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Dynamite is celebrating it’s 10th anniverasy with a special issue of Army of Darkness, Army of Darkness #1992.1 (after the year the film was released). This is appropriate, given that the Army of Darkness license was what started Dynamite down the path of becoming a publisher.
Solicited for November, this is a bit of a “let’s get the band back together” double-sized event. Past creators returning to the franchise include Steve Niles, Elliott Serrano, Cullen Bunn, James Kuhoric, and Mike Raicht.
“It’s great to be able to spend some time with Ash again after seeing him running around with Steve Niles for the past year. I missed the big dope,” says Elliott Serrano. “And by big dope I mean Ash.”
DYNAMITE HAILS TO THE KING WITH ARMY OF DARKNESS #1992.1,
THE DOUBLE-SIZED CELEBRATION OF THE ULTIMATE EXPERIENCE IN MEDIEVAL TERROR
July 21, 2014, Mt. Laurel, NJ: Dynamite Entertainment is inviting fans everywhere to join the celebration with a very special Army of Darkness tale, dedicated by its issue number to honor the year of the original cult film’s release. Army of Darkness #1992.1 will be a commemorative square-bound edition, featuring short stories of demon-hunting hero Ash Williams written by the series’ greatest terror talents of issues past, including Steve Niles, Elliott Serrano, Cullen Bunn, James Kuhoric, and Mike Raicht.
Army of Darkness #1992.1 celebrates the history of Dynamite’s publishing by inviting many of its most notable writers to contribute short vignettes. Steve Niles (30 Days of Night) is the most recent contributor to the saga, with tales of medieval terror in Ash and the Army of Darkness and Army of Darkness: Ash Gets Hitched. Elliott Seranno contributed such story arcs as “Hail to the Queen, Baby” and “The King is Dead.” James Kuhoric (Six Million Dollar Man: Season 6) wrote some of the earliest Dynamite adventures, including “Shop ‘Til You Drop Dead” and “Army of Darkness Vs. Reanimator.” Mike Raicht (Dark Shadows) contributed the storylines “Hellbillies and Deadnecks” and “Home Sweet Hell.”
Meanwhile, Cullen Bunn is a celebrated comic book author (Deadpool, Magneto, Sixth Gun) tackling Army of Darkness for the first time, and setting up its hero for the next adventure. As Senior Editor Joseph Rybandt says, “Army of Darkness will always have a special place in our collective hearts, as ten years ago, it was our very first title. We’ve thrown everything at Ash in the interim, but we’re throwing him into space next. And it all starts here.”
“I’m proud to be a part of this incredible celebration, but truth be told, they couldn’t have done it without me.” States Asley J. Williams, star of the movie and comics. “When they suggested the #1992.1, I said, that sounds great! I told them that this was the highest numbered comic of all time. They stated that another company had done a #1 Million, and shotgun in hand I explained to them how that was a stunt and this is the real deal, so all I can say is, buy it, you’ll love it.”
“What better way to celebrate the 10th anniversary of Dynamite than with an incredible over-sized Army of Darkness story,” said Nick Barrucci, CEO and Publisher of Dynamite Entertainment. “This special is in time for our 10th anniversary and serves as a holiday present to our fans! Comics and movie fans alike will not want to miss this issue.”
Army of Darkness is a 1992 fantasy/comedy film with strong horror elements starring Bruce Campbell (Burn Notice) and Embeth Davidtz, the third installment in a trilogy featuring reluctant hero Ash Williams. Directed by Sam Raimi (Spider-Man), the film saw its tough-as-nails, wise-cracking protagonist transported from the modern era to the Dark Ages in his continuing war against demonic evil. Army of Darkness generated a dedicated fan following for its premise and lead actor.
Cullen Bunn is really spreading himself around these days. The Sixth Gun at Oni. Magneto and Deadpool Kills the Marvel Universe at Marvel. Sinestro at DC. You can add Masks II at Dynamite.
Masks, which came out in 2012, was essentially a team-up mini-series for Dynamite’s pulp heroes line. The Shadow, The Spider, Green Hornet, Green Lama, Black Bat, Black Terror, Miss Fury and Zorro (after a fashion) up against an fascist takeover of New York, based loosely on the old “Empire State” trilogy from the original Spider pulps. Masks sold well (the first issue had interior art from Alex Ross – something we don’t seem much of these days). Seeing as how Dynamite has since acquired the rights to Doc Savage and The Spirit, it would not surprise me at all if those characters appeared in the sequel.
ACCLAIMED WRITER CULLEN BUNN WRITES MASKS II
AN EPIC COMIC BOOK EVENT UNITING ICONIC PULP HEROES
July 21, 2014, Mt. Laurel, NJ: Dynamite Entertainment is proud to announce that comic book writer Cullen Bunn (Deadpool, Magneto) will tackle their wide cast of company-owned and licensed pulp heroes in Masks II. Following upon the success of the bestselling 2012 Masks miniseries, Masks II will unite iconic crime-fighters of singular purpose (if not diverse ideologies and techniques) in an epic miniseries event designed to appeal to both longtime fans and fresh newcomers. Dynamite plans to launch Masks II in late 2014.
“I couldn’t be more excited to be working on Masks II,” says Bunn. “I’ve always loved these great classic characters that I will have the privilege of working with, and I’m striving to keep the tone of the pulps that have always been a big inspiration for me. I’ll admit, this project is a little intimidating, because I’ve put together a very ambitious team-up story that readers will have to see to believe!”
The original Masks series launched in 2012 with industry fanfare, with its #1 issue ranking among the bestselling independent comic books of the year and selling over 70,000 copies. Drawn to the premise by the work of superstar painter Alex Ross, writer Chris Roberson, and artist Dennis Calero, readers thrilled to an adventure that united classic characters like The Shadow, The Spider, The Green Hornet, and Kato against a cadre of corrupt politicians and their fascist police state. Masks II promises to follow the themes established within that first series, but in a way that’s perfect for new readers.
Bunn recently released his debut work with Dynamite Entertainment, a standalone tale presented in The Shadow #0 that teamed the supernatural vigilante with legendary escape artist Harry Houdini. Masks II marks his first foray into the long-form comic story for Dynamite.
Cullen Bunn is a freelance writer perhaps best known for Marvel Comics’ popular Deadpool Kills the Marvel Universe and Magneto series, as well as the Oni Press series The Damned and The Sixth Gun. He is also a short story writer and novelist; his major publications outside of the comic book sphere include Crooked Hills and Creeping Stones & Other Stories. He has been nominated for the Bram Stoker Award (2012), the Eisner Award (2012), and the Ghastly Awards (2011), and is the winner of Broken Frontier’s “Best Writer Independent” Award (2011).
