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By:
Sue Morris @ KidLitReviews,
on 8/25/2015
Blog:
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One of the newer ways for self-publishing authors to get their books out is to start a Kickstarter fundraising campaign. I have helped to fund a couple of these ventures, but never tried to help a book by posting about it here at Kid Lit Reviews.
Well, today I am actually going to do just that. Traditionally published children’s author, Chuck Whelon (Dover Publications, Simon & Schuster, Michael O’Mara Books, SKODA Man Press), and winner of the 2002 Web Cartoonists’ Choice Award for Best Fantasy Comics (The Weird Worlds of Pewfell Porfingles), is publishing a story/puzzle book called Wizard Pickles (which will be reviewed soon). Here is the Kickstarter video about Wizard Pickles:
Wizard Pickles tells the story of young Mazie Pickles and her Aunt Wilma. Aunt Wilma works as a wizard at the local castle. Well, she did, until angering Queen Blackthorne, who is set to award the Golden Cup at the annual Picklefest. For one, Aunt Wilma has lost her wand, which was found by pickle gnomes. The pickle gnomes had a glorious time using the magical wand to reek havoc throughout the village. Now, Mazie needs to help her aunt retrieve the wand before anything worse should happen (hint: it does!)
Every page in Wizard Pickles is filled with different picture puzzles for readers to solve. They range from simple search-and-find activities to muddling mazes, cryptic codes, and complex logic problems that will keep you baffled for many hours of puzzling fun! More than a puzzle book, Wizard Pickles contains a mystery story that runs throughout the whole book.
Chuck is looking for a total of $1000, meager by Kickstarter standards. The campaign is open until September 17th and offers many perks to those who pledge from $5 to $500.
What I have always liked about Kickstarter book campaigns is the opportunity to help wonderful authors and books you can believe in, and help the book travel from conception to publication. As with Wizard Pickles, most book campaigns give you enough information that you can discern the story and the illustrations, getting a good idea if this is a book you would want your children or students to read. For a small $5—less than a cup of Starbucks coffee—you can help a deserving author’s dream come true.
Here are the Fund “Rewards”
Pledge of $5 or more – a PDF eBook of Wizard Pickles
Pledge of $20 or more – the above, plus a Hardback edition of Wizard Pickles (PDF offers endless solving of the puzzles!)
Pledge of $35 or more – all the above, plus your name (or any name you choose) on the Dedication page of Wizard Pickles
Pledge of $50 – all the above, plus a copy of Chuck’s original game Legitimacy* (Minion Games $40.00)
The “rewards” increase from there. To see them all, and to read more about Wizard Pickles and Chuck Whelon’s plans for publication, go to the Kickstarter link below:
https://www.kickstarter.com/projects/whelon/wizard-pickles-puzzle-adventure-book
Chuck explained to me that many publishers loved Wizard Pickles, but when the book got to the marketing department, they had a difficult time categorizing his book and this makes any traditional publication all but dead. So Chuck did what any author who truly believes kids will love their book does: He found a way to get it published.
*LEGITIMACY
“The kingdom of Legitimant is in turmoil. The old king has died, leaving no legitimate heir… He has, however, left several illegitimate ones.
“Since you were an infant, your mother has told you of the royal blood that runs in your veins. Now the time has come for you and your trusty animal sidekick to set out on an epic quest to fulfil your destiny and claim the throne that is your birthright.
“Whether you choose to follow a path of righteousness or use every dirty trick in the book, you’ll need nerve, cunning and just a little luck as you assemble an assortment of strange creatures and magical objects to out-maneuver and overpower your rivals and prove that you are, indeed, the one true heir of Legitimacy!” [website]
Legitimacy is a fast-paced board game for 2—6 players, who fight to claim their birthright as heir to the throne of a magical kingdom.
Chuck explains the game’s creation like this,
“I created and designed the game as a showcase for my illustration and graphic design skills, and as something strategic and fun to play with my 8 year-old son which would not give me a competitive advantage!! It is fun to play and has a unique mechanic where your character can switch from being good to evil, or vice-versa.”
