for this market.
Stories for this age group are usually under 1000-words and tend to average about 500 words. You don't have a long time to establish a setting, characters, problem, and solution. This is why writing for this age group is so hard. It's like poetry and picture books--every single word counts--you don't have any space to waste on "pretty writing."
Have you ever seen a preschooler enjoy a story or book? Their smile lights up their whole face. They will read it again and again and ask to have it read to them a million times. They carry it around, read it to their dog or cat, and fall asleep with the book or magazine in bed. This is why people write for this age of child. It's an important job, and don't let anyone tell you it's easy--because we know it's not.
Margo is teaching a short fiction class for children's and YA writers online, starting on April 11. To view the syllabus and sign up, please go to this link: http://www.wow-womenonwriting.com/classroom/MargoDill_WritingChildrenTeensShortFiction.php
I know this blog is mostly about agents and book stuff, but one area of writing I’ve always been active in is article writing. If you’ve never tried to sell articles or columns, you should. It’s a great way to make money, get publication credits, and build your platform. That’s why WD Managing Editor Zachary Petit and I are teaching the awesome webinar, "Sell Freelance Articles," on Thursday, March 1, 2012. Read more
"I'll send you an invite to join Ebyline.com, so could you pitch it through that platform?"
O.....K?
I had pitched a new market I heard about on another writer's blog (using old-fashioned email), they liked the idea, but now I had to 'join'? I was ten kinds of confused and a bit wary. After all, we've all dealt with online sites that make you jump through hoops to write for them or pay by the click. Plus, I don't do well learning new technology. I still have a typewriter hidden away in a closet somewhere! Why, oh why couldn't I just write my article?
But, because I trusted this writer/editor I decided to follow the invite link and take the plunge. I filled out my free membership which consisted of a straightforward paragraph describing my writing experience, resume, and links to five recent articles. After that it was time to explore.
At first glance it was a basic online job board, some assignments were very specific "cover an NCAA women's soccer tnmt match at 2 p.m. Sunday in Gainesville, Fla" while others were more general "Healthy Life feature ideas". But there were several significant differences from your average writing job board.
First, I knew upfront who was looking for a writer. Their post includes the name of the market, link to the market, and editor's name. Finally, I wouldn't have to be asking myself, "Is this a real editor/market or just some wanna-be start-up that may or may not ever become reality (and pay me!)?" On the flip side, publishers have access to my resume, links to articles, etc. from my registration so there's no emailing back and forth as they try to determine if I'm the right person for the job. They can easily check out my background the minute my pitch arrives.
Second, let's talk about payment. They actually list the fee for the job. No "how much would you charge for....?" which we all know is code for "this job is going to the lowest bidder, not the best writer." And no pennies per word either. OK, I didn't see any $1/word jobs but hey...
Third, they have a magical "pitch" button. I love it! Click and there you are at an online form listing the editor's name, fee for the job, deadline, and a box for you to include your pitch. No searching for an editor's email address or sending it to some anonymous email never to be heard from again. You don't have to just pitch in reply to specific jobs listed on the board either. The pitching system includes a list of markets that are registered with Ebyline so if, for example, you have an idea for a parenting article, you can look through them for a parenting magazine and pitch to them. They also have a magical "submit" button for your finished article but I haven't used that one yet!
But the BEST thing is this platform also serves as a record keeper for you. You can visit and see exactly what you pitched to who and when, if they got back to you, deadlines. They automatically invoice the market for you. They also keep a list of all the published articles you've done through Ebyline, how much you made that year through them.
I have already been accepted for one assignment and am "in negotiations" for another. Ebyline is a new platform but I think it's one that freelancers should check out.
Jodi Webb is a WOW Blog Tour organizer and is teaching an upcoming WO
Even with a binderful of clips, it's still exciting to find contributor copies in the mail. Today the September/October issue of KNOW arrived with my KNOW YOU column on saliva.
Definitely not the most glamourous of subjects, but certainly an interesting one. Oh, who am I kidding? It doesn't matter what topic I write about, whatever is under my magnifying glass always turns out to have some interesting facet to it, usually several, and at least one that blows me away. I love that about science writing---the constant stream of fascinating tidbits that make me say things like,
"Wow, who knew?"
or
"No way! That's amazing."
or
"I didn't know that. That is so cool."
I guess I'm a bit of an info-junky, because as much as I enjoy sinking my teeth into a juicy book-length project, those short forays into new subjects for magazine assignments are pretty addictive. As of a few days ago, I'm working on my next fix, also for KNOW. Currently on the desktop? Caves---a topic loaded with wonderful surprises. I'm excited.
So, how many hours til the first "Wow"? Keep your money in your pocket. It's a sucker bet.
The WD Premium Collection Bundle Kits are new this year and
they're very simple in nature. We bundle a ton of stuff relating to a topic—in this
case, Make
Money Freelancing—and we sell the bundle of awesome material at 66% off. Easy
peasy. There were 100 bundles for the February kit and as of writing this only about
40 remain. Grab
one before they're gone!