“Since Day One we’ve strived to deliver high-octane action on Masks,” said Nick Barrucci, CEO and Publisher of Dynamite Entertainment. “The fresh style that Cullen brings to comics is exactly what makes him the perfect choice to fit the bill. He’s our absolute top choice for a project of this caliber!”
Dynamite will be starting a new Lone Ranger series in November. Justin Gray will be writing it, which is interesting for a couple reasons. First off, it’s unusual to see Gray’s name without his usual co-writer/co-conspirator, Jimmy Palmiotti. Secondly, Gray (along with Palmiotti) is the longest tenured writer of the western genre in recent memory. His association with Jonah Hex goes back to 2006, so that’s 8 years. Although if you wanted to make the argument that All-Star Western wasn’t a western, so much as a comic with a western lead, I probably wouldn’t quibble. Either way, Jonah Hex and All-Star Western were two of DCs most consistently well-reviewed series of the last decade.
Joining Gray on art will be Rey Villegas, who’s been doing Lady Zorro for Dynamite.
JUSTIN GRAY, WRITER OF JONAH HEX,
RIDES INTO DYNAMITE WITH THRILLING NEW CHAPTER
IN THE LONE RANGER‘S HISTORY
July 22, 2014, Mt. Laurel, NJ: Dynamite Entertainment is proud to announce the signing of Justin Gray, who will be continuing Dynamite’s long standing success with America’s quintessential Western hero, as he takes the reins on a brand new series of The Lone Ranger. Launching with a new #1 in November 2014, The Lone Ranger will feature the exciting interior artwork of Rey Villegas (Lady Zorro), as well as covers by John Cassaday (Uncanny Avengers, Astonishing X-Men) and Marc Laming (All-New Invaders, Kings Watch).
“I’m proud to be working with one of the longest standing and best known Western characters in all of literature, because to me The Lone Rangerrepresents a moral code, unquestionable justice and a sense of adventure that embodies the classic American western,” says Justin Gray.
No stranger to Western thrills, Justin Gray is a frequent contributor to Jonah Hex and All-Star Western, tales of an Old West gunslinger set within the larger DC Comics continuity. Gray has contributed to dozens of name-recognizable titles from Marvel Comics and DC Comics, including Batwing, Ame-Comi Girls, Punisher, Power Girl, Countdown, and many more.
Since his radio debut in 1933, the masked Lone Ranger has endured as an icon of American culture. Dynamite first launched The Lone Ranger as a comic series in 2006, written by Brett Matthews and illustrated by Sergio Cariello. Its #0 prelude issue was a part of that year’s nationwide Free Comic Book Day celebration, and the series would go on to score an Eisner Nomination for best new series in 2007. A second volume of The Lone Rangerfollowed, as did such miniseries called The Lone Ranger and Tonto and The Lone Ranger: Snake of Iron.
“We are incredibly excited to have Justin on board for this title,” said Nick Barrucci, CEO and Publisher of Dynamite Entertainment. “We’ve had a great run with The Lone Ranger as one of our most consistent critically acclaimed comics, and needed someone who we could trust to fill these ‘big boots,’ continuing one of the best Western heroes ever. With a track record like his, we’re in for a Western comic that we won’t soon forget!”
The Lone Ranger #1 will be solicited in Diamond Comic Distributors’ September Previews catalog, the premiere source of merchandise for the comic book specialty market, and slated for release in November. Comic book fans are encouraged to reserve copies of The Lone Ranger #1with their local comic book retailers. The Lone Ranger will also be available for individual customer purchase through digital platforms courtesy of Comixology, iVerse, and Dark Horse Digital.
As you may recall, Dynamite and Edgar Rice Burroughs, Inc. came to an understanding a little while back and we’re continuing to see the fruits of the agreement. The John Carter franchise has been practically a sub-line for Dynamite with Warlord of Mars, Deja of Mars, Lords of Mars and Warriors of Mars. Now they finally get to have a title called John Carter: Warlord of Mars, which will be the flagship title for that family of comics.
Ron Marz will be writing. (Marz of Mars? I see what you did there, Dynamite.) Art will be by Abhishek Malsuni.
Official PR and some more art follow:
DYNAMITE SIGNS RON MARZ TO NEW ONGOING JOHN CARTER: WARLORD OF MARS ONGOING SERIES
BURROUGHS’ ICONIC HERO RETURNS TO COMICS WITH NEW #1 LAUNCH IN NOVEMBER
July 21, 2014, Mt. Laurel, NJ: Dynamite Entertainment is proud to announce a brand new chapter in the history of Edgar Rice Burroughs creation, John Carter: Warlord of Mars, to be written by the masterful pen of comics legend Ron Marz. Illustrated by newcomer Abhishek Malsuni, John Carter: Warlord of Mars is the newly-minted cornerstone of the publisher’s Warlord of Mars line, launched in the wake of their May 2014 announcement of the comprehensive licensing agreement between Dynamite and Edgar Rice Burroughs, Inc.
John Carter: Warlord of Mars welcomes science fiction and fantasy fans to the exotic landscape of Barsoom, where displaced earthling John Carter has to save his adopted world, not to mention his beloved Dejah Thoris, from an enemy like no other he has ever faced. John Carter must truly become a Warlord of Mars against an adversary who is every bit his equal on the savage red planet.
Marz’s enthusiasm for John Carter has been building for many years. He says, “This is literally a job I’ve been wanting to do since I was twelve years old. I was just the right age when I discovered John Carter, Dejah Thoris, Tars Tarkas, and the wonder of Edgar Rice Burroughs’ Mars. It fired my imagination like almost nothing else. So to finally get a chance to write these characters, to visit that world, is a dream come true for me.”
Ron Marz is an industry veteran with decades of experience as a writer and editor under his belt. He is best known for his work on Green Lantern andSilver Surfer, and as one of the original creative masterminds behind CrossGen Comics. His more recent work includes Witchblade, Cyberforce, andVoodoo. He currently lives in upstate New York with four horses, three children, two dogs and one wife.