Chuck Whelon is a proficient author and illustrator of many children’s books, comics, and games. Below is a sampling.
Traditionally Published by Chuck Whelon
Where’s Santa?
Where’s the Penguin (in multiple languages)
Word Play: Write Your Own Crazy Comics (also many other editions)
What to Doodle?
Alien Invasion!
Create Your Own Monsters Sticker Activity Book
The Comic Book Guide to the Mission
. . . and many more, including
Games Published by Minion Games
Legitimacy
Those Pesky Humans
Battle Merchants
Tahiti
. . . and many more
Comic Book Series
Pewfell
Trogs
Rooftops
⇓⇓⇓⇓⇓⇓⇓Now you have the total scoop!⇓⇓⇓⇓⇓⇓⇓
HELP WIZARD PICKLES MAKE IT TO PUBLICATION.
Even a small $5 pledge goes a long way in this Kickstarter book campaign!
Book size: 17″ x 11″ — 26 pages (12 full-color spreads)
Wizard Pickles Kickstarter Campaign Link:
https://www.kickstarter.com/projects/whelon/wizard-pickles-puzzle-adventure-book
Read more about the Kickstarter Campaign: https://www.patreon.com/cartoon?ty=h
Here area few ways you can connect with Chuck Whelon.
Website: http://whelon.com/
Blog: http://whelon.com/blog/
Blogger: http://wizardsofur.blogspot.com/
Twitter: https://twitter.com/pewfell
Facebook: https://www.facebook.com/chuck.whelon
Linked In: https://www.linkedin.com/in/whelon
Amazon Author Page: http://www.amazon.com/Chuck-Whelon/e/B0036Q6OQO
Society of Children’s Book Writers and Illustrators: http://www.scbwi.org/members-public/chuck-whelon
National Cartoonists Society: http://www.reuben.org/members/
Wikiwand: http://www.wikiwand.com/en/Chuck_Whelon
Comics Sites: http://www.stripamatic.com/~pewfell/whelon/ — http://www.pewfell.com/ — http://comicfury.com/comicprofile.php?url=pewfell — http://tapastic.com/chuck
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Ask Chuck any question you might have: [email protected]
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Copyright © 2015 by Sue Morris/Kid Lit Reviews. All Rights Reserved
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Full Disclosure: Text and illustrations of Wizard Pickles copyright © 2015 by Chuck Whelon, and received from Author/Illustrator/Publisher, Check Whelon for promotional purposes.
Filed under:
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By:
Sue Morris @ KidLitReviews,
on 5/4/2015
Blog:
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Rlly MacKay,
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Coming May 26th, from Running Press Kids:
Butterfly Park
by Award-Winning Author/Illustrator Elly MacKay
Running Press Kids is teaming up with select blogs to promote a very special picture book artist, Elly MacKay. Elly MacKay creates paper worlds inside a miniature lightbox theater, and turns those worlds into picture books. The images in her upcoming picture book, BUTTERFLY PARK, are nothing short of breathtaking. Let others know about Elly MacKay and her tour @Twitter: #ButterflyTrail
“Once there was a girl who loved butterflies. And when she moved to a new town, she felt lucky to find a place nearby called Butterfly Park! But when she opened the gate, there were no butterflies to be found.
“The girl tried to catch some butterflies and asked neighborhood children to help bring them to Butterfly Park. But to their disappointment, the butterflies didn’t stay. As the entire town got involved, they finally realized what they needed to do. Together, the girl and her community planted flowers in Butterfly Park, and in time, the butterflies came.” [publisher]
Running Press Kids has put together a special illustration tour, each Tuesday, leading up to the late May release date of Butterfly Park. Why an illustration tour, and not a “normal” book tour? MacKay used her acclaimed paper-cut artwork, giving each spread a 3-dimensional look. While knocking on neighbors’ doors, looking for help, the kids look like they could dance right off the page. Paper-cut art must be a tedious labor of love. The result is a magnificent picture book, with a final 4-page spread worthy of framing. The book jacket is also a poster of flowers that entice butterflies. To WIN YOUR OWN COPY of Butterfly Park, all it takes is a comment. Winner announced on Monday, May 11th.
