Happy October! In honor of the Halloween season, we’ll be interviewing horror writers to learn about the craft of scaring readers. Recently, we spoke with young adult novelist Gretchen McNeil.
In September, HarperCollins Children’s Books published McNeil’s latest novel. When Barnes & Noble decided not to carry this title in their stores, she launched an internet marketing campaign called the “Army of TEN” and offered incentives for readers who helped to promote the book.
Currently, this title holds the #88 spot on Amazon’s list of bestselling teen books in the “mysteries” category. Check out the highlights from our interview below…
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A few weeks ago, Ben Mikaelsen came to our school as this year's visiting author. Ben was a delight, and I'll write more about his visit in another post, but for now, I want to concentrate on his philosophy about writing.
"Writing," he said, "is storytelling."
Of all of the things that I got out of Ben's visit, and there were many, this simple sentence resonated with me in a way that I never would have expected. It stuck in my brain and kept tap, tap, tapping through my thoughts. You see, in some fantasy world of mine, I consider myself a writer. I always have, from the time I was very young, around seven or eight years old. It's all I wanted to do. Well, that and read.
So, why did the utterance of this sentence have such an effect on me? I think I figured it out. See, the thing is, as much as I love to write, I am not much of a storyteller. What Mr. Mikaelsen was talking about was just letting go of the notion that every word needs to be weighty and special and telling the story you want to tell. That has always been so incredibly hard for me. When I write fiction, I gnaw my knuckles over every syllable and twist of phrase. I get so caught up in trying to make every word the perfect word, I end up writing in nothing but fits and starts. Sometimes I even give up, thinking that it'll just never be perfect so why bother.
Even now, as I write this post, I'm stewing about words. How does one overcome that? Because I think Ben is absolutely right. The story is much more important than the words themselves. If you can tell a great story, you can get around to fixing the words later. Maybe in one of the fifteen full revisions that Ben says he does to each of his books!
I have actually written a book, a YA novel called The Power of Merit Ruhl, which took me two years to write. I'm proud of it. I had a story I wanted to tell, and I told it. But I agonized over words the whole time. Now, I want to try to tell more stories. I want to write a sequel to my book, and even make it into a series. I have the stories to tell, the arc for each of the four major characters, in my head. The question is will I be able to set aside my obssession with words and just tell the stories?
My favorite books tell really amazing stories. Donna Tartt's The Secret History is a good example of this. If you've never read it, go out right now and get yourself a copy. It's the story of a small group of friends at a private college who do a terrible thing and then have to hide their mess. This story left me breathless. There is one point of such delicious suspense that I practically ripped the book because I was holding it so hard. Another example of spectacular storytelling: Rebecca by Daphne duMaurier, a book that, though I've read it many times and even taught it, can still keep me enraptured to the very last page. I don't necessarily remember all of the fancy phrasing and uses of foreshad