“We are incredibly excited about Ron coming on board for this project,” said Nick Barrucci, CEO and Publisher of Dynamite Entertainment. “When we originally launched the Warlord of Mars series in 2010, Ron and I ran into each other at a comic convention, and Ron grabbed me by the shoulders and said something to the effect of, ‘How can you launch a John Carter series and not call me to write it?’ It wasn’t a question. It was a statement! As we looked at the potential creators for this series, we instinctively remembered Ron’s passion for the mythos. He is simply the perfect fit. Add in the fantastic art by Abhishek Malsuni and Neeraj Menon, this series will take John Carter to new heights.”
John Carter debuted in 1912 as the lead character in Edgar Rice Burroughs’ first novel, serialized as Under The Moons Of Mars in the pulp magazine,The All-Story, and later published as a complete novel retitled A Princess of Mars. The character excited the imagination of readers and quickly imprinted onto the public psyche. As many literary and popular culture scholars attest, John Carter served as the template for a litany of adventure heroes to follow, from Flash Gordon, Buck Rogers, and Superman to the Jedi Knights of Star Wars fame and Avatar.
Dynamite’s John Carter: Warlord of Mars comes on the heels of the reacquisition of comic book rights by Edgar Rice Burroughs, Inc. that had been held by Walt Disney Pictures and its Marvel Entertainment subsidiary, as well as a recent legal settlement with Dynamite that cleared the way for Dynamite to introduce key characters and plot elements from the John Carter backstory that were, until now, absent from recent comic book interpretations.
John Carter: Warlord of Mars #1 will be solicited in Diamond Comic Distributors’ September Previews catalog, the premiere source of merchandise for the comic book specialty market, and slated for release in November. Comic book fans are encouraged to reserve copies of John Carter: Warlord of Mars #1 with their local comic book retailers. John Carter: Warlord of Mars will also be available for individual customer purchase through digital platforms courtesy of Comixology, iVerse, and Dark Horse Digital.
Dynamite is going European in October with the In Search of Lost Dragons art book. It sounds like an art book with a journal/scrapbook motif and a bit of background story surrounding the art.
July 14, 2014, Mt. Laurel, NJ: Dynamite Entertainment is proud to announce the October release of In Search of Lost Dragons, a gorgeous illustrated storybook that captures glimpses of the majestic flying reptiles hiding throughout our world. For the first time ever, the sensational French art book by celebrated storytellers Elian Black’Mor, Carine-M, and Jézéquel is adapted to English in a luscious, full-color, and oversized hardcover, presenting over 200 pages of dragon illustrations and Victorian-style sketches with a captivating accompanying narrative.
Originally published in France as Sur La Piste Des Dragons Oublies, this fantastic adventure follows an intrepid illustrator and reporter’s journeys from Europe through the Middle East and finally to Saigon in search of the dark caverns and mountaintop perches where the elusive winged serpents dwell. With the gift of seeing the invisible, our explorer friend records each encounter in a journal of gorgeous, fully painted artwork, capturing every majestic and fearsome visual detail of the scaly behemoths, and accompanies his findings with snippets of local lore as evidence that these hidden beasts continue to shape the world in ways we may never expect.
With its insightful journal entries, newspaper clippings, and incredible paintings and sketches, In Search of Lost Dragons is an experience that fully immerses the reader in a realm of magic and mythology, hidden in the far-off reaches of our own world. Art enthusiasts will especially marvel at the hardcover’s numerous fold-out pages, displaying larger dragon illustrations that measure approximately 24 inches in length.
“Reading In Search of Lost Dragons is a joyously overwhelming experience,” says Keith Davidsen, Marketing Manager of Dynamite. “Flipping through its pages, you can almost feel the same wonder and amazement as its narrator upon his discovery of a long-lost, beautiful beast. It’s full of warmth and wit, and its paintings are breathtaking. We are proud to bring this masterpiece across the Atlantic for English language audiences to enjoy, and feel very strongly that Lost Dragons would be a perfect holiday gift item for each of the fantasy fans in our lives.”
In Search of Lost Dragons will be solicited in Diamond Comic Distributors’ August Previews catalog, the premiere source of merchandise for the comic book specialty market, and slated for release in October. Fantasy fans are encouraged to reserve copies of In Search of Lost Dragons with their local comic book retailers, or by placing preorders through online booksellers.
Dynamite’s been doing Sherlock Holmes stories on a fairly regular basis for some time now. And really, given the recent court decision on Holmes being firmly in the public domain, there’s every reason to. The next entry in the Dynamite extension of the Holmes library will find the master detective crossing paths with the magician Harry Houdini. A fairly natural pairing, since Houdini had a lengthy engagement in London in 1900.
The creative team on this will be Anthony Del Col and Conor McCreery, but known in comics circles for their work on Kill Shakespeare over at IDW.Press release and art follow:
Dynamite Entertainment is proud to announce that Anthony Del Col and Conor McCreery will bring their skill for literary reimagining to a new comic book miniseries event, Sherlock Holmes vs. Harry Houdini. Best known for their acclaimed series Kill Shakespeare, Del Col and McCreery have joined with skillful artist Carlos Furuzono to bring two larger-than-life icons into conflict: the famous fictional detective Sherlock Holmes and real-life stage magician and stunt performer Harry Houdini. The battle between sleuth and showman launches with its first issue in October, featuring cover variants by John Cassaday, Aaron Campbell, and Colton Worley.
“Sherlock Holmes and Harry Houdini are two of the most fascinating characters of the last hundred-plus years. Placing them together in the same world produces so many moments of mystery, intrigue, illusion, and reveal,” says Del Col, who then quips, “And that’s only during our research, in which Conor and I escaped near-death experiences while donning deerstalker caps.”
In Sherlock Holmes vs. Harry Houdini #1, famed detective Sherlock Holmes and brash showman Harry Houdini must combine forces to defeat a mysterious mystic dedicated to destroying Houdini’s career and killing anyone who gets in his way. But despite their singular purpose, the two titans have too much professional pride between them… and it’s only a matter of time until the deadliest sin has them facing off.
Del Col and McCreery took the comic book industry by storm with their creator-owned Kill Shakespeare series, launched in 2010. In addition to their comics work, they each have found a string of success in diverse entertainment venues. Del Col has worked in the music, film, and television industries, produced two independent feature films, and most recently assisted with the management of international pop star Nelly Furtado and her world tour. McCreery has served in both creative and business positions for film and television companies, contributed over 1,000 stories and articles for media outlets, and also provided expert analysis for Canada’s Business News Network.