Well, this is an image reveal, so here it is, the left half of spread number ten:
It took them up and down through the town.
Curiosity grew. Windows and doors began to open.
“Centered on the park’s elaborate art nouveau gateway, MacKay’s lyrical paper collage and diorama constructs feature layered details and out-of-focus backgrounds for a sense of depth. Brightly patterned butterflies, delicate flowers, and human figures pose like gracefully off-balance dancers…. Worthy of theme and equally pleasing to the eye and the spirit.”
~~Kirkus Reviews
“MacKay’s artwork recreates the feel and pleasure of Edwardian-era illustration, and lovers of picture book fantasy will embrace it.”
~~Publishers Weekly
Butterfly Park
Written and Illustrated by Elly MacKay
Published by Running Press Kids
978-0-7624-5339-9
May 26, 2015
38 pages Age 3 +
Also by Elly MacKay
If You Hold a Seed
Shadow Chasers
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..AWARDS
If You Hold a Seed
2014 Blue Spruce™ Award Nominee – Ontario Library Association
2013 Best Bets Top 10 Picture Books – Ontario Library Association
2013 Best Books List (preschool—early elementary) – Atlanta Parent Magazine
Shadow Chasers
2014 Best Books of the Year (children—teens) – Amazon Canada
About Elly MacKay
Elly MacKay is the author and illustrator of If You Hold a Seed and Shadow Chasers. She attends Nova Scotia College of Art and Design, and now her artwork is sold around the world, including her Etsy.com shop, Theater Clouds.
Website: http://ellymackay.com
Facebook: http://facebook.com/theaterclouds
Twitter: @TheaterClouds
Here is the schedule for Ms. MacKay’s tour:
Butterfly Trail Blog Tour Page
4/07 The Unconventional Librarian http://bit.ly/TheUnconventionalLibrarian
4/14 The Geo Librarian http://bit.ly/TheGeoLibrarian
4/21 Mom Read It http://bit.ly/MomReadIt
4/28 Mother Daughter Book Reviews http://bit.ly/MotherDaughterBookReviews
5/05 Kid Lit Reviews ♥ YOU ARE HERE
5/12 Unleashing Readers http://bit.ly/UnleashingReaders
5/19 The Childrens Book Review http://bit.ly/TheChildrensBookReview
5/26 RELEASE DAY! Click to purchase Butterfly Park early
Pass this post on. Help Award-Winning-Author Elly MacKay get the word out about Butterfly Park: TWEET: #ButterflyTrail
Running Press is a member of the Perseus Books Group.
Twitter: @rp_kids
Filed under:
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friendship,
Perseus Books Group,
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Running Press Kids
By:
Sue Morris,
on 8/19/2014
Blog:
Kid Lit Reviews
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Reyes Rosas,
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Today, Kid L it Reviews is pleased to bring you an interview with Reyes Rosa, a sixteen-year-old, up-and-coming illustrator. He is here to also showcase some of his work which I think you will enjoy. (All art copyright © 2014 by Reyes Rosas.)
Hi, Reyes. Let’s start at the beginning. How old were you when you began seriously drawing?
I’m 16, now. And I began seriously drawing last year.
The illustrations here, how old were, Reyes when you created them?
I drew most of them recently.
What is it about illustrating that you like so well?
I find it fun and exciting to give characters life.
Is there anything you don’t like?
I love everything I do.
Reyes, who is your favorite artist and why?
I do not have a favorite artist. I don’t watch other illustrators.
Has a piece of art or character that influenced your art?
This is Kirby and he was my inspiration to start drawing when I was younger.
Kirby is your muse. How does Kirby influence you?