WD's March "Make Money
Freelancing" Kit Includes:
If you want to write for a living, or make a few extra bucks to line your pockets,
this Premium Collection gives you the tools you need to see (and make) some green:
-
102 Ways to Earn Money Writing 1500 Words or Less: Discover
the wide array of freelancing opportunities available, including fast-food tray liner
copy, person-to-person correspondence, and resumes!
-
Writer's Digest Handbook of Magazine Article Writing: Identify
the types of articles that sell, and how to find the right magazines for those articles.
Includes insider tips on writing query letters and managing relationships with editors.
-
Magazine Article Writing Independent Study Workshop: See
your articles published in trade magazines, regional publications, and national consumer
publications. Learn how to deliver the well-researched, reader-targeted articles that
editors are looking for.
-
"Sell Freelance Articles" On-Demand Webinar: Learn all
aspects of freelance writing, from gathering ideas to catching an editor's eye to
crafting winning queries. You'll also learn how payment works and what warning signs
to watch out for when dealing with potential clients.
-
Writer's Digest November/December 2009 Digital Issue: This
issue focuses on writing short to break out. Articles include "5 Reasons Writing Small
Can Help You Make it Big," and "Diversify Your Writing Portfolio."
-
"How Much Should I Charge?" Rate Card: Price your work
appropriately, with guidelines for almost every type of writing, from ad copywriting
to feature article writing, even indexing and editing.
This exclusive premium collection is valued at $347.97,
but while supplies last, you pay only $124.99 (a savings of 63%). Order
yours here. Please note product will begin to ship
on or after March 14, 2011. Free shipping.
I know this blog is mostly about agents and book stuff, but
one area of writing I've always been active in is article writing. If you've never
tried to sell articles or columns, you should. It's a great way to make money, get
publication credits, and build your platform. That's why WD Managing Editor
Zachary Petit and I are teaching the awesome webinar, "Sell
Freelance Articles" on Thursday, Feb. 10, 2011.
DETAILS
It all goes down at 1 p.m., EST, Thursday, Feb. 10, 2011. The webinar lasts 90 minutes
and you will have access to the archived recording for a whole year, so you don't
need to take notes during the live presentation unless you want to.
Besides getting access to the presentation and learning the keys to article writing,
attendees are invited to: 1) submit an article query for a critique!, and also
2) ask as many questions as you want! No question goes unanswered. Sign
up here!
By the way, after we did this webinar back in May 2010, an attendee (Robert I.) wrote
me to say that after we edited his query letter, he got his article published in the Sun
Herald (Biloxi, MS).
WHAT ATTENDEES WILL LEARN
This webinar will discuss all aspects of freelancing—from how to gather ideas
to catching an editor's eye to crafting winning queries. The presentation will examine
actual magazine queries and examine what elements work when trying to rope in assignments.
What you'll learn:
-
How to find article ideas and analyze the topics of expertise
you already possess
-
How to identify appropriate markets for your ideas
-
How to compose a query that hooks editors
-
How to repackage and resell articles
-
How payment works, what warning signs to watch out for, and
how to get assignments coming your way from editors. Sign
up here.
INSTRUCTORS
Chuck has had 600 articles published in magazines, newspapers, books, and online.
He's written for publications such as Cincinnati Magazine, New Mexico Magazine,
Pennsylvania Magazine and Watercolor Artist. Meanwhile, co-pilot Zachary
Petit is the managing editor of Writer's Digest magazine and a freelance writer.
Since getting his start as an intern at National Geographic, he has worked
as a news and features reporter and has penned hundreds of articles for different
publications.
Publications Zac and Chuck have
written include the following:
I know this blog is mostly about agents and book stuff, but
one area of writing I've always been active in is article writing. If you've never
tried to sell articles or columns, you should. It's a great way to make money, get
publication credits, and build your platform. That's why WD Managing Editor
Zachary Petit and I are teaching the awesome webinar, "Sell
Freelance Articles" on Thursday, Oct. 7, 2010.
DETAILS
It all goes down at 1 p.m., EST, Thursday, Oct. 7, 2010. The webinar lasts 90 minutes
and you will have access to the archived recording for a whole year, so you don't
need to take notes during the live presentation unless you want to.
Besides getting access to the presentation and learning the keys to article writing,
attendees are invited to: 1) submit an article query for a critique!, and also
2) ask as many questions as you want! No question goes unanswered. Sign
up here!
WHAT ATTENDEES WILL LEARN
This webinar will discuss all aspects of freelancing—from how to gather ideas
to catching an editor's eye to crafting winning queries. The presentation will examine
actual magazine queries and examine what elements work when trying to rope in assignments.
What you'll learn:
-
How to find article ideas and analyze the topics of expertise
you already possess
-
How to identify appropriate markets for your ideas
-
How to compose a query that hooks editors
-
How to repackage and resell articles
-
How payment works, what warning signs to watch out for, and
how to get assignments coming your way from editors.
INSTRUCTORS
Chuck has had 600 articles published in magazines, newspapers, books, and online.