Conor McCreery says, “Working with Dynamite is a blast. Their editorial team has proven repeatedly that they know how to make legacy characters like Sherlock Holmes come alive. We couldn’t wait to get the chance to work with and learn from some of the best minds in comicdom.”
“I cannot say enough about both the characters and the creative on this series. Sherlock Holmes is one of the most iconic fictional characters in the world, and an inspiration for other comic heroes. Harry Houdini oozed charisma and was a brilliant man as well, as demonstrated by his penchant for debunking spiritualists. The team-up of these amazing characters is perfect. We’ve wanted to have this meeting of two great minds for years, but didn’t want to place the project on the schedule until we had the right creative team, and Anthony and Conor are that team. They are intimidatingly smart… and you would have to be to write Holmes and Houdini. Anthony and Conor have proven how well they can handle historical literary characters, and now will add an iconic real-world character, Harry Houdini, to their resume,” says Dynamite CEO/Publisher Nick Barrucci.
Sherlock Holmes vs. Harry Houdini #1 will be solicited in Diamond Comic Distributors’ August Previews catalog, the premiere source of merchandise for the comic book specialty market, and slated for release in October. Comic book fans are encouraged to reserve copies of Sherlock Holmes vs. Harry Houdini with their local comic book retailers. The entire Sherlock Holmes vs. Harry Houdini series will also be available for individual customer purchase through digital platforms courtesy of Comixology, iVerse, and Dark Horse Digital.
By: Heidi MacDonald
Blog: PW -The Beat
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Alan Moore, Writer, along with Leah Moore, Editor
Anything that has the tagline ‘Not so much pushing the envelope of comicbook storytelling as folding it up to make a nice hat‘ just shouts Alan Moore, doesn’t it? But there’s no point my trying to tell you what it’s all about where there’s a handy press release to do just that for me, so…——————————Press Release——————————
Alan Moore creates digital app
The most famous modern comic book writer in the world, Alan Moore, is leading a research and development project to create an app enabling digital comics to be made by anyone.
Already known for revolutionising the comic book industry in the 1980s, Moore is pushing boundaries again with Electricomics – an app that is both a comic book and an easy-to-use open source toolkit. Being open source and free, the app has wide potential not just for industry professionals, but also businesses, arts organisations and of course comic fans and creators everywhere.
“Personally, I can’t wait,” said Moore. “With Electricomics, we are hoping to address the possibilities of comic strips in this exciting new medium, in a way that they have never been addressed before.
“Rather than simply transferring comic narrative from the page to the screen, we intend to craft stories expressly devised to test the storytelling limits of this unprecedented technology. To this end we are assembling teams of the most cutting edge creators in the industry and then allowing them input into the technical processes in order to create a new capacity for telling comic book stories.
“It will then be made freely available to all of the exciting emergent talent that is no doubt out there, just waiting to be given access to the technical toolkit that will enable them to create the comics of the future
Electricomics will be a 32-page showcase with four very different original titles:
Big Nemo – set in the 1930s, Alan Moore revisits Winsor McCay’s most popular hero;
Cabaret Amygdala – modernist horror from writer Peter Hogan (Terra Obscura);
Red Horse – on the anniversary of the beginning of World War One, Garth Ennis (Preacher, The Boys) and Danish artist Peter Snejbjerg (World War X) take us back to the trenches;
Sway – a slick new time travel science fiction story from Leah Moore and John Reppion (Sherlock Holmes – The Liverpool Demon, 2000 AD).
Electricomics will be self -published by Moore and long-time collaborator Mitch Jenkins as Orphans of the Storm, and funded by the Digital R&D Fund for the Arts. As a publicly funded research and development project, Electricomics will be free to explore the possibilities of the comic medium, without the constraints of the industry.
The app will be built by Ocasta Studios, under the guidance of Ed Moore (no relation). Ocasta create apps for the likes of Virgin Media, Vodafone, Harveys and The Register. They are excited to be making their first foray into the world of comics.
The research team will be led by Dr Alison Gazzard, who has published widely on space, time and play in interactive media, and is a Lecturer in Media Arts at the London Knowledge Lab, Institute of Education. Joining her, Daniel Merlin Goodbrey is a pioneer in the field of experimental digital comics and senior lecturer at The University of Hertfordshire.
Moore’s daughter Leah will edit the project, having created the 150 page digital comic The Thrill Electric for C4 Education in 2011.
About the Digital R&D Fund for the Arts
The Digital R&D fund for the Arts is a £7 million fund to support collaboration between organisations with arts projects, technology providers, and researchers. It is a partnership between Arts Council England
, Arts and Humanities Research Council
We want to see projects that use digital technology to enhance audience reach and/or develop new business models for the arts sector. With a dedicated researcher or research team as part of the three-way collaboration, learning from the project can be captured and disseminated to the wider arts sector.
Every project needs to identify a particular question or problem that can be tested. Importantly this question needs to generate knowledge for other arts organisations that they can apply to their own digital strategies.——————————Press Release Ends——————————
You can find Electricomics on Facebook and on Twitter.
Not only that, but I believe this is what’s going to be on the Electricomics website, once it’s properly up and running…
Welcome to… Electricomics
Almost three years ago, Alan Moore had an Idea.
Whilst working with director Mitch Jenkins on The Show, an eerie film and TV concept which seemed to have a life of its own, he imagined the children in the background of a scene reading comics on transparent flexible scrolls called Spindles.
The comics, he idly supposed, would be Electricomics, and would be yet another facet of the multi-nuanced and multimedia world of The Show.
So far so dull right? Big Idea Man has yet another idea.
Alan Moore ideas have an uncanny habit of inveigling themselves into reality, by fair means or foul, they emerge somewhere and demand to be taken seriously.
Almost a year on, when the small film project had inflated in the manner of an airbag deployed in case of cultural stupor, to become not just one but several films, not just one story but dozens of them woven together into a huge billowing cloud of wonder. It was then, that a colleague of theirs happened to chat to a friend and mention that scrappy little idea, Electricomics.
That was all the chance it needed, and before you could say ‘Hold on is this wise?’ or ‘Don’t we all have other jobs to do?’ there was a meeting and a pitch and a funding application to the Digital Research & Development fund for the Arts. The path was not straight or quick, but in the end it arrived here, in this website, in this project, before your very eyes.
The team that was assembled then could not be more delighted, and more than a little surprised, to find themselves here and now in this position.
They have been charged with the task of producing new comics for the digital age.
They must attempt new storytelling techniques, create and use new comic making tools which they must then make freely available to everyone.