At the time, he seemed so fun and lively. And he could become anything he wanted, simply by inhaling it!
How old were you at the time?
I really don’t remember, but I think I was about 11
Until Kirby came along, how much did you draw?
Before that I really didn’t draw at all.
I love the interesting character study you did of a Kirby. I really like all the expressions and positions you included.
I love your art I have seen. The digital illustrations are fantastic an on the level of much I see today in picture books. How did you learn to make digital art?
I am a self taught artist and the program I mostly use is Colors 3D for digital art.
Did you have any help? Maybe a book on drawing?
I didn’t use any outside sources, I just started drawing.
Some of those art programs have a large learning-curve. No one helped you learn any of it?
No. I have done everything on my own, thru trial and error.
Color 3D is a new one for me. What are the advantages/disadvantages of using Color 3D?
Some of the advantages are that it is a very comfortable, easy to use program. It isn’t cluttered by any unnecessary options. And some of the disadvantages are that the program is a little limited in terms of image resolution and tools.
Was Color 3D difficult to learn?
The program itself did not take long to get comfortable with, but acquiring the skills took quite some time.
Have you tried using any of the usual programs illustrators like? (Illustrator, Photoshop, Manga 5, Corel Draw, or the open source Gimp)
I have not used any others because this one is the most comfortable for me to use. I have tried Gimp, but found that it is a little overcomplicated. And the others, I just don’t have the funds for.
Do you use a graphic pad?
I do not have a graphic pad, but I have wanted to try one. I use a stylus.
What is your normal process when creating illustrations? Do you sketch and then scan, paint and then scan to finish other areas? How do you get such great looking illustrations?
I usually just sketch within the program and then build the drawing from there.
Which part of the process do you enjoy most – sketching, painting, or digital illustration?
I love sketching and digital illustration. I don’t like the initial starting process of getting a rough sketch down, but I love the process of coloring and shading.
I know you would like to illustrate children’s books. Have you any experience?
I have worked with my mother on her kids cookbook doing the illustrations for it.
What you interests you about a career illustrating children’s books?
I like working in the children’s market because it’s more creative and less limited and lets me have more freedom in what I create.
Reyes you are a young man with lots of time ahead of you. Have you decided the life path you will take? Will it include art?
Yes, it will definitely include art and I would like to do 3D rendered animation in the future.
Have you thought about college and the art programs they have?
I have not thought about it yet, because I am only 16. But, my mom has thought about sending me to the Art Institute Of Chicago.
You’ve got to love moms. They are always one step ahead.
What do you do to relax?
I like to play video games.
What would be the most important advice you would give to young artist following you?
Never give up on any drawing, it might look bad at the start, but that’s only part of the process.
What would you like to get out of this interview?
I would like for you to share my art with others.
What is the next step for you and your art?
I want to take my art to where I can do this professionally and have someone represent me.
Thank you for stopping by Kid Lit Reviews. In kids lit, an up and coming new artist interested in creating children’s books is exciting. Your innate talent is inspiring. I hope you become and accomplish all you wish to achieve.
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.
x
Reyes is a self-taught digital artist and
pencil illustrator with a focus on character
art for video gaming and children’s literature.
He has been drawing since he was old enough
to hold a crayon. Reyes is a passionate guy who is
ready to take the next leap by pursuing art as a career.
x
Reyes is off the grid, but as been encouraged to build a blog so others may find him and his art.
x
x
x
x
Copyright © 2014 by Sue Morris/Kid Lit Reviews
Filed under:
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Escape From Illustration Island is collaborating with Dripbook to produce a series of interviews with some of their featured Illustrators, beginning with the following discussion with artist Gonçalo Viana.
Gonçalo Viana is a freelance illustrator based in Lisbon. He started off as an architect and since then geometry keeps seeping into his illustrations. He’s been doing mostly editorial work, working for publications both at home and abroad. He shares a love for all themes and subjects but business magazines seem to love him and he loves them back. It’s an open relationship though. Gonçalo has stranded himself on illustration island out of free will and has no desire to escape!