He's written for publications such as Cincinnati Magazine, New Mexico Magazine,
Pennsylvania Magazine and Watercolor Artist. Meanwhile, co-pilot Zachary
Petit is the managing editor of Writer's Digest magazine and a freelance writer.
Since getting his start as an intern at National Geographic, he has worked
as a news and features reporter and has penned hundreds of articles for different
publications.
Publications Zac and Chuck have
written include the following:
_
Waiting is a huge component of a writer's life. We always seem to be waiting for something -- rejections and acceptances of queries and manuscripts; to hear from editors, agents, experts, and critiquers; and then, once a manuscript is accepted, even more waiting -- for contracts, revisions, artwork, layouts, publication, author copies, and reviews.
Most of the time, the publishing industry moseys along at a glacial pace, so it's always a treat when a publisher takes the time to send a status report during a long consideration process. It's especially welcome if the notice is an indication that a submission has passed through some hoops on a possible trajectory to acceptance.
Today, I'm tipping my goblet of sparkly apple juice (hey, it's before noon, here!) to celebrate receiving what is fondly referred to in the biz as a "bear card" from Highlights for Children. It's a simple postcard with a line drawing of a cute family of bears cuddled together reading, and it says, "Thank you for 'bearing' with us while we review your manuscript." It means the first reader liked my manuscript enough to pass it along to the rest of the editors for further consideration. Woohoo! First hoop cleared.
A "bear card" in the mail is the equivalent of getting a tiny nibble of the carrot on the stick while still on the long journey. Yum. It makes the journey so much more (sorry, can't resist) "bearable". Thank you, Highlights.
_
_
I turned in two magazine articles yesterday, right under the wire. One was easy to write. The other one drove me nuts because I couldn't come up with a good hook to start it off. Usually I don't begin writing an article until I have what I think is a fabbo intro, but this time the catchy first sentence was eluding me, and had for almost two weeks.
When I get an assignment with a deadline a few weeks away, I do a flurry of research right away, and then let it rest for a day or two while my subconscious chews it over. At some point, it usually spits out a great first line---something that takes the very essence of the subject and shapes it in a cool way that will intrigue readers and hook them into reading more. But this time it just wasn't happening. My deadline was fast approaching and I had nada.
The article was a shortie, and I knew what I wanted to include in it, so I went ahead and wrote it without a first line to hang onto. Still nothing. I can't turn it in without a first line; it's unfinished.
By the end of deadline day, I'd tried all the idea-generating tricks I knew: physical exercise, fresh air, writing something else, doing dishes (usually a good bet), and a hot shower (another good bet. What is it with soap and hot water that pries ideas from the brain?). I had brainstormed every which way I knew how.
Still nada.
So. There I am, playing mindless solitaire. My brain is whirring away, searching, searching, when my husband comes along. He knows I'm behind the eight ball on this assignment and makes a good-natured Hmm-working-hard-I-see type comment. I tell him I'm in desperate need of a hook for my wolf article. He responds with something really far-fetched about sharks and predators and teeth, complete with hand gestures and facial expressions (hey, we're a theatre family dontchaknow). He does that---offers silly suggestions in an effort to make me smile when he knows I'm tense about something. He's used to me giving him the dipped head, looking-over-my-glasses, "Yeah. Right. I-love-you-dear-thanks-but-no-thanks" look in response. Much to his surprise, that's not what he gets this time. Instead, I say,
"Eureka! Thankyouthankyouthankyou! You're brilliant!"
In the next instant, I'm pounding away at the keyboard with renewed vigor, and hubby's walking away shaking his head. (Smart man. He knows to wait for an explanation when the keyboard clicks are that loud.)
I didn't use hubby's idea (it really was way out in left field), but his idea made me think of another one that incorporated the surprising overlap between shark and wolf. Now I just have to wait and see if my editor likes the hard-fought idea as much as I do.
Sometimes ya just need a little help to get outside the box.
_
Children's Book Spread Project for Illustrator Group Soup
I am pleased to announce a new illustrator group website —
www.illustratorgroupsoup.com
I am very excited to be a part of this wonderful and talented group and would like to thank the Group Soup Gang for all their hardwork in putting the site together. Illustrator Group Soup features eight illustrators: Astrid, Courtney, Diandra, Johanna, Leeza, Rebecca, Tricia and Me! Come and take a look at our blog, helpful links, and super cool artworks! Enjoy!
Great post, Margo. Your comparison to poetry and picture book writing is so true. If people can write poetry (or a picture book) they can write anything. (Just add more fluff when writing other things. ;)
Also, your suggestion to check out past issues--that's always a wise thing to do.
Thanks for the post.
Great overview of some excellent publications for this younger age group!
Oh, SO true, Margo! Writing for kids is harder than it looks, and it definitely pays to take a class, to get off on the right foot. (Even if you're accomplished in other writing--because honestly, it may be the same tools, but you have to figure out how to use 'em in the sandbox!)
@Sioux: I couldn't agree more!
@Patricia: Thanks!
@Cathy: Yes, using them in the sandbox is exactly right--hey the sandbox, that just gave me a story idea. :)