This large and somewhat daunting burden will be shared with them, by such mighty talents as Garth Ennis, Nicola Scott, Jose Villarrubia, Pete Hogan, Peter Snejbjerg, and Todd Klein.
The stories produced will not only showcase what is possible but also hopefully inspire others to do the same.
The Electricomics toolkit would give users the power to create their own Electricomics.
Different, better comics, completely new and fresh comics in every way.
Right now, as this project launches, Electricomics is still an idea up in the ether, a hope and a plan before it becomes a reality, but like I said, Alan Moore ideas usually find a way to get through.
So now you know. Alan Moore is going to reinvent comics, again. Considering that the last time he did that, back when he did Watchmen in the mid-eighties, he gave the comics industry material that they continue to exploit even now, I can’t wait to see what he comes up with this time.
And, if I may make a personal observation, it’s great to see him coming back to dabble in a medium that has not always given him back as much as he has given it.
If you're not already aware, there's a wonderful thing happening in the book world these past few days. A campaign called #WeNeedDiverseBooks (link is here) is trying to bring together likeminded folks to push for change in the publishing industry. We all envision lists that include more books for people of every color, ethnicity, faith, sexuality, and ability level.
I found myself tweeting between classes at my school, enlisting the aid of students to take my photo, and talking it up non-stop. But my tiny contributions are dwarfed by the great idea from Cybils' volunteers to post suggestions for diverse reading from our very own finalists.
Cybils has long sought out diversity in both our judges and nominations. We decided nearly at our inception not to simply wait to see who showed up or what got nominated. We make the effort, year after year, to ensure that we're not missing out on great stories and a variety of perspectives.
Below is a highly incomplete list of the many diverse titles and authors we've helped uncover and reward since 2006. Most of us are on hiatus now, and so I'm posting only what a handful of category organizers could whip up from their own categories on short notice. Missing is the YA fiction and graphic novel lists, for example, both of which have scores of books with characters of different races and cultures. Feel free to browse our lists of finalists from the menu above for more recommendations.
--Anne Boles Levy, Cybils Co-Founder
Requiem: Poems of the Terezin Ghetto
by Paul B. Janeczko
written by Naomi Shihab Nye
Easy Reader/Early Chapter Books
How Oliver Olson Changed the World
by Claudia Mills
Farrar, Straus & Giroux
YA Speculative Fiction
Sarah Beth Durst
Walker Books for Young Readers
Pantomime (Strange Chemistry)
The Summer Prince
Alaya Dawn Johnson
Arthur A Levine
by David Levithan
Knopf Books for Young Readers
Planesrunner (Everness, Book One)
by Ian McDonald
The Drowned Cities
by Paolo Bacigalupi
Angelfall (Penryn & the End of Days, Book 1)
by Susan Ee
The Girl of Fire and Thorns
by Rae Carson
by Karen Healey
Guardian of the Dead
by Karen Healey
Rot & Ruin
by Jonathan Maberry
Simon & Schuster
by Paolo Bacigalupi
Elementary/Picture Book Nonfiction
Wangari’s Trees of Peace: A True Story from Africa written and illustrated by Jeanette Winter
14 Cows for America written by Carmen Agra Deedy with Wilson Kimeli Naiyomah; illus. by Thomas Gonzalez
Faith (Global Fund for Children Books) by Maya Ajmera, Magde Nakassis, and Cynthia Pon
Henry Aaron’s Dream by Matt Tavares
Sit-In: How Four Friends Stood Up by Sitting Down by Andrea Pinkney; illus. by Brian Pinkney
Skit-Scat Raggedy Cat: Ella Fitzgerald by Roxane Orgill; illus. Sean Qualls
Anubis Speaks!: A Guide to the Afterlife by the Egyptian God of the Dead (Secrets of the Ancient Gods) by Vicky Alvear Shecter
Barbed Wire Baseball by Marissa Moss
Middle Grade Speculative Fiction
Where the Mountain Meets the Moon
, by Grace Lin
Fiction Picture Books
Infinity and Me, by Kate Hosford
Blackout, by John Rocco
A Beach Tail,by Karen Lynn William
Chalk, by Bill Thompson
All the World, by Liz Garlon Scanlon
By: Heidi MacDonald
Blog: PW -The Beat
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(Some minor spoiler ahead)
Located in the Arena of this year’s Anaheim Wondercon, Warner Bros. treated us to a sneak peak of three upcoming movies that will be hitting the big screen in the next few months. On June 6th, the 70th anniversary of “D-Day,” Edge of Tomorrow will hit theatres nationwide. Starring Tom Cruise and Bill Paxton, this futuristic world on the edge of ruin has Tom Cruise’s character waking up in handcuffs on what appears to be an army training base. He is then approached by Bill Paxton’s character, an army official. It is explained that Tom Cruises character was charged with impersonating an army officer, and is told he is going to have to join the fray for his punishment. As a surprise guest, Bill Paxton himself emerges on stage of the Anaheim Convention Center’s Arena to outcries of cheers. “My character decides that [Tom Cruise] will be reborn again through battle,” says a grinning Paxton. “It’s his nuts and his life on the line.”
Through the trailer, we are led to believe that Earth has come under an attack from a mechanical alien threat, and that this army base is one of the units brought together to fight them back. “I head a unit called J unit, a rag tag collection of men and women,” says Paxton. Along with some heavy duty weapons, J unit comes complete with exoskeleton like armor suits that the characters run around in for what I imagine is for increased strength. “I had just arrived on set, my first day, and Tom was running around in a prototype of the suit. He yells at me, ‘Hey Bill! Have you been working out? Cause these things are heavy.’” Paxton said that the suits needed to be aided by chains because of how heavy they were for the actors. “It was Brutal.”
But what is the ringer for this movie is that Tom Cruise’s character dies in this movie. A lot. Every time he does, he wakes back up in the past, finding himself again in handcuffs. This Groundhog’s Dayish loop adds an interesting twist to this Sci-Fi flick.
Next up for Warner Bros. they have Into the Storm. Directed by Steven Quale, this New Line Cinema collaboration puts the audience in the middle of a fictitious small town as it is relentlessly hit by what seems like wave after wave of tornados. The film style switches between the use of traditional filming and handheld cameras, creating a more authentic like experience. Some of the actors which were present here at Wondercon were Max Deacon, Jeremy Sumpter, Arlen Escarpeta, and (brace yourselves) Richard Armitage. Yes, Thorin Oakenshield of The Hobbit movies.