His client list includes:
USA:
The New York Times, HOW Magazine, Adweek, Colorado Biz, Syllabus, DJ Plus, T Rowe Price
Portugal:
Visão, Expresso, Público, Diário de Notícias, Jornal i, O Independente, Diário Económico, Jornal de Negócios, Semanário Económico, Exame, Correio da Manhã, Carteira, GQ, Sábado, Dia D, Turbo, Máxima, Montepio, Prémio, Saber Viver, Os Meus Livros, Aposta CTT, Deco, White Rabbit, Editorial Caminho, Bruaá, Caminho das Palavras
Brazil:
Brasil Econômico, Mente e Cérebro
Australia:
Australian Property Investor
EFII: Your distinct work stands out and I always recognize it as yours right away. Could you describe the visual influences and personal choices that have contributed to your work?
Gonçalo Viana: My influences, as I’m sure is true for most illustrators working in this day and age, are a bit of a mixed bag. We are exposed to so much visual input that it can be difficult to discern what later surfaces in our work.
When I look at my work nowadays I can find some affinity to the work made during the period between the two great wars by designers and artists like the Stenberg Brothers, El Lissitzky and Alexander Rodchenko, amongst others. Funnily enough, it turned out that the personal choice that most influenced my style was also the one that could have diverted me from illustration altogether.
When I left high school, albeit having already done some commissioned work for a newspaper, I wasn’t really quite aware of how one could go about earning a living as an illustrator. I ended up signing up for a degree in architecture, which I guess seemed more reasonable at the time. I later worked as an architect in London and during all that time I didn’t do anything that even resembled illustration. It was only later on, after returning to Lisbon, that I got to do illustration work once again. It started off as something I did during my free time but quickly became a much beloved full time job and I left architecture altogether.
At first my illustration style was really cartoony and didn’t have anything in common with what I do nowadays. However, as my style progressed, things started getting more and more geometrical. It all happened very gradually and I wasn’t quite aware of what was going on at the time. Then, one day, upon noticing how I was laying out my illustrations in a very geometrically deliberate way, it suddenly dawned on me: I was doing architecture! Geometry had always been key in my architectural designs and after several years working on those it was only logical that it would start to seep into my illustrations. Once I realized what was going on I was able to expand this process in a more purposeful way, and geometry started to shape not only the va
For those who enjoy watching time-lapse videos of artists at work, here’s a great one of Jason Levesque coloring an Illustration in Photoshop.
Find more of Jason’s work here.
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Comic book legend and creator of the American Splendor series died today in Cleveland, according to The Plain Dealer of Cleveland.
Click here to read the full story and a comprehensive look at Pekar’s life and work >>
Stay up-to-date with future Illustration resources via email, Facebook, and Twitter.
Click here to check out this awesome video and text interview with Illustration and Design veteran Milton Glaser on Design TAXI!
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0 Comments on Milton Glaser Video Interview on Design TAXI as of 1/1/1900
Love Gonçalo’s work!
Great work – not only in style and composition but most importantly in regards to the concept which is fundimental in good editorial illustration. Gonçalo has a unique way of expressing it.
Another strong argument for having a distinct, instantly recognizable style. Not much chance of mistaking Mr. Viana’s work for anyone else’s.
Comforting to read that color and texture tend to evolve as Mr. Viana works on an illo. I’ve never had much luck in trying to map all that out ahead of time. Also liked his emphasis on keeping it simple, and found myself nodding about an illustrator’s main competition being photography, not other illustrators.
Also appreciated the tip about First-Stop. Very interesting site. Easy to tell where they stand in the debate about Should I send out promotional postcards? : )
http://www.first-stop.org/
Excellent interview, many thanks Thomas!
Thanks Mark. I have to agree that I work out a lot of the color and texture in the actual execution of a piece. I think it’s really important to save some of the experimentation for the final.