After the crowd recovered from their near fainting spells, the director and cast discussed how it was to be on set. “We were in the middle of one hundred-a-mile fans, not to mention strewn debris and falling water,” says Richard. “The water was freezing,” added fellow cast member Max Deacon. Into the Storm will be out this August 8th.
And lastly for this presentation Warner Bros. showed what is undoubtedly one of this year’s most anticipated movies. Ever since the teaser at last year’s San Diego Comic-con, fans of Godzilla have been waiting patiently for its release. As it was announced to the audience, the name elicited cheers from everybody, including this reporter. Director Gareth Edwards was also greeted by equal praise. After showing us about five minutes from the movie where Godzilla meets with an almost equally tall but winged creature, Gareth talked about the overall experience of working on the film.
“I thought that out of everything, designing Godzilla was going to be the easiest part. Cause everyone has an idea of what Godzilla looks like. But it actually was the hardest part, because everyone has an idea of what Godzilla looks like. It took almost a year for his design.” Gareth had the idea to do the designing from silhouette. “Silhouettes are all easily recognizable for what they are supposed to be. I thought we should start with that. We started with a Rubik’s Cube like shape, black on white background. We prodded and pulled each piece, rotating as we went, till we felt we got it.”
Though all three movies do look quite promising, by sheer gauging of the crowd’s reaction I would have to say Godzilla is the most anticipated. The Warner Bros. and Legendary collaboration will be out May 16th of this year. I have faith that director Gareth Edwards with his love of monsters will do it justice, and wash from our collective mouths the bad taste left by its predecessor.
While people were not watching Wrestlemania or Game of Thrones yesterday, some were getting married, including popular comics folks Janna O’Shea and Michael Zagari, whose nuptials even made the NY Times. The duo was forged in the crucible of New York comic book socializing, and tempered in a move to the West Coast to work for Disney. They remain adorable.
I’m thrilled to have launched my new website this week. Please click over and check out the fun, including …
A page dedicated to my new picture book, Handle with Care;
Teacher Resource pages for Handle with Care;
A page dedicated to my upcoming Scientists in the Field title, Beetle Busters;
My very own bookstore!
As happy as I am about the new digs, it is bittersweet leaving this blog behind. My new site has room for all the things I do here, though, and simplifying my online presence makes good sense. I’ll leave this blog here as I transition some of its content over, but I’ll not be posting anything new.
So, my friends, thanks for reading. And please do come on over and visit me at http://www.loreeburns.com!
I have a post up at PubSmart today. In case you haven’t heard, PubSmart is a new writers’ conference debuting this April in Charleston, SC, with the goal of bringing together self publishing, traditional, small press and hybrid. PubSmart is about introducing new models that lead to smart decisions about how to seize opportunities in today’s transformed book marketplace. I’m thrilled to be on the faculty of this terrific new conference! Keynote speakers are Hugh Howey and Jane Friedman, and the faculty includes heavy hitters from all walks of today’s expanded publishing world.Learn more on the PubSmartCon website.
Here’s a preview of my post:
What’s Your Book About?
Everyone attends conference for their own reasons—to learn, to network, to get a break from home. One of the primary advantages of a conference is the opportunity to talk to people, including fellow writers and others in the industry. Naturally, one thing you’ll want to talk about is your work, whether you’re in a formal pitch session or just hanging out having drinks. But talking about our work is sometimes challenging! So here are seven tips for discussing your book(s) effectively.
1. Be prepared. You never know when you’re going to come across someone who will ask, “So what’s your book about?” Mealtimes, hallway chatting, elevator rides, and designated pitch sessions. Prepare ahead of time so you’ll never be caught stammering, “Well, it’s um… it’s kind of an… uh…”
2. While preparing, remember that you’re going to be talking to someone. There are differences between verbal and written pitches. Your speaking voice is different from your writing voice. Make sure you don’t prepare something that sounds too “canned” i.e. written.
Click HERE to read the complete post.
→And don’t forget our special Facebook event today! Books for writers specially priced at 99 cents, plus all-day chats happening with the authors of these books. Click here for more info.
The post What’s Your Book About? appeared first on Rachelle Gardner.
Tomorrow (Friday 2/28) I’m participating in a fun online event in which authors of 16 e-books specifically for writers are discounting their books to 99 cents, and will be hanging out on a special Facebook page to chat and answer questions from writers. The graphic below shows all the books available, and each one is individually clickable.
This is a great opportunity to expand your library of writer resources (dirt cheap!) and get some questions answered. The authors involved will be on Facebook at different times. I’ll be there 3 to 6pm EST.
Click HERE to join the Facebook event, and then on Friday you can show up, hang out, chat, ask questions and enjoy talking books with your colleagues in the business!
Each of these books is going to be 99 cents for Friday only, and then return to their regular prices.
The post A Facebook + Amazon Event for Writers appeared first on Rachelle Gardner.
Here at the Cybils organization, we are big fans of the Kidlitosphere Conference (aka KidLitCon). KidLitCon is an annual conference for children's and young adult book bloggers (though anyone is welcome). KidLitCon is a much smaller conference than, say ALA or BEA. There are usually a few bookish giveaways, and a book exchange, but the focus of KidLitCon is not to be a swag-fest. The focus of KidLitCon is to give those of us who blog about children's books, sitting in front of our computers at home, a chance to meet, face-to-face.
KidLitCon includes conference sessions about topics like:
- Diversity in Kid Lit: Nurture More, Blog More, Get More
- Critical Reviews & Why They Matter
- Blogger Burnout: Suggestions for Getting Your Groove Back
- Blogging the Middle Grade Books
- and more... see this year's full schedule.
KidLitCon is a great place to go to get reenergized about blogging, and to learn ways to take your blog to the next level. But the real reason to attend KidLitCon is to meet friends that you have up to now only known online. Many of the Cybils organizers have only met one another face-to-face at various KidLitCon sessions over the years, and we so value those opportunities. We highly, highly recommend that you try to get yourself to KidLitCon sometime, if at all possible. KidLitCon rotates across the country from year to year, to make it easier for people to attend at least once.
This year, KidLitCon will be taking place in Austin, TX on November 8th (pre-con) and November 9th (the main event). The keynote speaker is the fabulous Cynthia Leitich Smith, YA author and blogger at Cynsations. The deadline for registration was just extended to November 1st. More details are in the handy flyer below:
You can see a list of some of the people who are registered for KidLitCon 2013 here. And you can register yourself here. The registration fee, which includes Saturday lunch, is only $65. Particularly for those of you who are within driving distance of Austin, this is tough to beat.
Register now for KidLitCon 2013! We hope to see you there. We can talk about all of the amazing books nominated for this year's Cybils.
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It's Sheila Ruth's birthday today, so leave your well wishes in the comments. This contest wouldn't get off the ground every year without Sheila's hard work and dedication. Without her fabulous database, her publishing contacts, her work ethic and literary mojo, this would just be another cool blog about books that got updated once in a while.
So tell her how much you appreciate her!
Anne Levy, Absentee Editor
By: Heidi MacDonald
Blog: PW -The Beat
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, Breaking News
, Downloadable Comics
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, Amelia Onorato
, Bill Bedard
, Center for Cartoon Studies
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BY JEN VAUGHN – For anyone who has ever performed any improv, there is a simple rule: ‘Say Yes.’ Say yes to a situation when presented to you because your fellow troupe member has a story line. You can add even more “yes and…” The same rule applies to a game called Fiasco, which calls itself the ‘make your own Coen brothers film’ game. You create a story without props with high stakes, characters with high ambition and low impulse control AND with a traditional story structure. The first time I played was with Comics Journal editor and gaming partner Kristy Valenti and the heat was oppressive, adding to our Western setting. Center for Cartoon Studies professor and cartoonist (most notably for BERLIN), Jason Lutes, has taken the narrative he created with five CCS graduates and turned it into a 72 page full-color comic book called BINGO BABY.
The creators include five CCS graduates Donna Almendrala, Bill Bedard, Joseph Lambert, Amelia Onorato, and Denis St. John and Jason Lutes is their whip-cracking editor. It’ll be interesting to see this story that was created rather on the fly by creative storytellers and then coaxed into comic book page submission. Each of these young cartoonists are drawn to rich stories, no matter what genre or style. Based on the video, they draw a lot from the quiet mountain town of White River Junction, full of its share of characters from the meth addicts to the Vietnam War veterans to the bougie retirees to the dueling bingo venues crammed with hardcore players. You can do the ol’ Kickstarter pre-order now for only $10.
Lutes is known at the school for his board game nights. Wish there was a reward that included Lutes coming to YOUR board game night and teaching you a thing or two about wheat or stone trades. Rewards include the book itself, a shirt, hell—some original Lutes artwork!
Jen Vaughn is a Seattle-based cartoonist and marketing manager at Fantagraphics. CAVEAT: she’s played board games with all these creators and they are magnificent bastards.
Well, not so much guests as awesome people who will be there. Among the ones we’d like to call attention to, the French genius Boulet, graphic memoirist Miriam Katin (who is having her book release party in NYC tonight), animator/illustrator Peter de Seve and the all-around great Michael Kupperman. But you know, really everyone on this list is swell.
The MoCCA Festival will be held April 6-7th at the Lexington Armory in NYC.
Boulet, AdHouse Books
Darryl Cunnningham, Abrams Books
Rob Davis, Self Made Hero
Kim Deitch, Fantagraphics
Glyn Dillon, SelfMadeHero
Drew Friedman, Fantagraphics
Bill Griffith, Guest of Honor
Miriam Katin, Drawn and Quarterly
Lucy Knisley, First Second Books
Michael Kupperman, Fantagraphics
Stan Mack, NBM Publishing
George O’Connor, First Second Books
James Romberger, Fantagraphics
Greg Ruth, Allen Spiegel Fine Arts
Robert Sellers, SelfMadeHero
Peter de Seve
Dash Shaw, Fantagraphics
Jillian Tamaki, Guest of Honor
Adrian Tomine, Drawn and Quarterly
Lance Tooks, NBM Publishing
Joy and Noelle Vaccese
Marguerite Van Cook, Fantagraphics
A quick update from Emerald City Comic Con, a convention which you can only access by jumping into your nearest hot air balloon and flying directly into a cyclone. Monkeybrain’s Allison Baker is at the convention this weekend, and on Friday announced the immediate release of a new comic from the company, available now on ComiXology – for free. Free comics, you guys! Live the dream.
Called Frost, the comic is written by Brandon Jerwa and Eric S. Trautmann, drawn by Giovanni Timpano, coloured by Andrea Celestini and lettered by Simon Bowland. Here’s the solicitation for the issue:
Meet FROST. His name is spoken in whispers from deep within the American intelligence community–a cypher, a walking secret, and the ultimate weapon against global terror. In the far-flung fields of battle against America’s enemies–a world where those who would protect us from harm must often trade in violence, deception and betrayal–there are those who strike a deadly balance between order and chaos. In this struggle, information and secrecy are as lethal as the gun, and where the ultimate practitioners of the military arts engage the enemy in the shadows…
Free comic, everybody! Available through this link.
Yet ANOTHER band of creators teaming up and kickin’ it to Kickstarter! Tis time its Alex Grecian, Jeremy Haun, B. Clay Moore and Seth Peck who are putting together a showcase anthology called BAD KARMA VOLUME ONE.
BAD KARMA VOLUME ONE is a 200-page collection of comic book stories, prose and artwork, created by writers Grecian, Haun, Moore and Peck, along with a host of collaborators. The book, which is the focus of a Kickstarter campaign that began on Monday, December 10th, debuts five original comic book concepts in full-length stories, as well as full page illustrations by some of the greatest talent in comics, inspired by the main concepts.
The Kickstarter campaign will run from December 10, 2012 until January 10, 2013. BAD KARMA VOLUME ONE is scheduled to debut at Heroes Convention in Charlotte in June of next year.
The five main stories in BAD KARMA VOLUME ONE are:
MIDDLETON, by Alex Grecian and Phil Hester;
CHAOS AGENT, by Jeremy Haun and Mike Tisserand;
OLD DOG, by B. Clay Moore and Christopher Mitten;
HELLBENT, by Seth Peck and Tigh Walker; and
THE NINTH LIFE OF SOLOMON GUNN, written by Grecian, Haun, Moore and Peck, with art by Haun. The book’s cover has been designed by acclaimed writer, artist and designer Jonathan Hickman.
Last summer, the Musuem of Comics and Cartoon Art in NYC lost their physical space and transferred their assets to the Society of Illustrators. Although the SoI is a well-regarded institution, there was a lot of private concern over the MoCCA fest and how it would proceed. Details of the first SOI run show have just been released, and it sounds like things are coming together pretty well, under SOI’s Anelle Miller with a steering committee including industry-aware folks including Karen Green, Paul Levitz, Charles Brownstein, Tucker Stone and the Secret Acres duo of Leon Avelino and Barry Matthews. Several new programs are planned, including a program book, awards, art exhibits and a cafe.
MoCCA 2013 takes place April 6-7 at the Lexington Armory. PR below.
The Society of Illustrators is proud to increase the visibility of comics as a major component of its storied institutional mission by hosting the MoCCA Arts Festival on the weekend of April 6 – 7, 2013 at the 69th Regiment Armory in Manhattan. Beginning in 2013, the MoCCA Arts Festival will be one of the Society’s signature public programs, with the mission of honoring the artists who are advancing the landscape of comics and illustration via a world-class festival emphasizing their achievements.
Anelle Miller, Executive Director of the Society of Illustrators, says, “It is a great privilege to welcome the incredibly dynamic creative community that exhibits at the MoCCA Arts Festival to the Society’s rich heritage. For more than a century, our mission has been to promote the art of illustration, and to appreciate its history and evolving nature through exhibitions, lectures and education. We are elated to host the MoCCA Arts Festival as a key component of that mission, and to honor its artists with the high caliber of exhibitions and recognition that are the Society’s trademark.”
In addition to continuing the Festival’s tradition of hosting an exhibit hall spotlighting comics’ leading edge creators, the MoCCA Arts Festival will now include a variety of new programs directly benefiting the artist and audience communities attending the shows, including:
• Juried awards recognizing the best work at the Festival with medal winners being honored with an exhibit at the Society’s headquarters, and finalists’ work archived in Columbia University’s Rare Book and Manuscript Library;
• A lavishly produced, large format souvenir journal that showcases the work of exhibiting artists;
• Discount entries for exhibiting artists in the Society’s Annual competition;
• Curated programming emphasizing the artistic achievements of the Festival’s creative community;
• An exhibition gallery of original comic and cartoon art curated by the Society’s professional staff;
• An onsite café featuring a full bar and menu as well as a lounge for networking.
The 2013 MoCCA Arts Festival is hosted by the Society of Illustrators, under the guidance of a Steering Committee that includes: Anelle Miller, Kate Feirtag, and Katie Blocher from the Society, as well as Leon Avelino (Secret Acres), Charles Brownstein (Comic Book Legal Defense Fund), Karen Green (Columbia University), William Hatzichristos (CollectorZoo), Paul Levitz (Writer/ Educator), Barry Matthews (Secret Acres), and Tucker Stone (Bergen Street Comics).
In the weeks to come, the Society will release more details about the 2013 Festival, including naming guests of honor, featured guests, the Festival jury, and much more.
AUGHTS NOSTALGIA. Arthur Magazine was a FREE culture magazine that defined a lot of the early internet/alternative culture of the early century, before the internet drove it out of business by supplanting the advertising model that made free newspaper a thing. However, Arthur magazine is back after four years with issue #33, now with a cheap $5 cover price. And what a cover! It’s by Roarin’ Rick Veitch who is interviewed within. A launch party will be held 1/3 at Floating World in Portland.
WHO: Arthur #33
WHAT: Magazine release party and art exhibit
WHEN: Thursday, January 3, 6-10pm
WHERE: Floating World Comics, 400 NW Couch St.
And here’s the inside deets:
GIANT-SIZED Broadsheet newspaper
Sixteen gigantic 15″ x 22.75″ pages (8 color, 8 b/w)
This issue’s contents include…
Dream a Deeper Dream: A how-to conversation with cartoonist ROARIN’ RICK VEITCH by Jay Babcock. Plus “Cartographer of the American Dreamtime,” an appreciation of Rick Veitch and his work by Alan Moore.
JACK ROSE: the definitive, career-spanning interview with this late great America guitarist, conducted by Brian Rademaekers just months before his death three years ago. Plus: Jack Rose discography compiled by Byron Coley, and an illustration of a classic Jack pose by Plastic Crimewave.
Stewart Voegtlin on WAYLON JENNINGS’ dark dream, with an illustration by Beaver
Columnist DAVE REEVES on bath salts and border guards, with an illustration by Arik Roper
Massive reviewage of underground culture by Bull Tongue columnists BYRON COLEY & THURSTON MOORE
Columnist NANCE KLEHM on new modes of exchange—and homemade smokes, with an illustration by Kira Mardikes
Cartoonist GABBY SCHULZ explores our interstate nightmare
The Center for Applied Magick on “The Magic(k) of Money” — and how YOU can win $1000 for planning a BANK ROBBERY!
and the proverbial much much more
Johanna Draper Carlson wrote to remind us that the entry deadline for the Glyph Comic Awards is January 31. The Glyph Comic Awards recognize the best comics made by, for, and about people of color. Carlson is one of the judges this year. Entry guidelines:
The past few months have brought some nice accolades for CITIZEN SCIENTISTS, each of which makes me proud and very, very grateful. Thank you to the teachers, librarians, scientists, reviewers and children’s book lovers who make these awards happen …
- It was awarded an AAAS/SB&F Prize for Excellence in Science Books (Hands-On Science category). You can read more about this award and all the 2013 finalists here.
- The National Council of Teachers of English (NCTE) named it an Orbis Pictus honor book. You can read about the Orbis Pictus winner, the Orbis Pictus honor books, and more NCTE Recommended titles here.
- The National Science Teachers Association (NSTA) included it on their list of Outstanding Trade Books for Students K-12. Access the complete list here.
- The New York Public Library included it on their 2013 list of 100 Titles for Reading & Sharing. You can see that complete list here.
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Don't forget to tune in tomorrow morning (or tonight, depending on how you look at it), February 14, at 12:01 a.m. PST for the announcement of this year's 2012 Cybil Award winners! We'll be announcing this past year's best of the best as selected by the Round 2 judging panels, although of course we couldn't have done it without all 100+ of our hardworking blogging volunteers.
That's 12:01 on February 14th, right here at Cybils.com--Valentine's Day for some, announcement day for those of us keeping tabs on the Children's and Young Adult Bloggers' Literary Awards. See you soon!
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TweetThis comic was a no-brainer and rumored for some time, but DC has finally announced their new Batman/Superman comic, titled Batman/Superman. (World’s Finest is now Worlds’ Finest with Huntress and Power Girl and moving the apostrophe would probably cause mass confusion, so we back to a more literal title for the book.) The real surprise here is the creative [...]